A Belated Appraisal of “Still Life With Woodpecker,” by Tom Robbins
“Unwilling to wait for mankind to improve, the outlaw lives as if that day were here.”
—Bernard Mickey Wrangle
In 1980, Ronald Reagan became POTUS, MTV turned negative one, & Tom Robbins published Still Life With Woodpecker. Peradventure, your mother was a Tom Robbins fan when you were growing up. You remember his books & their quirky titles — Skinny Legs And All, Jitterbug Perfume — & Uma Thurman as a hitchhiker with prosthetically enlarged thumbs in the film adaptation of Even Cowgirls Get the Blues. You may have borrowed your mom’s copy of Even Cowgirls the novel, on the pretext of reading it, but being an adolescent at the time, all you really did was flip through the pages looking for sex scenes.
So, you nearly missed the Tom Robbins express train to cult literary Nirvana. Luckily, in your present life as a grownup in a whole new millennium, you chance upon a rack-size paperback of Still Life With Woodpecker, from a free pile or tiny library, & take it home to read. Suddenly, your mother’s enthusiasm all those years ago comes back, & makes perfect sense. You are soon hooked by this winsome yarn about a wayward modern princess named Leigh-Cheri, on the cusp of adulthood, who breaks away from her punctilious parents for a fateful sojourn on Maui.
“Who knows how to make love stay?” That’s the question asked early on & woven through the novel. We are invited to ponder the fleeting & elusive quality of love, why we can’t hold on to the first rush of connection & stay in love, forever. At the core of Still Life With Woodpecker is a love story, irreverently told by the inimitable Tom Robbins, comprising equal parts oldfashioned storybook romance, Greco-Shakespearean tragedy, Lady & the Tramp, & Bonnie & Clyde. This love story begins & ends with a bang, literally, in the form of dynamite. It dispenses with sentiment, skips over courtship, & cuts to the chase. If you’re a reader of warped sensibility who usually spurns romance, given what it signifies as a modern literary genre, here is an alternative romance that may suit your taste.
They say the nose knows, but that is just a not-too-clever play on words in my case. The last memory I have as a full person is the feeling of the steering wheel slipping out of my hands, that moment when touch ceased and then the spinning sound of metal and magic.
I no longer pay attention to sounds.
I was either a banker or was looking for work, I am no longer sure. I remember stuffing money into envelopes. Perhaps I was a very organized criminal.
All I know is that, upon waking, the smells were too intense to manage. I could smell the kindly nurse and her floral perfume, the bathroom down the hall that needed to be cleaned (badly), and the gelatin being stirred in the cafeteria.
I am slowly learning to manage my senses.
When the raspy voice in the bed next to me asked his doctor how long he had, I sniffed out his very life and told him, with accuracy, “About two more hours.” Everyone smelled stunned when it turned out to be true.
The day I finally get out of here, it is not going to be easy. I am no longer a set of eyes or hands, just a nose. Does any love noses? How does a nose become a productive member of society? I may not even be able to walk around.
Perhaps I can become a consultant in a cosmetics store (if the odors are not too overwhelming), or a fortune-teller, sniffing out the longevity of my clientele. I would make a great chef, as I now have refined tastes by virtue of my olfactory system.
Perhaps I will fold up and go away with the rest of what used to be this body, an appendage without a home and, worse yet, with no one to wipe me when I get runny.