The Age of War
For most of a life now long enough
to be half buried in history,
the country, half-despairingly,
I call my own—
half-decadent, half-barbarian,
and wholly crass—
has been, above all things, at war.
Not only the kind that bleeds headlines.
A frigid civil war, scar
of a hot one long ago,
between a party drunk on virtue
and another, aggrieved and vengeful.
A war between races,
nations, tribes,
for which will tyrannize
the seven continents.
A war between generations
as callous adulthood sends its children
to the slow death of lack of enough
money, or drones and killing.
A war of the rich on the rest of us,
rooted as old as time
now a monstrosity
beyond obscenity.
A war between the sexes
whipped into a frenzy;
a war man and woman refuse
either truce or loss.
War on war on war across
decades I do not wish to count—
at times almost about to gamble
a cagey ceasefire,
only to be pulled underground
in cunning retreat,
like a wild fire that forever burns,
threatening at points that cannot be known
to claw and tongue into the air again
and sweep away to ashes
the wilderness of mankind.
I do not see an end to them.
Perhaps they cannot end:
perhaps they are as old
as mad, foolish humankind,
and so they will end only
with the last human sigh.
And so they are tearing us to pieces.
_____
Christopher Bernard’s book The Socialist’s Garden of Verses won a PEN Oakland Josephine Miles Award and was named one of the “Top 100 Indie Books of 2021” by Kirkus Reviews. His latest book of poetry, appearing in the fall of 2025, is The Beauty of Matter.
Contributor Abigail George would like to share a new project of hers: a blog called Mentally Sound that features articles, updates, a magazine, poetry, and uplifting music. In this day and age, so many things can affect our mental health. Please feel free to join the blog and blog about your own experiences or loving someone who has a mood disorder or an individual who is suffering from depression. Log in, blog, do read the posts and leave comments to inspire our growing community!
For we are all bound in stories, and as the years pile up they turn to stone, layer upon layer, building our lives. – Steven Erikson
This month’s contributions deal with the complexities of nature, history, culture, language, or even the psyche of a single person. Everything we choose or experience builds upon itself to make us who we are, even short-lived experiences.
Yucheng Tao’s poetry collection April No Longer Comes,published by Alien Buddha Press and reviewed by Cristina Deptula, explores moments of love and beauty that are wonderful and transient, like the season of spring. Sean Lee’s poems remind us that even fleeting moments can be meaningful and beautiful. Jian Yeo’s poetry touches on the pain and beauty we can find in mortality. Mykyta Ryzhykh contributes surreal images of life, death, and the cycle of modern existence. John Grey’s poetry explores comings and goings, presences and disappearances.
Yoonji Huh presents nature, family tenderness, and humor with a color scheme that looks historical and weathered. Gwil James Thomas speaks in several tough-minded pieces to memories and dreams and our sources of inspiration. Sean Lee’s artwork evokes the power of the imagination to illuminate daily life. Alina Lee’s poetry suggests that our pasts and futures comprise layers of each moment in which we find ourselves. JK Kim’s poetry looks at summer scenes with a calm nostalgia, after events have passed. Alexis Lee’s poems probe what we choose to value and remember, what we invest in and find beautiful. Olivia Koo probes the nature of memory, how multiple moments combine to craft a mental impression and feeling. Ah-Young Dana Park’s poetry comments on our changing memories and perspectives as time passes and we age. Chloe Park’s art revels in exquisite detail, probing culture and memory with intricacy. Sally Lee provides poetic snapshots of moments in time, considering whether they have meaning or value without context.
Seoyun Park’s visuals speak to how we observe and confront life, the dangers we face and those we pose. Ethan Lee’s poems remind us of the underside of our world: the everyday grotesque and the many layers of the ordinary. Irene Kim’s work explores the strain and melancholy that can permeate ordinary moments. Austin Chung’s poetry illustrates various kinds of disorder and dispersion as Taylor Dibbert vents his annoyance at the common problem of loud museum patrons. Lauren Kim stays with a single scene from everyday life for an entire poem, probing its layers. Haeun Regina Kim’s poetry examines ordinary objects and animals in depth, sharing details and language to create an off-kilter feel.
Brian Barbeito also explores deeply, focusing in on the flora and fauna of an Aruba resort. Debabarata Sen celebrates the verdant beauty of Costa Rica. David Sapp’s poetic speakers become waylaid by the arresting color and beauty of nature. Dylan Hong’s pieces present a gentle, abstract, even whimsical peek at nature. Grace Lee’s poetry crafts dreamlike, gentle, floating scenes. Terry Trowbridge’s pieces on peach harvests evoke the challenging economics and natural realities of farming. Mahbub Alam reminds us of the innate rough wildness of nature: storms, volcanoes, huge predators.
Sayani Mukherjee evokes the rhythm of a public piano played for big city pedestrians in a rainstorm. Eva Petropoulou Lianou waxes poetic about the beauty of the moon. Noriniso Kasimova shares memories of spring in her hometown and her father’s love. Chinese poet Su Yun collects a group of short poems from elementary school students, mostly impressions of natural scenes. Dhani M.’s artwork stylizes natural scenes to create emotional senses of calm, curiosity, and wonder. Jinwoo Brian Park’s art suggests that we can re-incorporate the old into the new, the natural into the artificial.
Mark Young contributes a fresh set of fanciful geographies. G. Emil Reutter humorously describes noisy construction’s impact on local residents. Erin Kim’s artwork explores the upsides and downsides of civilization’s technological progress. Katie Hong’s work critiques our isolation and obsession with technology as Xushnudbek Yakubov warns of the dangers of online misinformation. Sophie Yoon’s art critiques our complex relationship with consumption and the natural world. Eugene Han’s art explores who we are and where we’re going as humans, and our relationships with nature. Shabbona Abdurashidova highlights the importance of sustainable ecology in Uzbekistan. Jahin Claire Oh’s work speculates on how the world’s other creatures might see us: mimicking and learning from them, drifting into or penetrating their environments.
J.K. Durick speaks to new, wild, and real frontiers in modern nature and technology, commenting on our efforts to understand and control them. Pulkita Anand evokes the mental and physical disorientation brought on by the colonization of one’s land.
Ahmed Miqdad calls the world to action to help suffering civilians in Gaza. Patricia Doyne also calls the world’s attention to starvation in Gaza. Stephen Jarrell Williams speaks to the numbing, mindless destruction of war.
Abdisattorova Xurshida highlights the contrasting legacies of Genghis Khan and Amir Temur. Abdisattorova Hurshida reflects on her admiration for Uzbek martial artist Abdulbosit Abdullayev. Maftuna Rustamova and Chorsanbiyeva Gulnoza poetize in honor of the military personnel who serve and guard Uzbekistan. Zumrad Sobirova celebrates the poetic beauty and pride of her Uzbek heritage. Jumaniyozova Nazokat encourages Uzbekistan’s young people to develop a greater appreciation for their heritage by visiting points of historical interest.
Nilufar Moydinova’s essay highlights language’s inextricable interconnection with thought, life, and culture. Mauro Montacchiesi creates a dialogue of philosophical thoughts and poetry between Dr. Jernail Singh and Rabindranath Tagore. Federico Wardal speaks to his long admiration for artist Andy Warhol and director and screen writer Federico Fellini. Orolova Dinora explores layers of meaning in Antoine St. Exupery’s The Little Prince as Surayyo Nosirova celebrates the heritage of Uzbek author Alexandr Faynberg.
Reagan Shin revels in the comfort and ecstasy and happy memories she finds in books. Mushtariybegim Ozodbekova highlights the power of books and stories to transcend time, culture, age, and space. Panoyeva Jasmina O’tkirovna highlights ways language teachers can help students develop fluency through relevant speaking and grammar practice. Turg’unov Jonpo’lat explores techniques to help children of all abilities to learn foreign languages. Nafosat Jovliyeva and Dilshoda Jurayeva illustrate gamification and other creative strategies for language learning. Rahimova Dilfuza Abdinabiyevna discusses ways to improve student competence with writing and speaking. Hilola Badriddinova outlines strategies used throughout the developed world to teach foreign languages.
Linda S. Gunther contributes a craft essay on “interviewing” your characters to better understand them as a writer. Paul Tristram’s poetry explores the heroic narratives we create through our writing and our lives. Gloria Ameh evokes the visceral sensations of writing on topics close to the bone.
Abigail George writes a stream of consciousness essay on her vulnerabilities from mental illness and just plain existing as a female-bodied person and how enduring them inspired her to write. Soumen Roy also connects beauty to vulnerability, speaking to the fading Mona Lisa and the union of joy and sorrow as fellow travelers.
J.J. Campbell reflects on disillusionment, loss, and the eternal quest, against all odds, for love. Mesfakus Salahin speaks evocatively of his quest for love and freedom. Baxtiniso Salimova’s poetry tells an epic love story. Mirta Liliana Ramirez relates intense grief at the loss of her lover. Dilnoza Islomova expresses her gratitude for her mother’s tender care. Bill Tope and Doug Hawley collaborate on a love story that turns unexpectedly tender. Urazaliyeva Sarvinoz shares an emotional tale of jealousy, love, and forgiveness between two twin sisters. Sarvinoz Orifova expresses gratitude for her parents’ constant love and care. Wazed Abdullah expresses his love and gratitude for his mother. Ozodbek Narzullayev expresses his love for his mother and invites her to share her life struggles with him for support. Xurshida Abdisattorova shares the story of a mother’s complicated grief for an imperfect husband and father who passes away in a sudden accident. Shoxrukh Fayzulla o’g’li Dusmatov speaks to his mother’s love and care and how wealth alone matters little without compassion and humanity.
To’raqulova Pokiza Sanjarovna speaks to the need for human compassion, wisdom, respect, and personal development. Hamza Kamar’s poetry expresses his powerful hopes for a transcendent hero. Bhagirath Chowdhary expresses his determination to avoid the next life until he has finished roaming this world, offering blessings to others. Charles Taylor’s short story probes our ethics and the extent of the compassion we owe our friends and fellow humans.
Julia Kanno reminds residents of the USA that most Latino immigrants are hardworking people with lives and dreams. Bill Tope presents a tale of a survivor’s search for justice for a sexual assault that shattered her psyche. Abdisattorova Khurshida presents a tale of thievery exposed.
Graciela Noemi Villaverde shares a poem on the joy of community and diversity and welcoming special education students. Haeun Regina Kim’s artwork explores unity and acceptance of others, as well as harmony among rural and urban areas. Nabijonova Madinabonu outlines how sharing coffee can help us build building friendship and community. Khudoyqulova Shahzoda highlights Uzbekistan’s programs to enhance economic opportunities for low income women and families and the disabled.
Nazarova Moxiniso looks into discipline and student character development as part of Uzbek preschool education. Ulsanam Ulmasovna outlines Amir Temur’s contributions to the Uzbek education system. Islomov Inomjon describes the Geoment, a device to teach mathematical reasoning to children with low or no vision.
Bozorboyeva Iroda offers encouragement for young people to find and follow their own dreams. Khudoykulova Shahzoda points out consequences of and solutions to youth unemployment.
Various contributors celebrate notable people who should be better known, or highlight important research work. Sobirjonova Rayhona outlines the career and accomplishments of Uzbek woman mathematician and teacher Shodmonova Hilola. Eshmurodova Sevinch highlights the need for training for employees in Uzbekistan’s banking industry in digital technology to modernize industry. Muslima Olimova highlights strategies corporations have used to adapt to stay on top in a digital world. Jo’rayev Ulug’bek outlines engineering techniques for strengthening concrete structures. Mirzaolimov Mirabbos probes the medical relationship between diabetes and cardiovascular diseases. Ostanaqulov Xojiakbar speculates on how to improve web search engine optimization to improve online communication and website findability. Orozboyeva Mohina Nuraliyevna outlines the role and history of psychology as practiced in Uzbekistan.
On a more psychological level, Duane Vorhees’ poetry covers and highlights human complexity: different aspects to our personalities, different choices we can make, how we can change with time. James Benger’s poetry explores the fear and tension underlying our individual existences, the danger from geologic pressure, storms, raw meat – and how we sometimes find hope to carry forward.
Andrew Ban shares restless, random thoughts, finding commonalities with all humanity while acknowledging the need to protect and defend himself if needed. Dongeon Kim’s work presents scenes of intense human and natural energy while Texas Fontanella revels in the pure sound of non-representational language. Dennis Daly wanders through a variety of human feelings, from nostalgia to frustration to faith. Michael Robinson shares his journey and heritage of faith, how he found a spiritual home and refuge in Christ and the church. Muhammad Sanusi Adam speaks to struggle, resilience, destiny, creation, and faith.
Gaurav Ojha seeks out meaning in a confusing and vast world, ultimately affirming everyone’s ability to find their own truths. We hope that reading this issue helps you to find a smidgen of truth for your own life.
“The Clinging Bird” Novel in the Eyes of Uzbek Readers Abstract:The Clinging Bird is a priceless work that has gained wide popularity not only among the Turkish people but also across the world. The development of its plot, the lives of its characters, and the depiction of social relationships are presented in an impressively emotional way, making it a unique novel that can captivate readers of all ages. This article reflects on the events and characters in the story, as well as the interpretation of its moral conclusions. Keywords:The Clinging Bird, Kamran, Feride, author, unique, novel, work
One of the leading figures in Turkish literature and a spiritual successor of progressive Turkish thinkers, Reşat Nuri Güntekin, is the author of The Clinging Bird (Çalıkuşu) — a novel that equally captivates readers of all generations. The novel vividly portrays how a person can stay strong and resilient through both good and bad times, the importance of love for the homeland, parents, partners, and family, as well as deep human values. The main essence of The Clinging Bird is as follows:
Main Character – Feride: Feride, the central figure of the novel, loses her parents at an early age and faces many difficulties. She grows up in the care of her grandmother and aunts and attends a French boarding school. At the threshold of adulthood, a sudden betrayal from someone close causes her to leave home. She begins working as a teacher, meeting many people, influencing their lives, and ultimately transforming her own.
Theme of Love: The novel focuses heavily on the love between Feride and Kamran. Their relationship explores emotions such as love, separation, sorrow, and hope.
Social Life Scenes: The novel reflects the lifestyle, traditions, struggles, and transformations of early 20th-century Turkish society. Events during World War I are also depicted.
Hardships and Struggles: Feride faces many life challenges — loneliness, social pressure, and romantic struggles — but she perseveres and continues with her life.
Additionally, the novel reveals the place of women in Turkish society at the time, the dynamics between men and women, and the clash between traditional values and modernity. A distinctive feature of the novel is its strong female protagonist, vivid portrayal of various Turkish regions, emphasis on education, loyalty, forgiveness, and the tension between old and new values. It deeply explores honesty, patience, and humanity.
The novel appeals to readers of all ages, serving as an example and inspiration. Its events are depicted in such a way that they encompass education, culture, human interactions, social challenges, forgiveness, and emotional resilience — all in one narrative.
The Clinging Bird has been translated into many languages. In Uzbek, it was translated by Mirzakalon Ismoiliy, and the novel has been published multiple times in Uzbek. Written in 1922, the book has won the hearts of readers across the world and has been adapted into several films and TV series. The 2013 television adaptation of The Clinging Bird gained significant popularity. However, the novel remains especially beloved by its devoted readers in its original literary form.
The Clinging Bird, a masterpiece of Turkish literature, can be considered an inspiring and spiritually rich treasure trove that continues to influence writers. It is a deeply meaningful, culturally valuable work that meets the highest artistic standards.
Conclusion: In conclusion, this beautiful and vivid novel, full of literary richness, problems and resolutions, emotional sincerity, and colorful imagery, is a valuable guide for life. Especially in today’s era of rapid technological advancement, it provides youth with practical lessons and experiences that can be applied in real life. The Clinging Bird is a deep and touching novel that encompasses various aspects of human life — love, family, social issues, and the fight against adversity.
Yuldasheva Xadichaxon Bahodir qizi was born on January 8, 1993, in Tashkent. Several of her scientific articles and poems have been published in international journals. She is a winner of various competitions held at the national and district levels and a participant in international anthologies. A passionate admirer of literature, science, and art, she was the winner of the “Woman of the Year – 2024” district stage in the nomination “Best Creative Woman of the Year.” She is also a participant in the forum “Best Scientific Researchers of the Year.” Currently, she is a 3rd-year student at the Tashkent University of Humanities.