Poetry from Geoff Sawers

Calf-deep In Water At A Street Cafe 


This city once had a different name
for years, the name of the General.
No one wants to remember it now but

you will find it when you least want to
on old maps on the second-hand bookstalls
cast-iron drain-covers, the back of the station.

The streets are hostage to a darker time
love-poems whispered on the back stairs
not printed in black and white.

Spring floods will sweep out the city's skull
that grim dust on the air
hanging in a thin sudden rain.

A drench of sun blots the page. Downstream
the old man's words form a foam on the coastal marshes
below a branch of flowering blackthorn.


Golden Goose

How did we ever get here? A Chinese dragon
formed in a mess of hot protostellar dust

no field is home
no stone is more than a shattered disc

caught in the auroral storms
of the second of September 1859, thrown from a train

I'm waiting for a wolf in the museum café
orbital motion of one arc-second per hour

there's a prickle of fear out in the west galleries
your sixth-form diaries, under glass in a dim-lit case

Nain had to lose her accent when she moved to London
"It was a terrible thing to sound Welsh then. Of course."

sticklebacks in the petrol tank, the manager wants you gone
epiphytic ferns on a sessile oak by the drover's bank

Old Brecon Bank, mackerel lines trailed into the Oort Cloud
fifteen in 1920, a generation missing

a startled hare racing through the gap between
tu mewn, tu mas, snooker on the telly

we wed a river, iron filings rearrange themselves
the palm of your hand was a map of the stars

that lost map of the forest, the one that had no core
I still need her to help me say Ystumllwynarth

there's a bear in there somewhere, Arth, Arthur
cynnu'r tân, the fire in Llŷn, we shall light such a candle

now I hear the wolf breathing on my neck, bad pixels
streaks and blobs and stress-fracture patterns

outside the museum there is literally no atmosphere
the near-zero chill of the trans-Neptunian plain, smoke

in tongues and the wolf lies down at your feet
curls around the rings that curl round your heart 



Rhiannon and the North Wind


Flash-bulb bursts in a cloud of white magnesium.
Chameleon and chemist, she has no need to rush.
Setting sun on the Irish Sea, a gentle breeze on her back.

'Faster! Faster!' the Red King cries but never catches up.
Horsemen and horses die in foam beside the road.
Her spine is set in lightly-swaying stone.

In emerald beaded backless dress and riding boots,
leafing through a satchel of Dixie seventy-eights
her shoulder-blades jut out like embryonic wings.

Zeno and Newton join the chase. A bugle calls
the hounds of heaven spring from cages on the A470.
She hasn't broken a sweat yet, leans down to pluck a flower.

Three nights the chase goes on, dropping in in relays.
Rhiannon yawns prettily, sketches the sunset on her right.
Men drop gasping to their knees in lush green Dyfed fields.

In the darkroom the print is fixed and hanging up to dry
but there in gelatin-silver she is still a frantic blur
glass plates no more than men could ever catch her.

This wild hunt decimates only the pursuers
casualties are high in erotic metaphor.
One little glance and smile behind, then on she trots.




Philosophy of Travel


is the annihilation of distance
or the echo of desire
even the concept of capital
the birth of each new day and its death
the pompous something of something else
something you never heard of
an alligator's song, a high-heeled shoe
hung on a swamp fence, ultramarine
the tinny whine that starts inside my ear
if I'm alone too long or too quiet
the money of love, the love of honey.

Four hundred miles between, I study guide books
suggest meeting one day in a cathedral town
imagine the early starts and the last trains back
the loafing of cloisters, the dunk of biscuits
the ache and the treasure, the listening
the little gifts, the brush of fingers
you know I mean the kiss. You


Geoff Sawers’ most recent publication is ‘Silver In My Mines: Peter Hay’s work for Two Rivers Press 1994-2003′(Buffalo, New York, 2022). Born in 1966, he was only diagnosed as autistic in his fifties. He lives in Reading (UK).

Poetry from Lizbeth Garcia-Lopez

The Flower Goddess

She sat there everyday
In her field of flowers.

If she was lucky, a human would pass by
chatting and laughing with a loved one
sometimes they’d even take her flowers!
to remember, and make themselves happy

When they were done, they would leave
and she would sit alone again,
alone in her field of flowers.

One day felt different, however,
there was a weird smell in the air
she didn’t mind though,
but her flowers did.

The next day smelled like that too,
and the next,
and the day after that.

She never saw any humans anymore,
and her flowers started to wilt away.

She did all she could for them,
until one day, she passed out.

When she awoke again, she was confused

Where were her flowers?
Why were there big gray clouds coming from weird machines?
Why were there bottles and wrappers everywhere?

What was happening?

Her flower field!
Her Beautiful flower field!

Why? she began to cry!

Her tears dripped to the floor
The Dry, Dead, Grass
the land was not ready for her tears!

Those machines wanted to destroy the planet.
Fine! So be it!

Her tears lit the grass aflame
It all burned to nothing
…even her

Silent flames engulfed her…

As The Flower Goddess ceased to exist.

By Lizbeth Garcia-Lopez, age 12

Poetry from Ivan S. Fiske

Scriptures

today,
i'm plaiting these words
with the hands of affection
& rooting it in the palms of love

frankly,
i miss you
from the day you accepted my citizenship in your heart
every part of me has always thirsted for you

like a baby
i'm still learning how to speak
for my lips holds the memory of our first kiss

every time 
your presence resides in the chest of mine
the glances of your smile fill my heart with joy
truth be told, i have painted your smile all over my heart 
to shimmer my many scars

i wish i could clay myself into a wind
sail over to you & wrap you in warmness
whenever you are far away from me
that i may always be nearer to you

if loving you becomes a sin
i will nail our bond to God's Word
clay you like a rib & place you back into me
for eternity is our bond

Synchronized Chaos Ides of March: Taking Your Place

Photo c/o Daniel Sanchez

Welcome to the experimental semi-monthly issue of Synchronized Chaos.

First of all, we stand with the people affected by the ongoing crisis in Ukraine, as well as in Myanmar, Afghanistan, Yemen, Syria, and everywhere else people are placed in harm’s way.

We encourage the readers and writers who enjoy our publication to write letters of support to be included in care packages to be delivered to refugees around the world by the nonprofit New Beginnings. Click here to write a letter online (anonymously if you wish) that will support and encourage a refugee family in their new home.

Also, PEN America campaigns on behalf of writers facing persecution for their nonviolent work. Click here to read and sign online petitions for different writers at risk. Also, the organization Free Women Writers is looking for volunteer editors for pieces they are collecting and publishing from women and girls in Afghanistan.

All are welcome to attend the Hayward Lit Hop, a multi-venue literary reading at 3pm Saturday April 30th, coinciding with and continuing after Hayward’s first youth poet laureate award ceremony. Several Synchronized Chaos contributors will read from their work.

Also please join us for the Audible Browsing Experience in Philadelphia March 24th at 6pm at Head House Books (our Association of Writing Programs (AWP) offsite event).

Photo c/o the CC0 Community

This month we reflect on our place within the larger forces that shape the world around us, but also our willingness to live as if our personal thoughts and creativity matter.

Elizabeth Hughes’ Book Periscope review covers Cheryl Wade’s The Luminous Child, a tale of the creation of the entire universe. Hongri Yuan’s work, translated by Yuanbing Zhang, focuses on stepping outside one’s own life and imagining oneself farther in time or space.

J.K. Durick writes of the tedium of suffering: war, death, disease, and taxes.

Doug Jacquier contributes travel vignettes focused on social and legal norms and the aftermath of transgressions.

J.J. Campbell observes the inevitability of various forms of everyday death and decay. Keith Hoerner conjures up images of remnants of people and places, probing the psychological effects of loss.

Photo c/o George Hodan

Ivan Jenson sends us humorous poems of star-studded dreams and downgraded expectations.

Aviva Derenowski references the pressure of too much familiarity, too much hardening of perspectives, that she found in her home country of Israel.

Lynn White reflects on what, and who, we choose to keep and toss aside, while Michael Lee Johnson explores aspects of the bittersweet life of a poet. Inseo Yang reflects upon the demise of an autumnal love.

Photo c/o Gerhard Lipold

Chimezie Ihekuna offers up advice for those who seek to become published authors. Santiago Burdon contributes a wry vignette about rendering one’s actual journey towards creative writing craft into actionable advice for teens. J.D. Nelson mixes up syllables into a technical concoction.

Jelvin S. Gibson rages at corruption and social injustice yet sings the praises of sunsets and poetic love. Mahbub also finds love in the gentle beauty of nature as well as in romance. His work acknowledges our human vulnerability and need to make the most of each moment.

John Culp experiences love as a pleasant distraction, something that makes each day smoother, while Aminanta Talawally captures the humble thoughts of a young woman whose first crush has inspired her to put her pen to paper.

Photo c/o Icon0.com

Diah Youlo declares love for Black women, honoring their strength and courage and nurturing compassion. George S.K. Boakai, writing under the pen name ‘Compoze’, encourages us to embrace and express our feelings.

Jelvin S. Gibson shares a story of life change through faith, recovery from addiction. Michael Robinson’s work also touches on spiritual themes of salvation and redemption, and Arsi Rauf relates his reverent quest for the Almighty. Maid Corbic relates a fable of small-town justice, where even the darkest villain is not beyond redemption.

Poetry from J.K. Durick


                War

There are the bombs again

Buildings crumbling

Pictures of tanks

On the evening news

So we watch it all

This is how it’s waged

Tanks clogging streets

Crushing any hope that

Might have been left

Left over from before

This is how it’s waged

The latest weaponry

With uniforms everywhere

The grinding sound of battle

Goes on and on

Bullets and bombs at their best

As we watch it all

 

People fill the roads out

The displaced fill trains

And border crossings

Cameras are rolling

So we watch it all

Halfway around the world

From all this

We watch it all

This is how it’s waged

Numbers of the dead and

The wounded tallied

As if we’re keeping score

While we watch it all

Half a world away.


         Moving On


We move from pandemic to endemic

just a slight change of words,

of spelling, a change in prefixes,

a change of attitude.

It’s like turning a page, like

closing one door and opening yet another,

like turning a corner and

finding ourselves on another street,

a street that looks oddly familiar

with the same traffic,

the same pedestrians and

the same litter and lines

the same distance to travel to get where we

would rather be.

We move from plague-like interference

with our lives to

a thing more flu-like.

People still get shots, still get sick, and

still will die,

but we’re hoping, expecting a lot fewer

as the endemic kicks in

and the pandemic checks out.




                Taxes


How much we make

Then where we live

And what we consume

They all play their part

Become taxable

Someone, someplace

Keeps track

Tabulates, measures me

Next to the others

Assumes I’ll pay

And I do

Never think much about

It/them

What do they say about

Taxes, death and taxes

Will be with us

So we will pay

So we will die

They’re the cost of living

What we pay for this vague

          Privilege. 

J. K. Durick is a retired writing teacher and online writing tutor. His recent poems have appeared in Third Wednesday, Black Coffee Review, Kitchen Sink, Synchronized Chaos, Madswirl, Journal of Expressive Writing, Lightwood, and Highland Park Poetry.

Poetry from Mahbub

Poet Mahbub, a South Asian man with dark hair and glasses and a suit and tie
Poet Mahbub
Death Peak

Death is the highest peak in life to reach over
Mitigating the gap between right and wrong, good and bad
Keeping the body at the same place, flying on the same feather 
Signing no grade or social status 
Bound to receive the journey whether we like or not
Just at the meeting of the angel of death all powerful sins 
Tyranny, avarice, exploitation, refusal of love and faith comes to an end
O my hungry brothers and sisters, why do you cry and blame your fate?
Let the days go and welcome the every single moment in smiling face
How refreshing the air by the river and the green and flowery land!
The eternal peace and prosperity.

Chapainawabganj, Bangladesh
30/12//2020

Bhasan Char- The New Habitation of Rohingyas

Life is nothing but the grain of sand
Flying over time here and there
The Rohingyas are the people struggling for existence where to live and die
Life turns into the sandy storm when the address gets lost
How they live and where to find the livelihood- staring at the sky
The homeless migrants are like the goods finding no way to place the roots 
With a great expectation they take shelter at Cox's Bazar in Bangladesh 
They are like birds flying here and there from land to sand
Sitting in the bus on the way to Bhasan Char, 
An island around thirty seven miles off the coast of the Bay of Bengal 
The eyes aiming at on how to make fit struggling with the sand
Life appears to be floating on water and at the same time 
The fallen green leaf flying with the grain of sand
Life other than finds the meaning of life 
 
Chapainawabganj, Bangladesh
30/12//2020

The Setting Sun

Flitted by the evening shadow on my back
The red glowing sun over to the west
What a wonder on the river!
The youthful rays of the sun dims down
As it grows old from morning to evening welcoming the silver lining
The pages of love feeling open and blaze in the eyes
The bamboo shadow runs to the narrow way of the rural housing 
Surrounded by the sloping blushful light
Just at the moment you, my setting sun sit by me 
I talk with you, as every day I watch and talk to the morning birds
The sun is setting with the curling smoke on the river, Padma
O my love river, in my subconscious mind I jump on 
Have been swimming for thousands of years 
The sun went down, leaving behind us on bank of the river
The world is going to be covered in the blanket of darkness 
My heart turning passion like the ember in the fireplace. 

Chapainawabganj, Bangladesh
31/12//2020


Happy New Year-2021


We can't curse any moment of the days in 2020 
Though many of our near and dear ones bid us farewell from this earth
Rather we can bow down our head in a great sigh in respect of them
Cursing our wrong deeds on humanity, we can repent ourselves
What we did and what we should do in the next
Bringing out this plus-minus result, we can fix our future plan
Even after so many deaths the kids are dancing in the musical beats near me on the yard
Their hearts leap up to the world of starry sky 
They must overcome the obstacles in the outside thunder and storm 
As the green leaves in the soft breeze on the chirping of birds in the light of the sun
The ever-green leaves; the flowers from the buds blooming in the twinkling of the light
Let this large tree be resonant with these leaves, flowers and birds
Happy New Year-2021.
 
Chapainawabganj, Bangladesh
31/12//2020

The Prey 

Corona is lurking on the surface of the world
Yet the wind around us appears to be heavy in other box
The howling of the virgins or the women on rape and death 
Snatches me away from this soft corner  
How many paths have I crossed and how many are left to go?
Who counts this?                                      
The bricks are burnt in the chimney
Humanity in and outside home
On the other side tigers and lions are roaring in search of the prey
The dear and the deer cubs fleeing at a stretch  
To the end eaten by the unknown fate
We are the passers-by running so fast on ongoing process
And return home blowing the horn all the way -so fed-up
Nevertheless we are to stay at home nowadays
But I can't understand 
Why this roaring of the victims around me? 

Chapainawabganj, Bangladesh
01/01//2021
 

Poetry from George S.K. Boakai (“Compoze”)

The Poet “Compoze”
To cry is a pill 


Seated alone counting on your losses, sometimes it's better to cry
Cry aloud from the top of your lungs and feel it no more.

It's better to scream, it's better to shout, it's better to yell and set free your whole 
But it's faulty to wear the garments of pains and sorrows under your long going sleeves, grief! it hurts. 

Cry is the filter that flushes out the pains clustered in your heart, causing headache 
And I see grief as a catcher that condenses a bundle of pains inside the heart, causing suffocation, constipation and heartache 

It doesn't tell how weak you are, cry
It doesn't prove that your eyes are filled with tears, no! 
It doesn't tells the world that you're living in fears, no! 

It's a therapy of no cost, and another way of telling  emotional stories, yes!
It tells the world how strong you are, cos weak vessel never cries, yes!

Cry is a pill, you'll get up and move after a cry
It's better to cry 
And I see grief as an ill, it hurts a lot
You must be endowed with heart attacks,
sleeping with grief. 

Tears were meant for crying, cry aloud cry them out, cry like you dare it
Your heart was built for beats and channeling free flow, grief not, cos cry is a free gift. 



About the Author 

My name is George Siaway Karnea Boakai, With a pen and well known name Compoze. 
I was born on April 29 1995 in Ghanta city Nimba County Liberia.
I am a freelancer, a poet, a story teller, a song writer, a singer, a rapper and an aspiring Anthropologist. 
I starting writing since I was a kid, but I recognized that I am a writer in the year 2018.

Poetry is the mirror that I see myself into on a day to day basis, it is the way I tell my millions of stories to the world. 
Poetry is one of the many ways I tell about my County Liberia and its long years of civil unrest to the world, it is the way by which I want to be heard and read about.