I recap the day I received my first rejection letter. It was a crisp, cold, white envelope, sealed tight, a typed letter inside, with painful news tonight. Disappointment delivered, in formal lines, ending hopes, with words that cut like knives, saying in the later: “Dear poet, Thank you so much for your wonderful submission. Unfortunately, after a careful evaluation of your work, we have decided to pass on it. We hope to receive more from you in the future.” I was 31 years old, and it felt like the end of the world.
But I didn’t give up. I held on to that glimmer-of-light, took a deep breath, revised my manuscript, reviewed it, & edited it to my humble satisfaction. I now learned to submit with a wise approach; to read each literary magazine, with a careful eye to tailor my words to their poetic tide. With that method from that day on, I became a reader & that writer who has never come across rejection has never submitted. Meanwhile, as a writer, you have to be patient & humble. That moment taught me the value of persistence. Writing is a journey of twists and turns, rejections and acceptances. It’s easy to get discouraged, but the true test of a writer’s mettle is their ability to keep going.
Salihu Muhammad Ebba (Legend Bard) is a budding writer, poet & easyiest from Niger state. is a bright and ambitious individual, currently studying At Legend International School Minna with a strong foundation from Guided Medal Model School, Minna. He is also a member of Hil-top Creative Act Foundation (HCAF), He was driven into the world to succeed and make a meaningful impact on the society.
(Central Asian woman in a black and white coat and dress pants over a white ruffly blouse holding books and awards. Posters and poetry are on the wall behind her).
Zulfia’s life and the history of “Saodat” magazine.
Abduvahidova Farangiz
2nd stage student of Samarkand State University named after Sharof Rashidov
Abstract: In this article, we will focus on the life and activities of our beloved poet Zulfia. Although Zulfiyakhanim faced many difficulties, she never stopped striving in life. She was able to be a selfless and loving mother for her children. In addition, she did not stop her creative activity. She also founded a publishing house to improve people’s education. Her services and cultural heritage for our youth are incomparable. A state prize in her name was also established for our female poets.
Key words: Zulfiya, life path, woman, magazine, poem, “Worker”, “Happiness”
A number of our linguists and literary experts have expressed their opinion about the poetess. For example, Azod Sharafiddinov, the national hero of Uzbekistan, “I miss you, sister Zulfia!” in the article entitled: “Zulfia is a famous poetess, a great statesman, active in public affairs, a person in the eyes of the people. But she was first of all a woman, and even when she was a woman, she was an Uzbek woman. She had a certain duty as a woman. She lost her husband Hamid Olimjon early, she raised their children by herself.
“- My sister Zulfia used to walk in big circles throughout her life. They held face-to-face conversations with scientists, poets, and politicians not only of our country, but also of sister republics, and many foreign countries. The sister was very proud. In some circles, as poets and publishers, they could not afford to lose to someone in debates about literature and history. Of course, the fact that they are interested in this field is the reason why they read classical literature, Eastern and Western literature in general, our own history, and also world history. But in order to be equal in circles, our teacher must have studied a lot. He knew our classical literature very well.”
Reporter of “New Uzbekison”.
Mukhtasar Tojimamatova.
Musurmonova Feruza (teacher of mother tongue and literary science at the comprehensive school No. 63 in Zhargorgan District, Surkhandarya Region) in her article on “The Uniqueness of Zulfia’s Life and Work” wrote: “To sum up In addition to being a poetess with a special place in Uzbek poetry, Mrs. Zulfiyakhanim was also a woman with all the noble qualities of this nation as a person. Today, by writing this article and taking a deeper look at Zulfiyakhanim’s work, I am once again convinced that no matter how many conflicting, difficult and complicated paths Uzbek literature has traveled in the 20th century, it has a number of literal creative people grew up and Zulfiyakhanim was one of the shining stars among them. In today’s days of independence, their creations are showing new aspects.
Zulfiyakhanim’s life and work is an example for all women. Because her hard work in life, her constant striving for progress, her faithfulness in love, her unceasing pursuit of artistic creativity, her persistence in the face of life’s difficulties, and the fact that she does not lose himself in the face of achievements, arouse envy in the heart of any girl or woman.
In her article “The Life and Unforgettable Work of the Uzbek Poet Zulfiya Khanim” under the theme of “Remembering Zulfiya” Shahida Zhoraboyeva, a second-year student of the Faculty of Preventive Medicine, wrote: In addition to being a poet with a special place, she was also a woman with all the noble qualities of this people as a person.
Today, by writing this article and taking a deeper look at Zulfiyakhanim’s work, I am once again convinced that no matter how many conflicting, difficult and complicated paths Uzbek literature has traveled in the 20th century, it has a good number of literary artists grew up and one of the shining stars among them was Zulfiyakhanim. In today’s days of independence, their creations are showing new aspects.
Zulfiya Israilova, who is embodied in the image of a beloved poetess of our people, a devoted woman, was born on March 1, 1915. His father Ismail worked as a blacksmith. The famous writer began her first education in 1922-1931. For the next three years, she continued her education at the girls’ school. In 1935-1938, the poetess studied at the Institute of Language and Literature. Her first poem was published in “Ishchi” newspaper in 1931. In 1932, a collection of poems “Life Leaflets” was published. After that, her poetry books such as “Temiroy”, “She’rlar”, “Girls’ Song” were published. The greatest success of the poetess was brought to her by the collections “He called her Farhad”, “Hijran Kunlarida”, and “Hulkar”.
Due to the untimely death of her husband Hamid Olimjon, the poetess fell into a very depressed mood. Despite this, Zulfia took an active part in the movement of Asian and African writers of peace and international solidarity in the second half of the 1950s, and traveled to many countries of the world. It is no exaggeration to say that poems such as “Mushoira”, “My son won’t die of war”, “The dead of Kazakhstan”, “The picture I didn’t draw” brought Zulfia great fame.
She created “Lolaqizgaldok” series of poems dedicated to children. Based on the epic “Semurg or Parizod and Bunyod”, she wrote the play “Semurg” for the puppet theater and the libretto for the opera “Zaynab and Amon”. Many of her works have seen the world. Zulfia was a laureate of the international Jawaharlal Nehru (1968), “Nilufar” (1971) awards and the State Prize of Uzbekistan named after Hamza (1970). Sh translated the works of a number of writers such as A. S. Pushkin, N. A. Nekrasov, M. Vaqif, E. Ognetsvet, Mustay Karim, Amrita Pritam into Uzbek.
In order to show how incomparable her services are, the state award named after Zulfia was established. Our creator not only went down in history as a poetess, but also worked effectively in the fields of journalism and publishing. She did a lot of work in the field of publishing. To give an example, she was the editor of the children’s publishing house, the head of the department at the state publishing house of Uzbekistan, and she founded the “Saodat” magazine and worked as the editor-in-chief of this magazine for about thirty years.
Now, let’s talk about the history of “Saodat” magazine. The magazine is published in Azim Tashkent, our capital. It was brought to the attention of readers only eight times during one year. It was first published under the name “New Way” in 1925-1934. Later, it was published in 1936-1950 under the name “Bright Life”. Then it operated under the name “Women of Uzbekistan” from 1950 to 1965.
But due to some reasons or because of the war, it was not published within a certain period. The magazine contains short stories, poems, useful food recipes for our women and girls, and new, modern dress styles for the elderly. Among these are stories such as “Singer of Enlightenment”, “Rostonbuvi Told the Truth”, “Mother”, “Parnji is the beauty of the past”, “Songs”, “Kochaga Handon Uyga Zindon”. In addition, this magazine has separate sections, such as advice for cooks, various Chinese words, puzzles, children’s sports and health, hair care according to hygiene rules, and advice for hairdressing. Each issue also contains a table of contents.
ZULFIYA as editor
Radio editors: Z. Jamolova, Kh. Komilova, H. Muhiddinova, N. Mirpol’atova, Y. Nasriddinova, Kh. Sulaymanova, S. Khalifayeva, S. Shamsiyeva (deputy editor).
The technical editor was Z. Rahimov.
Address of the editorial office: Tashkent, Navoi street, house number 30.
Currently, Usmanova Munavvarkhan Abduhakimovna works as the editor-in-chief of the monthly socio-political magazine “Saodat” of the Women’s Committee of Uzbekistan. The current address of the publisher is: Navoi street 30, Shaykhontokhur district, Uzbekistan, 100011.
My turn now terrorist. The 5th storey of one of my inanities. S. For a longer time, i Broastered i was the doctor of all passable abstract landscapes. H and i thought crime the ingrate figure nine of modern painting. And poetry were laughably ableist
Does a threat Centrelink these ids? Lets get covfefe are showing. Send in the feeling: kinda free.
The suicide towers are goners now, reduced to bloody trouble, along with all Hype of peas in our time.. the plane was to eat the rich…
Lions and tigers and bears o
My Self, im at my witty end, just listening to Let Lose The Reins by The Get Up Kids. With the west of my time, ill never be financially sober.
I slave away for the same Amurican Dream as anyone else: a three bed room terrorist house in Newtown, where its meaningless to eat Frank O’Hara.
So, who put the cannibals in the donation bin? It could have been John, he is like that, after all. Queerly, the whole can of coke with you thing is a get down.
Its well hot in the city. I smell like i mean it lots. I hope to be as criminal as any ism
Enter the cheat coat glistens. Am i to become as prolific as if i were Blomz? Or – terror loomed, a head.
Bonham Carter is up the stares across the road selling out of office jobs the purest myth in sydney. Im a false flag, this is friendly file under bling.
Ah, this Kmart on my back!! But why regret the Everlast in g sun? Petty cash.
Sometimes, in the Skye i see endless sandy sures covered with white, reJoycing notions. The stairs fell one by one into his ice and burnt
Tongue. I dont think, therefore i am the leased cult of all poets. I admiral you, beloved, for the traphouse youve set. Its like a fifth storey nobody reads about because the murder plot isnt over. It has an agent orange bet in it, more than the era can hold.
Yes. You and your fried from high skool word document the fall of men. I dont need your alchemical bromance.
And o, im so Glad the revolution’s *theyre. Stuck in a creative slum, im chasing a P. So, yes, im getting ample excise.
Made Marx: Fuhrer Road. No cents within sheets, but millions in the Streets.
I lie, therefore i am ashamed of my century. But i have m&ms, 8 mile. And the grace to be killed, and live off it as variously as plausible.
One of these days, there’ll be nothing left with which to venture capitalist forth. Interest rates rise like lions.
For shore my heat is boken. Let’s split
Up matthew flinders of self. Same. Lets get enraged asap.
First of all, contributor Jeff Rasley invites people to consider this opportunity to further education in Basa Village, where he has spent much time.
From Jeff: The people of Basa Village, Nepal, have requested our Foundation’s help with two projects commencing in 2025. Funds are needed to help pay the salaries of three of the village school’s teachers. If private funding is not provided, the school’s English, Science, and Social Studies & Computer Literacy teachers will have to work for no pay or resign. Because the village’s family farms are all subsistence farms, many of the 85 elementary school students will eventually leave Basa. Acquiring education that will help to make the village’s youth employable in a city may be vital to their future. The Foundation is seeking contributions to fund those three teachers’ salaries for one year.
The second project is the development of a commercially viable herd of goats and pigs. The villagers are dependent on subsistence farming and money earned by some of the adults working in the tourist industry as support staff for treks and mountaineering expeditions. Disastrous earthquakes in 2015 and the 2020 COVID pandemic virtually shut down tourism for two years following each of those catastrophes. The village leaders realized that a sustainable business is needed to support village families, when jobs in tourism are not available. The first animals were purchased this year, but to make the endeavor profitable, more animals must be purchased and cared for. The goal is to have a profitable co-op business of selling goat milk, cheese, and yoghurt and pork within two years after the requisite number of animals are acquired. Money earned above costs will support the village school and provide assistance to any families in need.
Please consider contributing to our fundraiser for the school and farm projects via our website at https://www.bvfusa.org/donate
Or, send a check to our corporate treasurer David Culp 2322 E. 66th St. Indianapolis, IN 46220. Let me know if you have any questions about the projects or the BVF. The Basa Village Foundation USA, Inc. is a 501(C)(3) organization, and financial contributions to it are charitable donations, per the US Internal Revenue Code.
Now, for this month’s first issue: Who Will We Become?
John Edward Culp personifies the human journey through life as a child learning to walk under a giant sky. On the other hand, Ilhomova Mohichehra’s work honors the beauty and longevity of a tree.
Sayani Mukherjee communes with the hidden longings and feelings layered within a landscape as Rubina Anis melds colors into gentle natural scenes. Christina Chin and Jerome Berglund’s collaborative tan-renga highlight vignettes and observations of humans co-existing with nature. Raquel Barbeito’s art zooms in on pieces of nature – flowers, spiders, a skull – in black and white. O’tkir Mulikboyev wishes to become part of his natural environment and bring nutriments to those around him.
Alan Catlin presents human and animal wildness in its feral glory: hunger, fear, crashing ocean spray, animal eyes in the dark, earthworm trails. Sidnei Rosa da Silva’s prose poetry depicts the lonely calm of a northern winter. Christina Chin and Kimberly Olmtak’s collaborative tan-renga becomes more personal and domestic, presenting cozy tea and houseplants.
Duane Vorhees furthers his poetic exploration of sensuality, fecundity, and history. Brooks Lindberg’s poem probes the linkages between older mysticism and newer beliefs given our understanding of physics.
Isabel Gomez de Diego’s photography positions youth and new life as a continuation of the world’s cultural and natural history. Kylian Cubilla Gomez captures the off-center wonder and mystery of childhood through his photographic close-ups of toys.
Jacques Fleury’s pieces address awakening, surprise, and discovery. JoyAnne O’Donnell celebrates the manifold ways ordinary people can find joy in our everyday lives, including love and close relationships. Lilian Dipasupil Kunimasa conveys the deep joy of intimacy, friendship, and love. Mesfakus Salahin evokes quiet moments of peace brought by a tender love. Sara Goyceli Serifova wishes to live a long time with her beloved partner, as her grandmother did.
Z.I. Mahmud examines the characters’ journeys out of self-absorption toward empathy and wonder in Antoine Saint-Exupery’s The Little Prince.
Layla Adhamova suggests that happiness is accessible to many people, not just the wealthy. Gullola Nuriddinova laments the betrayal of a lover who chose money over their beloved. Bill Tope’s short story illustrates a youthful form of justice against family favoritism and classism around the holidays.
Brian Barbeito conveys the wisdom of age in his piece on a friendship between a young boy and a kind elderly neighbor.
Haitmurodov Ismoil reflects on how a father’s love can sustain you throughout life. Azimbayeva Dilrabo gives a tribute to a caring father who passed away, Iroda Sherzod offers up a tribute to her caring and selfless father, and Rahmiddinova Mushtariy pays tribute to her father’s wisdom. Olimjonova Muslima pays tribute to her parents’ continued support all along her academic and personal journey.
Sobirjonova Rayhona shares tributes to beloved teachers here, here, and here. Shahnoza Ochildiyeva’s story illustrates how a teacher brought about justice in the classroom without shaming anyone. Shoxijaxon Urunov’s essay highlights how teachers accomplish so much more than imparting information.
Dilbar Koldoshova Nuraliyevna reflects on the difficulties and hard work of the creative life and her determination to pursue that path, as Kass probes the solitary inner drives of a literary artist.
Rick Reut tinkers with the arrangement of words in concrete poetry exploring time, memory, and language. Vernon Frazer’s words pop out of juxtaposed shapes and images while Mark Young serves up a heady word-marinade. Maftuna Yusufboyeva looks into a different way of using language, examining the role, goals, and purposes of advertising. Texas Fontanella links ideas and words and bursts of thought together in his Pound-inspired modern canto.
Federico Wardal spotlights the elegance and cultural history of Andrea Ceccomori’s San Francisco flute performances. David Sapp illuminates a moment of rapturous ecstasy in the view of sublime art. Dr. Jernail S. Anand’s poetry reminds us that the truth about history and humanity is often difficult to stomach and that art helps us process our knowledge. Thus, the literary arts are a worthy calling, despite the lack of remuneration.
Norova Zulfizar outlines various historical sites in Uzbekistan while Rustambekova Nozimakhon sketches life in her neighborhood, showing her pride in her community. Khalida Nuray’s poem urges people of Turkish ancestry to rise up and defend and protect their homeland and culture.
S.C. Flynn’s poetry illustrates the tragedies of incomplete journeys and transformations: beautiful thoughts, creatures, and relationships that never develop into what they are meant to be.
Taylor Dibbert’s poem reflects the quiet anxiety many Americans felt over the 2024 presidential election. In a similar vein, Daniel De Culla satirizes Donald Trump’s values and personality through poetry and a photo. Pat Doyne bitterly calls out the United States’ less welcoming attitudes towards immigrants. John Ebute poetically seeks signs of life in his native and troubled Nigeria. Abigail George mourns the loss of life and the obfuscations of international politics in her poems on the war in Gaza. Alexander Kabishev ends his saga of the trauma of living in St. Petersburg under siege. David Woodward reflects on broken American political systems with concrete poetry using absurdist forms.
In a more general vein, Anvarova Nilufar laments the harsh state of the world and human nature. Goyibnazarov Abdulla reminds us how people often overestimate their abilities and knowledge.
Mykyta Ryzhykh’s undercapitalized works evoke the barren, alienated landscape of modern life. J.J. Campbell offers up a bah-humbug to the festive season, showing overworked cashiers, commercialism, pain, racism, and loneliness behind the holiday mood. Jim Meirose sends up a quirky tale for the season of online electronics shopping.
Tempest Miller explores memory, trauma, and the absurdity of existence through his pieces on zebras, crocodiles, industry, and nature. Jake Cosmos Aller revels in the surreal wild spirit of a crazy night of passion and booze. Paul Costa uses the language of Western-style adventures to highlight struggles within and among people.
Ilhomova Mohichehra reflects on human vulnerability and on gratitude for her health. Graciela Noemi Villaverde reflects poetically on the loss of a great love. Mahbub Alam also mourns an absence that has become visceral and inescapable. Philip Butera’s poetry explores personal and relational grief, loneliness, and the desire to escape from oneself. Christopher Bernard expresses similar sentiments in his poetic tribute to writer Marvin R. Hiemstra and other deceased writers, which focuses less on than on the individuals who passed and more on the implacability and universality of death.
Christina Chin presents a third round of collaborative tan-renga, this time with M.R. Defibaugh. Its protagonists bring a quiet determination to face unexpected twists of fate.
Maja Milojkovic presents a glorious vision for the world, where everyone enjoys peace, freedom, and mutual respect. We hope that this publication brings Earth a step closer to that goal. Please enjoy the issue!
This article describes beautiful and interesting places in Uzbekistan, as well as ancient cities, historical monuments and other historical monuments that continue to surprise mankind you will have information. Uzbekistan is a country with ancient history and rich culture. A rich architectural heritage, countless historical monuments and modern shopping centers, unique nature reserves and medicinal gardens, that everyone in our country can see and rest for themselves in sanatoriums and recreation centers, can also visit as a tourist there are many places. The architecture of Uzbekistan is colorful in its own way.
Despite the current globalization, millions of tourists from all over the world visit our country every year the oldest monuments of architectural heritage have been preserved. Famous architectural ensembles are located in Tashkent, Samarkand, Khiva, Bukhara, Termiz, Shahrisabz, Ko’kan and other cities. Excursions to historical architectural monuments of Uzbekistan, but can also offer fun places to spend time with family and friends. This is one of the unique and beautiful places Chashma complex is the heart of Nurota, Navoi region. It is an incredible place full of many legends and tales. Enjoying the shrine complex, seeing the monuments, to look with the hand at ancient and mysterious things, Thousands of people and tourists from all over the world visit this place to pray in the holy land.
According to the legend, forty thousand years ago, a radiant meteorite fell here, after that here a crater and a miraculous water source appeared. Its water is considered healing. That is why the complex was named “Chashma” and the surrounding area was named “Nur”. The people of Uzbekistan have wonderful landscapes and archeological monuments that can only be found abroad, are used to the idea. In Uzbekistan, which has been preserved for centuries and is inextricably linked to folk legends, there are many beautiful places. Therefore, you don’t have to leave the country to travel to amazing destinations and mysterious places.
Another place with an amazing history Rishton pottery workshops. Rishton in the Fergana Valley has long been considered the homeland of excellent pottery. Creating pottery products in Rishton special technology, the secrets of cooking them have been developed. Right now More than 1000 potters are working in Rishton, about 100 of them know all the technologies of pottery art. The products created by Rishton masters are included in the collections of many museums around the world.
The architectural example of Minorai Kalon (Big Tower) in Bukhara was built by Arslan Bugrokhan, the amir of Movarounnahr of the Karakhanid state. Kalon Tower (1127) was built in the 12th century. Minorai Kalon is located in Pop-Kalon square. The tower has a solid circle. The tower has been renovated several times. In particular, the trunk and muqarnas were opened and repaired in 1960 by Bobomurad in 1924. In 1997, on the occasion of the 2500th anniversary of the city of Bukhara, renovation works were also carried out in Minorai Kalon. In addition, the surroundings of the architectural structure were improved and landscaped.
One of the interesting places is Samarkand. Samarkand is one of the oldest cities on our planet, equal to Rome and Athens. It is more than 2750 years old. A person who has traveled to Samarkand feels very good. The natural scenery is beautiful. People are also hospitable. Representatives of various nationalities live here. Samarkand is usually called “Eastern Babylon”. The name Samarkand comes from the Sogdian word Smr’ka d. “means “stone castle” or “stone city”. In ancient times, Samarkand was the capital of the oldest Sogdian state and was called Afrosyab. Among the ancient Greeks and Romans, the city was known as Maracanda.
Samarkand was a very developed city even during the time of Alexander the Great. Historical monuments in the city of Samarkand include “Shahi Zina Ensemble”, “Registan Ensemble”, “Bibikhanim Jame’ Mosque”, “Gori Amir Mausoleum” and many other historical and beautiful places. Shahizinda ensemble in Samarkand in XIV-XV centuries. Shahizinda means “living king”. The oldest of the mausoleums is Kusan Ibn Abbas mausoleum. Tillakori madrasa in Samarkand city. The madrasa founded by Yalangtoshbi in 1646-1659 in Registan Square was called Tillaqori.
The Ashtarkhanid dynasty ruled during the construction of the Tillakori madrasa. In its construction, baked and raw bricks, clay, wood, gold water and precious stones were used. The design of the architectural monument: the gable is deep, the front of the 2 wings is smooth, 2-story rooms, the corners are occupied by mezzanines of equal size. One of the unique features of this architectural monument is that it was originally named after the small mausoleum of Yalangtoshbi Bahadir, however, it was popularly known as Tillakori. In addition, there was a Mirzoyi caravanserai in place of the madrasa.
The architectural structure is the center of attention of many international tourists. In addition, the building was included in the list of UNESCO World Monuments. List of ancient monuments in the city of Tashkent: “Imam Kaffol Shoshiy”, “Zaynutdin”, “Barakkhan”, mausoleums “Sheikh-akhun-Takhur”, “Kokaldosh” madrasa”, “Zangiota Ensemble”. The Kaffol Shoshiy mausoleum in Tashkent is one of the ancient monuments of the 16th century.
Kokaldosh madrasa in Tashkent. In the middle of the 16th century, a 2-story madrasa was built by Barak Khan, the minister of Tashkent governor nicknamed Kokaldosh, to the southwest of Khoja Ahror madrasa and Jome’ mosque. The 2-story building with the gables of the domes reaches 20 meters in height and looks healthy because it is built on a hill.
The list of ancient monuments in the city of Shahrizabz includes: “Oksaroy Building”, “Dorultilovat Ensemble” and many other historical monuments. In the city of Kokand, Khudoyor Khan Horde, the general level of this Horde is rectangular. The building is located on a raised brick foundation, the corners are reinforced with constellations. Historical monuments in the city of Khiva: “Olloquli Khan Madrasa”, “Ichan Castle”, “Dishon Castle”, “Caltaminor”, “Kush gate “, “Nurilloboy Palace ” “Old Ark”, “Muhammad Rahimkhan Madrasa”, “Muhammad Amin Khan Madrasa” and there are other monuments. in the city of Khiva Ichan Castle in the city. In the center of Dishan Castle, there is the “inner city” – Ichan Castle, which has shifted to the east. In the middle of the 19th century, during the reign of Khiva Khan Ollokuli Khan (1825-1842), the outskirts of the city were surrounded by a stronger wall. Khiva is a city with a unique history.
If you travel to Khiva, you will visit beautiful places and learn about its history. Tourists from different countries visit Khiva every year. The city of Khiva attracts everyone with its historical monuments and beauty. It is a city with its own charming beauty and its own history that makes a person who has visited this city want to visit it again. Owner Amir Temur in Tashkent, Samarkand and Shahrisabz, Statues of Mirzo Ulugbek, Alisher Navoi, Jaloliddin Manguberdi in Urganch, and Alpomish in Termez stood tall in Tashkent. Today, there are more than seven thousand monuments in our country, including, 2,500 architectural monuments, more than 2,700 monumental works of art are under state protection.
In summary: If you travel to every city of Uzbekistan, you will see its own beauty. Each city has its own beautiful and ancient monuments and monuments.
Norova Zulfizar is currently a school student since 2007. Lives in Bukhara. He can speak Turkish and English fluently.” Interesting historical places in Uzbekistan”
After the bell rang for the recess, uproar started in Class 2 “B”. It was impossible to understand anything because everyone’s words sounded out of order from all sides. A little girl named Nozima stood in the middle and cried, the children surrounded her. Later it became known that Nozima’s money was stolen. She had been saving her daily lunch money for a long time to buy a present for his mother’s birthday. She asked all her classmates, but could not find any money.
In fact, it was clear that the boy who took it would not give and admit that “I stole.” The next lesson, Nozima and her teacher entered the mother tongue class together. The teacher found out about everything and was very angry with the children. After greeting the children, the teacher thought for a while and said: My children, let’s do something together now. But first, think about how bad it is to steal. Nozima wanted to make her mother happy by buying a gift for this money, after all… Whoever took it, please return it without telling anyone. I will help you.
Then the teacher opened Nozima’s bag and showed it to all the children. It was empty. Then she placed it on a chair in the corner. The teacher once again asked the students to throw the money in this bag. Two students held a large cloth and formed a small shelter next to the bag. All the students stood in line and started to enter from one side of the fabric and exit from the other side. Finally, when all the students passed, the teacher took the bag and checked it. The most surprising thing was that money appeared in the bag!
That day, the boy who stole the money was not ashamed, and the money was returned to its owner. All the children admired the wisdom of the teacher.
Written by Ochildiyeva Shahnoza, student of University of Journalism and communication of Uzbekistan
Translated by Ochildiyeva Dilnoza, student of Samarkand State institute of foreign language
