Essay from Aliya Abdurasulova

Aliya Abdurasulova, a Namangan State university student

 

WORKING WITH ONE-DIMENSIONAL AND MULTI-DIMENSIONAL ARRAYS IN C++ PROGRAMMING LANGUAGE

Annotation

This article provides information on processes for working with one- and multi-dimensional arrays in the C++ programming language. The types of arrays, the methods of their use, and their application in the program code are explained with examples. Problems encountered when working with arrays and their solutions are also considered. Information is also provided on how arrays are stored in memory and many ways to make the most of them. The article provides a deeper understanding for beginners and programmers.

Keywords

C++ programming language, arrays, one-dimensional array, multidimensional array, programming fundamentals, data structure, array in C++, indexes, working with arrays, program structuring, data storage, code writing (structuring)

Introduction

In programming, efficient storage and access to data is of great importance. In C++ programming language, arrays are used to store data of the same type in an ordered manner. Unlike simple variables, arrays allow multiple values to be grouped under a single name, which simplifies the code and improves efficiency. Arrays are divided into one-dimensional and multi-dimensional types. A one-dimensional array represents a simple list, while multi-dimensional arrays are structured as tables or matrices. This article explains creating arrays in C++, using them, and practical examples.

1. One-Dimensional Arrays

One-dimensional arrays are ordered collections of elements. They are declared using the following syntax:

data_type array_name[size];

Where:

• data_type – the type of array elements (e.g., int, double, char, etc.)

• array_name – the name of the array

• size – the number of elements in the array

1.1 Declaring and Using a One-Dimensional Array

For example, let’s create an array containing 5 numbers and display them on the screen:

#include <iostream>
using namespace std;
int main() {
    int numbers[5] = {10, 20, 30, 40, 50}; // Array declared and initialized
    cout << “Array elements: “;
    for (int i = 0; i < 5; i++) {
        cout << numbers[i] << ” “;
    }
    return 0;
}

1.2 Array Input from User

If array elements need to be entered by the user during program execution, the following method can be used:

#include <iostream>
using namespace std;
int main() {
    int numbers[5];
    cout << “Enter 5 numbers: “;
    for (int i = 0; i < 5; i++) {
        cin >> numbers[i];
    }
    cout << “The numbers you entered: “;
    for (int i = 0; i < 5; i++) {
        cout << numbers[i] << ” “;
    }
    return 0;
}

2. Multi-Dimensional Arrays

Multi-dimensional arrays allow access to elements through multiple indices. The most commonly used type is the two-dimensional array, which is often applied in representing tables or matrices.

2.1 Declaring a Two-Dimensional Array

The syntax for declaring a two-dimensional array is:

data_type array_name[rows][columns];

Where:

• rows – number of rows

• columns – number of columns

2.2 Example of a 2×3 Array

For example, let’s create an array with 2 rows and 3 columns and display it on the screen:

#include <iostream>
using namespace std;
int main() {
    int matrix[2][3] = {{1, 2, 3}, {4, 5, 6}};
    cout << “Array elements: \n”;
    for (int i = 0; i < 2; i++) {
        for (int j = 0; j < 3; j++) {
            cout << matrix[i][j] << ” “;
        }
        cout << endl;
    }
    return 0;
}

2.3 User Input for Array Size and Elements

The following program asks the user for the size of the array and its elements, then displays them:

#include <iostream>
using namespace std;
int main() {
    int n;
    cout << “Enter the number of array elements: “;
    cin >> n;
    int arr[n];
    for (int i = 0; i < n; i++) {
        cout << “Enter element ” << i+1 << “: “;
        cin >> arr[i];
    }
    cout << “Array elements: “;
    for (int i = 0; i < n; i++) {
        cout << arr[i] << ” “;
    }
    return 0;
}

Advantages of Working with Arrays

• Organized data storage – Arrays allow storing elements of the same type in order.

• Fast access – With indexing, any element can be accessed directly.

• Convenient processing – Arrays allow automating various calculations in programming.

Conclusion

This article comprehensively covered the stages of working with one- and multi-dimensional arrays in the C++ programming language. The types of arrays, their effective organization, and their proper use in program code were explained with practical examples. Problems encountered in working with arrays and their optimal solutions were discussed. Arrays are one of the most important tools for storing and processing data, and their effective use simplifies the programming process. Correct use of arrays in future software projects contributes to faster code execution and optimized memory usage.

References

1. Bjarne Stroustrup. “The C++ Programming Language” (4th Edition). Addison-Wesley, 2013.

2. Sh.F. Madraximov, A.M. Ikramov, M.R. Babajanov, “C++ tilida programmalash bo‘yicha masalalar to‘plami”, Tashkent – 2014.

3. B.B. Mo‘minov, “Informatika”, Tashkent “Tafakkur – bo‘stoni”, 2014.

Muhammadjonova O’g’iloy reviews O’tkir Hoshimov’s story collection O’zbeklar

Book cover of O'tkir Hoshimov's O'zbeklar. Images of older and younger, men and women Uzbeks talking and playing in a park and looking off into the distance. Book is sepia toned among other books.

Among the books I needed to read was O’tkir Hoshimov’s collection of stories, ”O’zbeklar” Immersing myself in the reading, I became one with the characters. This work speaks of how simple, sincere, and hardworking the Uzbek people are. Despite each story in the book being written in a simple, folk style, it finds a place in the reader’s heart with its basis in real events. The work pays great attention to feelings such as patriotism, love for one’s homeland, and concern for its future. The Uzbek people’s readiness to sacrifice their lives for the Motherland, their struggle for its freedom and independence, is one of the main parts of the story.


In conclusion, the story ‘O’zbeklar’ is a vivid work that reflects the image of the Uzbek people, their inner world, and their attitude towards life, awakening national feelings, and promoting the ideas of humanity and patriotism.


This work has been flawlessly presented as a gift to students, and my enjoyment of it is a testament to my good fortune!”

Young Central Asian teen girl with long dark hair, a black and white cap, and a patterned green and pink and white coat. She's outside by a concrete path and petunias.

Muhammadjonova O’g’iloy
9th grade student school 5
Andijan region, Republic of Uzbekistan!

Collaborative short story from Bill Tope and Doug Hawley

Full Circle

When I was eight years old and newly installed in the house my parents bought for our family, I received the ultimate answer to my dreams–for that week: nothing less than a Wham-O Wrist Rocket, the final word in slingshots. While today this product is composed of tellurium, whatever that is, and comes equipped with laser sighting mechanisms, the Wrist Rocket of my youth was a relatively simple slingshot, but with a difference. With the old-fashioned Y-shaped devices, you would simply grip it by the handle, aim and fire. But with the Wham-O weapon, it had a special brace, made of “Aircraft Aluminum,” which fitted over your wrist, giving you better leverage and increased firing accuracy. But at eight, I was only dimly aware of all this. All I knew was that they were fun! And now I had one. 

Standing in my new back yard, I was on a safari, alert for all the ferocious creatures that stalked the neighborhood. I tried a few shots, one at our new metal garbage can. It struck with terrific impact and made a clattering sound that could have wakened the dead. Too easy. Next I tried a few trees, but they were still too easy, even the skinny ones. What I craved was live prey and there it was, up in the huge sycamore in our front yard. It was late summer and the trees were still clustered with leaves, but I spied a rich target: a gray-black bird with an orange belly, about fifty feet above the ground. 

Inserting a rock from our newly graveled driveway, I stretched the rubber back nearly a yard, packing tremendous force into the shot. Then I let it fly, not really aiming but working on instinct. To my surprise–and resultant horror–the stone struck the little bird, shattering his wing. The robin dropped precipitously, thrashing his wings as he fell. He struck the ground on his back. He died instantly. 

Eyes wide, I tentatively approached the beautiful creature, beheld his bright orange breast and searched for any sign of life. There was none; the robin was dead. I hurried away, too cowardly even to bury the bird. Other kids regularly preyed on small animals with slingshots, BB guns and the like, but I never had. Until now. I had unwittingly joined the ranks of the “mean kids,” who were marked by their abject cruelty to defenseless animals. And I didn’t like it. The next day it got much worse. 

My dad was policing the property, in preparation for mowing the lawn, when he came upon the dead bird. “Someone killed a robin,” he said gravely. He looked at me. “You don’t shoot robins, do you?” he asked. He had a right to ask; I had mercilessly badgered him to buy the wretched Wrist Rocket. I shook my head no. I was never sure if my dad believed me; we never spoke of  it again. I had never been aware of any particular feeling on my dad’s part, respecting birds or other creatures. Later I would learn that they had played a part in his growing up in the country, on a farm. And I admired my dad more than any man alive. Which brought home the enormity of what I’d done. 

Distraught, I retreated to my bedroom, where I stashed the slingshot in my closet, never to use it again. The next day I threw it out. At supper that night my dad told my mom about neighborhood kids killing birds. 

“You shouldn’t kill a robin,” he said simply, and I felt bitterly ashamed. It was the first and only time I lied to my father. A hard, life-changing lesson to learn at just eight years of age. 

At this point it would be great to tell you that I became a millionaire and devoted my life to preserving wildlife and saving species from extinction. Not quite. I did well at math in school and ultimately became a college math professor. I settled into academia nicely. With only a few classes to teach and a few additional office hours, I had a lot of free time. After I got married and bought a house, I put up several bird feeders. I also supported the Audubon Society until I heard some negative things about it. After a spate bird-watching, I had to admit it bored me to tears. I reasoned that the best thing was to raise my kids, Sam and Judy, with respect for all life. On this my wife Susan and I agreed. 

The kids won’t get any weapons, real or fake, as presents. I’m happy that Sam wants to study to be an environmentalist. Judy is making her old man happy too: she is doing great in her math classes, and wants to be a mathematician like me. On a research grant I used my math skills to work on species preservations. It wasn’t easy because there were so many variables: birthrates, predators, available food, genre ratios and the like, but I’m happy to say we’ve had some success. The Ontario Mouse that was near extinction is now thriving. The Klamath Darter, a small fish, is making a comeback. 

I was invited to give a lecture on  the subject in Eugene, Oregon, my home town. My speech was going well, but I wondered about a bald guy in the front row who looked familiar. He seemed to hang onto every word, even when I went into boring statistics. After the talk, I cornered him at the post-speech buffet and asked him who he was. He didn’t answer immediately, and then it dawned on me: Mr. Spangler, our neighbor from my neighborhood when I was growing up; I hadn’t seen him for 25 years.  

“Is that you, Don?” I asked, stunned. 

He admitted that it was and then went on to tell me how proud he was at how I’d turned out. He hesitated a moment and then said he’d had some misgivings about me back in the day. I furrowed my brow and asked him what he meant. Without a word, he turned up a brown paper bag and from it pulled a 30-year-old Whamo Wrist Rocket. He told me he’d seen me shoot the robin all those years ago and watched as I tossed the weapon of death into the trash. He’d saved it, he said, for just such an occasion. “I’m proud of you,” he said solemnly and it warmed my heart that my life had come full circle.

Eva Petropoulou Lianou interviews poet Nasser Alshaikhamed

1.Tell us about yourself 

How have I started to write poetry?

I started writing at the age of 52. I was influenced and inspired by my poets and journalists’ friends.

We had a cultural forum back then in 2012 and there we would gather around every day at eight o’clock in the evening to listen to our friends recite their writings of poems, literature essays and short stories and after the reading is all finished another session would start to discuss and critics their poetry works, all that had a great positive impact on me to write poetry, short stories and to be involved in other literary works.  

2. What is the message you want to give through your poems?

As a poet I want to communicate various messages, from expressing personal emotions and life experiences to exploring universal aspects of nature, beauty, hope, peace, love, harmony and social justice and to convey a profound message about life and human values. I want to emphasize the importance of kindness, empathy, and living with honesty and integrity. 

Plus, I want to encourage the readers to appreciate the beauty around them and to remain hopeful and positive even in difficult times.

3. Do you believe that the new generation is reading and caring about literature?

Young people may not always read long novels or traditional sonnet poetry, but yes, they do read and care about literature in shorter format such as e-books on their “smart” devices and from seeing them participating and mingling in different social media online and from the number of people I learn of annually who do attend books fairs and buy books.

4. How do you feel when you see your poems published in several foreign sites?

In my own thoughts and perspectives, poetry is an expression of the incomparable meditation and contemplation of the human minds. 

Seeing my poems published on foreign websites gives me a combination of feelings of broader reach, validations and significant connections with wider international audiences, making my voice heard by different people of different cultures and nations and successful transmission of my poetry and literature works beyond borders.

5. Do you want to share with our readers a phrase that changed your life? 

Yes, definitely, I do, here it is: “Today is the opportunity to build the tomorrow you want”

6. What is your next project? 

Well, I am happy to announce a book I have been working on with poet Kristy Raines from the USA, which will be published soon on Amazon, titled “Echoes Across the Oceans”.  It is an anthology of some of our favorite poems.  

NASSER ALSHAIKHAHMED, SAUDI POET AND WRITER, SAUDI ARABIA

Nasser Alshaikhahmed is a Saudi Arabian bilingual poet and writer. He writes poetry and short stories in Arabic and English. He attended college at Sonoma State University in California, USA. Although his field of study is far from literature, his soul is immersed in poetry and writing.

He is a member of:

1-All Poetry.com

2-Soul Asylum Poetry Radio. New York-USA

Poetry Anthologies.

1-Voracious Polyglots-USA

2-The Quilled Ink-South Africa

3- Wheel Song Poetry-UK

Online Magazines

1-Polis Magazino- Greece

2-ILA Magazine- USA

3- Grupo de trabajo de escritores Agentina

4-www.youtube.com/c/Uddan Television

Nasser Alshaikhahmed has translated pieces from English to Arabic for several poets from USA, Japan and Australia, and published his translations in local journals. 

He has published a poetry book in Arabic,” “العرافة ara’fa”, in 2013 through Arabian House for Science. He has published an English poetry book titled “Whispered Vows”, August 2023 by publisher Jeanette Tiburcio Marquez through the Stockholm Project.

He came in second place at the Zheng Nian Cup China Literary Award in 2023. He was awarded on October 14, 2023, by the L.A. Seneca International Academic Literary Award, the Italian Academy of Philosophical Arts and Sciences, Bari-Italy. He participated in the international children’s literature forum in Dhaka, Bangladesh in December 2023. Participated in Oman international poetry and cultural festival, April 2024. Participated in an Indian international literary meeting forum in November 2024. Kolkata, West Bengal, India.

Essay from Ike Boat

Pro-Bio: *Cynthia Rothrock*  Multi-Award-Winning *Martial Arts*  Actress. 

Middle aged woman dressed in black top and pants kicking her right leg up to the sky in a martial arts move. Red and black poster of her is behind her.

Hello fellow readers, viewers, and listeners, kindly click on the below *YouTube* weblink to watch and listen. It’s the official *Professional Biography* #ProBio of the Legendary American female Martial Arts  figure in the personality *Cynthia Rothrock* 

Kindly Click The Below Web-Link On *YouTube* #Subscribe #Watch #Like #Comment #Share – Special  *Cynthia Rothrock*  #Professional *Pro* #Biography *Bio* #VoiceOver *Audio*,*Visual* #Production By *Ike Boat* #Services  – Support Courtesy: *Goodwill Express Consult* #GEC,*Samanti Group* #SG,*Sambest Ventures* #SV,*Solomon Investments Group* #SIG,*Radio Maxx 105.1 FM* & *Cynthia Rothrock Africa Fans* #CRAF  Special Thanks To The Leadership And Management Of *Synchronized Chaos International Magazine* #SCIM  respectively.

Synchronized Chaos Mid-September 2025: Beneath the Surface

First, from contributor Jacques Fleury, an announcement of a new book! “Immortal Lines of Poetry” by Sourav Sarkar and Jacques Fleury

Book cover for "Immortal Lines of Poetry." Pictures of a young middle aged South Asian man in a black coat and blue top and black hat outside by a tree and a Black man in a black vest and white shirt and patterned tie and dark sunglasses. Text on the bottom, dark colored cover.

A collaboration between myself and internationally renowned poet Sourav Sarkar of India. The book presents us both as “2 Poets of the Common Era Literature Period” (a term Sarkar claims to have coined himself on Oct. 24, 2021 and is celebrated worldwide on its founding date yearly) and allows the reader an opportunity to “sample” our poetic styles and substance. It is at times a supple staccato or eroticism, at times mesmerizingly musical of humanism, at times visceral to its soul core but eventually reaches a crescendo to volcanic eruption of literary passion, hope and inspiration for our seemingly crumbling humanity. Here is a sample of one of MY poems from the book. Hope you check it out on Amazon. Merci beaucoup! 

This month’s issue focuses on what’s going on inside of all of us, and how that shapes who we are. We’re going Beneath the Surface.

Woman in a long blue dress holding a sword out away from her body lying down with her long red hair floating.
Image c/o Stella Kwon

Stella Kwon’s paintings explore dreams, childhood, fantasy, and the interiority needed for a creative life. Jacques Fleury’s sample poem from his new book Immortal Lines of Poetry looks into dreams and internal inspiration. Debabrata Maji’s poem traces his heart’s inner journey. Damon Hubbs tracks the odds and ends running through his mind while watching competitive tennis. Annabel Kim’s artwork explores and celebrates human and natural creativity. Ma Yongbo evokes the change of seasons, nature, and mortality.

Mark Young renders maps and nature into works of art in his ‘geographies.’ J.K. Durick speaks to intellectual experiences – the news, books, museums – and how we communicate ourselves to ourselves. Jasmina Saidova honors an inspirational teacher as Abdirashidova Ozoda explores possibilities for digital technology in early childhood education. Eshmamatova Shabbona traces the history and evolution of Uzbek literature and Munira Xolmirzayeva traces the history of Russian writing.

Eva Petropoulou Lianou praises the delicate elegance of Lily Swarn’s new poetry collection A Drop of Cosmos. Uralova Gulmira highlights themes of personal experience and motherhood in the patriotic writings of Uzbek poet Saida Zunnunova. Sayani Mukherjee reflects on being driven towards poetry in a full and changing world. Dr. Rasmiyya Sabir writes of romantic love, poetic inspiration, and the irrepressible drive to be heard.

Jakhongir Nomozov interviews poet Rustam Bekhrudi, who intends to capture and convey the resilient Turkish spirit in his writing. Mesfakus Salahin speaks to human psychology and the drive to live amid the allure of death. Mahbub Alam describes a night of discomfort due to mosquitoes, which he endures by thinking of people who have it much worse. Abdisattorova Hurshida’s short story highlights the dignity and self-determination and patience of the hardworking rural poor in Uzbekistan, even when facing death.

Red and white lighthouse on a pile of jagged rocks in a white capped ocean on a cloudy day.
Image c/o Omar Sahel

Hanen Marouani probes our internal emotional life with tenderness. Bill Tope uncovers the veil of a past sixth grade classroom where the students and teacher are full of inner and outer turmoil. Alan Catlin continues his surreal examination of the physical manifestations of work anxiety as Elbekova Nilufar warns of the danger to our eyes and psyches posed by Internet addiction. Emeniano Somoza Jr. reflects on what we lose by lessening the ups and downs of our emotional nature. Donia Sahab’s poetry probes the psychological torment and confusion Dr. Alaa Basheer alludes to in his painting. J.J. Campbell navigates loneliness with his trademark wit and cynicism.

Joana L.J. Milovanovic’s words bear witness to the psychological and physical damage domestic abusers inflict. Mykyta Ryzhykh’s characters find themselves subsumed by the crushing violence of a metaphorical “leviathan.” Alex S. Johnson reflects on his friendship with Runaways band member and visionary Kari Lee Krome and how the music industry elevates and chews people up.

Jakhongir Nomozov’s speaker reasserts himself after intense seasons of emotional pain and rejection. Soumen Roy highlights the importance of respect and patience in true love. Munisa Rustamova expresses gratitude for her mother’s constant love in a harsh world full of fake people. Alex S. Johnson and Kandy Fontaine assert their confidence in their way of living and loving and show how power is expressed through service and care, not abuse. Liderqiz demonstrates this ethic of service through a profile of Uzbek Information Service leader Dilbar Ashilbayeva.

Light purple cyclamens growing out of large tan rocks.
Image c/o Marina Shemesh

Andela Bunos speaks of the universal human grief of lost love. Kristy Raines’ poetry expresses commitment to a romantic relationship despite being separated. Lola Ijbrater outlines the rise and fall of a romance through a series of flowers. Ken Gosse describes heartbreak through clever poems with increasing numbers of lines. Eva Petropoulou’s lines address intimate love and the beauty of forgiveness. Annamurodov Umarbek reflects on coming of age after losing his father.

Journalist Giorgos Pratzikos and literary figure Eva Petropoulou Lianou interview Greek writer Fay Rempelou about how she intends to inspire peace, creativity, and humanity through her poetry. Nilufar Mo’ydinova presents a thoughtful exploration of artificial intelligence’s potential and how to mindfully develop it for the benefit of human creativity. Taghrid Bou Merhi traces the moral ascent of humankind, as societies developed respect for life, human rights, and gender equity. Omonova Sevinch highlights the importance of educating women and girls to uplift society. Graciela Noemi Villaverde points out the power of icons and commemorations of peace to interrupt the hostility that leads to war.

Giorgos Pratzikos interviews actor and children’s author Zisis Papaioanou on his craft, his artistic vision, his inspirations in Christ and Aristotle, and desire for Greeks to have more neighborly concern and look out for each other.

Person's hand holding a white ball and magnifying a few clouds against the sky.
Image c/o George Hodan

Taylor Dibbert reflects on the impression Americans make while traveling abroad. Doug Hawley and Bill Tope present a humorous tale of unintended interplanetary cooperation. Duane Vorhees’ poetry deals with our humanity, the roles we play in life and who we choose to become to each other.

Abdel Iatif Moubarak’s words express solitude and the hopes and dreams of individuals and communities in an uncertain world. Abigail George reviews Nadine AuCoin’s horror novel Tucked Inn, a tale of survival and good overcoming evil. Justin Faisal, a Rohingya refugee from Myanmar and advocate for his fellow refugees, writes of his inner journey of perseverance and finding beauty in life. Sharifova Saidaxon reflects on similar sentiments, finding forgiveness and acceptance through her faith.

We hope this issue inspires you to dig into your inner psyche and uncover strength and reach for your hopes and dreams.