Second installment of Z.I. Mahmud’s thesis on Victorian literature

Synopsis, Plot, and Summary of David Copperfield

         Charles Dickens, the critical realist and social satirist of the Victorian era depicted childhood memorabilia recollections in David Copperfield through the rhetoric of fictional biographer David Copperfield. Contemporary British polemical social critique and satirist George Orwell, said, “Among the British writers there is no better than Dickens in depicting childhood.”11 year old Dickens worked in a shoe polish factory as an apprentice and later a scanty legacy enabled him to attend school since his father was released from debtors parole. David’s widowed mother Ms. Clara was seduced by the affair of Mr. Murdstone, the cold hearted or stone hearted wine merchant and entrepreneur or proprietor of the firm Murdstone and Grinby. Blunderstone Rookery had to be forsaken ever since David’s being harassed by didactic dogmatism of the step parentage.

Downcast destiny of David Copperfield, leading to vulnerable exploitation among the insalubrity Victorian industrial pollution. Mysteries of childhood labour thus deteriorates the physical, mental, emotional and psychological health of David. He doesn’t have a sustainable living standard. Lack of love and affection were prevalent universalized themes of Victorian Literature. Miracles of the Industrial Revolution ironically provided malice and malevolence in the factory lives. Descriptions of Salem House portray the inevitable tyranny of deplorable and despondent educational institutions in Victorian England.  “Scraps of old copy-books and exercises litter the dirty floor. There is a strange unwholesome smell upon the room, like a mildewed corduroys, sweet apples wanting air and rotten books” Mr. Creakle, the headmaster and owner of Salem House, although profits from this enterprise but remains lackadaisical of improvement or pragmatism.

Shabbily clothed languishing lethargic master Mr. Mell and subsequently the unwelcoming embarrassment faced by David (“Take care of him. He bites”) criticizes the ethics of pedagogy and pedagogue. At the age of sixteen, Dickens began working as the apprentice for a law firm in London. The London Museum library attracted him overwhelmingly and he was privileged to learn short hand. By 1828 Dickens was endowed the Courts of Common reporter.

Soon he forsakes the legal profession to devote to the passion of journalism featuring reportage pertaining to parliamentary affairs. The legacy and fortune of David Copperfield was embellished by the association of guardian angel, Miss Betsey Trotwood, the eccentric widow with a quick mind and independent spirit (the comic precursor of Miss Havisham in Great Expectations). Mr. Wickfield and his daughter Miss Wickfield together encouraged David’s pursuits of attaining higher education. And the Canterbury Micawber family and the seashore Yarmouth Pegotty household occasionally enabled David Copperfield to idyllic settings for recreations and holiday destinations. Twists of broken hearted incidents highlight significance of parting with Emily (Emily was really naïve  in bigotry and class prejudices or economic discrimination); “good as his word” and “very good looking” James Steerforth eloped with Emily sardonically. Elopement with Emily couldn’t satisfy the incest of obsessive infatuation.

Furthermore, James Steerforth blandishing accomplished wooed of Dora Spenlow, David’s first wife. Micawber family was always broken into some financial crisis or other. Mr. Micawber satirizes the biographical allegory of Charles Dickens’ father John Dickens. John Dickens was incompetent with money and piled up tremendous debts throughout his life. When Dickens was twelve his father was arrested and taken custody in debtors’ prison of London New Gate. Whistling, childish naivety of Mr. Micawber’s witticism found resentment and indignation at “put lemon –peel into the kettle, sugar in the snuff tray, attempted to pour boiling water out of a candlestick”.

Nonetheless the melancholia and manic depression from burden of bankruptcy, enraged due to involvement with schemes of Uriah Heep squandering wealth whimsically mutated dramatically ever since Agnes’ aroma perfumed in this anticipation. He admires Agnes more than a daughter and indebted to her in benevolent spirits as elicited explicitly in the manifestation. Micawber proclaims to David in this passage: “Wickfield”, said Mr. Micawber now turning bright red. “My dear Copperfield, she is the only starry spot in a miserable existence. My respect of that young lady, my admiration or her character, my devotion to her for her love and truth, and goodness!…”

More next month!

Poetry from Chimezie Ihekuna

What an amazing piece of nature
Yet, reflecting the other side of its torture
A place of  inspiration
Yet, the site for depression
The commonality or all  visible interactions
Yet, the disparity of all information
The presence of life abounds
Yet, the absence of death abounds
A creation of the living and non living essence
Yet, a design of  vacuum residence

Chimezie Ihekuna (Mr. Ben) Young Black man in a collared shirt and jeans resting his head on his hand. He's standing outside a building under an overhang.
Chimezie Ihekuna

Screenplay from Chimezie Ihekuna

Chimezie Ihekuna (Mr. Ben) Young Black man in a collared shirt and jeans resting his head on his hand. He's standing outside a building under an overhang.
Chimezie Ihekuna

Title: One Man’s Deep Words
Adapted from a book by Chimezie Ihekuna (Mr. Ben)
Screenwriter: Robert Sacchi

Genre: Drama

For reviews, production consideration and other publicity, please contact us through the email addresses below:

mrbenisreal@gmail.com

rsacchi@rsacchi.20m.com

Mr. Griffins, six feet tall, handsome but frowning, always in a suit, middle-aged Euro-American Philosophy lecturer at the University of Maryland, was good at what he loved doing most: lecturing all levels of philosophy students. He was so knowledgeable in the subject that most students saw him as the best of all philosophy lecturers at the Department of Philosophy. However, ‘Professor’, as he was popularly called, was plagued with a challenge. He was tired of following the “by the books” tradition. Professor looked forward to a time when Philosophy would pay back the dues he had paid to it – to come up with ideologies that would stand the test of time.

Charles and Kelvin were freshmen at the university studying Philosophy. From their first to their final years, they have been under the tutelage of Mr. Griffins but realized his displeasure despite his teaching proficiency. This got his students unhappy with him. It soon got to the point that one of his students, Adam, during an hour-long lecture, amplified Griffin’s innate desire by asking: “Mr. Know It All, when will you come up with your own ideologies?!” This stirred a wind of change that affected his personality completely.

Inspired by Adam and Sandra, his wife of twenty years, and encouraged by his students and friends Charles and Kelvin, Mr. Griffins wrote the most thought-provoking, national and international bestselling, philosophy-based book the university has ever recorded in its history – One Man’s Deep Words. He was awarded the university award for “Most Outstanding Lecturer of all Time.” Along with being a highly regarded philosophy text, his book influenced other departments of the university in many ways.

After writing a thesis based on his bestseller, he was awarded a Doctorate Degree in Philosophy. Three years later, he retired and wrote full time. With his name poised over every nook and cranny of Maryland and different prizes to his credit, Dr. Griffins has now written four great works, which have been reviewed in the Washington Post, Seattle Times, New York Times, ABC, Fox and a host of other major media outlets. He has been interviewed on podcasts and radio programs and in magazines by most media outfits in the United States and some in Canada.

Poetry from Anthony Vernon

 Universes In The Sky 

 Lying upon obsidian ground 
 A Pneuman child stares at universes 
 Like stars in the night sky 
 The spiraling of galaxies and the crashing of cosmoses 
 Are but flickers 
 Explosions of physics and feelings 
 Are but distant episodes 
 What comprises totality for many 
 Is just a point of amusement

Anthony David Vernon's publishing credits include A Great Fire (2020 Cabinet of Heed), The Warrior King (2020 The Mindful Word), Seven Scripts (2021 The New Mystics), and An Echo An Echo (2021 The Drabble).

Article from Zara Miller, author of the YA historical novel I Am Cecilia

HERO VS. VILLAINS

“Honestly, the closest I can think of them, as well made as they are, with actors doing the best they can under the circumstances, is theme parks. It isn’t the cinema of human beings trying to convey emotional, psychological experiences to another human being.”

So, Martin Scorcese compares Marvel movies to theme parks. And honestly, what a mood.

True, this isn´t exactly the newsworthy material, Ricky Gervais discussed Scorcese´s top-notch diss of superhero culture movies during his monologue at the 2020 Golden Globe Awards.

But it recently popped up in my recommended videos because the Youtube algorithm works in mysterious ways and got to thinking – is it just about shallow screenwriting and the allure of cheap CGI action, the mindless fun?

And I realized that the problem of Marvel storytelling runs even deeper than the genius director conveyed to us out loud – that it heavily influenced the type of novels we get to read – and it´s not exactly Marvel´s fault … Not entirely.

ONE-DIMENSIONAL CHARACTERS

One-dimensional characters or flat characters do not change or grow from the start of the story to the end. Their purpose is to highlight the main character, to be a plot device, or a tool, and they typically are simpletons with a one point of view on life – they only see one dimension – hence one-dimensional characters, hold a simple and small perspective about life or the situation in the story. Their character is often used as a literary device to keep the narrative moving – many times when the script has written itself into a corner, or the writer has run out of effective ways to move the plot forward.

Now, Marvel, from the three-hundred and seventy-two movies total from which I´ve seen eighteen, does not suffer from one-dimensional characters on the hero side of the story. All the good guys go through trauma, they learn, they grow, they develop new opinions (ehm-ehm- some of them).

Marvel has been criticized for sucking at writing an effective villain but the problem is not the villains, the problem is the root of the Marvel storytelling – the good guys are good and the bad guys are bad.

One would think that they would take their own advice and write all the villains the way Loki is written – which is the reason (not the only one, yeah, Tom Hiddleston is awesome and all that) why audiences flock to him so much. He has a strong motivation, he´s smart and his character is a rainbow of personalities – just like a regular human being, which makes him likable and most importantly, relatable.

But Marvel is not the inventor of one-dimensional characters.

William Shakespeare is.

Benvolio from Romeo and Juliet, Gertrude from Hamlet, Shylock from The Merchant of Venice very effective plot devices with one stubborn character feature that poses an obstacle to the protagonist.

However, Shakespeare didn´t have Hollywood studios behind him to balance out the lack of personalities in his stories with raging beam in the sky and generic CGI armies. To give a complete experience to audiences, he had to support the narrative by creating strong protagonists, interesting antagonists, and villains with complex personalities (Lady Macbeth, Hamlet, Portia). And when you do that, your story not only allows for the one-dimensional character to make sense, it makes it even more immersive and realistic – because we all know that one blank person who is just sort of … there. Existing, with one opinion on all the debatable, morally grey, complicated stuff we deal with in life.

And that´s why people will never have such a raging allergy if a Marvel movie turns out bad and will keep watching them and paying for the next one and the next one and the next one.

Low stakes, low damage.

Now compare that to a show heavily driven by character development where there are no villains and heroes like the Game of Thrones. 

Feel like re-watching it? No? Me neither. And no one can blame us. That show became un-rewatchable due to replacing the complexity of the human heart with a hero vs. villain storytelling and adding some explosive Marvel-type action as the final lethal, cyanide-like icing on the cake. 

IN BOOKS

All the teenage apocalyptic series. Thank you for your time, good night.

….

I really didn´t want to get into this but there is no better example than the popular doomsday book series where children hunt each other in a world that no longer resembles a rational society. And they gave us all the subsequent movie franchises in which those very same teenagers are at least twenty-six years old, of course.

However, there is a silver lining on the horizon in a form of Shadow and Bone. I´ve never read the books but the popular fantasy book series The Grisha has been picked up by Netflix and the first book has been adapted in a form of a limited TV series.

And if the source material is as strong as the adaptation, we might just be plunging out of the lazy storytelling brought about by the likes of Twilight and 50 Shades of Grey.

DOES I AM CECILIA DO BETTER THAN THAT?

Cecilia used to think that being born to a small fortune, accompanied by chrysanthemums on the way from the hospital and surrounded by exploding fanfares of affection, would set her up for a never-ending life of lottery wins, parades without rain, and smooth slides on the slopes of adoration. She never realized how slippery that slope of adoration was. Maybe money was not the root of all evil. Family dysfunction was.

  • An Excerpt from I am Cecilia by Zara Miller

As promised last time in the first article, I would reveal a little bit behind the story and the inspiration behind writing this YA novel.

The hero vs. villain in the Marvel movies is something that was always on my mind and tried to avoid during writing. Blurring the lines in the protagonist/antagonist/villain/anti-hero characterization. Not just because it´s a lot of fun but because it makes for a rich experience.

When you find yourself disliking the hero yet rooting for them anyway, or loving the villain yet understanding that they have to be stopped – the writer is probably doing it right.

I am Cecilia is now available on Amazon: https://www.amazon.com/I-am-Cecilia-Zara-Miller-ebook/dp/B094519D7T/ref

You can follow me on Instagram @zaramiller_author, or on LinkedIn under Zara Miller for more news and swoon-worthy fiction content. Looking forward to meeting you all!

White woman in a brown top with brown hair and grey pants squatting down.

Poetry from Sushant Thapa

Under the Sky

Sky observes daily

Below it.

Many walkers

Looking around do not

Know about the gateway to man-made heaven.

It should not be a poem every time to

Talk about sky, rain and the sun.

Cracks on my ceiling

Climbs down to my spine

I search coherence in my papers

Grasses are gentle

Thorns sometimes pain the eye

Without pricking the finger.

Most of the time it is the beating heart

Afraid of the vastness above the clouds.


Homeless World

Homeless still people live

No lights are lit to turn off

No sheets and high held pillows

To wipe the tears.

No time to set an alarm for the morning

No morning to rest for the day.

How to live without staring at the ceiling?

Makes me wonder about the stars

 Sky of vast blanket can rain

Can cause the unwanted pour

Still life is carried

To sail like the every other leaf

Swept by the rain water.