Poetry from Steven Hill

The Loan
	   By Steven Hill

It comes back to me in pieces,
in reflective bites over breakfast cereal—
the smile of moonlit miles,
walks under freckles of stars 
two bodies, folded in a hammock,
childish words for you, carved in a tree
so close, the summer grass as we crawled.
And we rubbed, I and thou,
cheek to cheek,
hair to hair,
cheek hairs brushed by dew, 
drizzle like feather clouds
like memories of my baby blanket, 
star-crossed patterns peering 
at each other through our
windows—
what marvelous shelters,
you and I,
what a lighthouse,
what a beacon glowed within you and
beamed out at me 
through your windows.

And then—suddenly—it was all gone. Poof!
This life is on loan, it turns out.
What we thought was ours belongs somewhere else,
drifted back home
leaving a pile of bones and
scattered remains, ashes, chalky petroglyphs
shards of pottery
and a long trail of relations like ribbons 
	to carry on with what they too have borrowed.
 
Dandelion’s time had come to leave upon the wind,
not returning when spring 
	pushed up through the soil again.
We thought we would all live on the same block forever,
a shady cul-de-sac with 
	a box elder swaying over the creek,
the water feigning timelessness,
tree rings to infinity.
But a storm got the elder, the years dried the creek,
your kiss became a memory
our conversation a hushed prayer,
the doctor’s words a trace
	whispering through the moonlit lace,
the last light I saw reflected in your graying eyes
showed the telephone disconnected, 
the boisterous neighborhood grown silent
bat and ball, lifeless in the on-deck
a field no longer sown,
the grandfather clock chiming 
	over a hearth gone cold.

Everything in its own way announces the final curtain, 
we trowel a foundation, 
mark ourselves with a lifetime of endeavor
and then we are called to relinquish the monument;

	no, it relinquishes us

	Dull chatter in the background, announcing itself at the door,
with a rap and a rude harrumph,
waistcoat fastidious on the coach driver,
ah yes, the coach awaits, the door creaks open,
passage for one.

It’s a marathon and then
nothing, 
silhouette instead of stone,
		the universal groan, 
pace yourself, passage for one,
you won’t be takin’ it with you,
this life is on loan.

Poetry from John Culp

Consciousness is Self Evident.
To Ask for Proof grants the Disproof
 by the Axiom of Requiring it. 

It's a journey that every Question 
Aborts the Answer
so a walk home resumes.

The industry, The Art 
is how to define Boundaries 
to hold Pleasure as 
an enduring form. 

So If You Like it,
  the process can come
    from non-form
      through form 
        to non-form
Or mid-stand 
where comfort
holds the sensitivity 
to ongoing Beauty. 

Vibrant Joy Sure by feeling 
upon natural ongrowing 

Boundaries that fall to 
      unrestrained pleasure.

Set Heart's desires
   as bounding focus
       drawn a party to

Gifts rising upon the moment,   
                 Evidently. 




Poetry from Sunday T. Saheed

Mimesis


upon a saint’s grave lies a litany of prayer

dissolving into a pound of soil. what scrapes 

from a faithful pilgrim with white bird in his 

 

chest & white beards on his jaws than juicy 

flesh, to show him dead? i’ve walked into 

 

dreams to understand what desertion means: 

perhaps, is it the frozen lake a wild hog melts 

into like a piece of his culture he carries on his 

 

nose? who says we don’t admire God, we do? 

Or perhaps, we admire the flower that breathes 

 

behind His throne, too. you see? Even the angels 

have a garden of light they pluck breath from, 

like snowballs, as snow men. what silences a 

 

graveyard isn’t the presence of dead bodies but 

the absence of humans’ scent. i wonder if tearing 

 

a spiderweb means ruining his home and casting 

its bangles out into the cold, like a refugee, like 

how my mother sheds off the skin of her local 

 

color & nail a husk that reeks of modernism on

her ears. do these children know that local drums

 

have the voices they weave into our ears? & do re 

mi aren’t just notes but a series of hushed voices 

waiting to be touched by hands cold and frozen 

 

interpretation. i don’t remember if my lineage pane-

gyrics starts with my father’s name or his father’s, 

 

or his father’s father yet i do know, this language is 

nested into the water that drizzles beneath my legs. 

iyawo n lota (the bridesmaid is grinding pepper)

 

ileke n saso (the beads on her waist her grumbling)

ileke ma saso mo (beads, grumble no more)

 

je ki iyawo lota (let the bride grind pepper.)

i wonder if this song ever fall from mother’s tongue 

like mockingbirds fall into the palm of their deaths.

Sunday T. Saheed, the author of Rewrite the Stars, is a 17-year-old Nigerian writer, and a Hilltop Creative Arts Foundation member. He was the 1st runner-up for the Nigerian Prize for Teen Authors, 2021. His works have appeared or are forthcoming on Rough Cut Press, Brittle Paper, The Comstock Review, Salamander Ink, Aster Lit, The Lumiere Review, Poemify, Afrocritik, My Woven Poetry, Arts Lounge, SprinNG, Rigorous mag, Kissing Dynamite, Beatnik Cowboy, Trouvaille Review, Augment Review, Spirited Muse Press, Gyroscope, Giallo Lit, Open Skies Quarterly, Kalahari, Cajun Mutt, Open Leaf Press Review, Re Side, de Curated and others. He is also an asst. editor for The Nigeria Review (TNR). He was shortlisted for the Wole Soyinka International Cultural Exchange, 2018, The New Man Gospel Poetry Contest and BKPW Poetry Contest, 2022. He can be read on linkfly.to/sundaysaheed or reached on Instagram @poetsundaysaheed

Poetry from Mark Young

Some geographies:

Batangas 

Only an exceptional lawyer,
with a strong resemblance
to motor Jacksonian epilepsy

& a somewhat heavier bass-
line trailing behind them, can
perform a confident victory lap

without slamming the putter
back into the bag & stewing on
their flight back from Manila.


Gabès

Candy may be hard
to find in the fast-
food franchises built
by the former colonial
government in the
airport terminal, but,
thanks to the U.S.
military intelligence
supplying them in
an electronic format,
pretzels are plentiful. 


Palembang

Scotch whisky — or was
it Irish? Or both? — is
said to be enhanced by
distilling it over burning
peat. Here peatland fire
is given as a reason why
not to visit the city. Not

always so. Yijing, a 7th-
century Chinese monk, came
back from a six month stay
excited by the plethora of
electronic billboards, & how
they scraped the sky. Little
heard from him after that.

Rumor has it the Dutch East
India Company obtained
his silence by promising him
the royalties from any future
use of that sky-scraping word
along with a speaking part in the
upcoming Blade Runner movie. 


Balikpapan

There was a pig tied up in 
a corner. A toddler was tied 
up on several pieces of board 
in a state of lying. How dare 
they say there was no evidence 
of white supremacy? My brain 
keeps running a marathon. The 
frontal lobes eventually get 
overloaded. We can't easily
make these problems go
away. Instead of dinner 
with a big group we have 
Zoom & cookies. It is so tiring.


Jezqazǵan

A quick snack is all the guide-
books say you can find here.
They suggest you go some-
where else, to a nearby city
perhaps, if you're looking for 
memorable moments. Maybe 
that's why the Soyuz rocket
of expedition 49 landed near- 

by, to relax "in a remote region 
in Kazakhstan" after the hustle 
& bustle of space. It was my
75th birthday. If I'd known they
were going to be around, I
would have invited them along.
 

Cork

Only infections 
acquired after surgery 
can dominate the 

men's 400m hurdles
& remove all un-
necessary programs 

in the expansive & 
expanding field 
of Irish studies.


Bayanbulag

It may be tucked away in 
a dark graffiti-covered alley
but you can often find out 

what yurts are currently 
on the market or what the 
relationship is between 

nutritional status & motor 
development by following 
the many conversations on 

religion & culture that occur 
in the manicured gardens of
the Divine Word University.

Poetry from Patricia Doyne

                JURISPRUDENCE: COLLATERAL DAMAGE

		A well-regulated militia…
		The goal is clear: no standing army here
		in this new country. None. If there is need,
		just fill the ranks with farmers, merchants, men
		bringing their own muskets.  Then, disband
		when battle’s won.  At least, that was the plan. 

		Today’s lawmakers make no laws to hold back
		trigger-fingers itching to be free. 
		
		A teen in Texas purchases two rifles,
		semi-automatics, rounds of ammo.
		No questions asked. Just “happy 18th birthday!”
		So kid shoots grandma in the face, then speeds
		to school, kills 19 trapped 4th Graders
		and two teachers. Stops only when he’s shot. 

		Now come the questions; now, when it’s too late.
		Just six months into 2022,
		why 27 school shootings? Why?
		Why should gunmen terrorize our lives?
		Shootings in grocery stores, shootings in bars,
		shootings in cinemas, shootings at spas,
		shootings in synagogues, churches and mosques…
		Freeway shootings, subway shootings,
		shootings on the street.
		A grudge. A gun. A ton of searing grief. 

		From politicians, waffling words and shrugs.
		“What can you do?” blindfolded leaders bleat.
		“Some people are just bad. Unhinged. Insane.
		They’re broken. Laws can’t fix them. Yes, it’s sad.”
		Does Congress realize that almost half
		the guns on earth are here, within our borders?


		A well-regulated militia…
		The wording is a clue. Suggests a choice.
		Regulations. Rules devised to curb
		the leading cause of death for children: guns.  
1.	
		Today we have an army. We don’t need
		recruits bringing a blunderbuss to boot camp,      
		or citizens stockpiling snipers’ rifles.
		If our domain becomes well-regulated,
		what works for other countries might work here.
		Fewer shattered families.
		Less grief-without-end.
		A small price to pay
		for fewer small coffins,
		fewer urns of ashes kept like shrines.




		Copyright 5/2022           Patricia Doyne
		
		
                UVALDE:  THE  LUCKY ONES

		Shots explode from somewhere.
		Is this real?
		Teacher hustles kids inside.
		Locks the classroom door.
		Lights off.
		Kids have practiced lockdown.
		But this is not a drill.
		Hit the floor.
		Get under a desk, if you can.
		Shh!
		No shoving, no poking, no whispering.
		Hold still.  Keep quiet.
		Pretend this is an empty classroom

		The shooter breaks glass.
		Sprays bullets through the window.
		Teacher is hit in the leg.
		Makes no sound.
		Kids see her bleed.
		Freeze,
		too scared to whimper.
		A child also bleeds,
		grazed by a bullet.
		Clenches her teeth.
		The shooter hears no response.
		Moves on. 

		Time stretches.
		Every minute is endless.
		Darkness fills with breathing.
		Keep quiet.
		Hope he won’t come back. 
		Hope to get out of here alive. 
		Hope friends are okay.
		Can’t text—can’t risk a light.
		Hope.



		Close by, sudden gunfire.
		Shouts. Screams.
		More shots.
		What is going on?
		Who got shot?
		A brother? A sister? A friend?
		In the dark,
		someone begins sobbing.
		But no one moves.
		He’s out there somewhere.
		He might come back.

		Time drags on.
		Why doesn’t someone do something?
		Call the cops?
		Get that bad guy?
		Let us out of here?
		More shots. 
		When will this end?
		Why is he shooting at us?
		Can’t someone help us?
		Anyone?
		Anyone at all?

Poetry from J.J. Campbell

Author J.J. Campbell
Author J.J. Campbell
a little jack daniels with the coffee
 
tracing the outline
of a tattoo on soft
black skin with
your tongue
 
a snowy morning
in the middle
of somewhere
 
a little jack daniels
with the coffee
 
the love of your life
sleeping in just her
panties in your
centuries old bed
 
you can't help but
feel this was never
supposed to be for
someone like you
 
the infinite joy
to have defeated
time
 
there is no substitute
for it
---------------------------------------------------------------------
let the fun begin
 
the joy of a dirty mind
is absolutely anything
could be a reminder
or the spark for the
imagination to rev
the engines and let
the fun begin
 
a rainy day
 
a car dealership
bathroom
 
a certain way the
floor sounds with
the right shoes
 
an echo from
across the street
 
the subtle way the
chap stick tastes
 
a certain song on
the radio
 
absolutely anything
 
and i won't be able
to walk for a few
minutes
----------------------------------------------------------------------
too fast for me
 
i'm at the age
now that life
either moves
too fast for me
or too fucking
slow
 
finding the right
groove is not
possible anymore
for me
 
maybe i'm the
cranky old man
or just another
child that has
grown old
 
not that it
matters
 
we are born
to die
 
few get to
experience
something
other than
that
 
or so i have
been told
--------------------------------------------------------------
a few moments to forever
 
i have never learned
how to cope with
good news
 
happiness is some
rare thought that i
haven't embraced
in years
 
and here comes a
lost soul that wants
me to give myself
to her for any
amount of time
 
a few moments
to forever
 
my soul is old
enough now to
stop fighting this
silly notion that
i'm strong enough
to go it alone
 
i am broken
enough though
 
that i still have
doubts that anyone
truly wants to devote
the time to fixing me
the way it needs to
be done
--------------------------------------------------------------------
something is always in the way
 
and you want
to love her
 
but neither of
you can find
the fucking
time
 
and the days
become years
 
and eventually
something is
always in the
way
 
before you
know it
 
what could have
been is all that
is left
 
a fleeting moment
of sweet kisses
 
and enough desire
to keep you warm
on a winter's night


J.J. Campbell (1976 – ?) is currently trapped in suburbia, wondering where the lonely housewives are hiding. He’s been widely published over the years, most recently at Mad Swirl, Horror Sleaze Trash, Misfit Magazine, Terror House Magazine and The Beatnik Cowboy. You can find him most days on his mildly entertaining blog, evil delights. (https://evildelights.blogspot.com)

Poetry from Ann Pineles

Quick Write 5/24/22

Sitting at their desks, in the quiet before the storm,
They listened to their teachers. They looked back on a lessening pandemic year,
With parents and grandparents and friends finally within touch.
They sat at their desks in a classroom. The last day of school
They looked forward to summer to freedom to playing and to time with friends
In a lessening pandemic year.
They felt safe.
Children.
Someone’s child.
Someone’s sister. Someone’s brother
Someone’s best friend.
Someone’s everything.
Someone knew these children from birth
And held them and kissed them and snuggled them and treasured them.
Maybe they were lucky at home and had meals everyday
And had parents who knew where they were all the time
And had friends who cared if they talked to them and played with them and ate with them.
Maybe they were less lucky and had one parent or one person who looked after them.
Maybe they were happy to be in school because the other place they could be was not as good.

But they were all together in the classroom. All together at the same time.
And then they weren’t. They were not spared. They were suddenly not safe.
They were suddenly not children. First they were, then they weren’t.
And someone might not have been a mother any more. Or a father.
Can we be parents if we don’t have children?

And then it was over.