Poetry from Tempest Miller

Zebra Stripes Mark Out My Life

zebra skips over river and crocodile jumps
and takes a bite out of his belly underside.
zebra kicks croc away
and lands on other side of clough ravine of river.
his cherry-blossom innards ribboning out in mountains.
he kicks instinctually, hoofing around.
and kicks out entrails on loop.

gunshot wound to the head, explodes one-half of cranium.
and it slops away like melted ice cream,
with small pork chops in the whipped cream
dropping, cow-milked, to the bare ankles
and staining them with fresh blood hues.

unlike that, entrails remain in a cohesive snake.
the zebra’s fluctuating between albino boiled chicken
and red as red as red.
the straight highway that runs from top to bottom.
the croc was ad-lib but will eat up the ugly business.
zebra stands still, glib, as the meat is torn away.

there is no embarrassment outside of man.
even if this was Take The Piss Thursday and W. C. Fields
used his day in charge from beyond the grave
to orchestrate the zebra’s demise.
we were all meant to laugh I guess.
And I can hear him still cackling from heaven.

drought has burned up the river
and equally it makes the innards taste defective
and the croc surfaces to spit them up.
and they float on the surface like red bits of cogs.
the croc stays up feigning slapstick vomitous disgust.
W. C. on vermouth, makes another play at a masterstroke.

sickly ICU lights in San Tropez.
was problematical when I tried to murder my stepfather and he survived.
I used an undergrad’s computer to fake my alibi
and was disheartened when they pumped the blood back into him
like there was no tomorrow and like there was no limit to
the blood in the world.

zebra at last falls dead
and the innards just lie there. no one wants them.
except Alistair Cowley who takes them in
a handbag of alligator leather
and keeps his bare feet away from the lurching croc.
he’s ill in the head but good at train hopping.

witches made good use of entrails on a constant basis.
they plied them with frog’s legs
and brandy spilling down their hinges
and maybe some of that vermouth, Mr W. C.
and maybe some of that sweat beer-knifed off your skinhead
Mr Cowley.
And oh it was just wonderful.

And let’s not forget Myanmar where the hundreds
backed into deaths
their safari park purgatorial deaths.
And the crocs take their legs off each other,
popping off muscles,
they will eat each other,
and show no pain on their hateful death masks.

Rumbling Machine
rumbling machine is an Egyptian jungle
a set of spots that spring up endlessly
bluebells blaze on cold heathland mornings
the dishes of the earth are washed
and dried out over jumping hearths
the droning malaise, it is a rumbling machine
a deeper layer to your lives
a football chant croaked with a strange voice wavering
the windmills are growing in church-like seabeds
the jerk off is hot hot creamy bilge
a python mouth dripping between fangs and defeated
and nibbled at and snarling
he wakes
and the snake, knowing, drinks from his
aqueducts
on the farm, where my dad and I knew each other
very well as parents and sons do
the horses were bloody and dark eagles
landed on their backs or their flat parts
which were stained with cherry blossom
or so we thought but we later found out
it was just blood
white blood cells cascaded down the carob tree boughs
and they took me out of the school paper
after my arrest for what the snake
provoked out of me militarily
the water-troughs around the farm are touchstone ornaments
they bounce light between themselves
assorted silver medallions of field sweat, spit
for the creatures of the field under the blue mountain
in their stables, clad in blood
and red pent up anger like leaking
apple orchards unfurling green
spaced, rank and file, moss
cold with blueberries and bluebells
and lazuli in the Scottish land
gets lonely even in summer when the grass
yellows and crows flight and the green flows out – open-mouthed –
cyber friends block me arbitrarily
pornography is a rumbling picture of background, a brain bleed
the bodies are prismatic vibrations
yoga and coves, tights, lips
they are hot under the collar like the horses
the bodies wash back and back, lick
and rubbish the silence with wedding bells
rumbling just as an afterthought over
undulating anti-Nazi-glider fields
the loneliness of stroking yourself under white table cloth
and the memory, pictorial, of the snake
weighing on your skull
the poison of the trough melting out the floor of your mouth
the football chorus is a chorus for life
these fields are a wasteland where we make
urban legend and pain
and pen in those creatures of the field
the bulls have their death sentence and their sterile penises, venomed,
their bodies need to be rinsed
their bowels leak and flies stick
spliced together into one  
on their swooping
batting-away, congealed tails
the blood mills of the factories turn
in or out and rat race or rat race
clambering over and under nets held
by steel railings
and scraps your dad picked up from plate-steel shipyards
closed and pumped with English exit wounds
self-redundant and fetishised and clean
the stone in your garden is cold,
is bird-like, iguana-like, dog dream
the jagged edges of your loins look perfect
rested on the fence posts – cowboyed –
you look like a man and you have become
a good one
and it’s a shame no one will touch you
on account of all you did roofied, serumed
and invaded by something eldritch
in the spaces in that decadent orchard
you entered the enclaves of
thinking you would like a wife or maybe just a smoke
or might change your name to Hume or Hubbard
or Billy and play on rocks like you were just a kid
a kid out in the cold getting smeared in black
getting laced in black-white and so cold out in Scotland it’s like
drowning in a bog,
the lawyer can see that this is Hell stomping over it
that child killers have buried not just bodies
but less obviously their perverted instruments
under the hardened soil
his rubber boots walk over insulin pens discarded
the Budget comes and goes and you’re no better or worse off
you go to the lake far beyond your home
you try to drown yourself hidden by the trees
weigh down your pockets with stones
and everything will go under except your head
you are treading and your head stays up
looking at blue, happy times, summer,
no dead dog moaning and no pigeon-holing
into something you weren’t meant for
and you pivot more vertical and see another
horse watching you all fill with secreted
blossom
the vibrational pornified eyes of death

Short story from Jim Meirose

Crazy Eye                                                                                    

They looked at each other, blank-eyed, after the delivery van drove off, outside.

What’s the matter. Why the look?

I told you already. I don’t like this.

Don’t like this? Don’t like what? The TV’s here, right? Look at it. There it is. What more do you need?

It still bothers me I never heard of the company you said you ordered it from.

What? Why? You said you were nervous it’d never get delivered ‘cause you never heard of the company. I could even see that, maybe. But—here it is. What’s the big deal now?

They gazed at the TV on the floor between them.

I don’t know, I—hey listen, I think anybody hit in the face with a name like the “Regulation TV set factory out West Bruce Toothpull” would think that’s fake.

Uh. Okay. So the name’s odd. But—here it is.

Yes, I know. But—oh, never mind.

No no no, wait. Here it is. It’s plugged in. It’s powered up. What were you going to say still bothers you? Come on.

Okay, okay. I almost think we shouldn’t have it, that it shouldn’t be here.

Why?

I guess because I—think its dirty—like something I can’t touch ‘cause I don’t know where its been!

Instant’s stunned silence, then, Jesus Christ, that’s crazy! How can that be?

Don’t pick at me now. You forced me to say that! I wasn’t going to say it, but you forced me—so don’t look at me that way!

Okay, okay—I didn’t  mean—

Oh yes you did. I always know what you mean! You got me started now, so—shut up and listen! First, the name of the company. You see it anyplace on any paperwork we got?

I don’t know, maybe—I—

Never mind maybe. The answer is no! Next—did you see the van it came in?

Okay, sure. A big white van. So?

That’s the kind of van you always called a kidnapper van. Remember?

Huh?  What—I never heard that term—kidnapper van. What is it?

Oh, again, a nice pat convenient answer. I swear, you’re so stubborn.

Stubborn? Really? When I’m simply honestly saying I don’t remember things the way you do? I just—just don’t know what a—kidnapper van, or whatever you said—I just say I don’t know what that is, and—how is that being stubborn?

Okay. Maybe not stubborn, but—what you’re admitting to can’t be true, because I can see and hear you as clear as a bell, telling me all about “kidnapper vans” way back when. Why have you decided to get your back up and lie about it to me, today? 

Wait—hold it, this is going too damned far!

Really? No! I’llgrant you that liar may be just a hair too strong, maybe you’re just forcing yourself to believe you don’t remember to keep yourself clear of being an actual liar, but—

What? That’s crazy!

No, no! Never mind—pay attention! When you used that term back then, I asked you what a kidnapper van was, and you told me clear as day. You said—

No! Can’t possibly have happened! I’ve never heard of such a thing!

Hold it, don’t cut me off—yes you did, because you explained that a kidnapper van is a van of one blank color : mostly white or black—other colors are rare : with no windows in the sides or in  the back door and no—

No! Can’t possibly have happened! I’ve never heard of such a thing!

DAMN it don’t talk over me! Uh—okay, a van with no lettering of any kind and even sometimes with blanked-out license plates, this all being so, so that—

No! Can’t possibly have happened! I’ve never heard of such a thing!

—the victim can be snatched, and thrown in the back there, and then with the doors locked the kidnappers can drive away to the secret site of their choice to do what they wish to the victim in secret, and—

No! Can’t possibly have happened! I’ve never heard of such a thing!

—and if even someone saw them grab the victim and take off, there’d be nothing unique about the vehicle to tell the police to look for—

No! Can’t possibly have happened! I’ve never heard of such a thing!

—and you capped all that off with some kidnappers even take the van to a scrap dealer for crushing, once they’ve used it in the kidnapping grab and—

No! Can’t possibly have happened! I’ve never heard of such a thing!

—then they can proceed with the rest of their plan for the use of the victim for this that or the other—and then you said—

No! Can’t possibly have happened! I’ve never heard of such a thing!

—you said that was all that there was to be known ‘bout a kidnapping van.

No! Can’t possibly have happened! I’ve never heard of such a thing!

But, the description I’ve just recounted, I got from you way back then!

No! No! I’ve never heard of such a thing! What are you—you are calling me a liar?

Uh—isn’t it possible you may just have forgotten what it is? That wouldn’t mean you are a liar. Perhaps a bit forgetful, but—

What?

—but no way could you be considered a liar. That is, if you claim to have simply forgot.

{wink}

What? NO! I did not forget, and am not a liar, both. Both things, and both, and—

Hold it HOLD it just one more thing—and that is why I fear this damned TV—I fear what may have been done to it—and what it may do to us in revenge if we let down our guard!

{crazy eye}

Step back—

{crazy eye}

Dear God!

Look down, up, away, and into straight into pierce probe prod and stab-b-b-b w’, the n say softly as humanly possible—Let’s talk about something else now, okay?

Okay sure. If you’ll admit you believe me.

—NO but I never no b-b-b-ut I it’s always but I this, and but I that—Let’s talk about something else I tell you say one damned more syllable—

Ah. Okay. Sure. I believe you.

Good. Deep silence in-tween in-tween, deep silence—both then turned and left the tense airless room after one pulled the plug on the no-name TV and pushed it into a corner. Over there in the corner it sits to this day under stuff come on top more and more and so under that stuff on top of it there, under it all, there it sits alone; the dark room

Poetry from Sayani Mukherjee

Breathe

The maple trees told me it's in the ashen branches
Where the squirrels hide 
Their little child soul set afar from human conditions
I surmise the longing of things
From near and far 
Where the river is spread out against the sky
The night stars are falling around
I saw in a sleep
The jumpings and quiverings of non living things
Stay in my mind like a biscuit parchment paper
I blew the dandelions too loudly
Alas they catch the midheaven star
The North node of all our dreams where they shine
I now think of the maple trees 
The red apples sodden
With arched bow whites 
I know not what to name these
Perhaps they carry their own destiny
A hidden blush of lost stars and milkyways
I breathe in thee. 

Poetry from Pat Doyne

LADY LIBERTY CHANGES HER TUNE *

The “tired” and “poor” now fleeing to our borders

can just turn back. Go home. It’s not my problem.

If they face massacre—Scrooge said it best:

Decrease the surplus population.”   Yes!

These “homeless,”tempest-tossed” are welfare pests.

Let “huddled masses” huddle somewhere else—

not in my backyard. Or in my country.

We’re not averse to proper immigration.

We spread a welcome mat for white-skinned Aryans—

rich, well-fed, well-heeled—like Musk and Murdock.

Let’s face it—God’s another sticky problem.

Those who call God “Allah” or Jehovah”

are heretic, like brown-skinned Papists; those

whose culture sees God through a different lens

should just convert, be born again, conform.

It’s time for Christian nationalists to rule.  

I lift my lamp and sneer at shithole countries.

We don’t need “wretched refuse” eating cats.

A golden door for some; for most, a wall–

with tariffs on all imports. Brave new world!

                       *  THE NEW COLOSSUS

                        Give me your tired, your poor,

                             Your huddled masses yearning to breathe free.

                             The wretched refuse of your teeming shore.

                             Send these, the homeless, tempest-tossed to me.

                             I lift my lamp beside the golden door.

                                                          –Emma Lazarus, 1883

Copyright 11/2024                Patricia Doyne

Poetry from Philip Butera

A Miss At Twilight

They were called marbles.

They were called reasons.

I am never where I am

when I need to be.

When “I’m sorry” is necessary

or “I’m leaving” is the only response.

I fear life is destructible

and consolation

is a round-trip ticket

to go round and round.

It’s in your eyes.

Your eyes looking into mine.

Counterfeit glances

through a snow globe,

leaving tiny droplets

behind on the surface,

soon to gather and stain.

Gather and stain.

Suffering

is a repeatable offense,

a language

the soul whispers to the heart

on a dark, lonely night

with darker contemplation

to come.

To gather and stain.

Broken and repellant

in a bookstore

that sells small bags of marbles

I see

Cat’s eyes and beauties.

Tragedy radiates from them,

they have no function,

except to be.

Except to be.

Reason teaches us

that

to be completely forgotten

is to climb into ourselves

and be put

in another’s pocket.

I am a miss at twilight.

At dawn

I separate myself from the chasm.

Somewhere in between

you have a thought of me

and I tremble

involuntarily

like

a visitor

at a cemetery.

The Woman I Need

I am as seaweed on a stone

either clinging from the last pass of water

or anticipating riding

on the next wave.

I am a silhouette of myself at times.

Burdened

with modern unforgiveness,

holding my hand over

a candle burning

through

one day from another.

If one is to dream

love is an extravagance,

yearned

from the bedroom

while

experiencing

the cold nights of winter.

I can hear the seams

losing strength.

An allusion

bearing the solemnity

of difficult questions

I ask myself.

And music

provokes reminiscences,

devoid

of a predicate.

What remains

are desire’s

bittersweet

scars.

Experiences,

are dangerous grounds,

abandoning oneself,

abandoning

what is necessary

to understand

tragedy’s consequences

or

contradiction’s demands?

I

yearn to foresee,

to weave a net

across

the enigmas

and dissipate

the contrived

influences.

There is a pier

where beneath,

the waves splash in rhymes.

Every Sunday at dusk

a woman

with long brown hair

stands at the furthest end

and smiles

every time a cat

strolls along the

guardrail.

I lose interest in myself,

while

watching that woman,

that woman.

That woman

is the woman

I need.

Philip received his MS in Psychology from Simon Fraser University, Vancouver, Canada. He has published Five books of poetry: Mirror Images and Shards of Glass, Dark Images at Sea, I Never Finished Loving You,  Falls from Grace, Favor and High Places, and Forever Was Never On My Mind. Three novels, Caught Between (Which is also a 24 episodes Radio Drama Podcast https://wprnpublicradio.com/caught-between-teaser/),  Art and Mystery: The Missing Poe Manuscript, and Far From Here. Two plays, The Apparition and The Poet’s Masque. Philip has a column in the quarterly magazine Per Niente. He enjoys all things artistic.

Poetry from Kass

My hands don’t tell me to touch another,

not to hug them, not to kiss them, 

not to slap them, not to stab them,

nor even feel for them at all.

My hands write,

write the scenarios I played out for crowds.

I write until the skin on my hands disintegrates,

blood puddles on the paper,

scattering stories unable to be spoken.

When bubbled crimsons agile hands daunt an 

unchased stars truthful lies,

no escape to tame relocation.

Although memory stings like rays,

escaping towards shallow shadows,

hollow to silent foretelling fate.

Dried up hopes flourished again,

lines weren’t nothing but stables for either.

We know yet fear the ideas 

of a galaxy collapsed fate.

Fate connects us more to ourselves

than any addiction punctured into our backs.

Told they will suppress our emotions,

we quote what they tell us

in grief,

in love,

in translucency.

Our bodies tell the truth.

addiction is emotion in hiding

when they are not to be.

Emotions are never more alive 

when cut into you.