Throughout history, there are figures that never fade with time. Figures that, even if born from mythical imagination or ancient philosophical thought, continue to inspire, challenge, and teach. One such figure is Heracles – a hero who didn’t just accomplish twelve labors, but who shaped an entire cultural and ethical worldview across the centuries.

With deep emotion and admiration, Eviasmile today hosts an interview that unfolds Heracles not as a mere myth, but as a multifaceted phenomenon: historical, ethnological, philosophical, artistic, and profoundly human. The artist and researcher Konstantinos Fais, through his visual creations and in-depth study, guides us into the fascinating world of Heracles – from ancient Erytheia to Euboea and the Lichadonisia – proving that this hero is more modern and relevant than ever.

1. I came to know you through Mrs. Eva Petropoulou-Lianou, with whom I’ve been collaborating for the past year. Upon discovering your work, I was deeply moved and thought to engage in an interesting conversation about the Path of Heracles. How did your involvement with Heracles begin?

First of all, I must mention that Mrs. Petropoulou-Lianou is a calm yet powerful force in the realm of culture. Despite her cultural and humanitarian actions evolving on a global scale, she chooses to avoid showiness and unnecessary spectacle.

As for Heracles, although I was fascinated by his myth since childhood, my intensive engagement with the hero began about eight years ago, when I decided to delve into highlighting primarily Greek and broader Mediterranean culture through visual art. A thorough study of Greco-Roman literature – essential for understanding Heracles – introduced me to incredible dimensions of the myth that geographically extend beyond Hellenism, even as it developed during the Second Major Greek Colonization of the Archaic period.

The myth’s excellence became strikingly apparent and admittedly captivated me. Heracles not only survived the fall of the Greek world with the rise of the Roman Empire, but became a symbol of strength and bravery, a tool of political symbolism, and an archetype embraced by emperors. Leaders and entire dynasties in the ancient world claimed descent from him – for example, Leonidas of Sparta was considered his 20th descendant, Alexander the Great his 27th, along with Pyrrhus I of Epirus and Fabius Maximus.

From the fall of the Roman Empire through the Byzantine period, the Renaissance, and the Enlightenment, Heracles of Thebes retains his status as a paragon of chivalry, arriving in our times with undiminished prestige…in such a way that all other heroes pale in comparison.

2. According to your research, do you believe this hero really existed? What can we learn from his mythology and how can it influence modern life?

First, allow me to congratulate you on your bold and deeply thoughtful question. It’s my belief that this most dazzling chapter of Greek Mythology and of Hellenism as a whole contains a strong historical core.

It may be that the myth was inspired by a prominent Greek figure from the Bronze Age, or a succession of notable individuals whose deeds merged into a unified mythological narrative. The ethnological approach, based on Greek and Roman sources starting with Herodorus of Pontus, suggests that there were at least seven mythical figures named Heracles – and the Roman scholar Varro mentions 43! Roman author Mavrus Servius Honoratus notes that even before the Roman Empire, any man of immense strength was dubbed “Heracles” by the Romans.

Of course, there’s also the contrasting theory that the myth is a purely philosophical construct, its interpretation shifting with the times and the author. Regardless, the knowledge and values transmitted through the myth – from archaic and classical antiquity to modern life – constitute undeniable cultural and moral wealth.

The truth is that Heracles’ myth is transformed throughout recorded history: from Homer’s “performer of great deeds,” to the “king of empires from East to West” in Dio Chrysostom, and then to the “benefactor of the people” in John Tzetzes of the 12th century AD. His character evolves fascinatingly.

Consider the myth’s wide reach in the ancient world – from the island of Erytheia west of Tartessos to the Aornis Rock in Asia, from the Hyperboreans to Ethiopia – people everywhere told of his exploits. As for what he teaches us: to purify our soul and follow the path of Virtue requires constant struggle and sacrifice, regardless of origin or status.

Despite his many epic feats, if I were to choose one defining moment of his life, it would be the famous allegory by the sophist Prodicus – the crossroad where Heracles must choose between Virtue and Vice, ultimately choosing Virtue. As Pythagoras also said, it is the difficult tasks that lead to virtue, not the pleasant ones. He called virtue “the law of the gods” and great-heartedness, prudence, and bravery “strong anchors.”

3. In exploring the etymology of the name “Heracles,” I found that it means “the glory of Hera.” But according to mythology, he was pursued by the goddess Hera. How do we reconcile this?

First, it’s worth noting that Heracles was also descended from Perseus and Alcaeus, which is why he was initially called Alcaeus or Alcides, after that ancestor. Mythological accounts differ by era, region, and author.

The version you refer to is explained as follows: Hera, to punish Zeus’s infidelity, sent two snakes to kill the infant Heracles. I’m fond of the astronomical detail from Theocritus of Syracuse, who wrote that “on the night the Bear [Ursa Major] tilted westward, two snakes with sparkling eyes, dark venom, and terrible fangs charged at Heracles.” Yet the baby strangled them with ease and, when Amphitryon entered the room in a panic, Heracles joyfully tossed the dead serpents at his foster father’s feet.

Another “earthly” version from Pherecydes of Athens claims it was Amphitryon himself who placed the snakes in the cradle to see which child was his own. When the people of Argos learned what had happened, they gave the boy the name “Heracles” – meaning he earned glory (kleos) because of Hera.

Another version: after Hera drove him mad, causing him to kill his own family, Heracles sought purification at the Oracle of Delphi. There, the Pythia gave him the name Heracles – “he who glorifies Hera” – as a form of spiritual redemption.

If we set aside Hera, there are other theories. Diodorus Siculus says the Heracles of Zeus and Alcmene – “the third and final one, who lived just before the Trojan War” – inherited the name from two earlier figures: the Cretan Idaean Heracles and an Egyptian Heracles. Because he lived a similar life to theirs, it was believed that “through all the ages, there was only one Heracles.” This is part of what we call the “ethnological prism” of Heracles.

Lastly, the philosopher Porphyry wrote in On Statues that Heracles was a name for the Sun, from klasthai pros ton aera – “to move toward the air,” symbolizing the sun’s journey from east to west, which purifies the Earth of evil. Thus, the twelve labors were linked mythologically to the zodiac cycle.

And regarding Hera’s jealousy: ironically, it was her milk that made Heracles immortal and created the Milky Way. This strange twist, as Diodorus puts it, shows how his birth mother abandoned him out of fear, while the source of his fear – his stepmother – unwittingly gave him divine nourishment.

4. I’ve volunteered for over nine years supporting people with disabilities. Could you share a bit about your artwork and your collaboration with the Lighthouse for the Blind?

Allow me once again to express my sincere admiration for your work. That collaboration was a unique and truly profound experience for me. It’s a real challenge for a visual artist to create for those with visual impairments, as sight is a primary mode of receiving information.

I had to carefully select the appropriate artistic pieces to fulfill this goal. We raised the bar for knowledge through Art and ancient literature because inclusion is a social imperative without boundaries. The first piece adapted into tactile format through the pioneering PIAF method was a portrait of Heracles.

5. Through your artistic perspective, can we find the path of Virtue that Heracles followed?

Regarding my art, I can confidently say that it is an effort to highlight our sacred and ancient heritage through each work – the result not only of long-term research but also of selfless love for our heroic and genealogical lineage.

From our modern elders to the ancients, our legacy is unified, and I believe we must respect it and build our future upon its timeless teachings. That said, distancing myself from narrow ideologies or opportunism, I believe it is up to each person to interpret visual stimuli in ways that serve both personal and collective good.

Greed, excess, and superficial modern lifestyles have caused spiritual atrophy in humanity – what Periander once called a “burdensome inheritance.” As Thucydides said, “Without courage, no art holds power over danger.” Food for thought…

6. On your social media, I noticed some of your works have been animated through AI. Can you tell me more about that?

Yes, depending on the context, I was initially hesitant – even skeptical – about artificial intelligence. But I eventually gave in to curiosity and experimented a bit. I must admit, I was impressed with the results.

However, as an artist rooted in classical and Hellenistic styles, I’ll approach this realm with great caution. We “old-school” researchers and artists still say nothing compares to the “smell of paper.” I’m in favor of progress, of course – but with respect for our roots and ethical framework.

7. While writing this interview, I thought schools could organize activities to help students learn about Heracles and draw life lessons from him. What do you think of this idea?

It’s an excellent idea – the real question is whether the authorities are willing to implement it with maturity and vision, as the greatest hero deserves. If we continue to treat Greek mythology – and Heracles in particular – merely as bedtime stories, there’s little hope for serious progress.

Heracles is an epic saga that’s been burning bright for 3,000 years. Interpreting his myth requires a multidimensional approach, and to incorporate it into education effectively demands thoughtful planning.

It should begin with simple storytelling at the early stages, then gradually delve into primary sources and the myth’s historical evolution – from Antiquity, the Middle Ages, the Renaissance, the Enlightenment, to the 19th-century comparative theories and 20th-century psychoanalytical and structuralist interpretations.

Higher education institutions should also take this more seriously. As far as I know, that’s not yet happening. For any such attempt to bear fruit, wisdom and care are essential.

8. Before we conclude this wonderful discussion, is there a final message you’d like to share with Eviasmile readers?

This truly was a beautiful discussion. I’d like to share a myth related to your island. Beyond Heracles’ connection to the healing springs of Aidipsos, tradition tells us that after he conquered Oechalia and took Iole, the daughter of the city’s king, they went to Euboea – to Cape Cenaeum – where he built an altar to Cenaean Zeus.

To offer a sacrifice, he sent a herald, Lichas, to nearby Trachis to bring him his ceremonial robe. However, Lichas revealed the whole affair to Heracles’ wife, Deianira, who, overcome with jealousy, gave him the tunic soaked with Nessus’ blood.

Heracles wore it to perform the sacrifice, but the poison seeped into his flesh, causing it to rot. In pain and rage, he hurled Lichas into the Euboean Sea. From the fragments of Lichas’ body, the Lichadonisia islands were said to be formed.

The Italian sculptor Antonio Canova immortalized this scene with a technique equal to Hellenistic sculpture over 200 years ago. Today, one can admire this neoclassical masterpiece at the National Gallery of Modern Art in Rome.

On a related note, I’m also intrigued by the Lelantine War of your island, as recorded by Thucydides – one of the defining events of early Greek history.

In conclusion, I’m truly pleased that Eviasmile has shown such genuine interest in Heracles and the glories of our ancestors through this wonderful interview. Euboea’s rich legacy must be preserved and promoted through coordinated effort.

This interview is not merely a conversation about Heracles – it is a journey into the essence of Virtue, Courage, Sacrifice, and Faith. Our guest, with grace, depth, and a deep sense of cultural duty, reminds us that the past is not dust on library shelves, but a guide toward a more meaningful future.

Eviasmile is honored to host voices that respect tradition, elevate our cultural identity, and inspire new generations to walk – like Heracles – the difficult but redemptive path of Virtue. Because ultimately, every heroic deed begins with one question: “What kind of person do you want to become?”

A Hero of Our Time

To my mentor Shohida, who has empowered over 50,000 girls through Shine Academy…

What is joy? I ask myself anew—
Is it a victory, or just something true?
If someone asked me to describe delight,
Your face would rise before my sight.

A gentle smile, serene and kind,
Your words, in hearts, are deeply lined.
So pure, so honest—like a child,
You are joy, though so selfless and mild.

To every girl, your love runs deep,
A river of care, in silence it speaks.
To some, you are strength; to others, a dream,
A world of grace with a radiant gleam.

If I may speak the honest truth—
Shohida-sister, with boundless ruth,
Though life may have given you pain to bear,
You give girls joy beyond compare.

One day the world will know your name,
A Shohida who lit hope like flame.
A living example, brave and sincere,
A quiet hero we hold so dear

Rashidova Shaxrizoda Zarshidovna is a young writer from Qorako‘l district, Bukhara, Uzbekistan. She was born on October 31, 2010, and studies at School No. 20. Shaxrizoda is the author of several books, including The Magic of the Pen and Nafas. Her poems and stories have appeared in Ezgulik and Raven Cage magazines. She has won multiple district-level literary contests. Shaxrizoda leads the “Young Writers” Club and coordinates local youth initiatives. She also represents “Wekelet Community” in Uzbekistan. As a mentor, she has helped nearly 100 girls grow creatively. She is a member of the Writers’ Union of Argentina. Her work reflects a strong voice of her generation. 

MUNAVVARA SOLAYEVA – THE OWNER OF SCIENCE AND CREATIVITY

Munavvara Solayeva is the first female PhD holder in philology from Urgench State University. The scholar was born on February 2, 1925, in the city of Khiva. In 1954, after successfully defending her PhD dissertation, she was assigned to the Khorezm State Pedagogical Institute. Munavvara Solayeva was one of the pioneers of this prestigious institution, dedicating her entire career to its development. She was among the first women to boldly travel to Moscow, where she defended her dissertation in Russian on the topic “The Lyrics of Uyg‘un”. She devoted 34 years to scientific and teaching activities at the institute where she began her career.

       In 1993, her monograph titled “Navoi and the Poets of Khorezm” was published. In recognition of her lifelong contributions, academic achievements, and ethical qualities, the university administration established a state scholarship named after Munavvara Solayeva.

      One of her exceptional qualities was her poetic talent. Over the years, her numerous scientific, journalistic articles, and poems covering relevant social and literary topics were published. These works, including poems and ghazals, have been compiled in a collection titled “A Heart in Love with Science”, prepared by poet, writer, and member of the Uzbekistan Writers’ Union, Qurbon Muhammadrizo. The book was published by Ogahiy Publishing House in 2023. The presentation of the book took place at Urgench State University named after Abu Rayhan Beruni in a highly spirited atmosphere. As a student, I also participated in the event, where we expressed admiration for Munavvara Solayeva’s courage and remarkable achievements as a woman. We aspire to become brave, active, and dedicated educators and scholars like her.

         The collection “A Heart in Love with Science” includes Munavvara Solayeva’s journalistic articles on important topics such as “What is Humanity?”, “The Literary Relations of the Two Shores”, “The Sultan of Poetry”, “The Owner of Bright Creativity”, and “The Scholar of Poetry and Art”. It also features her scientific articles such as “One Poem”, “The Pain of Poetry, the Love of Science, the Magic of Art”, “The Spirit of Navoi Protects Me…”, “May Your Flight Be High”, “The Evening Came to My Hut”, “The Tragedy of the Ghazal”, “Navoi’s Traditions in Ogahiy’s Lyrics”, “The Image of Women in “Khamsa” “, and “Navoi’s Spring Melodies”.

         By reading these works, readers gain a deep understanding of the historical period, the life, and the creative path of each literary figure discussed, along with new and comprehensive reflections on their legacies. The collection also presents her heartfelt poems such as “To My Mother”, “My Father”, “Navoi and Ogahiy”, “Fable”, “Ode to Spring”, “The Book”, “The Muse of Inspiration”, “Winter and Spring”, “Black Eyes”, as well as her ghazals with refrains “Are You My Beloved?”, “I Am Devoted”, “I Seek”, “Regret” and her muvaššah (poetic form) “The Teacher”. The poetic garden of her works stirs the hearts and touches the souls of readers, undoubtedly leaving a lasting impression on every admirer of literature.

Iroda Rakhimova Islombekovna was born on August 8, 2005, in the city of Khiva, located in the Khorezm region of Uzbekistan. She graduated from the School number 11 in Khiva with a gold medal and was admitted to Urgench State University named after Abu Rayhan Beruni on the basis of a state scholarship. Currently, she is a second-year student at the Faculty of Philology and Arts at the same university. Her poems, short stories, and articles have been published in both national and international journals. She is an active member of the “Mushoira” literary club established at the university and continues her creative work through this platform.

My Mother — The Sun of My Heart

Before I ever saw the world so wide,

You held my hand, a silent, guiding light.

At night, you shone like stars that brightly glide,

Your love — my strength, my soul’s most precious right.

You taught me patience with each passing day,

And bore life’s burdens with unshaken grace.

Within your eyes, I found my secret place —

I’ll never forget your love’s endless ray.

When the world pressed hard upon my soul,

You opened your arms, absorbing my pain.

Though you were burning, you’d never let it show —

For me, you lived, enduring in silence again.

Oh Mother, no words could ever define,

Your love — a river that knows no end.

In my life and soul, you eternally shine,

The only true light my heart can send.

Without you, what’s left in this heart of mine?

Cold nights would burn it with silent cries.

In every storm, your prayer is enough —

Your every word, a star in my skies.

The older I grew, the more I could see:

Each breath you took was a silent sacrifice.

If now I shine like a star in the sky,

Know — my light is just your love in disguise.

Life’s trials were sharp as a sword’s cruel blade,

But you walked beside me like a gentle shade.

In heavy moments, you carried hope’s flame,

Never once saying, “Poor me,” — never in shame.

Now I stand as someone my homeland needs,

Your lessons — the foundation of my soul.

Each of my triumphs, each noble deed,

Is a gift to you, who made me whole.

You are my quiet muse in every day,

The light of truth shines deep in your gaze.

Even in dreams, may you still softly pray —

With you, life blossoms in beautiful ways.

Though fate may pave my path with stone,

The strength I bear is from your heart alone.

In my soul lives a word beyond compare —

Each work I begin starts with “Mother” there.

Turayeva Sadoqat Kahramonovna was born on March 26, 2005 in Gurlan district, Khorezm region. After graduating from school No. 23 in Gurlan district, she studied at the Academic Lyceum of Urgench State University between 2021 and 2023. Currently, she is a 2nd year student at the Faculty of Philology and Arts of Urgench State University named after Abu Rayhon Beruni.

(Young Central Asian woman in a black coat with buttons on the sleeves and a white frilly blouse, seated in a cafeteria with yellow chairs).                                                 

A NEW DAY

Dewdrops dance on leaves, in gardens nestled so deep,
Softly drifting, clouds above sing lullabies in sleep.
Like the scent of a tulip, sorrow lifts from the soul,
While grandmas pray for peace and health, making the people whole.

Grass blades greet us warmly, heads risen in delight,
Listening to the cranes returning, crying through their flight.
In emerald green that charms the eyes, they reach toward the skies,
Sunlight glimmers on each bud like gold in children’s eyes.

Some have lived to see these days, and some have not, it’s true,
But spring still whispers words of joy that gently pass on through.
From parents’ heartfelt blessings bloom joy and inner grace,
And on the sky of fate we see youth’s star take its place.

With spring anew, a brand new day, forget the shadows past,
Let pure intentions simmer like sumalak in the pot at last.
Let kites that soar in skyward flight sweep grief from every heart,
And let us share the blooms of love, together, never apart.

Welcome back, O Spring, to my land! You’ve brought such dazzling cheer,
For the sixteenth time I face you, smiling with eyes so clear.
How many times we’ll meet again, I do not truly know,
But angels built a palace in my soul for you to glow.

Gulmira Ravshonbekova, daughter of Ruslonbek,was born on August 29, 2005, in Khiva city, Khorezm region.Currently, she is a second-year student at Urgench State University named after Abu Rayhan Beruni. She is a recipient of the “Ogahiy Scholarship” and the “Governor’s Scholarship”. Her first collection of poetry and prose, titled “Love for Enchanting Words”, has been published.She is a winner of several international, national, and regional Olympiads and competitions. Gulmira is also a member and certificate holder of the “Kyrgyz Poets and Writers Fund” of the Kyrgyz Republic. Additionally, she represents Uzbekistan in the international organization “National Human Rights and Humanitary Federation”.Her academic and literary works have been published in journals and anthologies in countries such as Germany, the USA, Turkey, Canada, India, Poland, and others.                                                                                             

First of all, we’re sharing the new project of young leader Muslima Olimova. The online platform Muslima Academy is a secular youth-led educational initiative empowering students with digital skills, international opportunities, and career readiness. More information here.

Also contributor Christopher Bernard has work included in the new summer issue of literary magazine Caveat Lector. Secondly, contributor Timothee Bordenave will have his painting Carte a Jouer auctioned off at L’Olympia.

Disabled contributor, lyric essayist, and ALS activist Katrina Byrd suffered hurricane damage to her home and seeks support to rebuild and make ends meet while she’s getting ready to move. Whatever folks can contribute will make a real difference.

South African poet and essayist Abigail George, whom we’ve published many times, shares the fundraiser her book’s press has created for her. She’s seeking contributions for office supplies and resources to be able to serve as a speaker and advocate for others who have experienced trauma or deal with mental health issues.

Also, the Educational Bookshop in Jerusalem, a store that has the mission of peaceful dialogue and education, invites readers to donate new or gently used books (all genres) that have been meaningful to them, with a note enclosed for future readers about why the books were meaningful. (The books don’t have to be about peace or social justice or the Mideast, although they can be). Please send books here. US-based Interlink Publishing has also started a GoFundMe for the store.

Writer and playwright Gina De Vries has been awarded a fellowship to receive professional coaching from the Lambda Literary Foundation for her drama exploring and challenging the “Doom Loop” narrative about American cities. She’s raising a small amount of cash to cover the portion of the cost that she’s expected to cover.

Next, we have a group of young early-career UC Davis academics who hope to attend an important conference in the field of climate science, but need to privately raise cash to replace grant funds that were removed due to changing conditions in the U.S. They’ve been hosting bake sales to make up the difference.

We’re spreading the word about Claire Jones and Amaranthia Sepia and their work through Sista Creatives Rising, creating accessible virtual shows, spotlighting and giving small grants to women of color to pursue their creative dreams. They’ll host a new show this fall, tickets will be available soon, and are inviting people to donate to celebrate Juneteenth! Any donations we receive will help us support our team, speakers and tech needs such as Adobe, Xfinity Emergency Storm Wi-Fi, editing & captioning apps, accessibility support, and more!

Also, we encourage people to consider supporting the Sun Gallery, which is one of the venues hosting the Hayward (California) Lit Hop festival, co-sponsored each year by Synchronized Chaos Magazine. They’re struggling due to the loss of some important grants and facing possible closure, and we would like to give back to the places that have supported us.

Finally, we’re helping out one of the founders of the Secret Spot, a grassroots performance and visual arts collective launched by low-income artists early in their careers. The Secret Spot is temporarily taking a break while she recovers from injuries sustained in a car accident.

Now, for July’s first issue: Hold This World Loosely. These words of St. Paul from two millennia ago remind us that while there is much to embrace in the world, all is impermanent and we can only protect ourselves from suffering by holding on with a loose grasp. However, this flexibility also frees us to appreciate and create positive change.

Eva Petropoulou Lianou describes the freedom found in holding onto life with a loose hand. Yucheng Tao crafts poetry of fleeting moments, consciousness, grief, and beauty. Dustin Pickering expresses his desire to float away with his love, even down to shadows and the abyss. Jason Ryberg’s poetry evokes dreams, memory, and timelessness. Lilian Dipasupil Kunimasa writes of gales of wind and emotion and the cultural wisdom embedded in a Native American dream catcher. Graciela Noemi Villaverde writes elegantly of a summer train adventure and the need to let go of some of the past to embrace the future.

Welcoming personal and societal change and growth can be a positive thing. Qobulova Gulzoda honors the forward-thinking Jadid leaders in Uzbekistan’s heritage who promoted education, science, and literacy. Gulshoda Jorabekovna Baxtiyorova offers up patriotic praise for Uzbekistan’s current presidential administration and its efforts to promote education, science, women’s rights, and athletics. Xoliqulova Husniabonu reflects on the bravery and dedication of her nation’s historical heroes. Priyanka Neogi urges people to achieve personal greatness by working hard to develop their talents and growing in their character and respect for others.

As an example of scientific research, Davlatyorova Iqbol outlines the medical causes of and treatments for hyperglycemia. Anorov Sirojiddin outlines approaches to treating urological diseases. Turning to the arts, Federico Wardal points out two films, flautist Andrea Ceccomori’s “Anita” and Joe Mantegna’s “Kamilah the Miracle Filly,” which have crossed national borders to be featured in San Francisco, Los Angeles, and Italy.

Oyatillo Jabboraliev highlights the value of student exchange programs for helping young people learn life skills as well as cultural literacy. Mamatova Diyora explores ways to help students stay motivated to learn foreign languages they don’t frequently hear. Munisa Asimova reflects on the work of a caring teacher who helped her achieve her writing dreams, and Sobirjonova Rayhona also offers up a poetic tribute to a dedicated teacher. Rakhmonova Diyorakhon discusses the importance of experiential and participatory education for young people. Muslima Olimova announces the launch of her online startup which aims to help young people around the world learn the skills that will prepare them for work and also outlines the advantages of different backend programming languages.

Ibodullayeva Dilnura analyzes the effects of combining online and in-person education. Surayo Nosirova relates her experience with an environmental education project involving young people in solving today’s challenges. Odina Bahodirova highlights the role of environmental education in promoting future sustainability.

Rushana Raupova celebrates the wonder and joy children can bring to the world and her dedication to benefiting them with her life. Aytuvova Khurshida outlines the importance of integrating the latest psychology findings into children’s education.

Mario Loprete renders urban style into the gallery with concrete tributes to rap and culture. Sabina G’iyosiddinova builds upon and expands traditional Uzbek art styles in her abstract work.

Dr. Jernail S. Anand suggests a positive role for artificial intelligence in enhancing human life and promoting pro-social behavior. Tursunova Ismigul suggests strategies, including technology-based platforms, to improve access to healthcare in rural communities.

Speaking of traditional rural villages, Manik Chakraborty revels in gentle, sunny village life. Holding onto the world with a light touch does not mean giving up one’s love for one’s world, heritage or past. Maftuna Rustamova honors the creative legacy of Uzbek poet Zulfiya Khanim. Dilnura Khahhorova affirms the importance of celebrating the traditional culture of Uzbekistan while Bektosh Kenjayev honors the self-sacrificing military heroism of historical tribal leader Shiroq. Iskandarova Dilnoza affirms her Uzbek history and culture in poetry. Mickey Corrigan reflects on the complex and intriguing life of James Bond actor Ian Fleming. John Dorsey speaks in his poetry to American culture, memory, and reflection.

David Sapp expresses thoughtful wonderment and fascination for art and the natural world. Irma Kurti speaks to excitement, love, grief, the sky’s various moods, and summer breezes. John Thomas Allen offers a mystical ode to the esoteric arts. Alan Catlin probes the uncanny side of nature in his surreal poems. Joseph Ogbonna describes a road trip where tension among fellow travelers arose, then dissipated as everyone explored the calm and quiet Nigerian countryside. Saiprakash Kuntamukkala listens to an elegant rainfall. Mahbub Alam reflects on patience and how nature blooms on its own timescale. Christina Chin and Jerome Berglund exchange tan-renga lines about mowing the lawn, ants crawling, film noir, and many other topics.

Mary Bone remembers outdoor winter celebrations with friends and family. Brian Barbeito reflects on escaping a garish urban landscape by taking refuge by the sea. Don Bormon speaks to the vast natural renewal each year after the monsoon rains.

Chimezie Ihekuna praises the power of love and expresses a child’s tender love for their father. Elbekova Shohsanam thanks her parents for their constant and sacrificial love. Mashxura Fazliddinova Nuriddinovna offers up a tribute to both her parents. Wansoo Kim speaks to centering oneself and listening to the voices of faith and conscience rather than other less meaningful distractions. Turkia Loucif celebrates family, love, nature and creativity. Rhian Elizabeth’s maybe i’ll call gillian anderson, reviewed by Cristina Deptula, speaks to family and romantic relationships and makes space for love, grief, and change.

Sometimes remembrance is tinged with sorrow. Poet Hassane Ajbouh carries forth an ecstatic spiritual love through writing of his departed beloved. Mesfakus Salahin’s poetry evokes the pain of separation from a loved one amid the hot monsoon rains. Duane Vorhees writes figuratively, yet sensually, of romantic pairings of opposites and of people left longing or bereft after someone leaves. Greg Hill sends up images of fall, loss, and departure, contrasted with a lively preteen sleepover.

Paul Murgatroyd evokes death, decay, and the persistent memory of youth. J.J. Campbell speaks to aging, disillusionment, loneliness, frustration, and despair. Taylor Dibbert’s narrator reflects on the long shadow of his beloved dog’s memory. Leslie Lisbona mourns a friendship of many years that went awry after her friend’s move and some off-base comments. Mirta Liliana Ramirez remembers a person she lost by the sea they both loved. Stephanie Elendu’s short story presents three different characters grieving the deaths of school children in a Nigerian truck accident from three different perspectives.

Mykyta Ryzhykh speaks to love, physical passion, death, the extreme trauma of wartime, and the psychological violence of having to hide a big part of himself. Palestinian poet Ahmed Miqdad looks to death as a release from the extreme suffering he sees in Gaza and Eva Petropoulou Lianou interviews him about his writing and his hopes for peace and human rights in the region. Abdulrasheed Yakubu Ladan also speaks to the human suffering in Gaza and the people’s determination to survive. Patricia Doyne lampoons Donald Trump and the state of American politics and the possibility of war. Noah Berlatsky grieves the loss of a loved one to social violence at the hands of laws and lawmakers who said they didn’t belong, reminding us of the human cost of policies.

Yuldasheva Oyshakhon reminds us to cherish our parents while we have them. Bill Tope remembers the unspoken rejection he felt after losing his father. Maja Milojkovic recollects the ways her deceased father made an impact on her life. Dan Flore writes of the lingering effects of divorce on now-adult children. Abigail George reflects on her loneliness and depression when her own mother forgot her birthday, and how she found comfort from looking to writers and the human experience.

Sayani Mukherjee speaks to feeling part of nature’s family, one of the plethora of creatures in a continually changing universe. Mohidil Sultanova evokes the joy, wonder, and community of a vibrant Uzbek street market, where she can feel the pulse of humanity interacting. Mahmudova Sevara uses cuisine as a lens to explore points of intersection between Uzbek and Korean culture. Bazarbaeva Inabat analyzes business connections between Thailand’s media and tourism industries.

Several students cover themes of cultural exchange within the field of linguistics. Hafizullayeva Kamolaxon outlines the influence of Turkish on the Uzbek language. Nigora Abdurazzakova explores cognitive development in children bilingual in Russian and Uzbek. Tojimurodova Latofat discusses ways to help speakers of Russian, Uzbek, and English remember words. Aliasqarova Muslima discusses attitudes towards regional and country dialects in the Uzbek language. Baxtiyorova Feruza’s essay deals with the role of common nouns and verbs in Uzbek and English speech. Berdiyorova Nargiza compares idiomatic expressions in English and Uzbek. Jo’rayeva Aziza explores multimodal teaching methodologies for Uzbek as a foreign language. Odilova Diyora looks into how translation strategies impact the interpretation of culturally specific terms in Uzbek. Sa’dullayeva Dilshoda highlights the role of language preservation in claiming and reclaiming culture and identity. Nasirova Xurshedabonu looks into ways to help students gain confidence in speaking foreign languages.

Sometimes we experience life as if it’s been mistranslated, as if we aren’t sure exactly what’s happening and what to make of our circumstances and senses. Mark Young writes of off-kilter scenes from daily life, observed from a distance. Iduoze Abdulhafiz escorts us through a holographic world of surreal prose. Yongbo Ma recollects a hazy dream about attempting to repair a muddy road, then adding to the confusion.

Christopher Bernard reflects on what it means to age when one never quite fit with one’s own generation.

Ben Nardolilli explores possibility and reality, human minds and our role in the universe, and suggests that we belong here. Wansoo Kim urges us to pull out of selfishness and despair and follow our consciences as guides. Nasir Aijaz perseveres in his life despite society’s many ills. Jasmina Ergasheva expresses resilience and hope for her future. Murodillayeva Mohinur reflects on her determination to rise towards her dreams even amidst obstacles.

Michael Robinson speaks to the new life and healing he has found in Jesus Christ. Eva Petropoulou Lianou expresses a wish for people to choose humanity over greed, and in another piece translated by Sumaya Al-Essmael, urges peace on earth for everyone’s best interest. Azamova Feruza highlights the importance of peace and stability for developing, or all, nations.

Vo Thi Nhu Mai contributes a gentle, tender love story where a young man finally gets up the courage to embrace his first beloved. Isaac Aju crafts a hopeful, second-chance romance. Sushant Thapa’s piece celebrates friendship and art’s power to encourage the soul.

Peter Cherches contributes a humorous poem making a bold claim to its own existence. Svetlana Rostova highlights the power of words and ventures to rewrite her own story. We hope that this issue inspires and frees you to do the same in your own words and media.

The Gate of The Cemetery

The whole world chases me fiercely

As I’m the only prey.

I passed through slaughters, massacres and massive burdens of life. 

I successfully escaped the darkness and brutality of this notorious world.

I walked the long path over the shredded parts, the killed children, the weeping widows and the hungry boys.

I ran away this motionless and silent world miraculously,

Till I reached the gate of the cemetry where life thrives as flowers

And the glamorous light appears from the innocent souls as the burning butterflies.

I walked among tombs and shrines 

Where tranquility and serenity flow.

There, I hear  the alives whisper

It was a wonder to flee the dead world and live peacefully in the heart of the earth.

I suddenly yelled at them loudly

“I honestly envy you”.