Poetry from Mickey Corrigan

Meat Census

Please fill out and return with your census form:

Do you eat turkey legs when drinking frozen vodka?
Does the ribald smell of barbecue make you drift?
Can you brush your hair glossy after beef tacos?
How many Italians does it take to slice prosciutto?
Why do babies cry when served kosher meat?
What is the IQ of a genetically modified broiler?
How often does your wet market serve bats à la carte?
Why wasn’t swine flu called North American flu?
Will steaming factory eggs cause seizures in small animals?
How many dairy farmers built ponds from unsold milk?
What is the average underwage for industrial meatpackers?
How many dead food inspectors does it take to issue masks?
What kind of raw meat can bring you to your knees?
Do you like chicken-flavored beer? Coffee? Underpants?

Thank you. The U.S. government values
your input and is working

hard to make sure
your safety is
a priority.

Cleanup Crew

The doctor is here
on your screen, in your hand
the Fed team tele-tells you
Lysol spray and UV rays
a fat lemon to suckle
with your malaria pills.

Suicide seems less risky
a mass poison prescription
when the briefings end
after violent hours, dumb
and dumber licking metal
hoar-frosted with lies.

And how must they sleep
you ask yourself at two, four
in the morning, ammonia
smelling salts, bleach inhaler
and what’s another number
atop a stack of creative data
you hear them recount, rephrase
in voices that rise and fall

like curves on a graph
in someone else’s nightmare.

Tracks

Train tracks run the length
of this country
in black stitches
reminding us
land wounds
can be ripped open
again and again.

Tracks mark all flesh
where the surgeon’s knife
left the cold body
on the steel table
white on red on white
in black and white
iced blue.

Follow the tracks
the bent grass
broken twigs
animal scents
back
to the foxhole
where you think
you are safe
from all the other
tracks.

Wrong.

Poetry from Michael Steffen


Going to Bed
 
Best not even raise the question
how long it will take for the halo
of the Late Night Show you’ve just clicked off
to fade from the blind of your
closed eyes. You keep seeing things
in the spectrum of the language in your mind
now and then surfacing to the present
like a swimmer for air, to pull off your tee-shirt
because even with the fan blowing
you feel too warm. And to find
the low rumble of the plane taking off odd
at this hour, perhaps with next-day
cargo. Driving down a country road
in Oklahoma once you pulled over to take
a leak and far away from the city’s lights
looked up to marvel at the stars in thick
clusters, as probably we would look
to heaven if we had fire in our DNA
like lightning bugs, an idea that changes
positions to find comfort with the body
lying here in its nearly nightly rehearsal
of death, which would similarly wonder
where we are headed, were it not that we are
already mercifully caught up in going there.
 
  
You Only Live Once
 
“but if you do it right, once is enough,”
said Mae West to the tall man, looking up,
 
her hand poised on the ample curve of her dress’s
hip, which in the day was thought to be sexy.
 
“You know,” she said to him, “I lost my reputation
and I never found it.”
 
With a little wiggle, she went on, “Hey
you handsome devil you, just how tall are you?”
 
The moment grew very gentle between them,
each grinning, his cheek a little red
 
suggesting a rural upbringing. “Why, mam,”
he said, “all of six foot six inches.”
 
“Goodness,” she breathed, wiggling again.
“You know,” he said, “it’s not easy for a man
 
over six foot, needing to bend at nearly
every door frame.” Simmering
 
the saucy dame raised a brow. She said to him,
“It’s not the feet that interest me. It’s those inches.”
 
 
 
Fire
 
It’s burning down the house from a boy’s wish
to be a hero when he grows up, calling
his body, breath by breath, forth, in an ash
nightmare of itself, with the walls falling
in sparks and cinder around him, each step
against his will—summonsed by elusive
voices of trapped souls crying for help.
It sears and blisters straight through his protective
gear… His face is that dazed. He’s in the store
I’m shopping in. And that must be his wife
beside him, her eyes as miffed, maybe more
to heart about the argument they’re having.
That’s love. It stinks. Mere misreads gone all life
or death. So burnt up nothing seems worth saving.
 
  
Mightier
 
1940, the 22nd of June—
the French have signed an armistice with Hitler.
Churchill with Great Britain standing alone
this Saturday at breakfast in the Chilterns—
clouding with gloom. It’s such an awful scene
daughter Mary dashes for her bedroom.
With equal resolve, the Missus, Clementine,
hearing the tea cups rattle with a slam
inside the kitchen—does an about-face
for her boudoir. There from a bureau drawer
she seizes sheets of floral trim stationary.
We’re your family, despite this ugly war…
grooved with emphasis from her fountain pen,
the message bound for shreds into a bin.
 
 
 
 
 
 
 
 
 

Poet Rui Carvalho and Synchronized Chaos Magazine’s Annual Nature Writing Contest

Brick bridge with various palm and deciduous trees nearby, going over a clear blue river. Cars and a road nearby, building with a red roof.
International Nature Writing Literary Contest 2020-2021
 
Nature is our mother. It is our baby crib to where we return every time we feel we need comfort and renewed hope. Hope is that feeling that comes from glimpses into a peaceful, happy and green future and present.

A tree within the garden casts a shadow that protects us from our stellar parent: the Sun.
The Sun is also the source of our energy, he is also the source of our poetry; and poetry, maybe just another part of the natural community.

Today, Covid-19 make us feel like prey, having to think in a new way inside a world built by mother nature. To face this reality, hope is needed more than ever and we will move forward, but not ignore this new “map of life” and new mindset.

Our Nature Writing Contest for 2020/2021 is a new opportunity that we, as organizers, created to reach the rest of the world. Every Contest is a challenge for the authors who participate. This year we prepare new categories to which people are invited to submit work: Nature and Love; Nature and Ecology; Nature and Energy; Nature and Friendship; Nature and Gardens; Nature and Cinema; Nature and Music and Nature and Family. Family is our fundamental asset during these pandemic times.

This year we would like to share with you some inspirational photos and “horizons” and we kindly invite all authors to visit the following places online:

https://www.lisbonlux.com/green-lisbon-10-beautiful-parks
https://www.proflowers.com/15-best-botanical-gardens-california
https://en.m.wikipedia.org/wiki/List_of_botanical_gardens_in_Canada
 
https://www.algarvefun.com/algarve-tips/top-beaches-algarve/
https://www.coastalliving.com/travel/california/best-beaches-california
 
https://www.worldwildlife.org/places/amazon
https://www.gorongosa.org/
https://en.wikipedia.org/wiki/Peneda-Gerês_National_Park
 
Additionally, we invite all authors to honor one cinema director of their choice in their piece and to write about that director’s view of nature. For example, Woody Allen portrays various aspects of nature – human nature.

You are free to criticize the cinema director’s work in your piece. For example, with Woody Allen, is there actually something called ‘human nature’ that exists and is worth describing in film?  

Submissions for the contest open Thursday October 15th. 
 
Rules for the Nature Writing Contest: 

1. Participation in this contest is free.
2. Any person from any country can participate as long as they submit work written in English.
3. Each participant can submit a poem of any length and a short story with a maximum of 3000 words. 
4. The works must be sent by e-mail to blogsnat@gmail.com along with the author’s name, country, and email address. The subject of the email should be "International Literary Contest 'Nature - 2018-2019'". Single spaced, 12-point Calibri font, work pasted in the body of the email.
5. The participating authors agree to receive e-mail in the future that advertise future literary initiatives.
6. Award-winning finalists are entitled to a digital certificate.
7. All the selected poems will be published in an anthology, which will be available in PDF format for sale for 2.5 € (over PayPal). Award-winning authors are entitled to a free copy.
8. Author rights: authors have their rights over the works published, in order to publish as they want in any other place. The organization of the contest retain total rights over the published works in the context of the Anthology of the Contest or any other anthology or collection of short stories they want to publish in the future or online in the websites of the organizers.
9. Deadline for participation: April 15, 2021
10. Pre-finalists will be announced on 10 May.
11. The final results will be announced on June 28 at http://talesforlove.blogs.sapo.pt and, when possible, at https://synchchaos.com/.
12. The first prize winner of each category will be entitled to a prize: an original work of art (an A4 painting) sent by mail.
 
We thank you your participation in this literary adventure.
Please feel free to contact us if you have any questions.

If you need help with your English or writing skills for your content submission this year we have special external writing help by Shmavon Azatian.
Contact: shazzai@yahoo.com
 
Adjudicators
 
Organizers
 
Synchronized Chaos (California – USA)
https://synchchaos.com/
 
Rui M. at Tales for Love (Lisbon – Portugal)
http://talesforlove.blogs.sapo.pt/
contact: ruiprcar@gmail.com
 
Word Poetry (Canada)
http://worldpoetry.ca/
 
Inspiring Photography
 
We thank you your participation in this Literary Adventure.
Please feel free to contact us if you have any question.
 
 
 
 

Poetry from Joan Beebe

A Ship of Hope and Dreams

Joan Beebe and fellow contributor Michael Robinson
Joan Beebe (left) and fellow contributor Michael Robinson


My ship is lazily drifting along the waters of life. Yet, I seem to have a large porthole where I can experience and feel the beauty and love of life. Through that porthole, I seem to be in darkness until the I see  the rising of the moon showering it’s light beams upon the earth. Those beams of light can reach into our souls giving strength and goodness to a renewal of spirit.   For many of us that gift can bring us to that point of understanding and our ability to withstand the storms of life.


Morning comes and the sun is slowing rising with it’s healing rays bringing beauty to the world of nature. My mind can see the flowing streams and brooks and the wind blowing through the trees.  I feel the waves of the water slowing cradling my ship and bringing a harmony between land and sea.  There is also a harmony between the sun and the moon giving nature and man a time of health, peace and love. 

Poetry from Ike Boat

Black man standing in front of a microphone. He's got a tee shirt that says POET and 'Stakeholders Meeting' is on the wall behind him.

Gone Are The Days

Gone are the days,

When I never knew what writing pays.

Because, it’s taught solely in the classroom,

With many pupils like the broom.

Gone are the days,

When happiness brought about gays.

Even though some have different expression,

Like one’s view becomes impression.

Gone are the days,

When there’s many rail-ways.

This made traveling alternatively easy and fast,

To some, all are things of the past.

Gone are the days,

When barter became the terminology as some says.

Now, money and currency are used in the daily economy,

This is based on the system and not vasectomy.

Gone are the days,

When I’d no cap nor hat to walk under the sun rays.

Due to careless and reckless life of the hood,

Even when it’s possible to change the mood.

Bed Bugs Story

Bed bugs story,

It makes me feel so sorry.

How they’ve invaded the rooms,

As if there’re no sweeping brooms.

Some have hidden under the soften chairs,

This needs some sort of repairs.

They do their mischief in the middle of night,

When we’ve slept so tight and dreaming under the light.

It a wonder, how they befriend the skin,

And pierce hard like the pinch of a pin.

Bed bugs story,

It makes many feel the worry.

How their blood stains stink,

So terrible red, not pink like the colour of ink.

Of course, some are smaller others bigger,

They’re equal to the gold digger.

One can wear the cloth and feel their damage,

In fact, the can spoil a person’s public image.

By virtue of their painful bite which shake so severe,

They need to be killed without any revere.

Elizabeth Hughes’ Book Periscope

Book cover with an Asian woman with her hair up in a bun with a clasp standing in front of red embroidered cloth at the top. At the bottom is a sepia toned photo of a few buildings in 1800s San Francisco.
Gini Grossenbacher’s Madam in Silk

Madam in Silk is an historical romance with lots of adventure. It takes place in the 1850’s, in the infancy of San Francisco and when Chinatown was known as Little Canton.

Ah Toy and her companion Chen are on a voyage from China to San Francisco when her greedy and abusive husband dies of consumption. He is buried out to sea. By Chinese custom she is supposed to go back to China to marry her greedy and even more abusive brother in law. However, Ah Toy along with Chen find themselves finally free of years of abuse and fear. When she looks for some kind of employment, she finds she cannot work any service positions due to her feet. Her feet had been disfigured when she was young so that they would remain small and she could wear lotus-shaped shoes on her feet.

She and her companion find a shanty in Little Canton to live in. In order to survive, she opens a “lookee shop’ where men pay to glimpse her naked. She becomes quite wealthy. When her brother in law sends Lee Shao Kee to kidnap and bring her back, she goes to China. She goes to Officer Wong for help. There he suggest she open up a parlor house.

This novel is based on historical events and is loaded with adventure and excitement. You will be rooting for Ah Toy all the way through. This is the perfect book to read during this time of sheltering in place.

Gini Grossenbacher’s Madam in Silk is available here.

Poetry from James Thurgood

hoarder
 
she doesn’t get it,
this noxious undergrowth
of plastic bags and containers
boxes, guitar strings, magazines
bottles, business cards
beneath sinks, in closets, drawers
 
but all the hands
careful and careless
as those of inconstant lovers
that touched these things
 
and my plan to master a craft
needing endless bags, et cetera
 
while there is despair to them
as if they know
they’ll never be unearthed
to second life in antique stores
or museums
 
and my sense each yielding
of thing as of person  
prepares that parting at which
you can’t hold anything
or anyone
 
 
 
vagrant
 
raining to beat hell -
under garage eaves
on the light over the door
it huddles
 
not quite the picture
in the bird-book:  too plump
with feathers puffed up somehow 
 - for warmth maybe, a thousand miles
from the tropics
on a perch out of the rain
 
crouching though, head down
he is spied:  a large magpie,
plumed natty as the rest,
swoops down and scares him off -
struts and stares on the light
then back to his perch high in the trees
 
magpies have their case:  they were here first
and you let in one, next it’s a hundred
 
still, you can tell he enjoyed that
 

vagrant:  a stray bird far from its normal ecological range
 
last night’s storm
 
left crab-apple and cherry petals
spattered over the patio
like confetti around church-steps
Sunday morning
 
I’d never seen a wedding
just flowery cars honking
and those festive full-stops
littered, damp with dew or rain
on concrete and earth
 
the peonies hang their heads
 
                      at a puddle’s edge
a lilac scrag dries in the sun
like some dead thing
     on the shore
 
 
 
honour 
 
in memoriam S. L.
 
 
 
you eyed each grab and punch
till I tasted your brother’s fist,
blood and damp earth -
when you stepped in, grim
as your school-play MacDuff:
never hit a man when he’s down
 
soon your family moved -
a hundred miles and two years
out of mind, when the paper said
you’d been hitch-hiking home,
the body found in Burwell Harbour
 
time enough, two years
to join the heroes
in a child’s ever-after
 

 
unemployed
 
 
 
 
                       this white-haired editor
                           at Dominion House as agreed
               too polite to see I’m angling for
                       the ghost of a long-gone job
               - though he allows these kids are good
                                 with their journalism degrees
 
                         travel pieces he says they sell
 
                               I don’t travel much I say
 
                                     he draws back
                               wide-eyed - you don’t have to
                          GO anywhere
 
                                       we swap beers
                               swill stories
 
                               then maybe I should stay
                           meet the philosophical welder
                               the dour professor
 
                           drink and talk go down easy -
                                 I’m asked back for next Friday
                                                                  and the next
                                                  - before last call
                                      promises are warm
                            possibility forever
                                      
                   but in the bus-stop air
                        fall’s first nip - truth is
                                I’m out ten-fifteen bucks
                           for my rounds – a small price
                                  for friendship
                                                        but too much
 
                                                last bus gone
                                 I button my jacket
                             turn up my collar
                                                       start walking
 
 

Biographical Statement

James Thurgood was born in Nova Scotia, grew up in Windsor, Ontario, and now lives in Calgary, Alberta.  He has been a labourer, musician, and teacher – not necessarily in that order. His poems have appeared in various journals, anthologies, and in a collection (Icemen/Stoneghosts, Penumbra Press).  He is also the author of His Own Misfortune, a work-in-progress. (James A. Thurgood’s Word Salad)