Alma Desnuda is: Paul Suhr, Tony Glaser, Chris Bryden, Joe Glaser
www.almaDmusic.com
www.myspace.com/almadesnuda
www.sonicbids.com/almadesnuda
1. What distinguishes you from other musicians…what do you feel makes your sound unique?
Tony:
I think the biggest distinguishing factor of Alma Desnuda from other musicians is our connection to something bigger than amplified notes. Alma D is all about the music, don’t get me wrong, but it’s more than just sound. We use music to connect to what’s around us, like our friends, families, and community, as well as each other and especially this Earth. The music is our connection to that Alma, the soul; we just try to breathe into it.Our unique sound flows from our individual influences and styles into an eclectic harmony, which I think our upcoming album, Middleway, will show. It’s all Alma.
We get a lot of inspiration from the San Francisco Bay, our home, where icons of the Woodstock era, like the Grateful Dead, Simon & Garfunkel, CSNY, Santana, CCR, Sly Stone, and so many others came together and inspired generations to come.
(Chris) Song ideas strike anywhere and anytime. I let them emerge at their own pace. Sometimes it’s a lyric that comes, sometimes a melody, sometimes a riff. Each song is it’s own creation. My only job is to stay open and listen. Topically, I am drawn to write songs that weave the personal and universal together and that challenge the listener to wake up and see our lives through a larger perspective. Mothers are scolding children all over the world, people are falling in love every day, someone finds their life looking up while another loses a job.
Everything is in constant flux but operating under universal themes. The more I dive into my own experience and pay attention to others’ lives, the more I see that we are all working with the same experiences and emotions. Writing about those experiences through a personal lens brings relevance to the songs and allows people to connect with universal existential issues through Alma Desnuda’s particular frame of reference.
3. Did/do you have a mentor with whom you worked to develop your music?

