grind the Saginaw and feather the six it’s a trip to the urologist in your ‘69 Chevy Blazer a wreck that needs a lot of money thrown at it money you don’t have the light turns green you jiggle the three-on-the-tree into first ease out on the clutch and pray it will catch there was a time when this heap was new there was a time when her paint glistened there was a time you were proud to drive her you grind that ten spline Saginaw into second feather the worn out inline six until it smokes and squeals and smokes some more at seventy they’re stripping your dignity away sticking fingers and probes up your ass asking if you know what year it is asking you if you get enough to eat You fiddle the shifter into third And check the speedometer even though it broke years ago another half a mile to go on this two-lane and then you merge onto the big road where the heavy traffic moves fast because everybody thinks they can catch up to some unassailable self-worth
Poetry from Christina Chin and Matthew Defibaugh
lying on the beach towels sunburnt nudes in a vintage Playboy Christina Chin / M. R. Defibaugh cresting waves she tells him how rough she likes it doing a cartwheel before the surf M. R. Defibaugh / Christina Chin he fans her with the wine menu after a swim and a cold shower still feeling hot M. R. Defibaugh / Christina Chin pretty bobbies in an updo hairstyle removing pins the night falls down to her waist Christina Chin / M. R. Defibaugh picotee edge white amaryllis on her lacy lingerie untying the ribbons with his teeth Christina Chin / M. R. Defibaugh
Poetry from Shaurya Pathania
Love affair with cigarettes You've kissed my lips, but why didn't you feel me? You've touched my fingers, but why didn't you hold me? Am I not worth you, Can't you set me free? You lighten yourself among others, the ones whom I loved, the ones whom I've been loved by, But I've always been left behind, Will I ever call you mine? I stand helplessly, to see you tasting people in front of my eyes, But I stand hopefully someday I will not be dull and you'll be my prize. Many say, you're a menace, yet I'm ready to kiss and caress, Never mind, I'll see you again soon, kissing my loved and dear ones, I'll be sadly happy to see you healing their wounds and burns. Woken Walks And the roads seem alone in the naive night, do they despise being lonely, or do they enjoy this presence of them only, I've tried to know, I walk down roads, but they don't sense my presence, and I shout at them for my relevance, still, they hide under the pretence of ignorance, I guess I disrupt their peace in the dreary dark, and somewhere they answer, they don't like getting marked, emptiness is what they crave but why am I here, do I want the same? Sniffs Smell, odour, aroma and fragrance Always chase the good kinds, at any stance, at any chance, good or bad, who defines? Where are my boxers, in my house, I shout Lie they under the table, worn out and torn out I pick them up put them under my nose Call me gross But this is what I do alone behind the doors closed. Why do I do this, I don't have any reason, probably, the odour and aroma makes me feel human. Is it bizarre or do you practice it too? find those boxers in the cart, don't think much, just do feel them, sniff them wear them and dance, witness the smells transgress into a fragrance. Saturday Saturdays are dreadful I stay entirely in the cubicle, stare at the heap of clothes, the heap so weak, that it couldn't stand for a single week, I see dirt on the fabric and the shirt hopefully stares at me, waiting to hold and to be held but I won't, and scarcely she will feel my scars on my shoulders, belly chest, back and arms, Today I am just naked lying down on the floor, I talk, I sing, I scream, I cry, It's raining but I feel dry, and my throat is sore, I stroke and scratch my wall and fit the paint in my nails, I fight my urges and deeply inhale, I'm glad I succeed or I'm sad I succeed, I don't want to know, All I wish is this day to move, I'll put clothes on my body and wear fancy shoes, I will run away astray without feeling weary, I need a different day, Saturdays are dreary. Self-portrait Mirror's a window, inside we see, trying to be real and free irresponsibly!
Poetry from J.D. Nelson
the violets snort without me
tele
comic
scram
bled
which shannon?
a wintry eye
& high beams
you’ve been
silent
skull popcorn
friends help
wilma!
a ladder into the television
I miss the winchell’s
& a normal king’s dinner
wallet toe$
a numbered eye
a sporty nectarine
a serious mammal
a friend of the sun
J. D. Nelson (b. 1971) experiments with words in his subterranean laboratory. His poetry has appeared in many small press publications, worldwide, since 2002. He is the author of several collections of poetry, including Cinderella City (The Red Ceilings Press, 2012). Nelson’s poem, “to mask a little bird” was nominated for Best of the Net in 2021. Visit http://MadVerse.com for more information and links to his published work. His haiku blog is at http://JDNelson.net. Nelson lives in Colorado, USA.
Poetry from R.P. Verlaine
A Sad Affair For Celluloid When they can't see the obvious you might want to tell them to move to a new microscope telescope or a crystal ball without blemish or cracks. A young bartender friend who's cross stitched her name to private thoughts with enticing gold thread talks to me more than slightly upset. I see her eyes red as if she's escaped from hell or found love in a fire sale. I find out the latter is true. Her boyfriend and another bartender are involved in a film noir plot with betrayal the smoking gun in their manicured hands adding special effects. Such as big tears late night calls from hospitals police stations and a wax museum where alibis melt under combined duress and inspection. And I hear Vincent Price say-no one is winning here. The boyfriend's cute as a greeting card, living rent free with her steals cash too from her purse while she sleeps after coming home at 5 or 530 am. He has no job though he's been looking for months-you gotta admire tenacity. Yet she doesn't blame him, she blames the other bartender saying "She knew he was mine." I would ask to see papers of ownership but she’s distraught as a dancer whose music has been turned off. I could tell her guys like that don't belong to anybody. They just take until they move on to someone else with more to take from. I find it all too exhausting. "How could she do this to me," she asks. Once again blaming the wrong person. "I thought she was my friend." Tears fall from eyes azure but now dim and dark as nightfall. I tell her it all sounds like a sad affair for celluloid with actors chosen only for scandals in their past. My comment doesn't register its footprints in water as she excoriates her former best girlfriend so fiercely I can't hear anymore. Dispassionate, I pay, head outside to the stifling warmth embracing me like a desperate old lover who won't ask much. Which drained is all I've got wondering if in Hell there's a fire sale for my soul. or others like it. Broken Camera Snapshots I hang upside down with my mouth duck taped it is our first date. Holding a gun she dares me again to steal her heart. Tease of the warmth of spring between arguments. Then love disappears a butterfly venturing to wider nets. A final meeting lacking even one moment of grace. A bouquet of roses drowned in tears floats in river. False Fantasies I just want to ravage her madly he says. in ways far from Orthodox on a bed or in grass even sand, adding she is all he thinks of. This young movie star I'm unaware of. I tell him to be real as if he could. To focus on the bartender, both cute, young and for months now giving him far more free drinks than me. Though I'm a lot more generous with tips. He details a dream that follows the screenplay of one of the starlet's films. Where she meets him in another country, they become lovers flying to Spain where he proves his love, killing a bull fighter who tries to assault her holding sword and cape. Or maybe I just made that last part up like a poem where any ending becomes a lie or close or… I go play pool returning to find him trying to convince the waitress she should go with him to Spain where he can kill a bull for her. Maybe a bull fighter. She looks at him like he's crazy. I do too as I sit down next to him and switch to whiskey.
Essay from Federico Wardal
Enchantment: After 422 Years A Drama That Evokes Shakespeare
By Federico Wardal

After 402 Years, A Play Evoking Shakespeare
402 years on the wings of destiny until it reappeared: Enchantment, an esoteric drama written around the year 1620 about Shakespeare, four years after his death.
About the author, we only know that they were somehow connected with Denmark, since on May 4, 1709 the drama was donated in Vicenza by King Frederick IV of Denmark to Andrew Quintus, on the occasion of his proclamation as “Count of Wardal”. Andrea Quinto loved the theater and as a Venetian loved The Merchant of Venice and Romeo and Juliet, both set by Shakespeare in the Veneto, and the co-star of Incantesimo is Hamlet, prince of Denmark. This could explain the reason for the gift.
The play, however, was given, not in Danish, but in English. It is believed that the author was very close to Shakespeare, perhaps a disciple of him, since, in one scene, Shakespeare’s temperament is described as someone who often changes his mood.
Enchantment intrigues as it describes Shakespeare’s creative mechanisms relating to inventing Hamlet, Ophelia, Richard III, King Lear, Desdemona, Lady Macbeth and Juliet and Romeo. But there is also an intense scene with the character of Death and some prophecies about today’s world. Whoever wrote it is surely an esoteric who wrote the drama with the method of “automatic writing”, that is, through the connection with a spirit: that of William Shakespeare.

There is much to understand between the lines of the text, in which secret codes may be hidden that could be related to political secrets of northern European countries at the time of King Frederick IV of Denmark. All this does not affect the extraordinary theatrical value of the text. Its plot is totally unique. An actor playing Hamlet, at the moment of the appearance of the ghost of his father, the king, murdered by his uncle, is captured by the spirit of Shakespeare, who, during a journey into the afterlife, makes him meet with his most famous characters.
It is interesting that if the automatic writing takes place under dictation by a spirit, by means of a special concentration or trance. Also the actor, co-star of the drama, is already in a state of special concentration or trance, for this reason he has the possibility of communication with the spirit of Shakespeare. The text clearly describes a fact known to few: the timescale of humans is different from that of ghosts. For this reason, the actor can take time off from his Hamlet play and travel with Shakespeare to the afterlife and then return to the scene, continuing the Hamlet play, without the audience noticing his absence in the least!
The richness of the text is impressive indeed. The author must have been a great scholar and soon it will be discovered who he or she is. After 1709, the text again aroused interest and was translated, also in Vicenza, into Italian around the year 1800 by Countess Lucrezia Quinto, great-granddaughter of Andrea Quinto.
Then it was forgotten again, but now it is finally back in the light. Here it is in English and Italian.



Poetry from Ian Copestick

You Just Can't Win I did a really, stupid thing, this week, well, last week. I ran out of Prozac. I've been really ill, all week. Feeling nausea, unable to eat properly. It's been a fucking rough week. I finally got it together to pick up my tablets today. I think it's the first time that I've ever read the instructions on how to take them . It was all there, " Don't let your pills run out. The withdrawal symptoms include nausea, sickness, low mood. Lack of energy, and motivation. Etc. " Basically, all the shit I've been going through in the last, horrible week. It's my own fault. I know that. But, I look at the side effects from taking them. They're almost exactly the same. You just can't win.