Essay from Abu Rayhan Beruni

The Interconnection of Family and Society in Uzbekistan

Abu Rayhan Beruni

Urgench State University Faculty of Socio-Economic Sciences

Field of Study: Jurisprudence

Abstract: This article analyzes the essence of the close interconnection between family and society in Uzbekistan, as well as its social, spiritual, and legal foundations. The family is the fundamental unit of society and a sacred institution. The Constitution of the Republic of Uzbekistan emphasizes that the family is under state protection. The stability of society, the upbringing of a morally mature generation, and the preservation of national values are directly linked to the strength of the family institution.

Conclusion: The role of the family in society is invaluable. Strong, harmonious, and value-based families ensure social stability and sustainable development.

Poetry from Alan Catlin

Bakeame: Rain in the sunshine

after the downpour

white blossoms

falling from damaged

tree limbs

softer than a dream

lover’s skin

…………………………………………………….

Fuchikunun: Rain that comes inside

A glimpse

of nothingness:

an empty

mirror reflects

interior rain

…………………………………………………..

Mifu San-U: Merciless rain and wind

Like Sinead

singing in the rain

the voice of

an angel

besieged by

demons

Pipipiri: A little light rain

Light Spring

rain:

recalling all

those who

passed before

us

………………………………………………………………

Wakabu Ame: Rain falling on new leaves

Early morning

Spring rain

on new leaves:

a festival of

white

………………………………………………………………….

Oniwaaarai: Rain after a religious festival

After the outdoor

wedding

rain consecrates

the union

Deiu: Rain mixed with ashes

So much

black rain

                                           !

How many

people have

died

      ?

………………………………………………………………….

Zanteki: Remaining raindrops after rain

Lingering drop

on bare

new budding

branch

about to

fall

………………………………………………….

After the funeral

incessant

rain on a tin

roof

Poetry from Ramona Yolanda-Montiel

Older Latina woman with short dark hair, reading glasses, and earrings and a black coat.

A Coat of Gratitude

When the cold
becomes intense and
the temperature drops,

to the refuge of home
and family…
I take down the poncho
of gratitude
and wrap myself in it.

That poncho is embroidered
with memories…
that return time and time again.

Thank you, God.

Thank you, life.

For so many winters.

Ramona Yolanda Montiel
Writer, Retired Teacher and Social Worker.

Born in Mercedes, Corrientes, Argentina. Living for twenty-five years in Barranqueras, Chaco, Argentina.

Member of several literary groups, including the Together for Letters Working Group.
Participant in anthologies, various publications, and activities related to reading and writing.

Essay from Aliyeva Aziza Utkirovna

Young Central Asian girl with short dark hair, brown eyes, small earrings, and a white collared shirt and black coat.

HIDDEN HISTORY IN THE EYES: THE INNER WORLD OF HUMANS

Abstract: This article is devoted to revealing a person’s inner world through the eyes. The author interprets the eyes not only as organs of sight but also as the most reliable mirror of human psyche, emotions, and inner history. The article vividly and profoundly depicts how the eyes reflect human experiences, memories, dreams, and inner sufferings. It also analyzes the possibility of understanding a person’s psyche, personal values, and worldview through the eyes. Written in an artistic style, the article harmonizes psychological and philosophical perspectives, allowing the reader to feel the complex and rich layers of a person’s inner world.

“The eye is a secret, the heart is a sea, the mind is the shore.”

— Rumi

Human eyes are not merely organs for seeing, recognizing, or being recognized. The eyes are the oldest book of a person, the most meaningful language in silence, a unique means of communication that needs no translator. Sometimes one cannot trust a person’s words, yet a fleeting sparkle in their eyes can reveal their entire life. A person’s inner history, experiences, suffering, joy, and dreams—all of these fit into these two small windows.

Reading the hidden history in the eyes means feeling the person, understanding their heart, comprehending them without repeated words. One glance draws a person closer, another pushes them away through the years. The eyes have their own truth, their own seal: there is no deception, no sarcasm, no place for polished words.

Every person’s inner world is unique. In someone’s eyes, the dust of ancient cities, old experiences, and heavy trials are reflected. In another’s eyes, there are yet unwritten pages of life—purity, dreams, simple trust. The eyes are a magical bridge that unites a person’s past and future. As long as a person lives, every experience, every loss and gain, every suffering and joy leaves a new line at the bottom of these eyes.

Sometimes people hide their eyes—they fear their own histories and do not wish to reveal the stories within. But it is impossible to completely cover the eyes. A person reveals themselves even without words. Compared to a world tired of excessive words, the eyes speak truth like a wound: noticeable, yet impossible to conceal.

The idea that the eyes are the mirror of the soul is not merely figurative. A person’s inner world, psyche, upbringing, past, and even what kind of person they will become in the future can be sensed there. By looking into someone’s eyes, one can feel who they are, what they have experienced, what they long for, and what they fear.

A person who can read the hidden history in the eyes understands others quickly. For this history never lies. There are no extra phrases in the conversation of the eyes, only inner truth. Some eyes comfort, some give strength, while others carry traces of hopeless events. Behind every gaze lies a world—a universe—a person.

Therefore, if you want to know a person’s inner world, first look into their eyes. There lie unspoken words, unfinished stories, deep thoughts, and hidden secrets. In every person’s eyes is a history written by themselves but never read to anyone.

Studying the hidden history in the eyes also allows analyzing people’s emotional and mental states. Every glance, every tremor, every smile reflects the questions and answers a person gives to themselves. Thus, the eyes are not only a spiritual mirror but also witnesses of the passage of time, human experiences, and inner changes.

The struggles in a person’s inner world are reflected through the eyes. Sometimes in subtle expressions, sometimes in sharp gazes. For instance, when a person recalls a painful memory, dark clouds appear in their eyes; in moments of joy, light shines. These moments, memories, and feelings are all written in the inner history of the eyes, and this history is never forgotten.

Understanding a person through the eyes is not just looking; it is a harmony of thought, intuition, and inner feelings. Sometimes the smooth silence of the eyes says more than words ever could. The eyes are the most truthful part of a person, leaving no room for lies or hypocrisy. Therefore, by observing the eyes, one can sense not only a person’s mental state but also their personal values and worldview.

Every person creates a hidden bridge between past and future in their eyes. Through the eyes, they recall past mistakes, successes, loves, and losses. In this way, the eyes become an open book of a person’s personal history, where every page is an event, every gaze a trace, every slight tremor an emotion.

Studying the hidden history in the eyes helps to understand a person more deeply. This study is not merely observation but feeling, accepting the learned knowledge with the heart. Therefore, the eyes are the most reliable means of exploring a person’s inner world, for they never lie.

The eyes have a unique magical power: they reveal a person’s inner world, memories, dreams, fears, and hopes. In this way, one can learn much about a person’s mental state, human behavior, and personal values. The eyes are a vivid expression of the richest and most complex history of a person.

The role of eyes in human psyche is not limited to individual memories; they also reveal subtle connections in social relations. Through the eyes, a person connects with others, expresses feelings, and even communicates without words. In this sense, the eyes are one of the oldest and most universal “languages” in human history. Each gaze provides the opportunity to read a person’s unique history and personal experience.

The human inner world is complex and layered. The eyes are like a window that reveals these layers one by one. In one glance, the simple memories of childhood are reflected; in another, the deep thoughts of adulthood. Through the eyes, a person’s inner experiences and emotions are revealed: calmness and anxiety, hope and worry, joy and suffering coexist.

Furthermore, the eyes reveal a person’s personal values and worldview. Through them, a person understands their inner problems and dreams, compares themselves with others, and shapes life decisions. Therefore, studying the eyes is an essential tool for understanding the human psyche. Eyes are delicate and precise indicators that provide a map of a person’s inner world.

Studying the hidden history in the eyes is interesting not only psychologically but also philosophically. Every gaze reflects the complex connection between a person’s past, present moment, and future. In this way, the eyes become a key that helps to understand a person’s inner world more deeply.

Essay from Fayziyeva Hafiza Alisher qizi

Clip art of people of varying races, heights, and genders greeting each other in different languages.

The Human Factor in the Linguistic Picture of the World

Abstract:

This article discusses anthropocentric linguistics, its emergence, the main directions of this branch of linguistics, and the relationship between ideas expressed in language and the human factor.

Key words: anthropocentric linguistics, language, information, cultural code.

From the moment a human being is born and grows, almost all of their needs in life are expressed through language. By speaking, a person not only conveys information to others but also assimilates certain messages from them. All these processes are carried out through language, which serves as a means of communication. Thus, a human being is a user of language. However, interpreting the issue only in this way would be incorrect. Anthropocentric linguistics, which emerged in the nineteenth century, put forward exactly this principle. According to it, a human being not only uses language but also stands at its center, creates it, and expresses their emotional state and certain information through it. Anthropocentric linguistics embraces this aspect as a central concept. Indeed, a person can communicate almost every experience related to themselves and their inner world to society through language.

Before discussing the world and its linguistic picture, let us first answer the question of what language itself is. Language is understood as a set of units that are previously known to all members of a particular society, prepared for use, common and obligatory for everyone, serving to express thought and other purposes, as well as the laws governing the combination of these units. Ferdinand de Saussure defines language as “a system of linguistic signs that exists in the minds of the members of a society.” Roman Jakobson, in turn, describes language as “a code in which units are arranged in a certain system.” Indeed, as noted above, each element of the language system is prepared in advance for human speech.

Y. Stepanov expresses the following view on the concept of language: “Language is not only a system of signs but also a bearer of cultural meaning. Language is closely connected with culture; therefore, language is a cultural code.” The values formed over centuries by each nation and the elements associated with them are expressed in language. Values that reflect the identity of a nation introduce it to the entire world. For example, the image of the Uzbek people is embodied in the eyes of the world through national clothes such as adras and atlas, historical monuments, handicraft items, and national knives decorated with traditional patterns.

A code is a set of signs that is understandable to a particular group, consists of a specific system, and obeys certain rules. Therefore, since language is understandable to a nation and reflects its identity, it can also be perceived as a system of signs, that is, a code. The linguistic picture of the world refers to a set of characteristics unique to each nation that express its identity. Every people and every nation is unique and unrepeatable. Their languages are also diverse. Traditions and values naturally differ from one another as well. Undoubtedly, these elements related to a people find their expression in language.

Language is a means through which the inner world of a person is expressed in existence. Studying the language of a particular nation opens the way to studying that nation itself—its history, culture, and other elements closely connected with national identity. Even concepts related to time and temporality can be expressed in language. People’s culture of communication with one another, affectionate expressions toward children, attitudes toward animals, the plant world, and nature in general, as well as religious values and beliefs—all of these are reflected in language. Therefore, the linguistic picture of the world may differ among nations.

For example, in the Islamic world, there are halal foods permitted for consumption and haram foods that are forbidden. It is well known that a ram is considered a halal animal. At the same time, the name Qo‘chqor exists among the Uzbek people. This can be an example of an anthroponym (personal name) formed on the basis of religious concepts. This, in turn, illustrates the reflection of national mentality in language.

Let us consider another example: the bear is an animal commonly found in forests and mountainous regions. For instance, it is widespread in Russia. Due to the climate and nature familiar to them, this animal has, over the years, become one of the anthroponyms among the Russian people. This exemplifies the reflection of nature in language. Likewise, the Uzbek people have historically been a nation of craftsmen. They were mainly engaged in agriculture, horticulture, and handicrafts. As a result, this has been reflected in language, and names such as Teshavoy and Boltavoy have appeared among Uzbek anthroponyms.

Moreover, the Uzbek people have traditionally been child-loving, hospitable, and attentive to bonds of kindness and compassion. Naturally, this is also expressed in language. There are numerous proverbs, instructive stories, and fairy tales related to this in the Uzbek language. For example:

“A guest enters through the door, but their sustenance enters through the crack.”

In addition, words such as “mother,” “life,” and “homeland” in the Uzbek language do not convey the same lexical meaning in other languages. For instance, in Uzbek, ona (mother) is not merely a person who gives birth to a child, but also a symbol of affection and compassion. Since the mother is considered a sacred figure among our people, poems, epics, stories, and novellas glorifying her have been created. This concept is even mentioned in hadiths.

Let us take the concept of homeland as another example. For the Uzbek nation, homeland is the place where one is born and raised, where one’s umbilical cord blood was shed, where a mother’s lullaby was heard, where ancestors lived, where time was spent with loved ones, and where the joys of childhood were shared with friends. In the Uzbek language, there are many poems, epics, and proverbs related to the lexeme Vatan (Homeland), such as:

“If your homeland is peaceful, you are peaceful.”

“If your native land is safe, your face will not pale.”

“If you have a homeland, you have wealth.”

This word is expressed differently in different languages and conveys different meanings depending on the mentality of the people. Each language has its own subtle nuances of meaning. For example, in English it can be expressed by words such as homeland, country, or motherland. However, these words lack the emotional coloring inherent in the Uzbek concept of ona yurt (motherland). This is because customs and national feelings differ. Thus, we can understand that the human factor plays an important role in the formation, expression, and active use of every lexeme in speech.

In conclusion, language is the inner world of a human being. It expresses everything in its own way. Peoples living in hot, desert regions may love their sands and warm climate and express this in poems and epics, while those living in predominantly cold climates glorify their specific weather conditions. These elements even turn into similes and metaphors and are widely used in speech. Proverbs, folk songs, sayings, fairy tales, and other remarkable examples of oral folklore frequently contain expressions related to these elements. This is because language is always in motion. It is not merely a means of communication between people, but also a tool that expresses, interprets, and comprehends the model of the world as seen through human perception. Since peoples are different, and religions, languages, and cultures vary, the linguistic picture of the world also differs accordingly.

Fayziyeva Hafiza Alisher qizi was born on August 10, 2002, in Chust district, Namangan region. In 2024, she graduated from the Faculty of Philology of Namangan State University. Currently, she is a second-year master’s student at the Department of Philology of Namangan State Pedagogical Institute, where she is conducting scientific research on the topic “Anthropocentric Linguistics and Its Study.”

Poem by Kalipada Ghosh

LOVE CHRISTMAS SPIRIT

Oh, what a joy!

What an ecstatic joy!

Christmas is knocking at the door with splendor and delight,

mirth and merriment.

Men, women and children are in Christmas spirit

The church bell ringing

Cakes are to be served…All are in high spirits

Santa Claus visits every house and fills children’s stockings with Christmas presents.

Oh, the good shepherd Jesus Christ!

The light of the world

Redeeming mankind With love and kindness.

Thou art kind and merciful

Thou art the Saviour of mankind

Thou art the messenger of Love and peace

Forgiveness is your soul’s cry.”

Love thy neighbour as thyself.”

Be kind and merciful to everyone.

Thou art the Light and Love

Embodiment of Love and Truth

Faith and Hope to be restored

Love will conquer the world

Love is worship and it’ll bring peace to humanity.

Synchronized Chaos Mid-December 2025: The Stories We Tell Ourselves

Stylized dreamlike painting of a white winged female fairy touching the brown hair of a naked person. Their back is to us and they're sitting at a dark pond on a misty day. Rocks and tree branches are in the water.
Image c/o Dawn Hudson

First, an announcement: published poet and contributor Tao Yucheng would like to host and judge a poetry contest open to all readers of Synchronized Chaos Magazine.

Synchronized Chaos Poetry Contest

We seek short, powerful, imaginative, and strange poetry. While we welcome all forms of free verse and subject matter, we prefer concise work that makes an impact.

Guidelines: Submit up to five poems per person to taoyucheng921129@proton.me. Each poem should not exceed one page (ideally half a page or less). All styles and themes welcome.

Prizes: First Place: $50 Second Place: $10, payable via online transfer. One Honorable Mention. Selected finalists will be published in future issues of Synchronized Chaos

Good luck, if you choose to enter!

Stylized image of a group of red and blonde and brown haired children standing in a forest reading to an elephant and giraffe.
Image c/o Circe Denyer

Now, for this month’s issue: The Stories We Tell Ourselves. We explore communication, relationships, myth, history, imagination – different ways of making meaning from life.

Dildora Abdullayeva considers the study of phrases as a part of human language and how phrases have changed over the years. Toychiyeva Madinaxon points out how young people are changing global language through Internet slang. Habibullayeva Lalyokhon Zarifjon kizi explores cultural and linguistic features of phrases in the Uzbek language. Rashidova Shohshanam speaks to the rapid changes in the Uzbek language and the challenges and opportunities that poses for educators. Noah Berlatsky reflects with humor on how our brains’ memory for language might shrink with modernity.

Dildora Qobilova suggests common student grammatical errors and ways to correct them in the classroom. Yarmamatova Sevinch Elyor qizi suggests ways to enhance young children’s speech fluency. Suyarova Gulsanam explicates finer points of Uzbek grammar for audiences speaking all languages. Abulqosimova Bahora highlights the intricacies of the phonetic system of the Uzbek language. Muqaddas Islomova highlights the role of multimedia digital technologies in helping language learners enhance their speech skills. Shamsiddinova Maftuna Hamidjon qizi gives an overview of academic studies into the structure and functions of different parts of speech. Adashaliyeva Durdona Akramjon qizi highlights the central role of linguistics in reinforcing the values of a socialist society. Rukhshona Kamolova Turayeva highlights the importance of studying the history and role of the English language to understanding effective communication. Sharifov Sirojiddin Shavkatovich underscores the critical importance of basic math literacy to social functioning. Satimboyeva Risolet outlines educational benefits of AI technologies in education.

Kucharov Bakhodir outlines principles of written and spoken professional communication. Dilnoza Bekmurodovna Navruzbekovna urges people to carefully consider what career would be right for them, and for schools to facilitate that deliberation. Aslidinova O’giloy highlights the potential of a digital economy and the need to prepare students for that world. Sarvar Eshpulatov also highlights the importance of digital literacy for success in today’s society. Niyozova Shakhnoza Farhod qizi elucidates the potential of digital technologies in education. Iroda Sobirova offers suggestions for fostering entrepreneurship in Central Asia and elsewhere. Choliyev Nurbek Rözimbek ogli highlights the importance of local banks in trusting in the creditworthiness of local entrepreneurs. Eshmurodova Sevinch Bahrom qizi outlines steps credit card bureaus can take to ensure consumer security. Urinova Robiyabonu discusses the use of psychology in professional management. Qarshiboyeva Mavluda Azizbek qizi analyzes the role of international assessment exams in world education. Abduvaliyeva Jasmina Jahongir qizi outlines some upsides and downsides of economic and cultural globalization.

Satimboyeva Rizolat discusses how to develop a social culture of reading and literary appreciation that goes beyond the classroom. Aziza Xasanova highlights the joy and creativity and history of the Uzbek mother tongue. Qudratova Nozima Bahromovna outlines the innovative narrative storytelling techniques of Uzbek author Tog’ay Murod.

Pink and gray stylized image of crow birds, an old treasure chest and vase, an analog clock and lamp and globe.
Image c/o Circe Denyer

Lakshmi Kant Mukul shares some of a people’s history of India through the lens of one architectural landmark, the Qutub Minar. Alan Catlin renders the historical, somnolent, stuck atmosphere of the American Rust Belt into poetry. Xudoyberdiyeva Mohiniso delves into the Islamic Turkish Kara-Khanid state, which reached its height in the 700s. Duane Vorhees traces a variety of Jewish mystical influences on Sigmund Freud. Chimezie Ihekuna relates how the modern Nigerian state came together as a result of colonial powers and bears little relation to cultural realities, causing a legacy of trouble. Jacques Fleury reviews Boston Lyric Stage’s production of a mashup of Sherlock Holmes and A Christmas Carol, providing two different lenses through which to interpret Victorian England. Qulliyeva Feruza Qosimova highlights the role of the Uzbek constitution in guiding contemporary society.

Mahbub Alam reflects with nostalgia on his high school days: friends, teachers, the school environment. Mesfakus Salahin revels in the wonder of childhood and memory. Sobirjonova Rayhona expresses gratitude to a dedicated teacher.

Olga Levadnaya speaks to the ‘halo effect’ of memory, where we remember the best parts of what happened to us. Dr. Jernail S. Anand considers his memories to be friends. Taghrid Bou Merhi holds onto the hazy and charming days of childhood and dreams. Mandy Diamantou Pistikou reminds us of the innocence and joyful curiosity of early childhood. Meanwhile, Luis Cuauhtemoc Berriozabal speaks to the feelings, thoughts, and sensations of middle age.

Taro Hokkyo brings to life a moment of deep soul recognition among two different people. Turkan Ergor wonders at the vast diversity of people’s life experiences, given our common humanity. Dr. Kang Byeong-Cheol reminds us of the ingredients of love: wisdom, compassion, and humility. Mrinal Kanti Ghosh reflects on a love that captures his soul and disrupts his consciousness.

Mohan Maharana also writes of compassion, speaking of his work as a healer and social worker coming alongside people living with mental illness. Juana Del Carmen Soria urges people to make wise and caring choices. Asmonur Rajabboyeva, in a piece translated into English by Shuxratova Nilufar, draws on a chamomile flower as a symbol for innocence and compassion. Eva Petropoulou Lianou puts out an urgent call for global peace. Dianne Reeves Angel looks beyond the commercialism of Christmas to seek out spiritual gifts of peace and love and hope. Brajesh Kumar Gupta affirms that goodness is so much stronger than evil. Zuhra Jumanazarova highlights the critical role of the Uzbek constitution in the country’s governance and respect for internationally recognized human rights. Eva Petropoulou Lianou laments the violence and selfishness of humanity, in poetry translated into Mandarin by Yongbo Ma. Pat Doyne mocks corruption in the United States’ federal government. Bill Tope argues against gambling from a social justice perspective. Yongbo Ma also translates a poem from Ahmed Farooq Baidoon on the weary quest of all too many people for justice. Brendan Dawson sketches some of society’s outsiders – immigrants and poets – and reflects on how society has become less welcoming.

Stylized image of a man with a red head in a black coat and suit with various white, black, red, and brown and blue posters on a wall behind him.
Image c/o Omar Sahel

Sayani Mukherjee wishes an old lover well with their new love during the holidays, while still acknowledging her sorrow. Abdulhafiz Iduoze speaks to the cycle of life and death in her imagistic poem. Kemal Berk yearns for a lost loved one through verse. Aisha Al-Maharabi evokes the pain of loss and longing in love. Graciela Noemi Villaverde mourns the loss of her husband of many years through poetry. Abigail George renders cautious and loving care for her father with cancer into thoughtful and slow poetry. Farzaneh Dorri pays tribute to a departed human rights lawyer.

Mirta Liliana Ramirez grieves the loss of someone who suffered much and had a difficult life. Sumaiyya Alessmael mourns the passing of her immortal, fanciful beloved. Milana Momcilovic evokes centuries of timeless longing for a lost love. Salimeh Mousavi probes probes a family’s grief to create a complex and layered character sketch and to mourn for parts of individual personhood severed by culture.

Shikdar Mohammed Kibriah speaks to the kind of immortality we find in nature, where one kind of creature lives because of the existence of another. Brian Barbeito relates a late autumn nature walk that left him feeling mystical and thinking of angels and a winter walk with friendly coyotes. Dr. Jernail Singh reminds proud humans of nature’s limits, checks, and balances. Toraqulova Pokiza Sanjarovna highlights the importance of living and working sustainability with nature during climate change. Avazbekova Rayyonakhon outlines some ways young people can work with “nature” close to us, our own bodies, and enhance immunity and stay healthier. Mahmmadjonov Saidjahon Shokirjon ogli and Mirzamansurova Robiya Ahmadjon qizi discuss clinical criteria elucidating when patients need heart valve transplants. Numonova Shohsanam Bahodirjon qizi presents an overview of the causes and effects of genetic mutation. Sejuty Rahman draws on an oyster fashioning an irritating grain of sand into a pearl as part of an extended natural metaphor for love.

Kavi Nielsen poetically expresses a sense of unity and connection with nature and their loved one. Shawn Schooley celebrates the sensual attraction he feels for his lover. Jamal Garougar speaks to the submergence of egos and unity with a broader whole inherent in love.

Petros Kyriakou Veloudas depicts love, grief, and memory feeding into the artistic process. Ana Elisa Medina encourages someone close to her to sing and share his heart’s journey. Kandy Fontaine reflects on how Motorhead frontman Lemmy inspired her artistically and personally.

Pink and purple line drawing of a woman's face with big eyelashes and two other characters, comic book style guy and girl, near her.
Image c/o Victoria Borodinova

Dianne Reeves Angel celebrates the joy of intentional female connection and friendship over many years. Priyanka Neogi reminds women and girls to remember their insight and strength. Amirah al-Wassif’s surreal poetry speaks to womanhood and our relationship with our bodies and minds.

J.J. Campbell shrugs and finds himself in a place of dull resignation, even at the holiday season, and renders his feelings into poems. Alan Hardy speaks to the vulnerability of being alone, whether in the wild or in his own mind, and how he protects himself by letting go of regret. Santiago Burdon depicts some misadventures along the road of guiding an emerging writer towards greater originality.

Richard LeDue captures a feeling common to many creators: seasons of wandering through a morass of scanty inspiration. Mykyta Ryzhykh expresses deep inner emotional pain through vivid imagery. Sara Hunt-Flores evokes the limits of the poetic muse for dealing with extreme emotions. Anna Keiko embarks on a tender journey of self-discovery.

Patrick Sweeney captures moments of revealing character development through one-line monostitch poetry. Christina Chin and Jerome Berglund depict small moments when people are captivated by small pleasures. Zebo Zukhriddinova celebrates the fun and the spontaneous organization of a day students spent folding and flying paper airplanes. Christina Chin depicts brief moments of peace and contemplation at Thanksgiving. Taylor Dibbert highlights the culinary creativity evinced by Thanksgiving meals. Asmonur Rajabboyeva’s short story, translated from Uzbek to English by Shuxratova Nilufar, details an imaginative and curious young girl’s travel to Mars.

Mark Young expresses fascination with arbitrary liminality, how we attempt to classify the world. Duane Vorhees reflects on natural and human moments of energy and transition, such as thunderstorms, from a comfortable distance that lets him think and react with wonder.

We hope this issue brings wonder, new thoughts, and empathy to your life.