Poetry by Bruce Roberts and Lynn Lonidier: Reviewed by J’Rie B. Elliott

In the last few weeks, I have been given the opportunity to read not one, but two, poetry books by writers from California. Though both writers originated in the same state, that is all they have in common.

The first book I received was “Hayward Hometown Poetry” by Bruce Roberts. This was a collection of poetry about his hometown, though saying it is only about the town is not completely accurate, as it is also about the residents of the town, and how the writer remembers the area. Mr. Roberts took a freestyle approach to his poetry, making it slightly more difficult to understand for a novice poetry reader. Some of the images that were brought forth in his writings made this reviewer wonder if he really loved the town, or if he loved what the town used to be, but is no longer.

I was moved by one of his poems entitled, “Night School,” where he wrote about a former student of his, a woman whose 11 year old son had murdered a man. It described the writer’s disbelief of and heartache in the situation – also the questions he asked himself while facing the step-mother of an 11 year old killer. This poem would a cause reader to think and ponder the question ‘where is my baby at?’ Though I did not find his work to be especially emotionally moving or gut-wrenching, Mr. Roberts did do what he set out to do and successfully painted a clear, poetic picture of his views of Hayward California, his hometown.

J’Rie Elliott may be reached at dixiepoet@gmail.com.

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Opera San José’s, The Barber of Seville

[Reviewed by Gloria Balderas]

Last weekend, Opera San José unveiled its production of The Barber of Seville. I attended the afternoon performance on Sunday, February 13th. Conductor Bryan Nies opened with the familiar overture…that is, familiar to opera experts as a classic masterpiece and to opera apprentices as a background to classic cartoons. However familiar one may be with the piece, it was a sincere joy to hear in person.

As most of us are aware, an opera just isn’t an opera without romance, drama, and scheming and conniving characters. The Barber of Seville has all of these elements along with a whole lot of humor and silliness (e.g., hypnotism by way of a carrot or the intentionally poor mimicking of playing a musical instrument). It was all quite entertaining.

All of the performers were very engaging and memorable in their own ways. The wit and charm seemed to come natural for Adam Meza as Figaro, the local barber and jack of all trades who offers to help bring Count Almaviva (Chester Pidduck) to his beloved Rosina (the vocally impressive Cathleen Candia). Scene-stealers included Kindra Scharich as Berta and Paul Murray as the quirky Basilio.

Overall, I had a delightful experience watching the The Barber of Seville and I would encourage others to catch one of the remaining performances, which continues this weekend until Sunday, February 27, 2011. Click here to learn more about Opera San José, or here to purchase tickets for an upcoming show.

Gloria Balderas is an editor with Synchronized Chaos Magazine and may be reached at globalderas@gmail.com for questions or comments.

Synch Chaos February: Corporeal Existence

The February issue draws upon the rawness, sensitivity, and complexity of corporeal existence. The mind and body are as often artistically explored as they are scientifically explored, from their organic and simple qualities to their abstruse elements.

Writing contributions: Contributions this month focus on flesh, blood, and intense emotions. We hope you enjoy reading the poems and shorts stories by some of our past and new contributors like Bruce Roberts, Sam Burks, Harmony Riedman, and Michael E. Swain. Emotional and physical consequences of love and heartbreak are explored in the writings by Michael Priv, Iris Grace, and J’Rie Elliott. The body connects with spirit and embraces physical surroundings in Laura Robert’s poems.

Art installations by Seiko Tachibana, Owen Schuh, and Dana Hemenway focus on the fundamental elements of the physical and natural world. Their work is very eye-catching and detailed as are the elaborate paper cuttings from Béatrice Coron.

Images are juxtaposed with dissimilar subjects in the unaltered photography of Jack Androvich and multi-dementional paintings by Robert Minervini and Frost Newton.

Paintings by Kristen van Diggelen and JJ Miyaoka Pakola are rich and intense. The artists experiment with linking concurrent ideas and paths. Michelle Waters’ paintings are also very visually rich and colorful, but also in a humorous and satirical manner.

Winthrop Prince and RUBYSPAM use abstract methods to express real-life occurrences in their artwork. Cathy Lu’s work signifies the equally ambivalent ways in which we go about our daily lives, from our physical experiences and interactions to our internal beliefs.

Paintings by Leila Cartier and Geoffrey Kington are not as superficial as one might suggest at first glance, but are rather sensitive and emotional.

Inspired by collected images with unknown history, Adele Crawford alters past photographs to create new stories.

Eco-friendly: Check out the environmentally-driven artwork by Tree Rivera and Christopher Reiger. If natural accessories are your thing, see the artistry behind Shanna Leino’s books and accessories, and check out Project TransAction.

We hope you enjoy reading this month’s issue!

Gloria Balderas
Creative Facilitator/Editor-In-Chief

Paper Cutting by Béatrice Coron

Béatrice Coron is a worldwide traveler and artist who began her career in New York, NY. Coron’s work has been featured in major collections and as public art, including the NY subway system.  She describes paper cutting as “…hidden secrets behind the surface. The technique of papercutting creates dimensional drawings where the drawing is also a structure.”

Click here for upcoming exhibition information.

Artwork by Michelle Waters

“My art fuses my love for animals, concern about the welfare of the planet and twisted sense of humor. I call my work ‘environmental surrealism.’ Influences include kitschy portrayals of animals from mass-marketed popular culture, the nightmarish imagery of Hieronymus Bosch, Beatrix Potter, Maurice Sendak, the writings of Edward Abbey, and my work as a wildlife rehabilitator.”

To see more of the artist’s work, visit her website at http://www.michellewatersart.com/index.html

OR contact the artist by email at michelle@michellewatersart.com

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Illustrations by Winthrop Prince

www.princeillustration.com

“I’m from a family of artists and have drawn since I was a child. I’ve made a living as an illustrator and a syndicated newspaper cartoonist while showing my art at galleries and cafes. I try to maintain an edge between the real and abstract in my work where I am able to maintain the creative mystery that leads to discovery.”

-Winthrop Prince

Berkeley, CA

winthropp54@yahoo.com

Poetry by Laura Roberts

The Cathedral

We have created these vaulted spaces,

vibrating with the immaculate and

tacit, the phi reflected in man. Musk

and incense, conduits of memories

embedded in bark and marble, hover

like cleansing steam in a Turkish bathhouse,

suffocating and blurring to inspire

pristine aspirations to the golden

unknown. The aurelian chiming, sapphire

light, all is gold, all is perfect, all is

curling in the smoky quartz of beaded

chanting, and Dorian moans entreaty

prisms from glass tableaus to bless the flesh

charred by transgression. The petrified bones

of those more perfect, their immaculate

clavicles and lunar ulnae, we place

them in the hearts of our altars, to pump

our salted blood, to offer up our souls,

to graze the infinite with flinching clay

Laura Roberts is a poetess that is dedicated to unfettered creativity.  To contact her about her poetry, send an email to lauraellaroberts@gmail.com.

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