DR LALIT MOHAN SHARMA ON DR JERNAIL SINGH ANAND ‘S EPIC POEM ‘FROM SIEGE TO SALVATION’
SEIZING THE ESSENCE
Dr. Lalit Mohan Sharma
Having harnessed a creative instinct to compare and contrast, Dr Jernail Singh Anand finds himself in the presence of a thesis, confronts the anti-thesis and arrives at a synthesis between the East and the West, the ancient and the contemporary, the spiritual and the mundane, actualising in his poetry the conflicting claims of the sacred and the profane, moral ethical and the narrow personal egotistical, the precious and the spurious. In the preface to the poetic drama, Dr Anand observes that ‘the siege of troy led to the exhibition of great personal valour and national honorifics, while the Mahabharata shows us the way to immortality through righteous action’. In Invocation, the author juxtaposes the two events :
How the West revels in individual
And the East in a collective destiny for mankind.
The thirteen Canto poem unravels through interaction between Chorus and Professor as they debate and deliberate in an argumentative manner on the ethical and human consequences of this juxtaposition. Other characters from the epic poems also mark with their appearance the progression in ‘Siege to Salvation’. Even as ‘an impersonal fate directs ‘unquestioning minds’ in terms of religious mythology, Anand has the Professor articulate how poor masses suffer ‘ not only mediaeval obscurity/ But also the identity stricken massacres of modern times’. Ancient time of the epics or the contemporary scenario, the fate of common man is at the mercy of ‘ vain power’, for it is ‘not only siege of Troy/ But also the siege of human will’. Professor wonders if ‘ Iliad has no moral framework’. Is it only to ‘settle personal jealousies, not epical issues’. Does Mahabharata concern itself not with victory only, but victory of ‘ good over evil’? Only beauty of Helen is extolled, but doesn’t it ‘deny her individuality and personal will’ ? Isn’t such freedom ‘imparted to Cleopatra/ And other great women of epics/ Like Draupadi and Sita of Ramayana’?
During this juxtaposition between the great epics, Dr Anand raises a sequence of questions and erases a plethora of doubts about the celebrated happenings; 1184 BC events being the reflection of the heroic age Homer recounted in his epic poems, and the Mahabharata, the great Vyas, contemporary to the epic events serialised in his work! How these great poems impacted Western literature and that of the East is universally acknowledged. Dr Anand has taken over the audacious approach to access works of Homer and Vyas in a simultaneous gesture of looking at them as a single imaginative canvas. Consequences are the lavish details Anand presents in this epic drama, leaving the reader with a freedom to arrive at his own conclusions and reflections.
The Heart is Where We Belong. – Author Haroon Rashid
We always feel that life is there, Somewhere, where we want to search for. But why do we forget that life is within, The Peace is within, the charm, the spark, The light and the dark, everything is within.
What do we search outside for? What is beyond our horizons? Nothing. There’s nothingness in the air, There is no flair in the hair. Everything is in the heart, And heart is where we belong. And the heart is with you. Yes, with you.
And with you, this spark, this light, This charm, this life, everything comes out. So live your best life, Give your heart where it belongs, And live the life, love the life, and feel alive. —Written by Author Haroon Rashid
Author Haroon Rashid – Biography
Haroon Rashid is an internationally celebrated author, poet, and scholar renowned for his profound literary works and contributions to global peace and education. He gained worldwide recognition for his poetry book We Fell Asleep in One World and Woke Up in Another, which deeply resonated with readers across cultures and was later translated by Nobel Prize Laureate 2024 Eva Petropoulou Lianou. His book Author Haroon Rashid Quotes further solidified his reputation as a writer who masterfully blends wisdom, spirituality, and human emotions into his work.
Haroon’s literary achievements have earned him numerous accolades, including the United Nations Karmaveer Chakra Award and the Global Peace Award from the Mother Teresa International Foundation. His influence extends beyond literature, as he has been honored with an Honorary Degree in Humanity from La Haye, France, and the Golden Eagle Award for Literary Excellence. He has proudly represented India at various international literary and peace events, including the Paper Fiber Fest and the International Congress of Education in Mexico.
Beyond writing, Haroon Rashid is an advocate for sustainable development, serving as an ambassador for SDG4 (Quality Education) and SDG13 (Climate Action). His works emphasize themes of peace, cultural harmony, and personal transformation through enriching humanity. As the National Vice Chairman of Youth India at the Mother Teresa International Foundation, he actively promotes youth engagement in education and humanitarian efforts.
Haroon Rashid’s influence has reached global platforms, with invitations to speak at prestigious events in Mexico and Greece, and features in O, The Oprah Magazine and The Oprah Winfrey Show. Through his writing and activism, he continues to inspire millions, leaving an indelible mark on literature and global consciousness.
“The picturesqueness of human thought may console us for its imperfection.”
– George Santayana, The Sense of Beauty
Nobody honestly reports
On the beliefs of others. Wolves
Explain what alchemy involves
To beakers blackened by beaux arts.
You said that men who run from warts
Are like a bear that runs from fish.
And logic’s like a petri dish
To beakers blackened by beaux arts.
Your era loved what love distorts…
One cannot trust the naked eye
Which craves the novel modesty
Of beakers blackened by beaux arts.
Poem 4:
Blackguarding Merles
You mock a dahlia’s faith in rain
And March’s hieratic pain
In Wotan’s one good eye. I show
The only serious dog I know
The absence of a final task.
(His bark becomes so plateresque.)
Jocasta’s hardship melts the snow…
The only serious dog I know
Is on precocious wisdom’s trail.
Your apperception tugs his tail.
For Tiresias, you set aglow
The only serious dog I know.
Poem 5:
Schtupping Philosophy
After Mark Strand
“If only it were so easy to soothe hunger by rubbing an empty belly.”
– Diogenes the Cynic, on public masturbation
“Qui veut faire l’ange fait la bête.”
– Blaise Pascal, Pensées
Fear pats the propaganda on
Each head. Hate rubs the belly of
Hypocrisy. There’s Puppy-Love,
Schtupping Philosophy again.
“O, History, you’re not strapped for time,”
She moans while strapping me in wings.
Her drunken master drily sings:
“Schtupping Philosophy turns wine
To dust!” When we extremes do meet
In bed, what’s born reveals our chains
And all but holy sweetness feigns.
Schtupping Philosophy, one ought
To pause one’s speech, but not one’s thought.
Play Water Music, let all see
The truth’s invisibility.
Schtupping Philosophy brings out
Third eyes. This post-renewal age
Can’t fathom seasons. Anger warps
Each blossom, buzzing does each corpse…
Schtupping Philosophy onstage,
I feel the sunlight’s bearded breath.
The earth lets go of hardness. This
Gets harder moonlight, as does Bliss
Schtupping Philosophy to death.
Poem 6:
Ode on My Daughter’s Bat Mitzvah (an Acrostic)
“If faith is the sail on a relationship, one with a broken faith is a hardship. What do you build a new sail with when your faith is broken? Hardiness. Jacob is hardy… Hardiness is not the same as hardness. The ‘i’ in hardiness is a reaching hand; hardiness strives, it reaches through hardness.” – Madeleine Sheff, from her d’var Torah