Prose from David Sapp

Holy Grail

Each afternoon, between Gomer Pyle and Big Ten Theater, the pantry door opened to a small altar and a humble gray amphora, the cookie jar Grail of my Oreo eucharist. My arm disappeared into the dark, wide mouth womb eagerly to the elbow. My small fingers fished for six. There was a compulsive comfort in the number, and with blackened teeth I’d sit before the TV transfixed in ritual, gulping a glass of Nestle’s Quick.

After Mom stopped cooking, cleaning and comforting, after Dad lost the house, the business and confidence, after thrown curses, clothes and coffee, a hysterectomy, psych wards, divorce, therapy and thirty years, my mother sent the forgotten vessel on some well-intentioned birthday errand. She’d glued the broken lid to contain the cargo of my childhood pain. For a while it was on exhibition, an empty antique sitting upon a shelf. I brushed my teeth obsessively after each occasional cookie.

Today I’ll reap and rejoice in a quiet little catharsis. With hammer and shovel, I break and bury the jar in my backyard. Today, I can see my wounds as a sliver slices a finger. What I once thought brought solace, now appears brittle and sharp. Blood fills my hand and drips wet, warm and sticky into the earth. This new grave is moist, fertile and sweet.

Saint Francis

I was canonized, or nearly so, in Ogunquit, Maine last summer on vacation. At dawn, along a granite edge, a collision of continent and ocean, gazing at the Atlantic’s implacable crush upon the shore, I sat in a deck chair cupping a croissant and five-dollar latte (no vow of poverty quite yet).

However presumptuous, a passing fantasy, I thought of myself as Saint Francis. Ridiculous. (On my pilgrimage, a tourist charter to Assisi, I only recall the charming Giotto frescos there; no birds congregated in the basilica; however, I wasn’t paying attention.)

I wasn’t blessed with a martyr’s beatific vision, no celestial seraphim. I was more attuned to inconsequential sparrows flitting about my feet in unassuming feathers, in browns, grays, the drab shades of friars’ habits. Unlike the brash gulls, sparrows, humble, timid and admittedly and prudently so, were terrified of the sea.

My Fioretti: I’d like to believe they gathered for my sermon, my wisdom, my eloquence. Surely, I would allay all fears; so, I mimicked their small chirps, but they cocked heads skeptically.

Graciously indifferent, they skittered, too busy with pecking and scratching, a miracle they listened at all.

Weapons

When Vietnam took all the boys and splayed them on the evening news, a boy, like most boys emulating most men, but especially in uniform, I was smitten with TV shows on World War Two, diluted versions without the gore, without the complications of falling red dominoes.

After failing at catch, Dad tried again in a trifecta to win my affection. Dad fashioned a wooden machine gun (my deadly 30 cal.) to mow down Nazis in Normandy. Keenly, I provided the “rat-a-tat-tat.” However, screams and morphine were not included.

Dad built a cannon from a board and a pipe, artillery on wheels pulled behind my tricycle, a barrage devasting for the Hun. However, my little howitzer was mothballed, rusting when I began riding a real bike. Undeterred, Dad bought more lumber.

Dad spent hours (I was not around) on the envy of all the other boys. An ace over France, I sat in the cockpit of my Spitfire shooting Messerschmitts from the sky. However, trouble was, it lacked altitude. I never left the driveway, never wore my parachute.

Dad was on yet another sales call and I was home alone when I took a hammer to my grounded fighter. After the crash, it never flew again.

Before I Die

An artillery shell stirs my flesh with mud and soldiers divide my limbs among dogs. Just before I die, I’ll taste the softness of my beloved’s lips and a ripe, sweet, summer peach, not bitter plastic tubes or pain-killing pills. I’ll listen to the house finch and the wren but not the television getting in a final commercial, nor one last bit of Mozart’s brilliance.

My body glides in perfect, choreographed grace over steering wheel, dash, through windshield glass, my blood painting car hood and pavement in sweeping, expressionistic gestures. Just before I die, I’ll gaze upon a pale blue sky filled with the warm light of morning. I’ll not look up to a clean, white ceiling and harsh fluorescents flickering; I’ll inhale the humid breath of Spring or the pungent decay of October; I’ll not smell disinfectant on cold stainless steel.

I’ve lost my speech; my right side hangs as limp as a nursing home prick, but I manage half a smile when I’m told my heart has worn too thin. Just before I die, I must hold something in my hands: my grandchild’s face or my son’s graying head; I’ll dance one last time upon the forest floor amidst Mayapples and sassafras; my feet will never reach the clean tile beneath an iron bed.

Essay from Asalbonu Otamurodova

Why Can’t We Say “No”?

Why is it so difficult for us to say “no”? It’s an interesting question. Throughout our lives, we often believe that we are living for ourselves, when in reality, we may be living under the expectations of others without even realizing it. Naturally, we all have our own needs and desires, but so do the people around us.

If we fail to set boundaries with others—if we cannot say “no”—we will continue to live under their demands. This is not just an unfortunate situation; it can be deeply harmful. Let me tell you this: learn to set boundaries with the people around you, even if they are very close to you. Until you define those boundaries, you will gradually become a prisoner of others’ expectations, because they will always continue to demand more.

Only when you stop living for others will you truly begin to live for yourself. I once read in a book: “If you consider burning in fire to be natural, you will turn into ashes and come to believe you deserve every suffering.”

Be courageous. At this point in your life, your primary responsibility is to be able to say “no,” not to wait passively like a sacrifice. Never forget this. Living under the pressure of others’ expectations will only harm you and slowly extinguish your self-confidence.

Poetry from Bhagirath Chowdhary

Global Spiritual Unity

Humanity must have one God

Or do without God

Many Gods divide humanity

Humanity must stop dividing divinity

The divisions of divinity

Ultimately divide human minds and hearts in reality 

Human hearts divided thus

Lead to divisions of one reality as such

Because of this divided reality

The human consciousness suffers duality

Divided human consciousness in reality

Condemns humanity to terrible suffering 

When one hand doesn’t know what other hand is doing

To divide God is the greatest human ignorance

Dividing God is indeed no work of any prophetic intelligence

Proposing and having divided divinity

Leads to the greatest planetary confusion

Divided God is truly a grand illusion (Maya)

In fact many divisions of one divinity

Caused a terrible fragmentation of one reality   

Aristotle talked about the holistic holon

Arthur Koestler talked about it in detail

Ghost in the Machine was soul’s hidden tale

David Bohm explained it by explicate and implicate order

Science and spirituality played with it at every corner

If we can’t recognize and realize this divine holon

Then humanity must leave the God alone

Humanity can’t reach ultimate truth without spiritual unity

Evolutionary wisdom shows the path to only one reality

Humanity must rediscover God

Through unity of spiritual diversity

All else shall lead to ignorant arrogance and vanity

God becoming many gods at the beginning of creation (एकोहम् बहुस्याम भवति।)

Needs to become One again at the apex of human evolution (बहुहम् एकोस्याम् भवति।)

But as great Aristotle said 

The whole is greater than the sum of its parts

Through global unity of all spiritual paths

Humanity shall enjoy a far greater spiritual whole

The sum of whose parts will be greater than the prevailing mole.

Poetry from Joseph Ogbonna

The Nightingale’s Song 

Perching on the dried out somewhat fragile branch,

I am attired in plain brown grandeur atop my rusty brown pants, veiling my pallid bottom.

In an accustomed migratory demeanor with the best decorum of an itinerant lover,

I render a tuneful, lyrical and sweet sounding ode, sung in mellifluous high and low pitches to nothing more than her utmost delight.

Innately endowed with the soprano, alto, tenor and bass choral tunes,

I whistle with trilling and gurgling notes.

Notes that romantically convey my nocturnal intents and proposals.

Mellifluent notes that take her even much deeper into an alluring estrous cycle.

Joseph C Ogbonna is a widely published poet. Some of his works have been published by Spillwords Press, Waxpoetry magazine, Written Tales magazine, North of Oxford, Doublespeak, Synchronized Chaos, PoetryXhunger, SoulfulValley, the International human rights arts movement, Empower Magazine, India, Poetrysoup and more than a dozen anthologies. He was a columnist for a magazine in India. He is also the winner of three poetry contests. 

His poems, ‘Napoleon to Josephine and Josephine to Napoleon,’ were both aired by the BBC Radio 3 to mark the bicentenary of the death of Napoleon Bonaparte. He lives in Enugu, Nigeria.

Poetry from Joshua Martin

A Third

Fate   banned   opposition
    accounted              human
resignation          famine
                 hesitated        losses
tragedy          parking lot       fortune
        an indeed         appointment to
railroad                             obscurity
             figured              rabid
    talkative           feted        boom
association    prickly     conduction
         ambidextrous                  ironic
      plight                  lackluster
serial               complexity         industrial
            pit                       stomach
                diplomatic           user
preventative        causing in
      bureaucracy          courts
                   indignation           pipes
                               views
generalist                        competence
            cited
domino       geologist          period
               featured         salacious 
incognito            flame
     network            calling card
         fortune teller                   average
profile            breaking                pinch
           discontinuity       memoir






no actual pepper

pillage offer of little capacity
corpse of desolation
                        an impeachment
                        sweeping plunder

          boom prince racked
          confused epilogue
          tracking hangover
          recognized credit
                               tangle handguns
                               nestling ink
                               and social scale

quill gravely half-timbered
downriver twenty minutes
worth ermine trace spires
feathery measured stovepipe
goatee hatred golden chain reaction

     cross,pit,currant,earlier,
     haberdasher,docks,notaries,
     penny,euphemism,clutch,
     voyages,gums,unilateral
     baffled,isolated,profits,flames

globe suffers navigational cargo
fraught astrolabe raids enthusiasm
viable endeavors plant icebergs
bone-jarring celebrity dully exact
shipmate grotesque jumping deck

                                           reach back
                                           looted event





Ongoing perpetuated concrete battlegrounds

Tape MACHINE wings
ballet elementary
        denial

>>> sessions
,             contents
     ,                rescinded
creditors influence
an influx of
           constructivist
disCOURSES<<<
………………..
	AS A
matter              of
       fluently
theoretical vigor
             CrashinG
&                   revising
     likewise
                eradication
[.][.][.][.][.]

         Deep proactive
assumptions
                    caught
            glued          to
the portrait
of the embedded
                   sculptures
.
.
. 
   Oriented surface
napping                  ON
                  TOUR
        to                 floor
an invisibility collective
collaborating
    dissonant
shingles assembled
            fluorescent 
clusters
                       permeating
END
     notes
,              zeroed
         out              ,
left to flounder
                    in
unstoppable
                 elsewhere
a medium
     simplistic
preexisting
     generational
habit
     ineffective
,                day
   dreaming
           ,
       associated
detailed
              medium
          cool          dalliance
,
      variable               ,
artless          ,
            struggling
to                     possess
            a
                 curated
reserve.





Still fluid notion

Rude keeps guessing thumb imprint
suddenly spared sword allowances
no bazaar turning flair gold record
formerly airport research material.

Activation cosmopolitan funnel
     gliding     voracious     quartet
expanded self-regard amended
                 start vandalism
                 a piece whining
                 recorded barrel
                 ball of defection
                 scaling palace.

                                Splendid
                       telescopic fountain
                  : ToMb ToWeR   ,   unlikely
            diverting Rome,Istanbul,
                             Cairo,selfhood.

Groaning                        overgrown
             might reoccupied
        thousand-pillared             mosque
shapeless            shrine                  pilfered
                 eccentric heaps of
                 figurines contradict
                 wrecked courtly litter.

        “What they saw has gone native.”

                      “Very few words report friction.”

               “Distant assistants four later editions.”





Invisible or living

Weekly incidence welded to caution
: manure feigned membership :
           acute collarbone identity
          ,cosmic instigation,
                                an overreaction.

Critiques
        THUS = however futile
             separated caricature,
    verbose cartons of
                           ridicule.

                Feral outlook
                judges syntax.

                               [humane dystopian
                                madness (horizon)
                               ,supper club
                                        destined
                                film still       ,
                                turmoil of
                                effective
                                            drives].

Maxims aren’t full-contact programs.

     Atmospheric nihilism [collage
                             one another     ,
                             subjected to
                                    membership
                             dues & don’ts].

Underground segments
critical hysteria
hostile
          center=
                   stage.

Cacophonously burping
,mainstream contribution,
     hack,heck,hack,heck,hack.

                              Geriatric sponge
                              kicking backside /
                              slide discourse
                              features excerpts /

satire renews an activation /

                        themed civil wars / 
 
         public replicated self-definitions.

                Unconscious ethos broader guilt
                : exacting imaginary citizens :
                                               “Knotted ties apply
                                                 triumphant lust to
                                                 outstretch physiques.”

Musical rather than coherent.
                 [ideas campaigns
                  first person
           , judges harsh flasks]

Impaling begins.

Joshua Martin is a Philadelphia based writer and filmmaker, who currently works in a library. He is a member of C22, an experimental writing collective. He is the author most recently of the books punctuated avalanche (Stone Corpse Press) and en=raptur=ed [riverrun] & mingle (Ranger Press) He has had numerous pieces published in various journals. You can find links to his published work at joshuamartinwriting.blogspot.com

Essay from Rakhmonova Gulzoda Sodiq qizi

The First Step Toward the White Coat

Rakhmonova Gulzoda Sodiq qizi

A second-year student of Bukhara State Medical Institute named after Abu Ali ibn Sino

The mornings of Bukhara are unique. Especially on the days when a new chapter of life begins, those mornings feel even brighter, even more exciting. On one such morning, with endless dreams in my heart, I stepped for the very first time onto the grounds of the Bukhara State Medical Institute named after Abu Ali ibn Sino.

As I walked through the gates of the institute, the atmosphere around me immediately drew me in. Students in white coats, young people hurrying to their classes, and dedicated teachers who approached their work with seriousness — all of it conveyed one simple truth: this was not just an ordinary place of education; this was a sacred institution where future doctors, who would fight for human lives, are trained.

The moment I took my first step past the entrance, I paused. The grand building of the institute stood tall, as if proudly saying, “Welcome.” At that very moment, the thought deeply settled into my heart: I will study here. My eyes filled with tears — but they were tears of joy.

I did not come to this institution by an ordinary path. In the 2025–2026 academic year, after graduating from a medical technical school, I was admitted through an interview process based on the opportunities created for young people in our country, especially under the initiatives of our President. For me, this was not only an achievement but also a great responsibility and trust. From the bottom of my heart, I express my deep gratitude — this opportunity completely changed my life.

In truth, deep within my heart, the dream of studying at a medical institute had always lived. I imagined it many times: large lecture halls, students eager for knowledge, wise and experienced teachers… And one day, those dreams turned into reality.

My first days were not easy. A new environment, new subjects, complex terminology — all of this intimidated me a little. At times, I even wondered, “Did I choose the right path?” But every time, the kind yet demanding looks of our teachers guided me back to my path.

One day, during a practical lesson, our teacher said: — “Being a doctor is not just a profession; it is the art of entering the human soul.”

These words made me think deeply. From that day on, I began striving not only to study my lessons but also to understand people. Because a true doctor must be able to feel not only physical pain but also the pain of the human heart.

As time passed, I gradually adapted to this environment. Difficulties gave me strength, and every small success increased my confidence. I realized that I was no longer just a student gaining knowledge here, but a young individual confidently walking toward becoming a doctor who will help people in the future.

Today, as I look back at my very first step, my heart is filled with one feeling — gratitude. Because this institution taught me not only to dream but also to strive toward making those dreams come true.

From my very first days at the institute, I found a special source of inspiration. On social media, I had been following a highly qualified and accomplished professor, PhD Muslima Akhatovna. Deep inside, I used to think: “If only one day I could attend her classes and learn from her…” And finally, that dream came true. It is difficult to put into words what I felt at that moment — it was not just a lesson, but an inspiring encounter.

Muslima Akhatovna is not only a highly skilled specialist in her field, but also a true teacher who can find a way into the hearts of students. Each of her lessons is not just a lecture, but a meeting full of inspiration and motivation. Her love for knowledge, dedication to her profession, and sincerity inspire every student to follow in her footsteps.

I had admired her scientific potential and broad thinking through social media, but sitting in her class in person is a completely different experience. Every topic she explains leaves a deep mark in my heart and motivates me to learn even more. Muslima Akhatovna is not just a teacher who gives knowledge — she is a guiding star leading us toward our dreams. Her presence is a great blessing and a source of inspiration for students like me.

In addition, I would like to mention my teachers from Karakul Medical Technical School, who played an invaluable role in my first steps on the path of knowledge. Dedicated mentors like Oltiboyev Ravshanbek, Haqqiyev O‘ktam, and Hasanova Mehriniso greatly influenced me with their teachings, support, and belief in me. It is their knowledge and encouragement that today I am confidently moving toward my goals.

Now I look at life differently. Before, I only had dreams — now I live with clear goals. Because I have realized that dreams are just the beginning, while goals are the force that brings them to life.

Student life at the institute is an entirely new world. New classmates, a new environment, a new way of living… All of this has changed me. Sometimes lessons feel difficult, but I never stop trying. I know that behind every difficulty lies a new opportunity.

Since childhood, I used to tell my mother: “I will become your personal heart doctor,” because she often suffered from heart pain. Today, I understand that I want to become not only my mother’s doctor but a doctor for all mothers. My greatest goal is to become a skilled therapist-cardiologist — a doctor who welcomes every patient with a smile, who treats them not just as patients but as close and dear people, and who can give not only treatment but also hope to human hearts.

There is still a long road ahead of me. I have many goals. But I firmly believe in one thing: if a person strives sincerely, their dreams will surely come true. I have chosen my path — a path toward the white coat, toward serving humanity.

“The First Step Toward the White Coat” is only the beginning. Ahead lie many challenges and many achievements. But I believe that this path will lead me to become a true doctor.

Essay from Eva Petropoulou Lianou

Christ is Risen 

The Holy Fire (Greek ‘Αγιος Φως, literally “Holy Light”) is a miracle that occurs every year at the Church of the Holy Sepulchre in Jerusalem on Holy Saturday, the day preceding Pascha. 

It is considered by many to be the longest-attested annual miracle in the Christian world, though the event has only been documented consecutively since 1106.

 In many Orthodox countries around the world the event is televised live.

The ceremony begins at noon when the Patriarch of Jerusalem  recites a specific prayer. The faithful gathered will then chant “Lord, have mercy” (Kyrie eleison in Greek) until the Holy Fire descends on a lamp of olive oil held by the patriarch while he is alone in the tomb chamber of Jesus Christ. 

The patriarch will then emerge from the tomb chamber, recite some prayers, and light either 33 or 12 candles to distribute to the faithful.

The fire is also said to spontaneously light other lamps and candles around the church. 

Pilgrims say the Holy Fire will not burn hair, faces, etc., in the first 33 minutes after it is ignited. Before entering the Lord’s Tomb, the patriarch or presiding archbishop is inspected by Israeli authorities to prove that he does not carry the technical means to light the fire. 

This investigation used to be carried out by Turkish soldiers.

The Holy Fire is first mentioned in the documents dating from the 4th century. 

A detailed description of the miracle is contained in the travelogue of the Russian igumen Daniel, who was present at the ceremony in 1106. 

Daniel mentions a blue incandescence descending from the dome to the edicula where the patriarch awaits the Holy Fire.