Prose poetry from Brian Barbeito

Tiny orangish ladybug with black spots in the left bottom corner of this grey photo.

Secondary Light

(ladybug auspicious, ajna awakener, skate the night, the lady guru is around, for she lives in Electric City)

where is the secondary light? I used to have two. by this I mean lamps. no, three. one was green and one was orange and one was blue but with a white light and built w/a stone base. that lighting was better. the world it illumined more mysterious, the hard edges of reality faded, like in certain good dreams or possibly astral, other world lands filled w/feral reeds dancing for a cosmic breeze, and I stand w/canines beautifully alone, seven of them,- and there was, I was thinking, no end to the lands,- they are literally infinite in all directions. we begin walking, and we are happy beyond the world, a fine and wonderful and boundless joy. 

which brings me to the dream. 

but first the ladybug. a ladybug visited me in the middle and midst of the long lonesome cold dreary winter. it just was there on a wall beside a rosary I bought long ago in Mexico. 

decades and the ladybug.

 I think it is auspicious. and the dream is also…

big strange city, lit up at night, many many sections, perhaps miles long and wide, think Blade Runner meets Wizard of Oz meets The Rolling Stones music, and I am skating on roller skates fast and well, downhill, but not too steep a hill, experts following me that see me and it’s my first time but I can skate fast and they notice.

after perhaps five sections I meet the strange lady eclectic who is the leader, a leader in that faraway section of the odd metropolis, she talks to me briefly. I was there to get salt and vinegar chips of all things, for my beloved and the leader lady’s people couldn’t help me but she threw over a bag but it was a strange unknown brand to me. 

these are not the right snack, I tell her. 

she says, oh ya?- and we begin talking. 

she is beautiful and powerful and dressed in business attire a black skirt and white blouse, and asks if I want my third eye, the ajna-psychic chakra,…touched. 

I say yes. 

She touches it.

For about ten seconds. 

I suddenly see rural pastoral scenes like a highly advanced animated art form moving fast, and in one a duck chases after a bike going from left to right on a property and the scenes and the feeling is that it is free spontaneous living alive not contrived and it has a high energy. everything is in green blue and black. 

the lady stops and says to return later. but she speaks. like anyone. doesn’t use telepathy though I am sure she could. 

I go back to where I came from amaz-d,- to find Tara. I find her finally and tell her I have to go back to see again the lady that touched the third eye for she had said to come back again. 

there are people on the outskirts of the city. 

walking. 

talking. 

people being people. 

Tara says ‘If you must-‘

a luke warm response. 

and I go back again. Or try to. the strange lady is halfway there,- waiting, leaning against a wall. she knew I was on the way think. – and smiles and is happy I am on this way- and turns to have me follow her. 

she is somehow a part of my people spiritually but knows much more than I, at least about that strange city of electric light. 

I am skating. 

I yell out w/ joy at the top of my lungs at how fast and free I am going amidst those places, primal great real real real real real joy. I jump and fly through the air for a bit. 

but then I go where I should but can’t find her. I keep looking, scrambling. she is not reliable. but I don’t right off want to admit it to myself. 

something is wrong. 

why does this have to happen like this?

that whole place is hard to navigate. 

a security agent at a check point stops me and says something. I can’t hear him. I 

think I am in trouble though have done nothing wrong. 

He repeats ‘zoom’. 

I ask, ‘Zoom?’

‘You should zoom,’ he says. 

I say, What?- and he says then, ‘…zoom,…it’s what is written on your bag so you should do that.’

I wasn’t really aware I was carrying a

bag, but he was right. 

Like a white duffle bag or duffle bag type thing. but the same route is taken to further off, like an arcade type setting. I see someone I think could be her, that looks like her, but when I get closer it is not.

disappointment. 

no other would do save for she. but she is nowhere to be found that strange gifted chakra lady, that master of third eye manifestation and manipulation. 

though there are many people around, everyone is a stranger. 

I go back. 

I find Tara. 

But it’s not before a long journey, to parts of the night electric city that don’t work- like an escalator that doesn’t function. And the people walk on it knowing it hasn’t worked for a long time and that part of the city is on the outskirts, not as interesting. but the people take it literally in stride. 

Tara wears white. 

we begin to leave, and i steal a glance back. I can see that in many parts there are so many lights that you’d think day was breaking or dusk had barely begun. 

they must hum like a spiritual download but I can’t hear them then. 

and i knew, as in reality, that it was still night. where was the electric city? Electricity spells electric city. that is strange. was it real, was it imagined, or somewhere in the middle somehow?  was it on an astral plane? why did it feel hyper real,- and who exactly was the ajna awakener?

I longed to know the answers even before I awoke. 

then the dream vision ended. 

I remained still. ‘Remember remember remember,’ I told myself. ‘What were the curving streets I had skated down made of?’ some had interlock brick, I told myself,- yes I noticed that. and the buildings?- how about them,- every different design one could think of,- even an architect, I reminded myself,- yet I didn’t remember anything too high, more than say,- five stories. and more- beyond words also- the feeling,- the connection w/the guru, if she was a guru- master of some sort. and the fast skating, a certain freedom even in a strange place. 

and a thought…hadn’t I deserved to skate like that, having skated my whole youth and adolescence in real life from age seven or eight onwards?- nothing it seems, but skating. I had began not being able to hardly stand on skates, and by the end I was usually the fastest skater on the ice. 

‘Remember remember remember, because even when you think you have remembered everything or much,- there is often or perhaps always something recalled that you had forgotten. The bigger the chunks of dream you remember,- the more chance you have of arriving at some other memory within the chunk, around the chunk….’

I even tried to re-enter the dream. a long time ago, I could often to this,- by quickly forcing myself back asleep. I must have done it thirty times successfully through those past years. 

but i couldn’t do it this time. 

some skills you lose.

hopefully others you gain. 

and I breathed deeply then the fresh air from the close open window, air clean and against logic and reason, full of the good and robust and coldish night. I felt a tinge of sadness as the dream slipped away further from me, and more sadness when the FEELING the dream brought began to recede further and further. 

I had always wondered where dreams went when we left one another. 

And I had always had the idea that it would be interesting to view one’s life in dreams from birth to death, a biography and chronology of dreams. 

I stood and looked out the window then. 

some streetlights lit the world somewhat and softly. bits of snow wafted down if you looked a little closer, like some invisible or hidden  someone was up there just a above the electric light dropping handfuls of it. 

I liked the bulbs and glow even if I didn’t love them. 

I guess they would have to do as secondary light until I found a lamp again. 

~~~

Poetry from Randall Rogers

Uber Alles

Ha!
Germans’ children’s
toys are weapons of war
and the cuckoo
mustache
adorning
the upper lip
of their women
run little flame
light
burn
live!
sweep all
clean
my little 
Hitelburger
in the real
Olympics
world conquest 
in war!




Real Man

So humble
I didn’t know
or remember
to worship
adequately
my father
as a God.
I do not think
he would approve
however.
Thankfully.


When Did You Stop Beating Your Olive Tree?

Life is like a message
in a bottle telling
you there will be
thunderbolts
and you’ll be
happiest just
before you die.

Poetry from Sobirjonova Rayhona

Central Asian teen girl with brown hair and eyes, white collared shirt and black coat.

My Teacher
(To my teacher Nozima Qodirova)

You are the joy of my beautiful life,
Your words, the motto in my strife.
May your flower-like face always be bright,
My kind teacher, Nozima, is a guiding light.

For us, you gave your knowledge freely,
Gathering flowers from paths thorny.
Your entire life you dedicated,
We stand tall, by your love elevated.

Today, everyone knows my name.
Your hard work brought me fame.
The world recognizes me today,
Thanks to the efforts you displayed.

You spread knowledge without measure,
So students could grasp its treasure.
Your hair turned gray with time,
Ensuring we remember every line.

Your pupils eagerly attend the class,
Slowly learning maps and paths.
Joyfully they approach the globe,
Lessons pass smoothly, hope in strobe.

So many years have flown away,
No one forgets our teacher’s sway.
In everyone’s mind, the names remain,
Columbus, Khosrow, Bellingshausen’s fame.

A thousand thanks I say to you,
For filling my life with joy so true.
In every task, with Allah’s aid,
I’ve understood your worth, never to fade.

Every step, I remember you,
My teacher, you are healthy and true.
With open hands in prayer, you stand,
Supporting me with a guiding hand.

You made me who I am today,
My pillar, Nozima, come what may.
The healer of my wounds, you stay,
My solace, Nozima, every day!

Sobirjonova Rayhona was born in Bukhara, Uzbekistan. Currently, she is a 9th grade student.

Essay from Kurolova Dilnura

Ecology and me

What do we mean by ecology? Ecology is a complex of biological sciences that studies the structure of systems, populations, biocenoses, biogeocenoses, that is, the structure of the ecosystem and the biosphere, the processes that take place in them. The term ecology was coined in 1866 by the German scientist E. Haeckel. He proposed to define relations with it. Thus, he introduced this term to science. 

Ecology emerged as a science in the 18th and 19th centuries. It developed rapidly in the 20th century. The influence of man on ecology and ecology on man is great. Although ecological environments can sometimes deteriorate under the influence of natural conditions, they can cause damage and disorder due to human influence.

Disturbance of the ecological balance has a deep and bad effect on human health. Therefore, do your best to prevent and eliminate environmental problems!

What can you think of as environmental problems? One of the main problems is air pollution and global warming. Due to the humidification of the air, the ozone layer is collapsing. The cause of this problem is the harmful gases emitted by businesses and cars. If we talk about the problem of global warming, as a result of this, glaciers are melting and animals living on these glaciers are dying. Especially polar bears. Due to this, it is necessary to reduce and eliminate the occurrence of such problems.

Kurolova Dilnura Shokirjon's daughter was born on October 15, 2009 in Gurlan district of Khorezm region. Today she is a 9th grade student of the 30th school in the district. She knows English and Turkish. "Kenya times", "Raven Cage" and "Classico Opine" magazines published creative work. She's part of the "Dillmir" free volunteer movement and "Intilish" free volunteer movement organizations volunteer and general manager and the "Golden wing" free volunteer movement organization district coordinator and Young Leaders club. coordinator. She is the holder of about 50 international certificates. She also appeared on Khorezm region television for taking pride of place in the book competition.

Story from Jim Meirose

Ah Smothering Slumbers                                       

Peter? Paul here. Yas that. One Paul here. That is precisely what I said, do not lay down the game-play of your usual fairybabe of a long tail over me. That is because. Wait wait wait. 
ha ha ha ha ha ha ha ha smothering slumbers ha ha ha ha ha ha ha ha 

Okay say that hoot what you will be ready this time though. This time will be different because I will be because I will be scribing I will be scribing down will be scribing down a be scribing down a precise down a precise and a precise and a precise and a tangible and a tangible a tangible record record of your entirely-entire line of the usual spew. 

Wait I hunt up.
It’s been weeks since then what fool can’t look this over in an hour it were me they’d been off my land by dusk that day. 
I hunt up a.
That day. You know?  Ha ha ha ha. 
Hunt up a writing.
Ha ha ha ha ha smothering. 
Up a writing implement.
Slumbers come over kmaerflentefpohawt. 
A writing implement. 
Whheartf tahtiesr all is ha ha ha.
A suitable writing implement of the necessary.

Ha ha ha is all tahtiesr whheartf.
Sharpness to show up no matter. 
Kmaerflentefpohawt overcome slumbers.
To show up no matter how.
Smothering ha ha ha ha ha. 
Show up no matter how long.
Ha ha ha ha know? You day. That. 
Up no matter how long it.

Day. That dusk by land my off been they’d me were it hour an in over this look can’t fool what then since weeks been it’s. 
No matter how long it lies.
Peter? Paul here.

Peter hey Paul here hey hey hey listen; ha ha ha ha ha ha ha ha slumbers smothering ha ha ha ha ha ha ha ha which all gets all true no matter how long it lies unread. Hello welcome to Weathering’s Wheelsup-SuperBalanced-storage-acid-fishing-sinkers supply house and brainypup breeding farm. Because it may lie a very long time it may lie a very long time unread may lie a very long time unread and unread, Peter lie a very long time unread all over all under, Peter my lie a very long time unread down under all over its varying selfnesses, Peter my man a very long time unread. 

That’s as if lost in the woods and coming into a pack of wolves. Peter my man, because very long time unread. Peter my man, because there long time unread. Or out in a grove of wild feral beasts, it would not know fear. Peter my man, because there may time unread. We’ve all up to four souls. Peter my man, because there may be Peter my man. Four only no more availably after our last inventationary. Because there may be no my man. A tiny man. 

Because there may be no one more adequate man, because there may be no one with because there may be no one with the urge to wilding down and down and, there may be no one all over this space. No one to step out leading in many more other tinier men. With the necessarily there may be no one with the necessarily strong be no one with the necessarily strong stomach no one with the necessarily strong stomach to be one with the necessarily strong stomach required to be with the necessarily strong stomach to there yell hey hey hey, Barbazee. 

Peter up? Paul here. Yas that—go on.
Okay to be able the necessarily strong stomach to be able okay to necessarily strong stomach to be able to okay okay dispassionately strong stomach to be able to dispassionately review, but when the wrong okey-dote is like a bulge on the throat cross all this house of scale model non-barbary ape people in their big gamer’s village, the stomach to be able to dispassionately review. It would not know fear, lacking the experience and having no reason for fear. The to to to to be able to dispassionately review the red be able to to to dispassionately review the red streak able to to dispassionately review the red streak sinewy to dispassionately review.  

Beforewhich stands that—that—that being there uh! That black pepper! The red streak sinewy steely dispassionately review the red streak sinewy steely and review the red streak sinewy steely and strong the red streak sinewy steely and strong!  Add in green bell pepper, red bell pepper, onion, and mushrooms and red streaks all sinewy steely and strong in its streak sinewy steely and strong in its graphicularity sinewy steely and strong in its graphicularity. Is it because of—but—consider a career as a technical specialist, in Man Vessel’s new citrus house emergency cedar weevil treatment service. Is it because of that business about—to boot! 

Jawohl, steely and strong in its graphicularity and pull and strong in its graphicularity and pull out strong in its graphicularity and pull out the in its graphicularity and pull out the bit its graphicularity and pull out the bit parts. Is it because of that business about tipping the bellboy? Graphicularity and pull out the bit parts. The blood normally harmlessly flooding the body will act as a poison. All and pull out the bit parts. By speaking so softly as to be indecipherable. All needed pull out the bit parts. 

No point the inside. Et et. All needed to out the bit parts. That business about and about and. Inside the outer-side.  Tipping the bellboy? All needed to nail the bit parts. Cook over medium high heat until evenly brown. All needed to nail you bit parts. Tipping the bellboy and tipping and tipping? And know the real secret is that all flameheights are regulated by the single frontwise master control panel. All needed to nail you as needed to nail you as being the to nail you as being the one nail you as being the one—a true innovation only at Bison’s tree service! 

Having as being the one having pressed being the one having pressed me the one having pressed me down one having pressed me down in torment. Down in torment. Down in torment.  We learn of the techniques of illumination from two sources: from uncompleted manuscripts that allow us to observe the interrupted stages of the work and from the directions compiled by medieval authors. Torment unceasingly through this all. Okay? Through this all. Here I am armed. This all this all torment there. Now me I the ready-man. There I found out the guts. Yah readily ready the man all unafraid. To say it. 

Hippo. So say it I’ll scribe it down Peter. Peter pete and repeat eh et ah. Say it now I will scribe it down that’s all as the Kmaerflentefpohawt overcome slumbers.
ha ha ha ha ha ha ha ha slumbers smothering ha ha ha ha ha ha ha ha
Okay Mack, now. Now you get a turn.

Poetry from Nargiza Xusanova

Central Asian teen girl with dark hair up behind her heard and a white dressy collared blouse in front of a pink and white wall holding a framed certificate.

The Echoes of Kindness

In a world where shadows often play,
A single act can light the way.
A gentle touch, a tender smile,
Can make a moment truly worthwhile.

When hearts are heavy, spirits low,
Kind words can cause a seed to grow.
A helping hand, a listening ear,
Can wipe away a silent tear.

In every life, a chance to give,
A way to show how hearts can live.
Through simple deeds and caring eyes,
We find the strength to rise and rise.

Kindness, like a gentle rain,
Falls softly, easing every pain.
It blooms in places dark and drear,
And whispers, “I am always near.”

A world that’s kind is one that’s bright,
Where every soul can share the light.
For kindness echoes, never ends,
It binds us all as loving friends.

So spread it wide, and let it be,
A beacon for humanity.
In every heart, in every land,
Let kindness take us by the hand.

Nargiza Farxod qizi Xusanova was born on November 30, 2003, in Khatirchi district, Navoi region. She graduated from the Khatirchi district general secondary school №78, Navoi region. Currently, she is a 3rd year student at Bukhara State Pedagogical Institute. She is a winner of the “Student of the Year” competition, taking 23rd place among all universities. In 2024, she authored a monograph on the topic of “Determining the Stable DC Bridge”. She is currently working as a coordinator of the “Mushoira Club” at the institute.  Nargiza is also the coordinator of the Student Girls Committee of the Bukhara State Pedagogical Institute Youth Union, the coordinator of the “Girls’ Voice” Bukhara City Sport and Health direction, and the coordinator of the Young Politician Girls Club at the Institute. She is an active member of the Bukhara City Youth Wing of the “O’zliDep” organization.

Essay from Ziyodaxon O’roqboyeva

Teen Central Asian girl with long straight dark hair, brown eyes, a white sweater, a small silver bird necklace, and a black coat speckled with silver pieces on the shoulders.

The Importance of Uzbek Folk Tales and Literary Tales

Abstract: Uzbek folk oral literature is very rich and unparalleled. It can be said without a doubt that the oral literature of each nation clearly shows its history. Therefore, if we consider folk oral literature as a spring, it can be likened to a tree nourished by this spring. Through the works of oral folk literature, people learn from the wisdom and bravery of their ancestors, and become acquainted with their great ancestors and their way of life. In folklore, the wisdom, talent, and linguistic richness of the people are manifested. Tales serve as an important source in studying the history, spiritual and cultural lifestyle, inner world, faith, social relations with other brotherly nations, customs, climate, and natural conditions of each nation.

Keywords: Uzbek folk tale, literary tale, types of tales, impact on children

A tale is one of the ancient genres belonging to the epic type, widely spread among the people, reflecting the national values, lifestyle, traditions, and customs that have been formed over centuries. Mainly narrated in prose by professional storytellers, tales have evolved into a unified poetic system with a unique artistic structure and motifs.

The term is mentioned in Mahmud Kashgari’s “Devoni Lugati Turk” and means narrating an event orally. Tales are referred to as matal in Surkhandarya, Samarkand, Fergana regions, ushuk in the districts and villages around Bukhara, varsaqi in Khorezm, and cho‘pchak in Tashkent city and its surroundings. Tales differ from other folklore genres by depicting life truths based on imagination and realistic fabrications, involving magical and enchanting elements, extraordinary events, and the supernatural bravery of heroes.

Fiction is a crucial criterion in tales, forming the basis of plot events and ensuring the resolution of conflicts. Various examples of fabrications serve an educational aesthetic function, acting as a unique artistic depiction tool. Fabrications portray events and phenomena in an unreal or real manner. Based on the participation of imaginative and realistic fabrications and their role in the plot, tales can be divided into two groups: tales based on imaginative fabrications and tales based on realistic fabrications.

The plot of a tale with imaginative fabrications is magical, while the plot of a tale based on realistic fabrications is more lifelike, depicting real events. A tale typically narrates three main goals. The first involves the hero’s bravery and defense of people’s interests against evil forces; the second narrates the hero’s love for princesses or fairies from other lands, finding medicine for the sick, and rescuing people kidnapped by dragons and demons; the third describes the hero’s struggle against injustice and oppression.

The first goal is achieved through the hero’s active effort and supernatural strength, the second with the help of magical tools assisting the passive hero, and the third through the hero’s wisdom and resourcefulness.

Folk Tales: Folk tales are rightfully considered a powerful source of historical facts, providing information about the life and social structure of a particular people. Each nation has created many instructive stories for adults and children, passing on their experiences and wisdom to the next generations.

Folk tales reflect human relationships and changes, highlighting the immutability of basic values and teaching the clear distinction between good and evil, joy and sorrow, love and hatred, truth and falsehood. A unique feature of folk tales is that the deepest social meaning is hidden in simple and easy-to-read text. They also preserve the richness of the people’s language. What kinds of folk tales are there? They can be magical, household, or often about animals.

It is often asked when the first Russian folk song was invented. This remains a mystery, and only assumptions can be made. It is believed that the first “hero” tales were about natural phenomena such as the Sun, Moon, Earth, etc. Later, they were subjected to human influence, and stories of people and animals were included in the tales. There is a hypothesis that all Russian folk stories have a real basis. In other words, some events were retold in the form of tales, changing over centuries and reaching us in the form we are accustomed to.

When comparing folk and literary tales, it should be considered that the latter appeared much later than the former. By incorporating educational ideas, European literature began rewriting folk legends in the 18th century, and by the 19th century, it became traditional to create wonderful plots. Among those who succeeded in this field, A. Hoffmann, C. Perrault, H. C. Andersen, and, of course, the Brothers Grimm are recognized as the genre’s classics.

The similarity between literary and folk tales lies in the repetition of folkloric motifs and the presence of magical attributes, but the literary development of plots and the choice of main characters strictly adhere to the author’s wishes. Moreover, in the second half of the 19th century, literary tales became very close to novellas and even short stories. The works of Russian writers like L. Tolstoy and A. Pogorelskiy and Europeans like S. Lagerlöf and L. Carroll can serve as excellent examples.

Education through Tales: Stories are written in a simple language suitable for children, developing their imagination. For the youngest listeners, tales often feature animal characters, introducing them to the lifestyle and characteristics of specific characters (e.g., Kolobok, Teremok). After reading a tale to a child, they understand the existence of good and evil, loyalty and betrayal, foolishness and cleverness. A well-chosen tale also helps parents cope with crisis situations. All tales contain a moral, through which you can help a child navigate difficult situations. After reading, discuss the hero’s actions and decisions. Positive characters possess the best qualities: hard work, cleverness, kindness, honesty, beauty.

By reading tales to children, we cultivate moral qualities such as empathy and understanding in the child. The child compares themselves to the main character, experiencing situations, showing courage, ingenuity, and compassion. “A tale is a lie, but there’s a hint in it! A lesson for good fellows!” wrote the great Russian writer A.S. Pushkin, emphasizing that a tale teaches the listener the right behavior in certain situations. Without moralizing and instructions, the child develops the right path.

Tales also help develop children’s imagination and creative thinking. Preschoolers bring simple things to life, so they love hearing about the adventures of a soap bubble or a tin soldier. Introduce the story by reading or retelling it. While reading, a preschooler learns to respect books, which is one form of upbringing. By retelling the text, the storyteller rearranges words, changes phrases, and adds comments. The main thing is to tell the story emotionally so that children listen attentively. After reading the book, it’s useful to play literary games and solve riddles to reinforce the acquired knowledge.

References:
– “Uzbek Folklore” textbook – T. Mirzayev, Sh. Turdimov, M. Jo‘rayeva, A. Tilavov
– [Uzbek Wikipedia](https://uz.m.wikipediya.org)
– [Gigafox](https://gigafox.ru)