the sun has come out one crow flies across the lot & then another — on the 38 one block from Jack’s Lawson Park sidewalks lined with tents — ol’ crow got sum’n he takes it up to the roof of the bus station — the year’s shortest day the mailman knocks on my door & postage is due — without a coffee I walk back from Circle K crow caws out hello! — bio/graf J. D. Nelson’s poems have appeared in many publications, worldwide, since 2002. He is the author of ten print chapbooks and e-books of poetry, including *Cinderella City* (The Red Ceilings Press, 2012). Nelson’s first full-length collection is *in ghostly onehead* (Post-Asemic Press, 2022). Visit his website, MadVerse.com, for more information and links to his published work. His haiku blog is at JDNelson.net. Nelson lives in Boulder, Colorado, USA.
Category Archives: CHAOS
Essay from Aziza Amonova
ENHANCING STUDENTS’ CREATIVE THINKING THROUGH INTERNATIONAL ASSESSMENT PROGRAMS
Annotation: This article describes the concept of creative thinking in a broad sense and mentions that this concept is important for students' future research. The PISA program, which is considered one of the international researches, requires creativity and the opinions are expressed about the further improvement of the quality of education
Key words: skill, creative thinking, divergent thinking, science, mathematics, problem, platform, domain,
INTRODUCTION
The main task of education is to form the skills that the student will need today and in the future to lead a successful life in society. Creative thinking is an important skill that today's youth should have. These skills help them adapt to a world that is constantly and rapidly changing, requiring workers with "21st century" skills that go beyond simple literacy. In general, today's student is expected to work in the future in fields that do not even exist now, to solve new problems through new technologies. A number of researchers have tried to identify the mental capacities necessary for creative thinking.
The importance of developing creative thinking at school is not limited to the labor market. School is important for young people to discover their abilities and skills, including creative talents. Also, creative thinking supports students' learning by interpreting events, experiences, and behaviors in a new and personally meaningful way. In order to increase the student's motivation and interest in the school, it is necessary to establish new forms of education that take into account the creative potential and enthusiasm of all students.
This can especially help students who are not very interested in the educational process, and it will help them express their opinions and develop their potential. the concept of convergent and divergent thinking has greatly influenced research in this field. Analytic thinking is generally defined as the ability to use conventional and logical strategies to search, understand, and make decisions based on information gathered in order to find answers. Divergent thinking, on the other hand, is original by applying new approaches and forming unexpected combinations from existing information, as well as using the capacities of connections, thinking, and transformation, such as semantic variability and fluidity. is the ability to develop ideas.
REFERENCES AND METHODOLOGY
Divergent thinking is also described as the ability to abandon ready-made instructions, to search for different solutions to problems, to resort to unexpected measures when all other means are exhausted, to look at problems from a different point of view, to abandon ready-made methods and try new ones. In general, divergent thinking is often about generating new, unusual, and unexpected answers. Creative thinking is often described in terms of divergent thinking, and most research to date has been devoted to studying the mental processes associated with divergent thinking.
But the research is analytical or decision-making clearly shown that mental processes of similar thinking, such as the ability to do, are important for creativity. For example, the ability to generate new and valuable ideas may depend on the implementation of other processes, such as problem definition. In fact, it was found that the success of art students in defining the problem is closely related to the criteria of aesthetic value and originality of the pictures they draw. These criteria, in turn, depended on the long-term success of these students as artists. Schools can promote educational methods that support the mental skills and approaches necessary for creativity, and learning to form mental representations has been shown to improve student creativity in science, mathematics, and ICT.
The literature suggests that the more domains covered in an assessment of creative thinking, the better the coverage of the construct. However, some practical and logistical limitations of the PISA study affect the possible domains to be included in the PISA program. The first of these is related to the age of those being tested. Given that the target audience of the PISA study (15-year-old students) has limited knowledge and life experiences, the domains chosen for assessment should be based on knowledge and experiences common to all students in the world (such as drawing, writing or problem solving). The domain being tested (and related tasks) should also reflect a realistic expression of the creative thinking that a 15-year-old student can demonstrate in this context.
The second limitation is related to the time allotted for testing. According to the structure of the current PISA assessment, one hour is allocated to the test to assess students' creative thinking. This means that the number of possible domains must be limited so that a sufficient amount of data can be collected for each domain. Since the purpose of the PISA study is to provide benchmarks of test results at the country level rather than individual test results, different forms of tests can be used interchangeably. In this, students solve a diverse mix of tasks (with some accidental overlap) within the domain.
However, ensuring that students obtain reliable indicators of national test performance in each domain requires that sufficient time be allocated to each domain's task and limits the number of tasks that can be covered in an assessment. A third limitation is the implementation of the test of creative thinking in the standard PISA test-taking platform related to the obligation. PISA tests are performed on a standard computer, which does not have a touchscreen or an Internet connection. The platform currently supports various forms of response input, including multiple choice, text input, drag-and-drop, hot-spot (clicking on an area within a text or image), chat interface, interactive charts, and graphics.
Although it is possible to add new functionality to the platform during the development of this assessment, such as a drawing tool, selection of assessment areas, the technical limitations of the platform must be taken into account when developing the same tasks. The development of an international program for the assessment of creative thinking can lead to positive changes in educational policy and pedagogy. The PISA Assessment of Creative Thinking in Research provides a clear, reliable, and actionable assessment tool to help policymakers make evidence-based decisions. The results also fuel debates in society about the importance and methods of developing this important skill through education.
This activity in the international assessment program PISA is related to another project of the Organization for Economic Co-operation and Development aimed at supporting a new pedagogy for the development of creative thinking. The main task of education in creative thinking is to form the skills that the student will need today and in the future to lead a successful life in society. Creative thinking is an important skill that today's youth must have, and this skill will help them adapt to a constantly and rapidly changing environment that requires personnel with up-to-date skills beyond simple literacy. In general, today's students will work in fields that do not even exist in the future, for new skills for new problems will allow them to solve increasingly complex local and global problems through an unusual approach.
The importance of developing creative thinking at school is not limited to the labor market. School is important for young people to discover their abilities and skills, including creative talents. Creative thinking also supports student learning by interpreting events, experiences, and behaviors in new and personally meaningful ways.
Conclusion
A number of educational research studies have explored different methods of teaching or learning that increase the likelihood of knowledge and skill acquisition. Research shows that creative thinking can be effectively developed by working together in a team environment that allows for the creation of knowledge and skills. In other words, schools act as knowledge and skill-generating organizations, where students are actively engaged in creative and regular activities infused with new ideas.
When the process of creating knowledge becomes a purposeful activity that is an integral part of the educational process, that is, a type of everyday activity, Knowledge can also be created by "looking at the world with the eyes of questioning wonder." Looking at the world with questioning wonder is understood as the process of a student trying to understand the world, and it motivates students to put forward their own opinions about various phenomena. Students' creativity is reflected in their creative thinking skills, especially when most of the creative thinking process involves "invisible" tasks.
REFERENCES
1. Amabile, T. (2012), «Componential theory of creativity», No.12-096,HarvardBusinessSchool, http://www.hbs.edu/faculty/Publication%20Files/12-096.pdf (accessed on 28 March 2018). [59]
2.Amabile, T. (1997), «Motivating creativity in organizations: on doing what you love and loving what you do», California Management Review, Vol. 40/1, pp. 39-58, http://dx.doi.org/10.2307/41165921.
3.Guilford, J. (1956), «The structure of intellect», Psychological Bulletin, Vol.
53/4, pp. 267-293, http://dx.doi.org/10.1037/h0040755. [46]
4.Guilford, J. (1950), «Creativity», American Psychologist, Vol. 5/9, pp. 444-454, http://dx.doi.org/10.1037/h0063487.
5.Essex, C. (1996), Teaching Creative Writing in the Elementary School. ERIC
Digest, ERIC Digest., https://files.eric.ed.gov/fulltext/ED391182.pdf. [108]
6.Feist, G. (1998), «A meta-analysis of personality in scientific and artistic
creativity», Personality and Social Psychology Review, Vol. 2/4, pp. 290-309. [61]
7.Gajda, A., M. Karwowski and R. Beghetto (2017), «Creativity and academic
achievement: A meta-analysis.», Journal of Educational Psychology, Vol.
109/2, pp. 269-299, http://dx.doi.org/10.1037/edu0000133.
Essay from Nasiba Kamalova

What is happiness for you? Everyone imagines happiness differently, but the scope of this concept is much wider than our scope of thinking and it cannot be expressed in a single case. Let's say that the birth of a person is happiness, marrying someone you love is happiness, and having children is happiness. Also, receiving parental blessings is happiness for a child, to have a car, to build a house, to achieve some other dreams... They are, all of them can be happiness for some people. These states, which people know as happiness, can be continued as long as they want. But there is such happiness among them that to be a guest of it is a great example of perfection. This is to be loyal to the Motherland, to show self-sacrifice for the development of society, peace, and tranquility of compatriots. Also, happiness can be, to love people, to look at them impartially, with the eyes of love, to recognize that everyone is a person like himself and that they are equal before the Creator. Even greater happiness for me is that I am a young generation of a peaceful country called Uzbekistan. The word "Motherland" itself has a broad meaning. Our world is one of the meadows, where nature is our land, and faith in God is a blessing. Unfortunately, many estimate happiness to be wealth in this life. Wealth is not an indicator of happiness. For example, a great Russian scientist saw his happiness in creating rockets. He lived by eating leftovers from kitchens. But even in such conditions, he considered himself happy. Being full can be a small factor in feeling happy. Satisfying human needs at least to a moderate level also creates the basis for happiness. Sometimes even people who have enough of everything feel unhappy. What should people do to feel happy? Coming into this world as a human is happiness, and leaving it as a human is even more happiness. Nonetheless, we are not always able to appreciate the value of happiness. Getting up early to see the sunlight and breathing every moment of our life is unlimited happiness. It's about being able to feel it and enjoy the blessings of the world. "Happiness cannot be traveled to, owned, earned, worn, or consumed. Happiness is the spiritual experience of living every minute with love, grace, and gratitude." -- Denis Waitley
Poetry from Mukhlisa Safarova
Why should I cry?! If I die my spirit flies to the sky If they cry with blue on the Earth they are him for I Say him that she's gone for coming back never- because she died Why do I have to cry, do they cry If friends have tears-causes are expressed We said it for the soul, or what or else This sadness stuck me into the darkness If any questions, say she flied to the sky Why do I have to cry, do they cry Bunches of the life throw away flowers The life of one flower is ending as bu(rgeon)d Making me feel that events in my heart They left me leaving such torture as peeks Nibble my inside-I became downward Why do I have to cry, do they cry Reason-memory(memento) martyr me by after by after Heart burning continuously (my mind) hurts (mine) my mind Versus winds standing my patience Roars saying "oh" - tough protestation "Don't cry" they say, flower glamourous But cannot say we don't make you cry, tongue wonders Left me, won't come back that sweetheart liar Why do I cry, do they cry Kindness in eyes, words without words Exists spark still, intends glowing But the possessor of fire burning another Every moment tells fiery words Getting away, not coming back my valentine-without tolerance, pert (without justice-fired) Why do I cry, do they cry Causing impatience they left me, of course Have you reached at your pointed distance, (at the end ?) destinations Did you deliberately hurt me, finally again (at the end) ? Or again brought me to the grain, at the end ? Oh my chosen valentine chose the other Have you left me forever - entirely end ? Yourself whisper, who could I make mine-my lovely anymore(then) ? Why do I cry, do (they) cry I will leave this world one day Right towards to my God, his forward (away) At that time He will give me Happiness huge endless I do live in the garden of Paradise with gladness My patience's travelled unending space Before it ends, impart(deliver) me to Your Ways Oh My God, I will go back to You, without any doubts I am Your servant(creature, prayer), I am (only, just) Yours Forgive my sins, My Lord who created, (I am thoughtless) You are aware and listener as well(also) with patience The time hasn't been taken down for us - mysterious Why do I have to cry, (but) do they cry My heart hurt, causing that satisfaction night I find my soul out dead at (next) that dawn No hearts to feel anymore then I will shut it (forever) till the end And that life unmatched and with locked hair From my Happiness into the moments Why is sadness finding spaces ? That annoyed(uneasy) psyche is abandoned(ruin), insulted That fire is not for intolerant jack, anymore again Why do I cry, do they(he, all) cried...?! Mukhlisa Safarova was born on August 13, 2001, in the Surkhandarya region of the Republic of Uzbekistan. She is 21 years old and has a deep interest in poetry. She is the author of numerous poems, songs, stories, and articles. Currently, she is a second-year student at the University of World Economy and Diplomacy. She was awarded the Peace Ambassador nomination in a competition organized by the Iqra Foundation and has served as a representative of the SPCS organization in the United Kingdom, as well as a Global Education representative for Wisdom University, earning certificates and winning various competitions and contests.
Poetry from Taylor Dibbert
Dinner in Colombo
He’s having
An egg kottu
At a random place
On Galle Road
In Colombo,
Trying to
Hold back
This massive smile
As he eats,
He loves
Sri Lanka.
Taylor Dibbert is a writer, journalist, and poet in Washington, DC. “Invictus,” his debut poetry collection, is due out in January 2024.
Poetry from Devin Rogan
This Doesn’t Take Place In Florida I live alone in the woods but I am still less alone than Most people in human history Because I have a phone In a few days I will go to a funeral In a big city Where someone will tell me his life story He grew up in Florida Has returned to Florida It was hard for him in Florida Which sounds exactly like Everywhere else I have been to Florida But not for a long time So it is not part of my life story But most people have the same life story If you just insert your own details Mentally replacing “Florida” for Your personal “Florida” I have considered my life In its totality and strangeness More recently than I’ve been to Florida So basically I was in Florida If Florida is a metaphor For the place where things happened In your life story Instead of it being the state called Florida Sometimes I wait for a new life I wait for it to emerge from the trees I wait and I wait And it does not appear But that does not dissuade me From trying again at some point in the future At a funeral people will try and tell Someone’s life story Since that person is not there to tell it They do a decent job usually Considering it is not possible The World Where it Rains The rain is continuous and forever Nobody knows how long it has been raining It has been raining since we can remember So long that now we don’t call it raining anymore In the raining world I decide I will Quit my job and move far away Then go grocery shopping To celebrate That it will always rain Before anyone speaks to me they are beautiful In the aisles they are being beautiful They have come out of the rain to be with me And we will frolic among the groceries But then they speak to me And ruin it all I think of the specific flavor of candy I want to buy And I can’t recall the brand Or maybe they don’t make it anymore So yes, we can want things that are gone I guess We unconsciously pine for the sun That we no longer even remember Or who people could have been Before they started talking I think about When I move and When this is no longer “my” store I will love it so fucking much then But not before then Somehow That night it stops raining when I am at the gas station It is just me and the gas station Oh and also the guy that works at the gas station I remember that I miss everyone who is not me and the guy at the gas station In the world where it is not raining now It can be different Because when something changes you know It has just begun changing And soon it will be the rest of everything changing Forever And it will continue this way And I will move far away And be in the sun Leaves (Leaves) A mental image of me covered in leaves Exponentially decreasing in size relative to the pile of leaves Completely minimized by nature (leaves) Until eventually everything else becomes secondary to leaves To the massive foliage dome of leaves Nothing else matters but the leaves But these are just imagined leaves I made up for this poem So there are no leaves actually And the world is as it is And I say it is a pile of leaves In a poem about leaves Which is to say Metaphorically and not literally so
Poetry from John Mellender
No Word for It
There’s a paradigm of friendship between females
named sisterhood,
there’s a paradigm of friendship between males
named brotherhood.
The paradigm of friendship (everything up
to but not including sex) between people
of opposite sexes is a siblinghood unnamed,
but let’s call X.
The shattered man may win sympathy
from an unaccountably friendly woman,
feel her reviving his cadaver piecemeal,
feel her magnetize selectively
the fragments of him no more posthumous –
which shards, recalling prior composition
commence re-congelation now anew,
undevastated and rejuvenated.
What present could be gentler or more tender,
what surprise could nullify such grief?
What sweeter gift than life might some girl render –
who may withhold frustrate desire’s relief?
Remember how she loved you as a human
who cannot be your lover as a woman,
return her love in kind with some acumen,
flirt up some other babe. And watch your groomin’.
That Isis-girl who caused your resurrection
deserves your love to verge upon true X-hood:
all guys who have new life through her selection
experience enhancement of their sex-hood!
COFFEEHOUSE TRANCE
Motto: If the Pope is the poet of the Love God of Jealousy,
the poet is the Pope of Desire
Sinking into trance of automatic writing,
nothing of the coffeehouse coming through
but nymph-visions passing or alighting,
the dazed transcriptionist receives the new
afflatus with confidence he’ll get it down
in efficient-est simplicity.
He sees two couples about the town
in the haven of youth’s felicity.
They start comparing parents’ love-lives:
one girl’s was riddled with infidelity,
jealous harangues tanked up in dives.
The other girl’s own folks’ terse civility
was all they could spare for one another
ever since the Mother’s found-out fling
a decade prior made just some other
platonic mockery of desire’s real thing.
Now one of the two guys being juggled by
those two girls had a Dad mostly gone
and a Mom who hooked a bit, the boy nearby
in the next room while the revels went on.
The second dude, friend of the girls’ other guy,
had parents who were ever deep in love,
met not each-other’s straying with some wry
possessive judgment, but forgave – above
all, each deferred t’other in own bod’s claims.
All four offspring, in their a-quatre menage
to remake human love, bent modest aims –
staring Venus’s decolletage….
Sinking into trance of automatic writing,
nothing of the coffeehouse coming through
but nymph-visions passing or alighting,
the dazed transcriptionist receives the new.
…