Winter’s Edge

raw bonito 

the chef’s knife trembles 

with last year’s debt 

a helping hand

on the slippery slopes

winter mountain

frostbites

her withered hands

warms his

waiting alone—

good company around

the winter fountain

MY CHILDHOOD

Of my world, in my childhood,  

I was the king.  

I could enjoy freely everything.  

I was the king without a crown.  

I would wander around the village or the town.  

I knew no right and wrong;

 For my pleasure I would sing any familiar song.  

I would laugh at everyone’s grief,  

As long as I wished.  I would sleep  

Wherever I wished, I would play  

In the kitchen or on the way.  

I didn’t know It was bad.  

If I was stopped, I felt sad.  

Now I am grown up and I know 

What to do and where to go.

Shafkat Aziz Hajam is a children’s poet. He writes for little children and adult children. He is the author of two children poetry books titled as The Cuckoo’s Voice and Tawheed Islamic Rhymes. He has also authored one adult poetry book titled as The Unknown Wounded Heart. His poems have appeared in international magazines and anthologies like Wheel song anthology UK based, Prodigy, digital literary magazines based in the USA, Inner Child Press International USA and translated works in a Lebanese anthology.

Human Dignity

One of the most pressing global issues today is human dignity. Whether viewed from a religious perspective or from the standpoint of science, a human being is a conscious and intellectually developed entity. The difference between humans and animals does not lie in appearance or the ability to speak. Humans possess qualities that no other living being on Earth has—wisdom, intellect, perception, thinking, and memory. From a religious point of view as well, sacred scriptures state that humans are the most perfected creation of God.

Without straying from our topic, let us reflect on how human dignity is measured today. What is human dignity? In my opinion, human dignity means that in every society individuals—people—respect one another, refrain from various conflicts, stay away from insulting words, extend a helping hand to each other selflessly, and do not use this help for personal gain.

Among the worst vices that trample on human dignity are human trafficking, the trade in human organs, the violence and aggressive acts currently being committed against innocent young girls, and the deaths of innocent people in wars caused by conflicts between states. Human dignity stands above everything else. Just as many people measure happiness with money, they also measure human worth with money—this is degradation. Human dignity is reflected in every good deed, in selfless charity, and in a sincere smile.

Never trample on your own dignity or the values of others for the sake of mere paper money! After all, all the problems in society stem from this.

5 poems from my haiCU series (haiku Cut-Up series)

 

no remorse no joke

mixed reactions die          

American bombing love  

no remorse no joke

newly mopped bar wax

chemicaled beer swag     

putting dance moves on carnage 

newly mopped bar wax   

bangtail bubblegum

arrested archives   

faux intelligentsia 

bangtail bubblegum

happy lips gob smacked

in the frozen weeds

surgical chocolate drinks 

happy lips gob smacked

homeless city bones

nighttime is brutal 

haunted by what could have been – 

homeless city bones

Poet/Author Scott C. Holstad’s newest book of poems, Surviving Immortality Again, was released in 2025 by Alien Buddha Press. His haiku, fragments, found poetry, Cut-Up works and other experiments, as well as more traditional works, have recently appeared in dadakuku, Five Fleas, Misfit, Libre, Cosmic Daffodil Journal, Synchronized Chaos, haiQu fOO, miniMAG, smols, Mad Swirl and Blood+Honey. He lives in Pennsylvania.

https://hankrules2011.com

X: @tangledscott 

IG: @scottsmusicshak 

Who Is Actually Responsible for Global Warming?

Today, global warming is one of the most serious environmental problems facing humanity. In recent years, the increase in Earth’s temperature, the rapid melting of glaciers, and the rise in natural disasters show how serious this problem has become. Many people are interested in what is causing global warming.

The main cause is human activity. Gases released from factories, power plants, and cars pollute the atmosphere. These gases are called greenhouse gases, and they trap heat from the Sun in the Earth’s atmosphere. As a result, the temperature of our planet continues to rise year by year.

Another important factor contributing to global warming is deforestation. Trees absorb carbon dioxide and help clean the air. However, as forests are cut down, the amount of harmful gases increases and the natural balance of the environment is disturbed.

In addition, the increase in waste, excessive use of plastic, and wasting energy also have a negative impact on the environment. People often do not think enough about the consequences of their actions.

In conclusion, the main cause of global warming is humans themselves. However, reducing this problem is also in human hands. If we protect nature, plant more trees, and use energy wisely, we can help prevent global warming. Every small action by each person can lead to big changes.

Yo’ldoshaliyeva Zinnura was born on June 17, 2011, in Rishton district of Fergana region. She is an 8th-grade student at the Fergana branch of the Specialized School named after Muhammad al-Khwarizmi and also serves as the leader of the “Talented” direction in the Rishton District Council of Leaders.

She has actively participated in various educational and intellectual projects, including “Anim Camp,” “Future Founders Online Forum,” “Young Reader” and the regional stage of STEM subjects. Her scientific article was published in the book “Feelings on Paper,” and another article of hers appeared in the “Synchronized Chaos” journal. In addition, she has taken part in many other projects and initiatives, demonstrating strong academic interest and leadership skills.

First of all, published poet and co-editor for this issue, Tao Yucheng, is still hosting a poetry contest, open to all readers of Synchronized Chaos Magazine.

Synchronized Chaos Poetry Contest: We seek short, powerful, imaginative, and strange poetry. While we welcome all forms of free verse and subject matter, we prefer concise work that makes an impact.

Guidelines: Submit up to five poems per person to taoyucheng921129@proton.me. Each poem should not exceed one page (ideally half a page or less). All styles and themes welcome. Deadline for submissions will be in early March.

Prizes: First Place: $50 Second Place: $10, payable via online transfer. One Honorable Mention. Selected finalists will be published in Synchronized Chaos Magazine.

Also, past contributor Alexander Kabishev is seeking international poems of four lines each on the theme of friendship for a global anthology. The anthology, Hyperpoem, will be published by Ukiyoto Press and a presentation of the poem will take place in Dubai in August 2026.

Kabishev says the new vision of the project goes beyond commercial frameworks, aiming to become an international cultural and humanitarian movement, with the ambitious goal of reaching one million participants and a symbolic planned duration of one thousand years.

The focus is on promoting international friendship, respect for the identity of all peoples on Earth, and building bridges of understanding between cultures through poetry and its readers.

Please send poems to Alexander at aleksandar.kabishev@yandex.ru

This month’s issue asks the question, “Who Will We Become?” Submissions address introspection, spiritual searching, and moral and relational development and decision-making.

This issue was co-edited by Yucheng Tao.

Sajid Hussain’s metaphysical, ethereal poetry, rich with classical allusions, reminds us of the steady passage of time.

Jamal Garougar’s New Year reflection emphasizes ritual, spirituality, and the practices of patience and peace. Taylor Dibbert expresses his brief but cogent hope for 2026.

Dr. Jernail S. Anand’s spare poetry illustrates the dissolution of human identity. Bill Tope’s short story reflects on memory and grief through the protagonist’s recollection of his late school classmate. Turkan Ergor considers the depth of emotions that can lie within a person’s interior. Sayani Mukherjee’s poem on dreams lives in the space between waking thought and imaginative vision. Stephen Jarrell Williams offers up a series of childhood and adult dreamlike and poetic memories. Alan Catlin’s poem sequence renders dreams into procedural logic: how fear, guilt, memory, and culture behave when narrative supervision collapses. Priyanka Neogi explores silence itself as a creator and witness in her poetry. Duane Vorhees’ rigorous poetic work interrogates structure: individuality, myth, divinity, agency, culture. Tim Bryant analyzes the creative process and development of craft in Virginia Aronson’s poetic book of writerly biographies, Collateral Damage.

Nurbek Norchayev’s spiritual poetry, translated from English to Uzbek by Nodira Ibrahimova, expresses humility and gratitude to God. Timothee Bordenave’s intimate devotional poetry shares his connection to home and to his work and his feelings of gratitude.

Through corrosive imagery and fractured music, Sungrue Han’s poem rejects sacred authority and reclaims the body as a site of sound, resistance, and memory. Shawn Schooley’s poem operates through liturgical residue: what remains after belief has been rehearsed, delayed, or partially evacuated. Slobodan Durovic’s poem is a high-lyric, baroque lament, drawing from South Slavic oral-poetic density, Biblical rhetoric, and mythic self-abasement.

Melita Mely Ratkovic evokes a mystical union between people, the earth, and the cosmos. Jacques Fleury’s work is rich in sensory detail and conveys a profound yearning for freedom and renewal. The author’s use of imagery—“fall leaf,” “morning dew,” “unfurl my wings”—evokes a vivid sense of life’s beauty and the desire to fully experience it. James Tian speaks to care without possession, love through distance and observation. Mesfakus Salahin’s poem evokes a one-sided love that is somewhat tragic, yet as eternal as the formation of the universe, as Mahbub Alam describes a love struggling to exist in a complicated and wounded world. Kristy Ann Raines sings of a long-term, steady, and gallant love.

Lan Xin evokes and links a personal love with collective care for all of humanity. Ri Hossain expresses his hope for a gentler world by imagining changed fairy tales. Critic Kujtim Hajdari points out the gentle, humane sensibility of Eva Petropoulou Lianou’s poetry. Brian Barbeito’s lyric, understated travel essay passes through a variety of places and memories. Anna Keiko’s short poem shares her wish for a simple life close to nature. Christina Chin revels in nature through sensual, textured haikus.

Doniyorov Shakhzod describes the need for healthy and humane raising of livestock animals. g emil reutter hits us on the nose with cold weather and frigid social attitudes towards the suffering of the poor and working classes. Patricia Doyne lampoons authoritarian tendencies in the American government. Eva Petropoulou Lianou reminds us that we cannot truly enjoy freedom without a moral, peaceful, and just society. Sarvinoz Giyosova brings these types of choices down to a personal level through an allegory about different parts of one person’s psychology.

Dr. Jernail S. Anand critiques societal mores that have shifted to permit hypocrisy and the pursuit of appearances and wealth at all costs. Inomova Kamola Rasuljon qizi highlights the social and medical effects and implications of influenza and its prevention. Sandip Saha’s work provides a mixture of direct critique of policies that exploit people and the environment and more personal narratives of life experiences and kindness. Gustavo Gac-Artigas pays tribute to Renee Nicole Good, recently murdered by law enforcement officers in the USA.

Dr. Ahmed Al-Qaysi expresses his deep and poetic love for a small child. Abduqahhorova Gulhayo shares her tender love for her dedicated and caring father. Qurolboyeva Shoxista Olimboy qizi highlights the connection between strong families and a strong public and national Uzbek culture. Ismoilova Jasmina Shavkatjon qizi’s essay offers a clear, balanced meditation on women in Uzbekistan and elsewhere as both moral architects and active agents of social progress, grounding its argument in universal human values rather than abstraction.

Dilafruz Muhammadjonova and Hilola Khudoyberdiyeva outline the contributions of Bekhbudiy and other Uzbek Jadids, historical leaders who advocated for greater democracy and education. Soibjonova Mohinsa melds the poetic and the academic voices with her essay about the role of love of homeland in Uzbek cultural consciousness. Dildora Xojyazova outlines and showcases historical and tourist sites in Uzbekistan. Zinnura Yuldoshaliyeva explicates the value of studying and understanding history. Rakhmanaliyeva Marjona Bakhodirjon qizi’s essay suggests interactive and playful approaches to primary school education. Uzbek student Ostanaqulov Xojiakba outlines his academic and professional accomplishments.

Aziza Joʻrayeva’s essay discusses the strengths and recent improvements in Uzbekistan’s educational system. Saminjon Khakimov reminds us of the importance of curiosity and continued learning. Uzoqova Gulzoda discusses the importance of literature and continuing education to aspiring professionals. Toychiyeva Madinaxon Sherquzi qizi highlights the value of independent, student-directed educational methods in motivating people to learn. Erkinova Shahrizoda Lazizovna discusses the diverse and complex impacts of social media on young adults.

Alex S. Johnson highlights the creative energy and independence of musician Tairrie B. Murphy. Greg Wallace’s surrealist poetry assembles itself as a bricolage of crafts and objects. Noah Berlatsky’s piece operates almost entirely through phonetic abrasion and semantic sabotage, resisting formal logic and evoking weedy growth. Fiza Amir’s short story highlights the level of history and love a creative artist can have for their materials. Mark Blickley sends up the trailer to his drama Paleo: The Fat-Free Musical. Mark Young’s work is a triptych of linguistic play, consumer absurdity, and newsfeed dread, unified by an intelligence that distrusts nostalgia, coherence, and scale. J.J. Campbell’s poetry’s power comes from the refusal to dress things up, from humor as insulation against pain. On the other end of the emotional spectrum, Taghrid Bou Merhi’s essay offers a lucid, philosophically grounded meditation on laughter as both a humane force and a disruptive instrument, tracing its power to critique, heal, and reform across cultures and histories. Mutaliyeva Umriniso’s story highlights how both anguish and laughter can exist within the same person.

Paul Tristram traces various moods of a creative artist, from elation to irritation, reminding us to follow our own paths. Esonova Malika Zohid qizi’s piece compares e-sports with physical athletics in unadorned writing where convictions emerge with steady confidence. Dr. Perwaiz Shaharyar’s poetry presents simple, defiant lyrics that affirm poetry as an indestructible form of being, embracing joy, exclusion, and madness without apology.

Ozodbek Yarashov urges readers to take action to change and improve their lives. Aziza Xazamova writes to encourage those facing transitions in life. Fazilat Khudoyberdiyeva’s poem asserts that even an ordinary girl can write thoughtful and worthy words.

Botirxonov Faxriyor highlights the value of hard work, even above talent. Taro Hokkyo portrays a woman finding her career and purpose in life.

We hope that this issue assists you, dear readers, in your quest for meaning and purpose.

An adventurer, at home.

The soft, suave scent, of these burnt lavenders,

Dwells my mind, whilst I quietly write this poem,

In my living room, books and paintings, masks and gems,

Just keep still… All around the silence reigns over.

Blessed be, o Lord ! Thy peace, granted to a poor boy,

Came with the faculty to work, and learn your books…

I can pray now Thy love, in this shrine full of joy,

Rich refuge for my life, which I am glad none took.

There are the jewelry, tailored clothes, lithographs,

Sea shells and silver lamps, ivories, or gold rings…

All reminding of past battles. – My humble being.

Then I will read the Psalms, the Gospels and some Saints !

Before writing a stance, a try, until I faint…

To express gratitude ! As for an epitaph.

*****

A Christian poem.

When I pray Thee o Lord, my voice, humble but proud,

Raise inner, for Thou knows everything of me,

Then I try to write down, speak up, but never loud,

No for we are not much. Before Thy great army.

We are children to Thee, though. Salt grains for the Earth…

We are friends to the birds, colorful like flowers…

We can be good workers, until the last hour,

We can be good servants if we know what we’re worth.

The paradise immense, where will live forever,

Those amongst us who choose to be His believers,

Is like the treasure a peasant finds in a field…

Soon this field acquired, then the riches revealed,

Everyone will think this person has been wise.

Be pious, be gentle, love, hope… – Jesus advises.

*****

The poet plans for work.

You see me now, well quiet, at my library desk !

Director here. Further, I hear cars passing by,

Further, I see grey clouds… The silence is at stake,

Calm, as I read Plato : moments some wish could buy.

Then I take my pen on : I will write for Roma,

For the woman I love, her lips, their aroma…

I will write for Paris, for London, for Madrid,

For a farm in the snow, then for my youth in need.

I want to write again ! For a trip to Jersey, 

On a boat, whilst a storm was raging the Channel,

I want to write about hiking, and this tunnel…

In Geneva when I questioned my survival.

I will write about my past girlfriends – when opals,

Drizzled from their glances on our soft Odyssey !

*****

Timothee Bordenave is a French author, a poet, novelist and essayist. He has published many books both in French and English. A part of his writings has been translated to various languages and published internationally.

He is also a visual artist as a photographer and a painter, whose works have also been widely shown, in France like in many other countries around the world.

Born in Paris, France, in 1984, he still lives in France today, partaking his days between the capital town and countryside properties. He first worked as a library director, before shifting to be a fulltime author and artist. 

His interest to culture and creativity has brought him to be very active in the local French art community, involving himself notably in the organization of art events for his friends.