Short story from Bill Tope

Zest

Previously published in Down in the Dirt Magazine

“Hello, Deb,” said the tall man softly. He approached the 22-year-old, ironically, she thought, in the produce section at the supermarket.
Deb looked up, her hand poised over the navel oranges, her mother’s favorite. She didn’t recognize him at first; he had changed: more gray, a few additional pounds and the clothing was vastly different. When last she’d seen John Bowen, he had effected a more rustic look: plaid flannel shirts and washed out jeans and coarse work boots. A studied, rugged persona better suited to ensnaring young lovers, she thought testily. But now, he was every bit the young professional: dress slacks, fancy shoes and a blazer that probably cost more than the car she drove. He also sported some exotic cologne.


“How’ve you been?” asked John.
Deb narrowed her eyes at him. “What’s it to you?” she asked frostily. Deb had been one of John’s many sexual conquests, if only for a weekend. But that was the least of it.
John lowered his eyes for a moment, for effect, thought Deb. “You’ve a right to feel that way,” he said.


“You have no idea how I feel,” she said. “How could you? You booked the moment you got my mother pregnant. Off to scale new heights, make a name for yourself; the woman you impregnated–and your child–be damned! You never called–not once!” She seethed.
John looked around uneasily. “Keep it down, will you?” he asked.
“Why?” she asked, just as loudly.
“I’m back in the area,” he explained, “on business. I can’t afford a scene. I have a reputation to uphold, you see.”
“Is that supposed to interest me somehow?” Deb asked.


“Maybe not,” he admitted. He’d try a different tack. “How’s Beth–and the baby?”
“They’re doing fine–without you!” said Deb fiercely.
“I’d like to see them.” There, he’d said it.
This drew Deb up short. As much as she detested John Bowen for what he did to her family, who was she to say that he could learn nothing of his own child? She felt torn.


As if sensing her indecision, John said, “Can I see them?”
She reached a decision. “Let me talk to Mom,” she told him.
He smiled. “Great.”
She frowned back at him. “No,” she said. “Not great. I’ll always hate you for what you did to Mom, but I’m big enough to get over myself and see if she wants to talk to you about your child.”
John nodded. “Good enough.”


Reflexively pulling out their respective cell phones, they exchanged numbers and email addresses. That done, Deb turned away, plunked a couple of navel oranges into her cart and wheeled off in the opposite direction without another word. She didn’t look back.
John watched her disappear down the aisle.
– – –
Two nights later, Deb received a call on her cell. She saw the caller ID and frowned.
“Yes?” she said.
“Hi, Deb,” said John. “I wondered if you’d had a chance to speak to Beth.”
“Not yet,” she said tersely, and nothing more.
After a moment, John said, “Well, when will you do it?”
“I’ll do it when I do it,” she snapped, then glanced at Beth, who was cooking dinner. Her mother looked up at Deb’s sharp tone, but said nothing. Deb was always arguing with her boyfriend nowadays. Beth shrugged and stirred the pot.


“I’ll call you,” said Deb. “Yes, tomorrow.” She disconnected.
“More problems with Brian?” asked Beth solicitously.
Deb drew a blank for an instant and then said, “Yeah, same old same old.”
After dinner, and a shower for Deb, mother and daughter sat on the sofa, sipping coffee. Deb continued to struggle with her dilemma.
Suddenly Beth spoke up, “Are you ready to tell me now, Baby?”
Deb looked up in surprise. “Tell you what?” she asked.
“About that mysterious phone call you got before dinner.”
“I told you it was…”
Beth interrupted, “Brian called while you were in the shower. Told me he couldn’t get through on your cell. He was impatient, said he had to speak with you.”


“Oh,” said Deb.
“Baby,” said Beth, “are you seeing another man on the side?”
“What!” exclaimed Deb.
“You were furtive over the phone, and I thought…”
“No, Mom, I’m not seeing anyone behind Brian’s back,” she assured her. “How could you even think that? You know you and Dad didn’t raise me like that.”
At the mention of her late husband, Beth smiled tenderly. She had been feeling awfully lonely lately. She sighed.


“Are you alright, Mom?” Deb asked.
“Never mind me,” said Beth. “Who were you talking to?”
Deb made up her mind to come clean. Honesty had always been the glue that held their family together. “I ran into John,” she said.
Beth froze in place and replaced her cup on the saucer with a little click. “Where?” she asked.
“Kroger,” replied Deb. “In the produce section,” she added.


Catching the irony at once, Beth twisted her lips and said, “You didn’t spill any fruit, did you?” Beth had first met John at the grocery when, shackled to a walker following the automobile accident that had taken her husband, she spilled the oranges and John retrieved them. Later, when John became a student in Deb’s writing group, they became better acquainted.
“No,” replied Deb.
“Did he…” began Beth.
“He asked about you,” said Deb. “And the baby.”
“So he knows…”


“He only knows that you gave birth to a child. I didn’t go into any details. I thought I’d leave that to you.”
“What did you tell him?” asked Beth.
“I told him I’d talk to you and then get back to him tomorrow.”
“Give me his number, Deb, and I’ll call him.”
“Mom…”
“I can handle it, Baby. It should come from me.”
– – –
The next evening, at the tentative knock at the door, Beth, cane in hand, walked cautiously across the living room and opened the door. There stood John, dressed to kill, looking otherwise just as Beth remembered him.
“Hello, John,” she said, her mind irresistibly drawn to the one night of intimacy they’d shared so long ago. She had thought it might lead to something, but it never did.
John stared at her. “Beth, what happened? You’re walking on your own now!” he said happily.


Beth permitted herself a little smile at his apparent joy. “I had surgery, actually two surgeries,” she told him. “Almost a year ago.”
“Well, you look wonderful,” he went on, smiling broadly.
“Come in,” she invited, remembering her manners. Beth had thought about John all night, the good memories as well as the bleak, and hadn’t decided yet how to receive him. Now she thought she would play it by ear, see where his head was at. “Sit down,” she told him, leading the way to the sofa. Where John had first kissed her, nearly three years before. It seemed a lifetime ago now.


“Can I get you anything, John?” she asked, always the genial host.
“I’m good.”
They sat awkwardly, John staring at his shoes and Beth gazing about the living room. At length, John said, “You had a child.”
Beth stared into his blue eyes; eyes she’d fallen in love with. “Yes,” she said, “I named him Kevin, after my father.” Why had he come? she wondered. He had moved on, as had she. Or had she? John was still handsome, she thought.


“It’s a good name,” remarked John agreeably. “Is he here? Could I see him?” he asked.
“Kevin is away,” she said hesitantly. “With my parents.”
John nodded. “Where do they live, Beth?”
“They’re in Michigan,” she replied.
“Is that where you’re from?” John asked.
“Yes.”
“When will he return home, Beth? I’d really like to finally meet him.”


“Why did it take years to kindle your interest, John?” she asked, bristling with suspicion at his sudden interest.
“I…I don’t know, I was in school, you know, and then I had to get my license and find a job.”
“And did you accomplish all that?” she asked archly.
“Yes,” he said slowly, mindful of her bantering tone. “I work for Boeing, in Seattle, and it looks like my career is set.”
“Good for you, John,” said Beth neutrally.


“Look, Beth,” said John, “I know you must have mixed feelings about our relationship, about what went down 3 years ago and how it ended…”
“You’re right about that, John,” agreed Beth. “It did end.”
John stopped talking.
“Why are you here, John?” she asked. “I know it has nothing to do with me. And I have a hard time believing you woke up one day to find yourself teeming with parental concern. Why are you here?” she repeated.


“Alright,” he said, “I’ll tell you. I’m married now. To a wonderful girl.” He regarded Beth, but she seemed strangely indifferent. He knew she’d fallen hard for him, but now she seemed so detached. He shook his head to clear it. “We have a perfect marriage, but for one thing: she can’t have children. And she wants kids.”
He looked into Beth’s eyes again, but saw nothing.
“So you thought,” said Beth, “that you had the perfect solution. You had a ready-made family waiting for her here in Chicago. Given your MO, it’s possibly you have many such children sprinkled throughout Illinois,” she went on sarcastically.


“Suzanne,” said John, referencing his wife, “is a well-regarded attorney. She has political connections, too. She can make things happen.”
“Things like the rapid, no-questions-asked adoption of a child?” suggested Beth.
“That’s right. I’ll put it to you, Beth: even with a cane, you can barely get around; nothing’s changed, really. Raising a child has to be a monumental burden for you. We’ll give you $1 million to agree to the adoption and to permanently waive all custody rights.”
“I love both my children!” said Beth vehemently. “I always will.”
“I know that,” said John. “But, let’s be reasonable, Beth. You’ve spent your whole life raising children and financially living on the edge. Take the money…”


“And run?” she asked sardonically.
“Would you at least think about it and consider what this could mean for you and Deb? Kevin would want for nothing: the best schools, the…”
“I don’t need to think about it, John,” she told him, interrupting.
“Then your answer is no?” he asked, frowning ominously.
“My answer,” she said, “is yes.”
“What?” he asked, “Just like that?”
“Just like that. But, you’ll have to go to Michigan to pick him up.”
“Give me the address,” he said, pulling out his cell. ‘You’ll need to call your folks and clear it.”


“That won’t be possible,” said Beth.
When he looked up, she said, “No service.”
Before John could ask any additional questions or make any more demands, Beth came clean. “Kevin suffered Sudden Infant Death Syndrome, John, SIDS, at 5 months. No reason for it, really. Sometimes it just happens. That’s what they told me, the social workers and the doctors.”
John stared at her, aghast. “But, you said Kevin was with your parents in Michigan.” he protested.
“My parents passed away years ago. Our family vault is in Michigan, in Millwood Cemetery. Google it,” she suggested coldly.
– – –
Hours later, when Deb had returned from her date, Beth was sitting on the sofa, a glass of sangria on the coffee table before her. Deb approached her cautiously and said quietly, “Did you tell him?”
Beth looked up sadly and nodded. “I told him that your brother Kevin died at 5 months of crib death. That he’s buried in Michigan in the family vault alongside your grandparents.”


“Mom,” said Deb gently.
Beth looked up.
“Who the hell is Kevin?”
Beth smiled.
“And grandma and grandpa aren’t dead! Ooh!” she said. “You did a number on him.”
“Who knows,” said Beth, “there’s apt to be a Kevin interred in a crypt somewhere in Michigan. But I don’t think that John will hang around the Midwest long enough to find out. He’ll be making other plans.”
“Won’t he be able to check the web to see the names aren’t the same?” asked Deb.


“Your sister’s middle initial is K, remember; close enough. And I’m thinking that the shock will knock him for a loop. Besides, you can’t trust the internet on anything. And so what if they do find out the truth? Screw ’em. They want a young child. Annie will be too old for them by the time we’re through with the courts. Besides, your grandma is a pretty damn good lawyer herself.”


Deb decided to change the subject. “When are grandma and grandpa bringing Annie back from L.A.?” she asked.
“Saturday,” replied Beth. “Their plane is landing at Midway Airport at 9am. I can hardly wait to hold your sister again!”
“Now,” said Deb, taking a seat, “tell me the whole story.”
Beth did.

Poetry from Summer Kim

Jeju

This is where the tangerines fell,

       the fruits that made my tummy blow up 

This is where I learned to ride a bike,

Downhill, no brakes, just me and my dad

This is where I got dirt under my nails 

       and I ran with no shoes  

This is where we ran until we fell 

       the waves were loud and big  

       the wind smells like fish

       and all my childhood memories sit

This is where I felt free.

       No one ever stopping me.

Warm Breeze 

A leaf falls softly from a tree 

It spins slowly 

Landing on the ground with the others 

Making a pile of red and brown 

An ant walks across the ground 

Carrying a crumb bigger than itself 

It works all day long 

Trying to bring food back to its home 

A bee flies from flower to flower 

It buzzes loudly in the air 

Helping plants grow strong and healthy 

A butterfly floats in the warm air

Spreading its beautiful wings

It lands on a flower for a moment 

But calmly drifts away 

A flower stands in the middle of the field 

As the smell of honey fills the atmosphere,

Its petals bloom 

It sways gently in the warm breeze

Sunlem and Bright

They hang on branches,

They are Sunlem and bright

They smell fresh and bitter 

They are like a small burst of summer.

They feel smooth and cool.

They ooze refreshing juice 

They taste sour at first 

They bring a little sweet at last 

They wake up the senses

They brighten every meal

Summer Kim is a student writer attending a school in New Jersey with a love for quiet stories, late-night journaling, and the rhythm of well-crafted sentences. Her work explores memory, identity, and the small moments that shape us. When she’s not writing, she enjoys reading contemporary poetry and walking through the woods.

Poetry from Sushant Thapa

Young South Asian man with short dark hair and a white and brown and green striped shirt.

Blessing Notes

I look at the world,

I step out

Of luxury.

I am an unspoken solace.

Who knocked me down?

Who raised me like flower?

I met thousands of walkers,

I kissed one art like life.

My departure must be happy,

I look at you,

A bare silence eating you

From within.

Expressions can fill your eyes,

And make you empty

To fill like a dance of worship.

Rejoice in expression

Buy in blessing notes,

Your own version of

The world.

Come Together

Come again

Let’s kiss the rose.

Let it bloom,

Let it not be plucked

Like the lie

That befell as a curse

By the ugly world

That tried to separate us.

There is a dark rain

That fell at night

Silent like a lost key.

I rose like holy chants

At the midnight hour.

Yes, the night was howling

The secrets of dawn

Which it foresaw as a life

In us.

The time is still passing

Like our heartbeats.

The rose will not fade

Like the unloving world.

Dying of Hunger

There is a statue,

An old one.

It has an umbrella

For the rain,

Boots for the feet,

And a smile

For the weak.

I can only relate it to

The under nourished world

Where unborn artists

Who sculpts such statues

Die of hunger

In their childhood.

Bittersweet Symphony

The evening falls,

I hear your departure.

Preaching sermons

Make me weak,

I keep chanting for your presence,

The faded photograph smiles

At my darkness.

One thin touch of remembrance

Can cure the amnesiac memory,

In love’s bittersweet symphony.

Stars sing,

The moon lays its opera.

The universe is a spiritual dot,

My mask is your honesty,

Nothing is hidden among us.

We share dreams

And the world kisses your feet.

I surrender to your footsteps

And I knock down my gate

Of unmoving walls.

Imagination spills

And lightens up the night sky.

I have created a beloved

In my poetry.

Updated Bio: Sushant Thapa has published Nine books of English poetry, namely: The Poetic Burden and Other Poems (Authorspress, New Delhi, 2020), Abstraction and Other Poems (Impspired, UK, 2021), Minutes of Merit (Haoajan, Kolkata, 2021), Love’s Cradle (World Inkers Printing and Publishing, New York, USA and Senegal, Africa, 2023), Spontaneity: A New Name of Rhyme (Ambar Publication House, New Delhi, 2023), Chorus of Simplicity and Other New Poems (Ukiyoto Publishing, 2024), Finding My Soul in Kathmandu (Ukiyoto Publishing, 2024), The Walking Rebel Micropoems and Poems (Transcendent Zero Press, Houston, Texas, USA) and My Grandfather Had Been a Cowboy (Ukiyoto Publishing, 2025). He has also published a collection of flash fiction and short stories titled “The One Rupee Taker and Other Stories from Nepal” published in 2024 by Ukiyoto Publishing. Sushant has translated a book of poems by Nepalese Poet Kamal Dhungana entitled “Dark Shadows”. It was published by Authorspress, New Delhi, India in 2022. He is an English lecturer in Biratnagar, Nepal.   

Poetry from Wazed Abdullah

Young South Asian boy with short black hair and a light blue collared shirt.
Wazed Abdullah

A Dark Glaring Night

A dark night whispers softly and deep,

The moon keeps watching while others sleep.

Stars likes sparking in heaven’s dome,

Guiding my thoughts though I’m alone.

The drifting clouds sail slow and near,

Their shadows fall, yet all is clear.

Beside the crystal lake I sit and see,

The sky pour all its elegances on me.

Wazed Abdullah is a student of grade ten in Harimohan Government High School, Chapainawabganj, Bangladesh.

Essay from Sarvinoz Orifova

Central Asian woman with long dark hair, small earrings, and a flowered red and black coat over a black top.

The Power of Hope in Difficult Times

Life is full of challenges, and everyone faces moments when the path forward seems uncertain. During these difficult times, one of the strongest forces that helps us continue is hope. Hope is more than just a feeling; it is a guiding light that gives us the strength to keep moving even when everything seems dark.

When people go through hardships such as loss, failure, or loneliness, hope reminds them that tomorrow can be better. It allows us to believe in new beginnings and motivates us to work toward them. Without hope, even the smallest obstacles can feel overwhelming, but with hope, even the greatest challenges become bearable.

Hope is not blind optimism. It does not ignore reality, but rather teaches us to face it with courage. It inspires creativity, resilience, and patience. A hopeful person can turn problems into opportunities for growth, because hope provides the energy to search for solutions instead of giving up.

In my own life, I have found that hope often comes from the people I love and from the goals I set for myself. Whenever I have felt discouraged, remembering my dreams and the support around me has given me the courage to try again. Each small step forward becomes easier when hope is present in my heart.

Hope is like a seed planted deep within us. With care and faith, it grows stronger every day, even in the hardest seasons. For me, hope is not only a personal strength but also a gift I want to share with others. By encouraging and supporting each other, we can spread hope and remind the world that no night lasts forever—the dawn always comes.

Synchronized Chaos Mid-August Issue: Layers Upon Layers

Contributor Abigail George would like to share a new project of hers: a blog called Mentally Sound that features articles, updates, a magazine, poetry, and uplifting music. In this day and age, so many things can affect our mental health. Please feel free to join the blog and blog about your own experiences or loving someone who has a mood disorder or an individual who is suffering from depression. Log in, blog, do read the posts and leave comments to inspire our growing community!

Now for this issue’s theme: Layers Upon Layers.

Layers of red rock in the desert with a tiny corner of blue sky and a small woody shrub with green leaves.
Image c/o Ken Kistler

For we are all bound in stories, and as the years pile up they turn to stone, layer upon layer, building our lives. – Steven Erikson

This month’s contributions deal with the complexities of nature, history, culture, language, or even the psyche of a single person. Everything we choose or experience builds upon itself to make us who we are, even short-lived experiences.

Yucheng Tao’s poetry collection April No Longer Comes, published by Alien Buddha Press and reviewed by Cristina Deptula, explores moments of love and beauty that are wonderful and transient, like the season of spring. Sean Lee’s poems remind us that even fleeting moments can be meaningful and beautiful. Jian Yeo’s poetry touches on the pain and beauty we can find in mortality. Mykyta Ryzhykh contributes surreal images of life, death, and the cycle of modern existence. John Grey’s poetry explores comings and goings, presences and disappearances.

Yoonji Huh presents nature, family tenderness, and humor with a color scheme that looks historical and weathered. Gwil James Thomas speaks in several tough-minded pieces to memories and dreams and our sources of inspiration. Sean Lee’s artwork evokes the power of the imagination to illuminate daily life. Alina Lee’s poetry suggests that our pasts and futures comprise layers of each moment in which we find ourselves. JK Kim’s poetry looks at summer scenes with a calm nostalgia, after events have passed. Alexis Lee’s poems probe what we choose to value and remember, what we invest in and find beautiful. Olivia Koo probes the nature of memory, how multiple moments combine to craft a mental impression and feeling. Ah-Young Dana Park’s poetry comments on our changing memories and perspectives as time passes and we age. Chloe Park’s art revels in exquisite detail, probing culture and memory with intricacy. Sally Lee provides poetic snapshots of moments in time, considering whether they have meaning or value without context.

Person's hand holding an old black and white photograph and some flowers. Daisies, baby's breath, a pink flower.
Image c/o Victoria Borodinova

Seoyun Park’s visuals speak to how we observe and confront life, the dangers we face and those we pose. Ethan Lee’s poems remind us of the underside of our world: the everyday grotesque and the many layers of the ordinary. Irene Kim’s work explores the strain and melancholy that can permeate ordinary moments. Austin Chung’s poetry illustrates various kinds of disorder and dispersion as Taylor Dibbert vents his annoyance at the common problem of loud museum patrons. Lauren Kim stays with a single scene from everyday life for an entire poem, probing its layers. Haeun Regina Kim’s poetry examines ordinary objects and animals in depth, sharing details and language to create an off-kilter feel.

Brian Barbeito also explores deeply, focusing in on the flora and fauna of an Aruba resort. Debabarata Sen celebrates the verdant beauty of Costa Rica. David Sapp’s poetic speakers become waylaid by the arresting color and beauty of nature. Dylan Hong’s pieces present a gentle, abstract, even whimsical peek at nature. Grace Lee’s poetry crafts dreamlike, gentle, floating scenes. Terry Trowbridge’s pieces on peach harvests evoke the challenging economics and natural realities of farming. Mahbub Alam reminds us of the innate rough wildness of nature: storms, volcanoes, huge predators.

Jacques Fleury translates Dr. Jason Allen Paissant’s poem “Treeness,” about threats humankind poses to trees and the natural world, into Haitian Creole in a collaboration with Dr. Rachel Rome to provide music and poetry for the Boston Public Garden.

Sayani Mukherjee evokes the rhythm of a public piano played for big city pedestrians in a rainstorm. Eva Petropoulou Lianou waxes poetic about the beauty of the moon. Noriniso Kasimova shares memories of spring in her hometown and her father’s love. Chinese poet Su Yun collects a group of short poems from elementary school students, mostly impressions of natural scenes. Dhani M.’s artwork stylizes natural scenes to create emotional senses of calm, curiosity, and wonder. Jinwoo Brian Park’s art suggests that we can re-incorporate the old into the new, the natural into the artificial.

Stylized blue and white and pink image of an analog clock with lit candles at its base.
Image c/o Linnaea Mallette

Mark Young contributes a fresh set of fanciful geographies. G. Emil Reutter humorously describes noisy construction’s impact on local residents. Erin Kim’s artwork explores the upsides and downsides of civilization’s technological progress. Katie Hong’s work critiques our isolation and obsession with technology as Xushnudbek Yakubov warns of the dangers of online misinformation. Sophie Yoon’s art critiques our complex relationship with consumption and the natural world. Eugene Han’s art explores who we are and where we’re going as humans, and our relationships with nature. Shabbona Abdurashidova highlights the importance of sustainable ecology in Uzbekistan. Jahin Claire Oh’s work speculates on how the world’s other creatures might see us: mimicking and learning from them, drifting into or penetrating their environments.

J.K. Durick speaks to new, wild, and real frontiers in modern nature and technology, commenting on our efforts to understand and control them. Pulkita Anand evokes the mental and physical disorientation brought on by the colonization of one’s land.

Ahmed Miqdad calls the world to action to help suffering civilians in Gaza. Patricia Doyne also calls the world’s attention to starvation in Gaza. Stephen Jarrell Williams speaks to the numbing, mindless destruction of war.

Poet Eva Petropoulou Lianou illuminates themes of patriotism and sacrifice in Algeria’s quest for independence in Turkia Loucif’s fantasy novel The Legend of a Squirrel. Yuldasheva Xadichaxon outlines themes of resilience and patriotism in Resat Nuri Guntekin’s novel The Clinging Bird.

Cover of an old leather book with designs and some fading.
Image c/o Anna Langovna

Abdisattorova Xurshida highlights the contrasting legacies of Genghis Khan and Amir Temur. Abdisattorova Hurshida reflects on her admiration for Uzbek martial artist Abdulbosit Abdullayev. Maftuna Rustamova and Chorsanbiyeva Gulnoza poetize in honor of the military personnel who serve and guard Uzbekistan. Zumrad Sobirova celebrates the poetic beauty and pride of her Uzbek heritage. Jumaniyozova Nazokat encourages Uzbekistan’s young people to develop a greater appreciation for their heritage by visiting points of historical interest.

Nilufar Moydinova’s essay highlights language’s inextricable interconnection with thought, life, and culture. Mauro Montacchiesi creates a dialogue of philosophical thoughts and poetry between Dr. Jernail Singh and Rabindranath Tagore. Federico Wardal speaks to his long admiration for artist Andy Warhol and director and screen writer Federico Fellini. Orolova Dinora explores layers of meaning in Antoine St. Exupery’s The Little Prince as Surayyo Nosirova celebrates the heritage of Uzbek author Alexandr Faynberg.

Reagan Shin revels in the comfort and ecstasy and happy memories she finds in books. Mushtariybegim Ozodbekova highlights the power of books and stories to transcend time, culture, age, and space. Panoyeva Jasmina O’tkirovna highlights ways language teachers can help students develop fluency through relevant speaking and grammar practice. Turg’unov Jonpo’lat explores techniques to help children of all abilities to learn foreign languages. Nafosat Jovliyeva and Dilshoda Jurayeva illustrate gamification and other creative strategies for language learning. Rahimova Dilfuza Abdinabiyevna discusses ways to improve student competence with writing and speaking. Hilola Badriddinova outlines strategies used throughout the developed world to teach foreign languages.

Linda S. Gunther contributes a craft essay on “interviewing” your characters to better understand them as a writer. Paul Tristram’s poetry explores the heroic narratives we create through our writing and our lives. Gloria Ameh evokes the visceral sensations of writing on topics close to the bone.

Old style writing desk with a wooden chair and wood floor and papers for an ink pen. Window and cot in the room.
Image c/o Ken Kistler

Abigail George writes a stream of consciousness essay on her vulnerabilities from mental illness and just plain existing as a female-bodied person and how enduring them inspired her to write. Soumen Roy also connects beauty to vulnerability, speaking to the fading Mona Lisa and the union of joy and sorrow as fellow travelers.

J.J. Campbell reflects on disillusionment, loss, and the eternal quest, against all odds, for love. Mesfakus Salahin speaks evocatively of his quest for love and freedom. Baxtiniso Salimova’s poetry tells an epic love story. Mirta Liliana Ramirez relates intense grief at the loss of her lover. Dilnoza Islomova expresses her gratitude for her mother’s tender care. Bill Tope and Doug Hawley collaborate on a love story that turns unexpectedly tender. Urazaliyeva Sarvinoz shares an emotional tale of jealousy, love, and forgiveness between two twin sisters. Sarvinoz Orifova expresses gratitude for her parents’ constant love and care. Wazed Abdullah expresses his love and gratitude for his mother. Ozodbek Narzullayev expresses his love for his mother and invites her to share her life struggles with him for support. Xurshida Abdisattorova shares the story of a mother’s complicated grief for an imperfect husband and father who passes away in a sudden accident. Shoxrukh Fayzulla o’g’li Dusmatov speaks to his mother’s love and care and how wealth alone matters little without compassion and humanity.

To’raqulova Pokiza Sanjarovna speaks to the need for human compassion, wisdom, respect, and personal development. Hamza Kamar’s poetry expresses his powerful hopes for a transcendent hero. Bhagirath Chowdhary expresses his determination to avoid the next life until he has finished roaming this world, offering blessings to others. Charles Taylor’s short story probes our ethics and the extent of the compassion we owe our friends and fellow humans.

Julia Kanno reminds residents of the USA that most Latino immigrants are hardworking people with lives and dreams. Bill Tope presents a tale of a survivor’s search for justice for a sexual assault that shattered her psyche. Abdisattorova Khurshida presents a tale of thievery exposed.

Flat, mosaic like image of a crowd of diverse people, men and women, different races and ages, all dressed pretty warmly in suits, coats, dresses.
Image c/o Linnaea Mallette

Graciela Noemi Villaverde shares a poem on the joy of community and diversity and welcoming special education students. Haeun Regina Kim’s artwork explores unity and acceptance of others, as well as harmony among rural and urban areas. Nabijonova Madinabonu outlines how sharing coffee can help us build building friendship and community. Khudoyqulova Shahzoda highlights Uzbekistan’s programs to enhance economic opportunities for low income women and families and the disabled.

Nazarova Moxiniso looks into discipline and student character development as part of Uzbek preschool education. Ulsanam Ulmasovna outlines Amir Temur’s contributions to the Uzbek education system. Islomov Inomjon describes the Geoment, a device to teach mathematical reasoning to children with low or no vision.

Bozorboyeva Iroda offers encouragement for young people to find and follow their own dreams. Khudoykulova Shahzoda points out consequences of and solutions to youth unemployment.

Abdurayimov Faxriddin suggests strategies for teaching music practice and theory for children. Colombian philosopher and author Dr. Tayron Achury interviews Dr. Alexander Klujev, professor of musicology, about the increasing role of human personality and feeling in modern classical music.

Greg Gildersleeve’s pieces speculate on how small individuals can claim agency in a large world. Akramov G’ulomnazar’s poetry asserts his courage and resilience. Ashirova Dilrabo Ermatovna urges us to stay motivated and persevere towards our goals.

Space shuttle Discovery, with a fuselage and two rockets, under a full moon.
Image c/o Jean Beaufort

Various contributors celebrate notable people who should be better known, or highlight important research work. Sobirjonova Rayhona outlines the career and accomplishments of Uzbek woman mathematician and teacher Shodmonova Hilola. Eshmurodova Sevinch highlights the need for training for employees in Uzbekistan’s banking industry in digital technology to modernize industry. Muslima Olimova highlights strategies corporations have used to adapt to stay on top in a digital world. Jo’rayev Ulug’bek outlines engineering techniques for strengthening concrete structures. Mirzaolimov Mirabbos probes the medical relationship between diabetes and cardiovascular diseases. Ostanaqulov Xojiakbar speculates on how to improve web search engine optimization to improve online communication and website findability. Orozboyeva Mohina Nuraliyevna outlines the role and history of psychology as practiced in Uzbekistan.

On a more psychological level, Duane Vorhees’ poetry covers and highlights human complexity: different aspects to our personalities, different choices we can make, how we can change with time. James Benger’s poetry explores the fear and tension underlying our individual existences, the danger from geologic pressure, storms, raw meat – and how we sometimes find hope to carry forward.

Andrew Ban shares restless, random thoughts, finding commonalities with all humanity while acknowledging the need to protect and defend himself if needed. Dongeon Kim’s work presents scenes of intense human and natural energy while Texas Fontanella revels in the pure sound of non-representational language. Dennis Daly wanders through a variety of human feelings, from nostalgia to frustration to faith. Michael Robinson shares his journey and heritage of faith, how he found a spiritual home and refuge in Christ and the church. Muhammad Sanusi Adam speaks to struggle, resilience, destiny, creation, and faith.

Gaurav Ojha seeks out meaning in a confusing and vast world, ultimately affirming everyone’s ability to find their own truths. We hope that reading this issue helps you to find a smidgen of truth for your own life.

Chinese Elementary School Poets’ Work Collected by Poet Su Yun

Stylized cartoon drawing of a boy and a girl standing out near notes tacked onto a wall that's covered by ivy vines. Boy is reading an open book.

1.大地流彩

文/肖世嘉(小荷诗社,11岁)

五彩缤纷的世界

也有流光溢彩的大地

春天的大地穿上了绿油油的衣裳

绿是希望的象征

这份希望绿是独属于春天的大地的

夏天的大地戴上了深蓝的帽子

深蓝的大海有着无穷的奥妙

这份奥妙蓝是独属于夏天的大地的

秋天的大地穿上了金黄的毛绒大衣

金黄的毛绒表示着丰收的稻田

这份丰收黄是独属于秋天的大地的

冬天的大地披上雪白的披风

雪白的白雪和枯萎的大树形成了一种凄凉美

这份凄凉美是独属于冬天的大地的

The Earth Flows with Colors

By Xiao Shijia (Xiaohe Poetry Club, 11 years old)

This colorful world

Also has a radiant earth

In spring, the earth puts on green clothes

Green is a symbol of hope

This hopeful green belongs uniquely to the spring earth

In summer, the earth wears a deep blue hat

The deep blue sea holds endless mysteries

This mysterious blue belongs uniquely to the summer earth

In autumn, the earth dons a golden fluffy coat

The golden fluff represents the harvest fields

This harvest gold belongs uniquely to the autumn earth

In winter, the earth wraps itself in a snow-white cape

The snow-white snow and withered trees form a poignant beauty

This poignant beauty belongs uniquely to the winter earth

2.无题

文/邹斯宇(小荷诗社,9岁)

大树伤心的时候

会落下一片叶子

但人类会觉得是一处美景

Untitled

By Zou Siyu (Xiaohe Poetry Club, 9 years old)

When a big tree is sad

It will drop a leaf

But humans will think it’s a beautiful scene

3.人生

文/雷雨晗(小荷诗社,10岁)

有些人的人生像苦瓜一样苦,

而有些人的人生像糖一样甜。

人生很苦的人想要人生变甜,

首先他得适应生活,

就像不喜欢吃苦瓜的人一样,

只要坚持下去他会变得很喜欢吃苦瓜,

那就代表坚持得了生话的各种苦。

所以,

一切都有可能。

Life

By Lei Yuhan (Xiaohe Poetry Club, 10 years old)

Some people’s lives are as bitter as bitter melons,

while others’ lives are as sweet as sugar.

Those who live a bitter life want their life to turn sweet.

First, they have to get used to life,

just like people who don’t like bitter melons—

as long as they persist, they will come to like bitter melons.

That means they can endure all kinds of hardships in life.

So,

everything is possible.

4.无题

文/张雨涵(小荷诗社,11岁)

老天这是怎么了

总是在流泪

让大地、河流都变成了汪洋

让大豆、棉花都在潜水

让鱼、虾都在遨游

农民苦不堪言

雨过天晴后

一切都恢复了平静

Untitled

By Zhang Yuhan (Xiaohe Poetry Club, 11 years old)

What’s wrong with the sky?

It keeps crying

Making the earth and rivers turn into a vast ocean

Making the soybeans and cotton seem to be diving

Making the fish and shrimp swim freely

The farmers are overwhelmed with suffering

After the rain stops and the sky clears

Everything returns to peace

5.花

文/胡裕乐(11岁)

她静静站在那儿

人来人往都夸她

美丽、清新

可我却说她不屈

你不信

那是你没有看见她

在淤泥里的挣扎

Flower

By Hu Yule (11 years old)

She stands there quietly

People come and go, praising her

For being beautiful, fresh

But I say she is unyielding

You don’t believe it

That’s because you haven’t seen

Her struggle in the mud

6.我不算谁的附庸

王韵瑶

也不是某段的支流河

比起这些

我更想成为一场顷刻间的滂沱

旷野间乍起的风波

又或是唐朝遗风外

悬着的唯一月色

人生本就是一首诗歌

而他们的文字浅薄

不该被潦草地印刷着

所以在我笔下

一重山有一重山的错落

我有我的平仄

I Am Not Anyone’s Appendage

By Wang Yunyao

I am not anyone’s appendage

Nor a tributary of some section

Compared to these

I’d rather be a sudden downpour

A gust of wind rising in the wilderness

Or the only moonlight hanging

Beyond the legacy of the Tang Dynasty’s style

Life is originally a poem

Yet their words are shallow

Not to be carelessly printed

So in my writing

One range of mountains has its own arrangement

I have my own rhythm

Su Yun’s Poem:

栅栏

我学会笨拙的飞

或是跳跃

我就去爬盯我千遍的栅栏

用我沾上的泥点记录

我所填过的格块

填满一面

包括尽头挤压变形的铁丝

我忘记笨拙的飞

或是跳跃

我就去走俯视我千遍的横杆

用我脱落的绒羽记录

我所歇息过的桩头

走满千寸

包括中间被冰雹敲掉的木板

当我已经无力,溃烂

就让我的骨头

凭着记忆粘在铁网十字的中心

凝视人巷学会苟活的人们

用混着羽毛捏的泥人

标记十字路口的空间

The Fence

When I learned the clumsy flight

or the leap

I went to climb the fence that had stared at me a thousand times

using the mud spots stuck to me to record

every grid I’d filled

Filling up an entire side

including the twisted wire at the end

When I forgot the clumsy flight

or the leap

I went to walk the crossbar that had looked down on me a thousand times

using the downy feathers I’d shed to record

every post I’d rested on

Walking a thousand inches

including the plank in the middle, knocked off by hailstones

When I’m finally powerless, decaying

let my bones

stick to the center of the iron net’s cross

staring at the crowd in the alley—people who’ve learned to survive by compromise

using a mud doll kneaded with feathers

to mark the space at the crossroads

Biography 

Suyun, 17 years old, is a member of the China Poetry Society and a young poet. His works have been published in more than ten countries. he has published poetry collections Yang Fa Wan Wu (Inspiring All Things) and Rui Yu Zhe Si (Wise Words and Philosophical Thoughts) in China, and WITH ECSTASY OF MUSINGS IN TRANQUILITY in India. he is the recipient of the Guido Gozzano Orchard Prize of Italy, the Special Prize for Foreign Writers of the City of Pomezia (with the organizing committee hailing him as “a craftsman of Chinese lyric poetry”), the “Cuttlefish Bone” 

Award for Best International Writer Under 25, and the Creative Award of the Naji Naaman International Literary Prize of Lebanon.