My Shame My Old Man for reasons unknown to me my entire life was a racist. He despised black people, referring to them as niggers. We were not allowed to associate with, buy records or listen to music by them and we weren't allowed to talk about any sporting event they participated in. The Old Man wasn't very fond of Jews or the Irish either. In the summer of 1966 Martin Luther King Jr. planned a demonstration to march in Marquette Park on the Southside of Chicago in early August. The park was near my neighborhood. There were actually early evening meetings in local Churches, American Legion Halls and on the front porches of homes discussing strategies on how to disrupt the march or stop it completely. Even the local clergy, police and community leaders attended the meetings in support of the cause. Kinda pisses you off when you think about it. My philosophy concerning demonstrations is; if no one shows up to acknowledge the protest, or pays attention to them, the demonstration becomes ineffective. Two years earlier my oldest brother Harold told the Old Man he was joining a civil rights movement with other College students to register black people to vote in Southern states. The Old Man became so enraged he excluded him from posing in the family photo. He also cut off all college financial aid and my brother was not allowed to enter our house. The Old Man told him to kiss his ass goodbye because he was asking for trouble. There was a good chance he'd wind up getting lynched by the Ku Klux Klan. A month before his intended deployment he found out his girlfriend was pregnant. They decided to get married which ended his involvement in the cause. A few months later three volunteers were murdered by the KKK and local police in Mississippi. The Old Man had an "I told you so" to justify his actions. The day of the demonstration arrived with a large contingency of opposition assembled. I followed the crowd of white protestors, including family and relatives, neighbors and friends to Marquette Park that August afternoon. The closer we got to the park the more vocal the group became. A man dressed in an Army type uniform started yelling commands. "Let's run these niggers out of our neighborhood." He hollered in a southern accent. When I got closer to him I saw a patch on his sleeve that said KKK Alabama. I don't think he even lived in our neighborhood. I remember feeling forceful and tenacious emotionally charged by the electricity generated from the crowd. The Old Man with my next oldest brother, an uncle and two cousins were wearing expressions of venomous hatred. There appeared to be a thousand white people gathered ready to do battle. I was caught up in the herd mentality. The black demonstrators led by Martin Luther King Jr drew closer to where I stood. They marched to a chorus of racial slurs and a barrage of bottles, rocks and bags of shit being hurled at them. "Fucking niggers get the fuck outta here." along with chants of, "Niggers go back to Africa" echoing throughout the park. The police stood idly by and did little to stop the crowd's harassment. I noticed on the ground in front of me a large piece of house brick. I knew this would cause serious damage. I have no idea what compelled me to do what I did that day. I picked up the piece of brick, took aim and hurled it with force into the crowd of demonstrators. The brick struck Martin Luther King Jr. in the chest causing him to drop to one knee. He remained in that pose for a short minute then stood and continued the march acting unfazed by the incident. Instantly an emotion of intense remorse gripped my soul strangling it so tightly I became physically ill, wanting to vomit. My friends and others nearby began patting me on my back, giving me congratulations and laughing. I had to hold myself back from crying after witnessing the courage Martin Luther King Jr. displayed. He stood up, brushed himself off and continued the march. He finished the march and even made a speech afterward without succumbing to the wound he had sustained. I read about the incident the next day in the Chicago Tribune. Here is the follow up article headline: Martin Luther King Jr. and supporters pause during a fair housing march through Marquette Park. King later said he had never seen “mobs as hostile and as hate-filled as I’ve seen here in Chicago.” When Dr. Martin Luther King Jr. stepped out of a car in Marquette Park on Aug. 5, 1966, he was met by a crowd in an ugly mood. That was nothing new for King. During his civil rights crusade, he'd often faced Southern mobs. The year before, police and sheriff's deputies brutally attacked a march he'd organized in Selma, Alabama. But he saw something even more menacing in the faces of the 700 white protesters who confronted him on Chicago's Southwest Side. "I've been in many demonstrations all across the South, but I can say that I have never seen — even in Mississippi and Alabama — mobs as hostile and as hate-filled as I've seen here in Chicago," King told reporters afterward. King and hundreds of demonstrators had scarcely set out on a march to promote open housing when he was struck by a rock. "The blow knocked King to one knee and he thrust out an arm to break the fall," the Tribune reported. "He remained in this kneeling position, head bent, for a few seconds until his head cleared." Aides and bodyguards closed in around King, holding placards aloft to shield him from the missiles that followed. King and the demonstrators had hoped to reach a real estate office on nearby 63rd Street, intending to demand that properties be rented and sold on a nondiscriminatory basis in the all-white Chicago Lawn neighborhood. Only a few of them made it before a riot broke out. After reading the article I experienced a sense of guilt and shame that I'd never felt before. The act of hatred I demonstrated that day has haunted me my entire life. I was viewed as a local hero for quite a while. My Old Man treated me with respect and kindness for the first time. He was proud of what I had done. However I resented every congratulatory remark and comment people made to me. This story has never been told until now. I've kept it hidden inside for fifty-seven years. I was thirteen at the time and I will turn seventy this July.
Category Archives: CHAOS
Poetry from Lewis LaCook
What birds think of you
The content of the woods when you stop to listen
is you listening stopped
not that the birds do stop
not that the birds mind
the contents of their minds for some minutes
look through you at worried mud
after all
the content of the ground beneath
your feet carpets their dreams too
and you leaning into the cut smell of chlorophyll
sprawled buzzing in a heat wave of blankets
why can't you sleep
Sweating below zero
Through cracks in an outer pane woods glow
these echo what we leave in other people
when they die your eyes don't belong to you
when you talk to yourself you talk to them
You pedal for an hour but you're still home
the view changes even if you blink
and will continue to even if you get away
your breath stares back at you on glass
Moons drip over a desperation of sleeping roots
you fill it on nights that thin your time
owls listen for the crackle of fear in snow
before you go to where other people wait
Lake affect
Waking, Lake Erie piles up in her window. The cold green water swirls old shipwrecks open for her dream-gummed eyes to allow her dead husband to rise like white rocks from the waves. Algae blooms and a coal-colored pollen falls over all the rust. The face from her doll head cake turns on a scratched-in smile so that we may better see the chorus drowning with their hands tied. When we die we become the smell of liquor.
You who suffocate on your hunger, you who choke me up on the cold green cemetery lawn, how did the germs grow so fast to choke your heart?
On the form a blank hungers for his date of birth. His dead wife watches from her window as the shipyard rusts into the Black River, chocolate taste of lead on her tongue. Egrets reel. These days when I mow the cold cemetery lawn her mother's bitter lips tin an August morning surly with clouds. What you can do with a white bandana, with the smell of liquor, is near grace and almost grateful for how it coats everything, the cars, the lawns. Real egrets. Instead of going to you become. She is waiting for Lake Erie to fill her with ceaseless motion. She is suffocating with her mouth choked up on mercury and tin. The minnows' silver eyes dream in gum.
I towel the germs off and when she lifts me white from the tub spill them on the floor like a smear of cake.
The blizzard of '77
Ripples on the surface of the Black River chart the rise and fall of good times for egrets. With the frame smudged around her and with her face pinched to show her mother what she's made she holds the doll head cake out from the front of her body as if to hold it any closer would invite her mother's criticism. You pass through dusk with fireflies scintillating like airborn embers around you. Germs coat the windshields, the sidewalks, the lawn slashing the windows in the wood-paneling in the Blizzard of '77. In the back of your throat a small doll with her mother's face mutters crests into the troughs where egrets wheel and swoop.
War ripples across the continent, staining the Black River water the color of dead minnows floating belly-up against the splashed wings of egrets. Snug within the safety of the frame your father's smile points to the pins in his lapel. But no-one asked her to prom. Your white bandana makes you one of the good guys. On Marshall Avenue the grass sparks with flint light and the Blizzard of '77 plows your heart under, where a bag of warm takeout begins to think. I mow your lawn these days a hundred miles from the nearest pile of slag. In summer children climb to the top and launch empires into cold green waves. The Black River cups in their hand only the unlovely boats. Egrets repeat themselves in the sugar crinoline of her doll head cake and your heart coats the back of your throat like plastic. I'm porcelain. Ask your father to mow the lawn on Kentucky Avenue before these lengths of shadow choke him out into the cold green waves of derelict mustang grape. Have him look you in the face.
Germs scintillate like a porcelain dusk of misremembered fireflies that land on your arms and your shoulders and climb down your throat to choke your heart up. I dream in your ashes, another empire impaled on her mother's criticism. We're all scared.
The calligraphy of great lakes
In print you make your mark with my voice on hold
curved the way my bones point in your direction
I wish I had listened to the roses papering their season
in a room of no walls you open every window
to hear me tell it from the street where our bikes
propellor Are you trying to teach me how to fly
or swim against your body slipping into spills greedy
the light strained through to colors and so sinking
the sky can be worn like a hat flotation device
toughening the sugar that clings to your fingers
My breath the flavor of paper in the sun’s plastic
streets where you lead me blind through the trees of your mark
Count Chocula
With pollen in part as your throat, sprung cotton
among shag of light, at in instant oxidized, toxic
flavors of childhood’s improbably tomorrow
Their vehicles were trapped in what could carry
in legs, dried and picked off protein birds dare
colluding with information as murmurs as blue
The water invasion will vanish nights off
everyone waits to come out, carry dead out
to fields forever talking, long without breath
Imagine a wafer infestation of the host
resurrected, useless terms, tasting like
on the head of a pint, shrubs of printed word
Imagine the light vampire like your father’s
shame you could smell on the seats on hot
summer days catch the arrogance of dusk
Poetry from Joseph Wechselberger
BLOODLINE
Blood stains
the hard-packed snow
in the street
crisp cold air
creates a crust
on the chill white
landscape
and footsteps sound
like echoes
from distant hills
a cluster of children
hurry
past the mark
save one
a girl
with knowing eyes
who pauses
as if viewing a flower
then scurries on
cheeks stung
red as the stain
to join her comrades
going to the warmth
of somewhere
**********
BIGOT
hey faggot
he shouted
with venom and contempt
to a flamboyant
young man
across the street
to this
the flamboyant young man
with a toss of his head
and a different intent
said
how queer
to himself
and with sadness
and pity in his eyes
walked away from the words
without looking back
**********
all fluff 73*75
(lonely)
that night
like others, looking
for companionship
for someone
anyone
(incredibly)
there you were
the shadows, flickering
enticing, exciting
we
met
flashing dark
eyes showing
arrogance
sex
electricity
(extraordinary)
temptation
sensation
elation
celebration
(emotionally)
exhale inhale
in out
shout
wow
(candidly)
for a while
very happy
some doubt
you stayed
but
were you
there
I believed
in you & me
truly
(retrospectively)
more or less
I confess
what a mess
you were pretty
but not elementary
(specifically)
no loyalty
no integrity
just transitory
you used me
(regrettably)
no surprise
so many lies
so unwise
no prize
(pointedly)
you cheated
frequently
easily
blatantly
& everyone knew
but me
no remorse at all
you had a ball
never an apology
angry
sad
been had
(ultimately)
you
me
we agree
not to be
mercifully
you set me free
released from purgatory
end of story
Poetry from Maurizio Brancaleoni
What It Lacks It’s the lyrical accent that's lacking, the sharp snap of expressionist dramaturgy, the steadfast steer of the infested line whose absence is bewailed pathetic, stupid are the subjects your life is trivial and hopeless by now; being poor, you suck up raw chatter and companions and pull them in the nobleness of verse traded for a few threepenny tricks rhyme the most humiliated and rightly so you're dead to sense too under your pretty shroud of postmodernism I take you along in my daybook as seed, fruit and offspring of mine on regional trains and eatery tables Maurizio Brancaleoni has had poetry and prose featured in numerous journals and anthologies. In February 2023 he published his first short story collection “New Parables and Other Oddities”. He has a bilingual blog where he posts literary gems, interviews and translations.
Poetry from Sarah Burgess
Inconvenience Such a bother, Pain in the ass, That's life? That's life? That's the best excuse they can selfishly reveal? Why. Cause. Your. Own. Headache? You find yourself screaming, Screaming on the inside, Inner silent shrieks Of misunderstood loneliness. Inner silent shrieks within yourself, Misunderstood loneliness. You really do. Not. Intend to. Come, come on, please! Prisoner imprisoned in your own body. Can they not see? They try, at least. Waiting for some realization, actualization, condemnation to allure thought allowing this dove to fly. Conveniently included. Living incoherently, Incoherently living unjustly, inclusion when convenient! Justified defiance? Will it ever come my way? Never! If only people could understand They try, and get a sense of understanding, That's all, a sense… Unjust treatment becomes the normality
Song lyrics from Chimezie Ihekuna

Title: Move On
Chorus
Move on (6CE)
Move on
Drive in
Get right here
Hit the Bull’s eye
Get on it
Don’t Give Up
Keep trying
Start moving
Study hard
Strive more
Be straight
Be Positive
See the result
Then Move On (6ce)
Be grateful
Expect problems
Fail forward
Don’t be afraid
Falter not
Keep to your words
Be hopeful
Don’t be discouraged
Refused to be depressed
Be patient
Keep the right friends
Then move on (6ce)
Verse 3
Keep learning
Study hard
Make sacrifices
Pay the price
Be attentive
Try new things
Be adventurous
Seek inspiration
Be creative
Stand out
Be yourself
Then Move on (6ce)
Poetry from Faiza Yahaya Maibasira
Take a breath! the world is crispy, Sun, hugs only its flowers. I'm transparent, Walking through cliffs. But I'm not a wanderer. Even Mangoes submit To apples. For ' _apple-mangoes_ '. The storm gets infuriated- rivers refuse rainbow popsicles. My pupil, is not better than a lens. So earth, the plain For toast and glass kisses? Friendship and love might make it to heaven