Cervical Cancer in Adolescent Girls (HPV — Human Papillomavirus)
Cervical cancer is one of the most serious and widespread oncological diseases affecting women worldwide. The primary cause of this disease is the human papillomavirus (HPV), a common virus that is mainly transmitted through sexual contact. While most HPV infections resolve spontaneously, certain high-risk types of the virus can cause abnormal changes in cervical cells, which may eventually develop into cancer if left untreated.
In adolescent girls, HPV infection is often asymptomatic, making early detection difficult. Due to the immaturity of the immune system and lack of awareness, the virus may persist in the body for a long period. Factors such as early initiation of sexual activity, multiple sexual partners, weakened immunity, and insufficient access to preventive healthcare increase the risk of cervical cancer development.
Effective prevention strategies play a crucial role in reducing the incidence of cervical cancer. Vaccination against HPV at an early age is considered the most reliable method of prevention. In addition, promoting a healthy lifestyle, providing sexual health education, and encouraging regular gynecological examinations are essential measures for early diagnosis. Timely detection of precancerous changes significantly improves treatment outcomes and reduces mortality rates.
Ahmedova Dilorom Mahmudovna is a leading lecturer in Pediatrics at the Abu Ali ibn Sina Public Health Technical School in Yangiyer.
Field of study: Preschool Education and Methodology
Puchon University
Master’s student in Educational Management
Types of Visual Activities in Preschool Educational Institutions
Puchon University
Field of Study: Educational Management
Student of Group 1-C
Abdullayeva Feruza Khayrulla qizi
Middle group teacher at Preschool Educational Institution No. 18,
Gulistan City, Syrdarya Region
ABSTRACT
This article highlights the role of visual activities in the comprehensive development of children in Preschool Educational Institutions (PEIs), as well as their importance in the formation of aesthetic knowledge. Visual activities contribute significantly to the intellectual, emotional, and creative growth of preschool children.
In preschool educational institutions, visual activities help develop analytical and synthetic thinking skills in children whose cognitive abilities are still insufficiently developed. Through visual activities, children are taught to perceive and represent the world through various colors, enrich their imagination, and learn to protect and care for nature and animals.
Object of the Research
The process of conducting visual activity lessons in preschool educational institutions and the observance of safety rules by teachers during the organization of these activities.
Main Part
A. Types of Visual Activities
Types of visual activities refer to the process of depicting objects, phenomena, or imagined images from the surrounding environment using various tools. This is a creative activity primarily based on visual perception and representation, and it is manifested in the following forms:
1. Drawing – Graphics and painting are widely used in preschool educational institutions within this field.
2. Sculpting – The use of three-dimensional forms. This method is applied when children create various objects using clay. It contributes to the development of fine motor skills and sensory perception. For example, children learn to distinguish between hard and soft, big and small objects.
3. Decorative and Applied Art (patterns and ornaments) – This type is mainly used with senior and preparatory group children, as they are capable of decorating with aesthetic taste. Considering the creative thinking and ability of older preschool children to create images, this activity can be effectively implemented.
White paper, colored paper, and cardboard – Essential materials for creating visual works. In preschool educational institutions, white and colored paper and cardboard are widely used in visual activities.
Handout materials – Cards or various objects appropriate to the age group and topic, which help children acquire new knowledge.
Construction sets – LEGO blocks and sets designed for assembling parts, such as Mosaic, Tangram, and the Columbus Egg. These sets enable children to learn unconventional forms of sculpting.
Herbariums – Collections of dried plants commonly used in education, scientific research, or decorative and applied art. Flowers, leaves, and various plants collected during walks with preschool children can be dried and used in creative activities. For example, dried straw can be used to create decorative fairy-tale characters or animate certain scenes.
Colored pencils – Pencils of various colors used for drawing, coloring, and creative activities. They are generally divided into three types:
1. Standard colored pencils – Wooden pencils used for coloring.
2. Watercolor pencils – Coloring tools that produce color when mixed with water.
3. Pastel pencils – Soft pencils that produce bright and vivid colors.
Porcelain dough – Due to its properties, such as softness, flexibility, smoothness, and ability to take any desired shape, it is convenient for creative activities.
In preschool educational settings, children can also be shown that natural dyes can be obtained by cutting red beetroot into pieces and applying it to paper.
Conclusion
The conducted analysis shows that through various types of visual activities, children enrich their inner world, develop aesthetic taste, learn to perceive nature and the environment, and are taught not to harm them. In addition, visual activities help children understand changes occurring in the surrounding world, including seasonal changes in nature.
Expected Results
During visual activity sessions, children learn to complete tasks in an orderly manner without disturbing others, respect one another, share learning materials, and work collaboratively. Upon completion of the activity, children experience satisfaction and joy from their own work.
References
1. Sakulina, N. R. Drawing, Appliqué, and Clay Work in Kindergarten.
2. Kamorova, T. S. Visual Arts Lessons.
3. Khasanova, T. Sh. Teaching Visual Activities. Tashkent, 2020.
4. Mahmudova, O. A., & Mahmudova, S. A. Technologies of Working with Plastic Materials in the Preschool Education System (Textbook). Tashkent, 2019.
5. Abdirasilov, S. F. Methods of Teaching Visual Arts. Tashkent, 2012.
6. Shodiyev, A. S. Preschool Education Pedagogy. Tashkent, 2018.
A flowerpot under a flowerpot—my perplexity is faster than a racehorse.
If destiny allows,
I would build a minaret—as grand as a pharaoh’s pyramid—out of a single poem.
I would plant flowers
all around it.
Then I would climb it gently
and gaze upon the world and its people.
I would ask applause for my poems
from whoever has read them—if anyone has.
I cherish poetry deeply,
even though it wounds my heart.
Wandering through astonishing flower gardens,
I place poetry
as a crown upon my head.
Let people send me their love
and call me king—I no longer mind.
Silence is comforting;
it buries the cries and sounds
of sorrow.
The morning sun is magnificent:
the flowers can hear
the sound of its light.
These mountains stand proud;
they pay no mind
to those who pass beneath them.
The sky is a vast embrace—wide enough to hold
every glance.
The poet is the guide of my soul;
from the light of faith
my feelings begin to bloom.
(Translated by Azam Abidov)
Nurbek Norchayev is a representative of modern Uzbek poetry and a poet. He was born on April 18, 1993, in Koson district of Kashkadarya region, Republic of Uzbekistan.
The garden sleeps in silver frost, Beneath a moon of white, While all the summer leaves are lost To winter’s quiet night.
But see, against the coming cold, A single petal wakes, With stories that are yet untold And paths the spirit takes.
A rose of red in January, Upon the frozen vine, A spark of hope, a sanctuary, Where old and new entwine.
It does not fear the changing year, Or what the winds may bring, It holds the secret, soft and clear: That winter dreams of spring.
So let us bloom like this tonight, Though bitter winds may blow, And find our own internal light Amidst the falling snow.
CLOCK
Fernando José Martínez Alderete, México
The clock is leaning toward the edge of night, A heavy weight of months begins to fade. We stand between the shadow and the light, Beside the ghost of every choice we’ve made. The calendar is thinning, leaf by leaf, Until the final pulse, the final breath, A mixture of our triumph and our grief, Is laid to rest beneath the winter’s wreath.
But look—the dark is not an empty space, It is the soil where tomorrow sleeps. The universe prepares a quiet place For every promise that a spirit keeps. The old year was a teacher, stern and wise, Who taught us how to bend but never break, Who showed us how the sun will always rise, Despite the lonely paths we had to take.
So let the midnight bells begin to chime, To wash the dust from every tired soul. We are the weavers of this fabric, Time, And every broken thread can be made whole. Discard the heavy cloak of ‘what has been,’ The bitter words, the burdens, and the fear. A golden gate is opening within, To welcome in the dawning of the year.
The path ahead is silent, soft, and deep, Unmarked by any footstep but your own. There are a thousand promises to keep, And fields of joy that yet remain unsown. May courage be your compass through the gale, May kindness be the lantern in your hand, For even when the strongest spirits fail, New hope will rise like tides upon the sand.
So here we stand, upon the silver line, With hands outstretched to touch the coming day. The stars above in silent witness shine, As old regrets begin to melt away. Drink deep the air, the morning, and the light, The world is born again, forever new. The sun is climbing high above the night, And all the sky is waiting just for you.
Dr. Fernando Martinez Alderete
Writer, poet, theater actor, radio producer. Born in Leon Guanajuato, Mexico on April 21,1977, President of Mil Mentes Por México in Guanajuato. Dr. HC, global leadership and literature. His poems are published in more than 200 anthologies in fifteen countries around the world and he is the author of ten books, of poetry, short stories and novels.