Poetry from Nasir Aijaz

Older Arab man with a bald head, white collared shirt, and glasses

Walking on Embers – A Long Poem

Living in today’s society

Is like walking on embers,

A perpetual burn,

A relentless trial.

No sign of transformation,

No hope for change in the social fabric,

Only a landscape riddled with evils,

Shadowed by devils lurking in every corner.

My fire-walk has persisted through millennia,

Embers scattered in shallow trenches,

A bed of hot coals beneath my feet,

Each step an act of silent defiance.

Sometimes I slow,

Careful to spare my bare skin,

A cautious pause amid the flames.

But slowing isn’t relief;

It’s a false refuge,

For the end of this journey

Still remains distant, obscured by smoke.

I must press on,

Walking still on fire,

Knowing my feet are destined to burn,

Yet unable to cease the walk

Through the inferno of a broken society.

The evils thrive with hidden grace,

Wearing a thousand nameless face.

Devils dine at golden feasts,

While I walk fire, seeking peace.

Sometimes I slow—

Then I run, but speed deceives,

The fire clings like autumn leaves.

No finish line, no cooling stream,

Just endless heat, and broken dream.

This is my journey, forged by time,

A millennial path of soot and grime.

No miracle to lift this curse,

Each step a verse in a burning verse.

Yet still I walk, I do not fall—

Though flames consume, I heed the call.

To walk through fire is to survive,

To burn, and still remain alive.

I continue walking on fire

Not to escape but to remember

Pain proves I was here.

The fire doesn’t chase.

It waits.

It knows I’ll come back.

This is how I earn each breath.

Not with healing,

But with friction.

You think fire screams.

It doesn’t.

It hums, like a neon sign in a forgotten alley.

I walk not because I’m brave.

I walk because stillness would be worse.

You’d think I’d get used to it,

This burning

But every step is a fresh confession.

I don’t want rescue.

I want to feel the edge.

To remember that pain is proof,

That I’m still awake.

I walk

In the silence we’ve built

The kind that hums beneath electric lights

And flickers

Between headlines and sighs.

There are no gods here.

No miracles.

Only buildings that lean like tired elders,

Built from ash,

Still pretending to be stone.

And so I walk.

Sometimes slowly,

Because the pain demands attention,

Each step a sermon,

Each burn a truth I never asked for.

Other times,

I run.

But the fire follows.

It clings

Like stories we tell ourselves

To sleep at night.

There is no finish line.

No cool stream waiting beyond the bend.

Just more heat.

Just more sky.

Just more walking.

This is what it means

To live with eyes open.

To know there is no rescue.

To choose the fire anyway.

I do not walk for glory.

I do not walk to be healed.

I walk

Because to stop

Would be to forget

That I was ever alive.

_____________

Light in the Darkness

By Nasir Aijaz

One day, there will be light in the darkness,

A dawn to break this endless night.

Though shadows stretch without a mercy,

I walk alone, yet hold on tight.

A tunnel deep, so cold and hollow,

No stars above, no signs ahead,

Yet every step, though faint and faltered,

Is guided by the hope I’ve fed.

The walls may whisper doubt and sorrow,

The silence press upon my chest,

But still I move, with dreams unbroken,

A quiet fire within my breast.

No map, no voice, no hand to lead me,

No promise written in the sky,

And yet, I trust the dark is fleeting,

And light will come — by and by.

For faith is not in what we witness,

But in what we choose to see:

A distant spark, a gleam of purpose,

A truth that sets the spirit free.

One day, there will be light in the darkness,

And all this pain will turn to peace.

I’ll step into that warm horizon—

And find the place where burdens cease.

_________________

Introduction

Nasir Aijaz, based in Karachi, the capital of Sindh province of Pakistan, is a senior award-winning and Gold Medalist journalist having served in the field of journalism for half a century in senior positions like editor and managing editor. He also worked as a TV Anchor for over a decade and conducted some 400 programs besides appearing as analyst in several current affairs programs on TV and Radio channels. He is the award-winning author of ten books on history, language, literature, travelogue, translations from English literature, and biography. One of his books, a translation of poetry of an Egyptian poet, has been published in Cairo.  About a dozen other books are unpublished.

Besides, he has written over 500 articles in English, Urdu and Sindhi, the native language of Sindh. He is editor of Sindh Courier, an online magazine and represents The AsiaN, an online news service of South Korea with regular contribution for eleven years. Dozens of his articles have been published in South Korea while many of his articles have also been translated in Arabic and Korean languages. Some of his English articles were published in Singapore and India and Nigeria. He writes poetry in his native language Sindhi as well as in English. Some of his poems have been translated in Hindi, Bengali, Tamil, and Malayalam, Albanian, Italian, Greek, Arabic and some other languages published in Egypt, Abu Dhabi, Iraq, Bangladesh, India, Kosovo, USA, Tajikistan, Greece, Italy, Germany, and some other countries. He has visited some ten Asian countries and attended international seminars. He was adjudged one of the Top 20 journalists of Asia by a Philippines-based magazine. He has received several appreciation certificates from international organizations for his literary services.            

Tan-renga from Jerome Berglund and Christina Chin


Jerome Berglund (italic)

Christina Chin (plain) 

old station

ants around my loafers

at liberty 

a familiar stomp

of tap dance

heat and sweat 

under the parasol

coconut water

vegetable truck 

running interference 

running stream 

the shrills of naked 

native boys

monitoring 

the icebox

mowing grass 

with a reel mower

helping a friend 

relentless positivity 

as praxis

the odds 

of being part of  

the film noir era 

silent movies 

and the tramp

Essay from Federico Wardal

Artist Federico Wardal, a middle aged brown haired Italian man, in a white coat and black scarf, holding a film trophy from the San Francisco International New Concept Film Festival. He's in the corner of pink and red walls at the American Art Institute.

A bridge between two major Californian film festivals and one of the most prestigious Italian film festivals

The fact of creating a bridge between overseas film festivals (California – Italy) is loved by filmmakers and is giving important results about their sustainability. 

Two films in particular are the leaders of this bridge between vesuviusfilmfestival.com directed by Arch. Giovanna D’Amodio, the LA Tribune FF https://latribunefilmfestival.com/ president Dr. Emily Letran copresident Joanna Zhang, vice president Elizabeth Nguyen, the SF New Concept FF https://www.sfnewfilms.com/ president Joanna Zhang, vice president Elizabeth Nguyen. 

Golden icon of a wreath and a film reel for the Los Angeles Tribune International Film Festival.

Here are the two films connected between the three festivals: https://www.kamilahthemiracle.com by Angela Alioto, narrated by global star Joe Mantegna https://en.wikipedia.org/wiki/Joe_Mantegna and the short film “Anita” directorial debut of the famous composer and flautist Maestro Andrea Ceccomori with his original music, starring Wardal https://www.perplexity.ai/search/dc1b6c8f-95e5-4a57-94d8-90436abd44d2 “Anita” EN version https://youtu.be/qFqrswzoCTk?si=YyUdEuQmozR160lU

Photo of Maestro Andrea Ceccomori playing a brass flute with his eyes closed. He's in a suit with a buttoned coat and white shirt.

“Anita” Italian version, Portuguese subtitles

https://www.thetimesinternational.com/?p=165312

The three festivals embrace important areas: the LA Tribune FF partner of the prestigious newspaper https://thelosangelestribune.com/ embraces the Los Angeles area world leader in cinema. The SF New concept FF takes place in the Herbst Theatre, one of the most prestigious theatres in the world.

Red, black, and white poster for the Vesuvius Film Festival. Some black clip art film and text in Italian.

The Vesuvius Film Festival embraces one of the most famous archaeological areas in the world: Pompeii and Herculaneum, but extends to the entire Campania region, to its very important capital Naples and to the island of Capri, half of the International Jet Set. The Vesuvius FF is a partner with the Vesuvius National Park Authority, president Raffaele De Luca. ANILDD present in 17 countries, president Eng. Lino Marasco, is in cooperation with the Vesuvius FF which is focused on environmental protection and artistic and cultural innovation.

The film Kamilah the Miracle Filly fits perfectly with the objectives of the Vesuvius FF as it is based on the legend of the filly Kamilah whose life was saved, against the advice of all doctors by Angela Alioto and UC Davis and saving the life of the creatures of the planet means contributing to the balance of the environment.

The film “Anita” is based on the value of freedom, a value that certainly animates the defense of the environment. “Anita” is a tribute to the bridge between Italy and the Brazilian state of Rio Grande do Sul which gives rise in October to an event of worldwide resonance in Brazil, in the aforementioned state, in the city of Garibaldi.

The film has the privilege of having the supreme patronage of Francesco Garibaldi Hibbert, descendant of the hero of the two worlds (Latin America – Italy) Giuseppe Garibaldi. It is scheduled a cooperation among Vesuvius FF , LA Tribune FF , SF New Concept FF and Egyptian FF , Saudi Arabia FF , Emirates FF , Qatar FF . 

Essay from Surayo Nosirova

Raising Eco-Conscious Leaders: My Journey with the ʼʼEcoMarathon ʼʼProject

In a world grappling with climate change, pollution, and the degradation of nature, the importance of environmental awareness cannot be overstated. Among the many initiatives working toward a greener planet, the ʼʼEkoMarathonʼʼ  stands out as a remarkable and impactful project that not only educates youth but also transforms them into active defenders of the environment. I am honored to have been part of this inspiring journey.

The EkoMarathon is the brainchild of the dynamic and visionary Xusayn Tursunboyev—a person who wears many prestigious titles and plays several key roles in the field of youth activism and environmental advocacy. He is a member of the Youth Parliament, part of the TOP 20 Eco-Activists, recipient of the Ulughbek State Scholarship, the first-ever laureate of the Nature Protector Award, mentor-trainer at @uva_uz, Chairman of the Youth Ecologists Council (@yoshekologlar), and founder of the @ekonuruz and its flagship initiative, the ʼʼEkoMarafonʼʼ.

Launched in 2023 by the ECONUR team, the project has already completed ten successful seasons, growing in impact and recognition with each passing year. It is designed not only to equip young people with theoretical knowledge about ecology but also to guide them in putting that knowledge into practice. The project instills responsibility, awakens love for nature, and creates a ripple effect by encouraging participants to initiate their own environmental efforts within their communities.

My First Step Into a Green Future

I became part of this movement during its 7th season, and currently, I am proud to be participating in the 10th season as well. Thousands of young people apply for each season of the marathon, yet only 150 delegates are carefully selected based on merit, commitment, and potential to make a difference. The competitive nature of the selection process itself speaks volumes about the credibility and seriousness of the project.

Participating in the 7th season was a turning point in my life. Before that, I had a general interest in nature, but the EcoMarathon deepened my understanding and strengthened my emotional connection to the environment. It turned my curiosity into a calling. As a result, I not only became more environmentally responsible in my daily life but also took the initiative to create my own project called EkoZakovat, which focuses on ecological knowledge and awareness through educational games and challenges.

What Makes the EcoMarathon Unique

The EcoMarathon is structured as a 3-day program. Though it is technically an online project, the actual activities and assignments are performed offline by the participants, ensuring practical engagement. Delegates are divided into teams, each supervised by coordinators who monitor progress, ensure participation, and maintain discipline throughout the program.

Despite the online nature of coordination, the atmosphere is incredibly vibrant and unifying. In just three days, strangers from different corners of the country become like a family—sharing experiences, solving real-life ecological challenges, and motivating each other to do better. One of the most admirable features of the project is its balance between strong discipline and a supportive environment. Delegates who do not fulfill their responsibilities are respectfully removed, maintaining the quality and seriousness of the marathon.

The sessions include hands-on ecological training, creative challenges, recycling activities, awareness campaigns, and much more. The training sessions are delivered by environmental experts and mentors who offer valuable insights into various ecological issues and solutions. Each day of the marathon is carefully planned to be meaningful, motivational, and memorable.

EcoMarathon’s Deeper Impact

The EcoMarathon is not just about cleaning up parks or planting trees—it is about changing mindsets. It encourages participants to see the environment not as a separate entity, but as an extension of themselves. It teaches us that every small action, from using reusable bags to conserving water, can have a meaningful impact if multiplied across society.

Moreover, the project fosters leadership, communication, teamwork, and time management skills. Delegates learn to handle pressure, cooperate with people from diverse backgrounds, and take ownership of responsibilities. These are life-long skills that serve well beyond the ecological context.

The ripple effect is truly visible—many former participants have gone on to lead their own eco-initiatives, conduct local training sessions, and become influential voices in their communities for sustainable living.

My Personal Growth Through the Project

Looking back, I can confidently say that being a part of the EcoMarathon helped shape who I am today. It was not just a program I attended—it was a transformational experience. It changed my perspective on life, strengthened my belief in youth power, and most importantly, showed me that even a single individual can contribute to global change.

I still remember how nervous I was before my first season. But within the first day, I realized I was in a space where everyone shared the same dream—a greener, cleaner, and more conscious world. That sense of unity, shared purpose, and boundless energy still motivates me today.

After my 7th season, I continued to stay active in ecological work. I volunteered for other environmental events, helped organize eco-quizzes, and even mentored younger students who were interested in environmental protection. I now feel a sense of responsibility not only to nature but to future generations.

The Power of Youth and the Road Ahead

The EcoMarathon proves that youth are not just the leaders of tomorrow—they are the changemakers of today. When given the right guidance, tools, and opportunities, they are capable of tackling the world’s biggest challenges. Projects like the EcoMarathon are essential in building this bridge between knowledge and action.

As the 10th season continues, the dream is to expand the program even further—to reach more young people, create more awareness, and amplify the impact. The organizers hope to one day involve hundreds, if not thousands, of delegates per season, bringing ecological education into the mainstream of youth development.

I deeply support this vision. I believe that if every young person could go through an experience like the EcoMarathon, we would be living in a vastly different world—one where empathy for the planet is a natural part of our daily decisions.

Final Reflections

In conclusion, the ʼʼEkoMarathonʼʼ is more than just a project; it is a movement. A movement that brings together knowledge, action, and emotion in the most powerful way. It awakens the inner environmentalist in each participant and empowers them to carry that fire into the real world. For me, it wasn’t just a season of training—it was the season where I found purpose.

I am grateful to Xusayn Tursunboyev and the ECONUR team for their relentless efforts, their belief in youth, and their dedication to making this world a better place. The EcoMarathon is a testament to what can be achieved when passion meets purpose, and when young hearts come together for a common cause.

As I continue on my own journey of environmental activism, I carry with me the lessons, memories, and friendships built during the EcoMarathon. I hope my story inspires others to participate, to care, and most importantly—to act.

Because the future of our planet begins with the choices we make today.

Surayyo Nosirova Elyor qizi was born on May 13, 2006, in the Narpay district of the Samarkand region, Uzbekistan. From an early age, she showed a deep interest in literature, languages, and creative expression. Her passion for learning and writing became evident during her school years, where she actively participated in various academic, literary, and cultural activities. Currently, Surayyo is a first-year student at the Uzbekistan State University of World Languages, specializing in English Philology and Teaching. She is known for her strong academic performance and her dedication to mastering the English language. Her commitment to education extends beyond the classroom—she is the author of three published books: Heartfelt Thoughts, Voices in Writing, and Beyond Words: Mastering English. Each of these works reflects her insights into language learning, writing skills, and the emotional depth of student life. In addition to her books, Surayyo has written numerous articles.

Poetry from David Sapp

From the Northeast

When the wind

And rain shift,

Push abruptly

From the northeast,

Blow whistling through

My attic window,

Snatches my hat,

A schoolyard bully,

And all the starlings

Are vexed, skittish,

I do not comprehend,

I am confused by the turn,

My routine up-ended

(a precarious wont as it is).

To evade apprehension

And a sound pelting,

I’m required to tilt,

Bend my head in

A diffident incline,

An unaccustomed direction.

Neither Memo Nor Miro

Everything everywhere frozen,

Thawed and frozen again,

Over standing, brackish water,

Inconsequential configurations,

Curvilinear spirals of ice,

I admire, I’m mesmerized by

These designs and look longer

And longingly at the ditch,

Longingly at a simple beauty,

Longer than at oh-so-significant

Office memoranda, busy, busy

Strategies, missions, implementations.

No, these meandering forms

Are priceless museum Miros,

Studied, revered, emulated.

And no, quietly apparent, this

Scene is neither memo nor Miro.

Poetry from Taylor Dibbert

An Ordinary Saturday Night

Four beers in

On an ordinary Saturday night

And he’s doing internet research

On why dogs

Sit on people’s chests,

He can’t believe that his London

Has been gone

For more than two years.

Taylor Dibbert is a poet in Washington, DC. He’s author of, most recently, “Takoma.”