is that it took one’s mind off the earthquake
which took one’s mind off the drought
which took one’s mind off the homeless
which took one’s mind off of sex
which took one’s mind off.
Three of a Humankind, a Review
By Bruce Roberts
Three of a Humankind, by Michael Sunnafrank, is an interesting book, filled with ideas relevant to human thought the world over. But is it a novel?
This book takes place in Napa, California, a world class tourist attraction, famous everywhere for wine and wineries, symbolic of “The Good Life.” Yet throughout the book, problems between the characters exist, endemic problems that undercut the euphoric tourist attraction world created by the Chamber of Commerce–something to remember when we’re in vacation mode, visiting pleasant places where real people live. Indeed, Napa here becomes a microcosm of class strife in the world. The town is dominated by the rich. They own the wineries, the country clubs, and earn everyone else’s hatred with their arrogant behavior.
In this book, driving these behaviors, on all sides, are spirits and demons. Yes, actual demons, who control the rich and see to it that they are properly greedy and arrogant at every turn. The chief demon is Mamona—the Biblical epitome of arrogance and greed– and he is upset—and vengeful—when two rich characters try to change their ways, for he fears to offend the head demon—The Master. Mamona is counterbalanced by a variety of spirits who advise and inspire the non-rich characters: The Grandfather, The Enemy, the Hawaiian god, Pele, a man in a hat, even an eagle. Toward the end of the story, even Ronnie, a long-dead friend, materializes in an old white jeep yet. Who knew spirits could drive? In fiction, of course, anything goes, but this infestation of spirits and demons does not make the story more believable.
In teaching writing all my life, the standard rule, for fiction at least, has been “SHOW NOT TELL.” This author missed that lesson in junior high. He “TELLS” 90% of the story, so it’s really more like a political and philosophical treatise than a novel. There are a few scenes where he attempts to let action “SHOW” what’s going on, but even those are heavily framed in “TELLING” the philosophical basis behind them. His is a total third person, omniscient narrator, a style that gets old quickly. Even when the narrator is reading the characters’ minds, nearly every thought seems, again, a political diatribe.
The author and I, politically, are kindred spirits. I subscribe to The Nation, a very “liberal” magazine, and this book is like a long Nation editorial. Characters and spirits have been added for a little spice, but they are essentially mouthpieces—talking heads– for the author’s political ideas. And I agree with them. I think the author’s understanding of our nation’s problems, from a “liberal” point-of-view, is right on. Yet the fact that I’ve “heard it all before,” detracts from my interest in this as a novel.
Through all the improbable spirits, the mouthpiece characters, and the political diatribes, one idea does stand out as a different way of defining the human condition—that the root of all our problems is our self-centeredness. Any human-caused problem can be defined this way, from war to politics to sibling rivalry over the family bathroom. People look out for themselves first, instead of caring for those around them. But while some of the characters certainly exemplify this, we are mostly told about it, instead of watching it develop naturally through the characters’ words and actions.
So, if you’re interested in a beautifully written novel, the kind that makes you want to read aloud and savor every word, filled with vivid atmosphere, unique characters, and startlingly new ideas, this book is not for you. However, if you want a clearly-written dissection of America’s problems, from a liberal point-of-view, with a trip to Napa and myriad demons and spirits thrown in for spice, then take a chance, and read Three of a Humankind, by Michael Sunnafrank.
Bruce Roberts may be reached at brobe60491@sbcglobal.net and is an accomplished sculptor and schoolteacher from Hayward, California.
He would put her in her tomb.
The night drew on as he stood and hid
He never made a sound;
Just watched her dress, then watched her sleep—
While no one was around–
The sun brought light and daytime warmth,
As he slept in the bushes outside—
She dressed and made ready for the day ahead;
Unaware she should run and hide.
We never think of the things so simple;
That alter each day of our lives.
If she had she never would have agreed,
For him to give her a ride—
A year ago to the day
She sat inside his car;
A friend of a friend or a cousin of a friend
She thought she was safe by far.
That night had been without event;
A blown out tire without a spare—
So she climbed inside and said “Take me home”
Her life was without care.
She saw him at the coffee shop,
She saw him at the store,
And then again at Sunday church;
You see it was her he did adore.
He planned it out,
To the last detail;
How they would spend their special day.
Roses, wine some soft candle light—
Then with him she would lay.
The day it turned and twilight fell,
And as always she journeyed home.
To her cat, her dog and little goldfish–
She always came home alone.
He waited until she was in the bath,
To make his presence known.
Her face was covered as she rinsed her hair.
When came time to make his presence shown.
He grabbed her by her arm and then,
She screamed and slipped away
He grabbed again at her nakedness—
This time his grip did stay.
He professed his love for her,
And said “I know you love me too.”
But fear was there inside her heart,
Yet there was nothing she could do.
He pulled her from the soapy tub–
And into the room he prepared.
How had she not known he was in her house–
Oh how she was so scared.
He wrapped a towel around her breast,
As he sat her down to wine.
She tried to do just what he asked,
Hoping things would be fine.
He ranted and he rambled on,
About all the times they shared;
The laughs, the dance, the midnight dreams—
Things that were never really there–
Then her fear turned to dread,
As he said, “Let’s go to our room.”
She knew what he wanted and what to expect;
Her head began to swoon.
He caught her as she swayed to faint,
And slapped her face awake.
“Wake up my love. You’ll miss the fun.”
He was not about to wait.
She would not go silently into the forever night,
Nor would she let him take her with ease.
Now it’s time to put up a fight,
And make him say “No please.”
She threw her head into his face,
Breaking his nose with the blow.
Then grabbed the lamp and cracked his head,
Time seemed to move so slow.
He dropped to the floor with blood on his face,
She jumped to flee the room;
He grabbed her foot and pulled her down—
This fight would not end soon.
He called her names and screamed in pain
As she bit him on the arm;
He slapped her face and knocked her down—
Now he would do her harm.
This story ends with a death—
There is no reason why.
There is no moral to be derived from here,
Just a family left to cry.
I relayed the facts as known to me,
Simple and concise—
Some outcomes we cannot change;
Some endings are not nice.
I just want someone, to be there with me
Stick through defeat, and victory
Through the highs, and past the lows
There to help me handle the blows
Cause life is tough, the world unkind
Id like you there for peace of mind
Because I think your just divine,
Would you please, be mine?
Yes, the word I hope to hear
Being alone, my only fear
To never ever have you near
Hell, Id rather cut off my ear!
Id rather not swear us to secrecy
Not just smooch at the speak easy
I really do love you so much,
Your kisses sweeter than the dutch
I don’t mean to feel so much,
But being without you life’s on a crutch
So at last I get upon thine knee,
And solidfy our bond, I to she
I certainly believe this meant to be
So darling will you, marry me?
You’re beautiful
I heard him whisper
As his soft hands touched my gentle heart
Forever he says
Such sureness in his tone
Forever right now I respond
For the future is putty
No definite shape
Coffee? He asks
No, I swiftly respond
Why would I want to wake from this,
Dream
An adrenaline shot
Preventing me from entering the peace of death
Twisted comparison?
Thats what you do baby, I say
You twist me up inside
Forever always, he replies
There goes that word again
7 letters, isn’t that a lucky number?
Lucky, ha, for a word that cause heartache
Like a man who spends his money on the lottery
Once in a while you get a winner,
But for the most part, disappointment
Sorrow
Anger
Too many heavy promises
Broken, rope cut
Smash into my already fragile heart
State of mind, red, blue
Strange, our world, rivals
In the emotional spectrum of life,
Copilots
Sadness, the calm before the storm
Anger, one mean motherfucker
Stop, I say quickly
Because underneath I see
I, just a notch in the belt
You, another knot in my noose
Before the floor drops
I drop you instead
Out I shout
Or You’ll be dead
Tears run down
As you leave my house
While I lay here
Quiet as a mouse
Cliché?
Forever baby,
More like
Forever on guard.
Justin may be reached at jkarfs@gmail.com
Woke up this morning without a clue as to what was going to happen on this fine day or what was on the top of my list to accomplish with minimal distraction. Waking up alone without a warm and sensitive body next to me is hardly earth shattering news since I am pretty much a loner character. Under the radar I think is the best way to achieve your wants or needs. I intend to remain well under the radar as my existence on this planet unfolds or unwinds from the tangled web I hqve been engulfed in.
Back to what matters (and what doesn’t)
Even the rocks
and the dirt
on our feet
have worries.
There is wonder even
in the dusty webs
of leaves and moss
draping
the cold and lonely side
of the mountain
Out here
in
this bubbling, smokey,
sun-baked empire
of stone and cedar walls
the winds of Babylon
sneak in
and dance
in the curtains
Out here
with
the building blocks
of our eyes
we too
are cold
and lonely
alone
with
the whole thing
And even the trees
and the clouds
and the glaciers
are melting
and drying
there is warmth
even in the lost
memories
of our bed
strewn about
over the rocks and dirt
The Longest Night
I was wasting my time
in those sleepless nights
holding a ghost,
who appeared to me lost,
scared
and alone
and in a different body
every night
And when the sun
would sneak up
she would
be gone
Those nights
were the longest
and the embrace
was so so sweet
But
she held me
in substitution
of the body
that she missed
and I held her
for the lost warmth,
the skipped beat,
for everything that
had been taken from me
even though I knew
she would never
be able to
give it back
But,
the embrace
was so so sweet
I would just have
to accept
that my body
was the night
and my soul
was lost
in the dark
The Texture Of Stones
Much like stones
we toss ourselves about
with hostility
landing and meeting
in a neutral wasteland
silent collisions
followed by
blank expressions
the who’s
and the what’s
and the why’s
fleeing like the fulfillment sustained
right as the waking eye
becomes
the rising sun
When I look at people
on the bus
under neon street lights
on the avenues that ache
with sleep deprivation
I see pain-
I see the letters of rejection
the missed connections
the failing grades
the unpaid bills
all the broken things
the two sets of lonely eyes
never meeting, never understanding
always bleeding
salt and water and life
I see the waking up
without appreciation
for the painless eternity
borrowed for the hours
exchanged for the drudgery
and forced time
And I see
so much potential
in the stones
flying around
my head
The Last Ten Blocks
With only ten blocks left to walk, the brutality of every step becomes
more apparent. I’m walking you home, but I want to pull you in the
opposite direction. You’re real busy, and I’m very lost. My thoughts
scramble to release themselves without being diminished. There are so
many things I want to tell you, but won’t. I struggle to put things
in order, I want to make you understand but I’m too afraid to tell you
directly. Out of fear of rejection, or abandonment, I keep these
emotions subdued for now. We are strangers, but we’re not. There is
still so much to learn about you, and I’m afraid that you don’t
understand me as much as I want you to. It’s rare to find a person
who makes me feel appreciated and accepted, but when it happens I fall
quickly. I hardly know you, but I know enough to desire your company
over anything else. And in my delusional mind, I try to find clues
that tell me that this feeling is mutual. For now, I hope and pray
for a reunion where I will be much braver.
I can’t tell you how much I love you in just ten blocks. I hope one
day we can take a much longer route.
Sam Burks is from the San Francisco Bay Area, in California, and can be reached at srburks@gmail.com
Comedy Reviews by a Barely Qualified Bow Tie
Pamtastic’s Comedy Clubhouse:
Featuring 14 Hills Literary Magazine
As I scrolled through my “Event Invites” on Facebook to choose my first comedy show to review, I came across Pam’s weekly radio show/open mic on Mutiny Radio. I had been meaning to attend this open mic because 2 very appealing aspects of the show, the first is that it is such an original idea or structure of a show, and second the show gets 5,000+ listeners/downloads a month. For a comic that is a lot of exposure, hell that is a lot of exposure for anyone.
The structure of this show is fairly foolproof. The idea is to get as many people as she can involved with each episode, so each week she has a new group of people promoting the show. By now you are probably wondering how it all goes down, so I won’t hold you in suspense any longer.
The first hour of the Pamtastic’s Comedy Clubhouse is conducted by a guest host, a new guest host is chosen weekly. That guest host gets to decide how the whole first hour is to be spent. Some have done a comedy showcase, choosing a few comics and everyone does 15 minutes, some do interviews with their favorite comics, there have been plays on air, but this week was a little more refined. This week the guest host was the entire literary magazine, Fourteen Hills. Fourteen Hills is a wonderful publication that presents many forms of literature, ranging from poetry to fiction and many other cross genre formats that captivate and inspire. I sat in on the interviews with some of the staff of Fourteen Hills as they spoke of the hard work put into each issue, and read some of their own entries to the magazine.
I am not a poetry buff, but I must say one poem really touched me. A poem written and read on air by Ivan was titled “A New Suit for Graduation” really hit home as it spoke in such detail of his father, it was so involving to me, I became lost in the thoughts of my own father.
Soon after these wonderful poets, writers, and editors spilled their guts to the entire listening audience came the second hour. The second hour is always an open mic. This open mic has such a warm welcoming feeling filling the entire studio and spilling out the front door out onto 21st and Florida. It is easy to find yourself lost in conversation with comics that feel like family, even if you have only met them the night prior. This week the show even had a fantastically funny group of young comics from Denver, CO. All the comics and poets alike share such an appreciation for Mutiny Radio and Pamtastic’s Comedy Clubhouse, comedian Alex Q. Huffman described it as “…a den of creatives that nurture and support in many creative ways, and Pamtastic’s Comedy Clubhouse is a shining example of that, letting you express yourself in any way you want including comedy and poetry…”
As I walked away to my next show that night, I left with the lingering feeling of a big warm hug from a best friend. Really I can’t express how inviting and special this place is, I encourage all to attend every Friday they have the chance.
If you would like more info on Fourteen Hills please visit 14hills.net, and if you would like to come join the fun every Friday at Mutiny Radio for Pamtastic’s Comedy Clubhouse, come to the corner of 21st and Florida in the Mission District of San Francisco, CA at 8pm.
Justin Alan is a comedian in San Francisco, California who also writes and reviews shows near where he lives. You may reach him at justinalancomedy@gmail.com – and he’s open to suggestions of shows to review!