Poetry from Lidia Popa

Middle aged light skinned woman with red curly hair and reading glasses with a long shell necklace and a black top.
If I were the lady of time
 
If I were the lady of time 
I would bring peace to the souls of those who suffer 
due to illnesses, but first I would make her fulfill all the dreams that have been handed down 
for a better time. I would make them go and discover the many wonders 
of the world, breathe the joy of being a part of this earth. 
I would make them leave 
happy and without suffering 
atrocities that empty the heart of sensitivity every day. 
Hearing violin music while dragging the cart 
to go to the entrance of the temple. 
If I were the lady of time… 

But I'm the one who 
ostentatiously trudges through life 
through the streets of the local market and nothing happens 
without meaning in this life of dust and a continuous 
cleaning of toilets from where I take my voice to shout 
the opprobrium on the things that drain me every day like blood suckers. 

Indifference that kills unaware of malice
 in the wealthy opulence that ties and unties ties. 
If I were the lady of time 
I would make a list of priorities 
and I would invite to the dance first the one who is indifferent to the others.

BIOGRAPHY

Lidia Popa was born in Romania in the locality of Piatra Șoimului, in the county of Neamț, on 16th April, 1964. She finished her studies in Piatra Neamț, Romania with a high school diploma and other administrative courses, where she worked until she decided to emigrate to Italy. 

She has been living for 23 years and worked in Rome as part of the wave of intellectual emigrants since the fall of the Berlin Wall.
She wrote your first poem at her age of seven. She is a poet, essayist, storyteller, recognized in Italy and in other countries for her literary activities. She collaborates with cultural associations, literary cenacles, literary magazines and paper and online publications of Romanian, Italian and international literature. She writes in Romanian, Italian and also in other languages as an exercise in knowledge. 

BOOKS

She has published her poems in six books:
in Italy:
1. " Point different ( to be ) " - ed. Italian and
2." In the den of my thoughts ( Dacia ) " - ed. bilingual Romanian/ Italian AlettiEditore 2016,
3.“ Sky amphora " - ed. bilingual Romanian/ Italian EdizioniDivinafollia 2017,
in Romania:
4. " The soul of words" ed. bilingual Romanian/ Albanian Amanda Edit Verlag 2021,
5." Syntagms with longing for clover " ed. Romanian, EdituraMinela 2021.
6." The Voice interior " LidiaPopa and BakiYmeri ed. bilingual Romanian/Italian, Amanda Edit Verlag 2022.

Her poems featured in more than 50 literary anthologies and literary magazines on line from 2014 to 2023 in Italy, Romania, Spain, Canada, Serbia, Bangladesh, United Kingdom, Liban, USA, etc.
Her poems are translated into Italian, French, English, Spanish, Arabic, German, Bangladesh, Portuguese, Serbian, Urdu, Dari, Tamil, etc.
Her writings are published regularly with some magazines in Romania, Italy and abroad.
She is a promoter of Romanian, Italian and international literature, and is part of the juries of the competitions.
She translates from classical or contemporary authors who strike for the refinement and quality of their verses in the languages: Italian, Romanian, English, Spanish, French, German, stating that "it is just a writing exercise to learn and evolve as a person with love for humanity, for art, poetry and literature ".

SHE IS
*Member of the Italian Federation of Writers (FUIS)
*Honorary member of the International Literary Society Casa PoeticaMagia y Plumas Republic of Colombia,
*Member of Hispanomundial Union of Writers (Union Hispanomundial de Escritores) (UHE) and Thousands Minds For Mexico (MMMEX)
*President UHE and MMMEX Romania, August 21, 2021
*She had come power of attorney Vice-president UHE Romania, Mars18, 2021- August 21, 2021
*President UHE and MMMEX Romania, August 21, 2021
*Counselor from Italy for Suryodaya Literary Foundation Odisha India,
*Director from Italy for Alìanza Cultural Universal (ACU) Argentina
*Member Motivational Strips Oman,a member of numerous other literary groups at the level internationally,
*Director of Poetry and Literature World Vision Board of Directors (PLWV) Bangladesh
*Membership of ANGEENA INTERNATIONAL NON PROFIT ORGANISATION of Canada
International Peace Ambassador of The Daily Global Nation International Independent Newspaper from Dhaka Bangladesh - 2023
*Founder literary group Lido dell'anima with LIDO DELL'ANIMA AWARDS
*Founder LIDO DELL'ANIMA Italian magazine
*Founder SILVAE VERBORUM INTERNATIONAL multilingual magazine
*Founder literary currently #homelesspoetry
etc.

Poetry from Sushant Thapa

Young South Asian man with short brown hair, clean cut, and a gray striped collared shirt. He's outside in front of a building with white columns and a glass entryway and vines and trees and flags.
We and Our Game

A game I play
Is your cheerful clappings.
Happiness I treasure
Is your smile.
My childhood art
Is your first craft.
We are one
Holding hands
Before we cross the roads.
Rose carpet decorates
The steps that climb
The difficulty hill, full of spirit.
We exchanged letters
And our handwritings matched.
Your city,
Is my tunnel to suburb vacation.
We cross ways like arrows
And take a target shot of life.
The game we play
Isn't a whistling wind
But the rope mesh of ladder
Of this nascent paradise
That we are still building
Despite all the odds.

Sushant Thapa (born on 26th February, 1993) is an award-winning poet from Biratnagar, Nepal who holds Master’s degree in English literature from Jawaharlal Nehru University in New Delhi, India. He has published five books of English poetry, namely: The Poetic Burden and Other Poems (Published in New Delhi, 2020), Abstraction and Other Poems (UK, 2021), Minutes of Merit (Kolkata, 2021), Love’s Cradle (New York, USA and Senegal, Africa, 2023)
and Spontaneity: A New Name of Rhyme (New Delhi, 2023). His sixth book is ready, and about to go to the press. Sushant works as a lecturer of English in Biratnagar, Nepal. He is also the assistant editor of Himalaya Diary, an online portal published from Kathmandu.

Poetry from Brian Michael Barbeito

Long grasses that have gone to seed with a blue flower stalk in the foreground. Blue sky with a few white clouds.
Closeup of yellow flowers with a caterpillar in focus.
Bush with green leaves and light pink flowers.
Light purple and white lupines up close.
Dry grass that has gone to seed that's brown with green stalks.
Blades of grass up close, one red and black ladybug in the top left corner.
Long stalks of grass and white and pink flowers. Sky is blue with white clouds.
Field of green shrubs and a few flowers with tall leafy green trees in the distance and white clouds in a blue sky.

Summer Scenes Sanguine

There is the sky and the clouds, a long and straight passageway below, beside a hill. It’s dark and shaded but not so much that one can’t see. Wind visits and makes the branches to sway back and forth. Previous storms have strewn leaves and branches around on the earth. Back and back, far and far, the largest mushroom waits untouched and unknown on a broken tree surrounded by reeds tall and then still. Just outside the trees is the open place, and on the feral summer growths are butterflies, spiders, and dragonflies. There are ants and grasshoppers. Blooms yellow, blue, and the open air is cleansing, refreshing. A pastoral scene. What is beyond the end of that place, where there is no passageway and the trees, the shrubs and chaparral become too thick? What would William Golding or Joseph Conrad think of that place? In the winter the snow is like infinite tiny crystals or other-worldly grains of sands. Agate, chaga, a large snake looks at me. Kundalini symbol and sign. I pause and it goes away at which point I look to the sky. I want to understand the clouds. I vaguely remember dreams of the night where I was in the desert and walked to a city at night with metropolitan lights and infrastructure and populace. But I wanted to go back to the desert. I couldn’t remember the rest. Something runs in the tall grasses. Fast. Determined. Magical. I see clover, bee, ladybug. Whitman wrote, -You road I enter and look around, I believe you are not all that is here, I believe much unseen is also here.- Whitman only travelled far and far once, to Canada, to visit his friend a doctor interested in consciousness. I breathe as deeply as possible. I’d say there is a bird but there is no bird then. But the clouds are enough. They are something, colloquially speaking…they are really something then beautifully bloated, numerous, each a little different and content in their difference. The clouds are confident then.

Poetry and prose from Isabella Mori

Rocks covered with seaweed and algae out by the water. Land in the near distance.
Yellow sticky note saying that a museum is closed, from Isabella, on a metal gate over a gravel trail.
Large and full wooden cabinets and bookshelves full of books.
Haibun Highway

[This is an excerpt of a travel journal I wrote in 2017 while walking 160 kilometres (100 miles) from Vancouver, BC, up the Sunshine Coast in the Northwest Pacific, to visit my friends Haedy and Ed in Powell River, BC. I mostly stayed with friends along the way. Using the haibun form (known most famously through Basho’s Narrow Road To The Interior) each day has a description of the writing, followed by a haiku, as well as a haibun with impressions during the rest times.]

September 6
I walk for 14,000 metres along the highway, along the highway, along the highway, past a sign that reads Smugglers Cove, until I reach Secret Cove. There’s a change in plan and I stay at Elizabeth’s, who lives right on the beach. 

lizzy’s couch:
i dream to the water drum
all night long

the ocean’s waters gurgle gently against big rocks, lying there like sleeping hippopotamuses from the river nile. so much more water than land!  the islands, the rocks, the coast are all here at the sufferance of water. it all exists surrounded by what we call air, suffused today as in the last days by the smoke created by the wildfires. 

water, earth, air, fire. water. the water people can be felt – seen? – everywhere. watermen and waterwomen, and watercreatures i can never understand, not equipped to grasp. i see a watercreature hailing a seagull and know that somewhere near, humpback whales are on the move. the sleeping hippopotamuses allow me to sense not only the nile but also the great okanagan lake, creeks in kamloops, the mighty fraser in its canyon. the waternet is everywhere. 

i am of land and water. we’re all of land and water.

	transfixed
	is sit in this
	fairytale puddle


September 7
13,000 metres today, from Secret Cove to Madeira Park. I am taken by signs on the roadside: an announcement of “Visitors Info – 400m” leading to a row of ten or so billboards arranged in a quarter circle; a barn advertising it’s a mink farm, right beside an old “Drink Coca Cola” sign; donut circles screeched into the road with smoking tires. Mario greets me and takes me to his home on the hill.

highway full of curves
wouldn’t wanna walk this way
drunk and in the rain

tonight i sleep in a library. all the books are bound in hardcover, some standing neatly side by side in series – agatha christie, for example, or jane austen. photographs of lovers, mothers, long-dead dogs look down on me. videos beside a tv, respectfully stacked. a dog pillow lies on the ground. of sounds i notice hardly any, none from the outside on this quiet wooded hill, only a few from inside the house. before i fall asleep i read a little in a book called sointula island utopia, full of names like linnoila, kurikka and honkala.
the scent of books
how can i not
have a magical night?


September 8
This is my last full day on the Southern part of the Sunshine Coast. I walk 16,100 metres along a highway with less and less traffic, towards Ruby Lake. A woman stops beside me on the opposite side of the road. 
“I’ve seen you on the highway before. Where are you going?”  
“I’m walking from Vancouver to Powell River.”  
“Where are you heading today?”  
“To the Iris Griffith Center.”  
It turns out she works there but the center is closed today. Very generously, she decides to let me in anyway – “I’ll just put the key under the mat.”  Her friendliness bowls me over.   

trees, rocks, blackberries …
joy bubbles from my heart
as i walk

And another night at Elizabeth’s. We have a hoot!

at the iris griffith centre. i have benefitted from so much generosity. sitting here in this beautiful space, i feel it everywhere. the generosity of air and soil, so much unfathomable abundance. the generosity of these strong tree trunks that hold up the roof. the generosity of billions of cells that grew the ten-point antler of the deer skull on the wall. the generosity of the cookies and tea on the table beside me. the generosity of the woman who gave me the key to the centre, just like that, without knowing me. i am grateful. and wish i could be feel the gratitude even deeper, right in my blood, to honour the generosity that has been thrown my way, a tidal wave, a sandstorm of generosity. 

can’t repay
all the wealth tossed at me – 
not meant to

September 9
It rains. I walk to the ferry and it rains. I dry out, just a little, on the ferry, and it rains. I walk from the ferry, and it rains. For 10,200 long metres I get very wet, then suddenly Haedy and Ed show up. I am confused; I was not planning to see them until I arrived at their doorstep, a good 30,000 metres from here. I am wet. It rains. I get into their car. It rains. Disappointment over not walking today’s allotted stretch, gratitude, and confusion tumble about in my head. Haedy and Ed drive me to the B&B I had arranged for the night and the day after, a day of rest. The place is stunning and luxurious.

wet rat
tumbling through the landscape
the cackle of a crow

turn on the water in the shiny sink. add shampoo, the next best thing if there is no laundry detergent. dunk the socks – the socks must go first, they are the dirtiest. their former white is grey and black in most places although clean spots shine through like the clouds behind a sudden gap between trees. 
turn the water off.  we finally, finally had rain today but there will be no reason for a long time to waste water. add underwear, bra, t-shirt. squeeze it all a bit and let it soak. check the rain-drenched jacket – is it drying?  look at the alice munro book. i like the really short stories and the really long ones. “wild swans,” – yes, i’ll read that one. 

return to the sink. the socks need soap – what do we have here today?  lavender. the time for lavender bloom is over; we’re heading into autumn. as am i. this 62-year-old remembers washing laundry by hand as a given, not something done with tender nostalgia about archaic times. 

the owner of this luxurious place has cushion covers embroidered with the same colours and deer motif as my grandmother’s. embroidered by hand.

and suddenly
summer’s over
… one squishy step at a time …


September 10
Stillwater Creek B&B
A Day of Rest

i wake up at the earliest dawn, sensing it’s not completely dark anymore. first i hear nothing but quiet. the tide has gone out. then crickets. when a few moments later the seagulls start their screech, i know night is over. out of the dark gray-blue, a growl. it seems to come from the porch or … no, not the porch. farther down, by the water. then another growl and a whole chorus. this is not what bears sound like. bears are forest animals, quiet, they don’t talk like drunks in a pub. and then i understand – sea lions!  they growl and bellow and gurgle, throaty voices unmistakably carried by their large blubber bodies.

then – a swooshing and rushing from the same area where i believe the sea lions to be – no, farther away. 

a night of sensing but not knowing the sounds. not fully awake, i think of hurricanes, and i’m a little afraid. the rushing gets louder and nearer, not fast like a plane but moving inexorably, directly, without obstruction, to this beautiful house.

sea lions –
amid the surround sound of rain
a canticle of growls

Short story from Jim Meirose

I am Helena LeClerc Reformed Solemniac               

Hah so there you are. Hah so there you are whichwise won’t now nor never believe in this comfybed—this comfybed you believe on in one of two ways depending on depending of, as;  1, that it is no rest at all ‘cause no sleep’s allowed, or 2. It is rest time please leave me alone I am sleeping don’t tug me up out over to you whomever you are, which doesn’t matter, on cause which that you need your sleep and can’t function without it so don’t ruin the morning to come by making it another stumbling sand pit of low exhaustion inability to know hear understand speak or or or whatever, so. 

No mind my nameplate that back at Grundig’s read Helena LeClerc Reformed Solemniac and that now again reads what eh? Oh, pitiful one claiming it is too far out for one such asleep as you are not so okay so okay here it is flat in your face my name’s Helena LeClerc Reformed Solemniac see this Helena yas first name then LeClerc yas nextname then Reformed yup yup yup that’s me too all over and the last be; Solemniac; off punch you’ gut wit’  Helena—then wit’ LeClerc Reformed—then last wit’ Solemniac—hey!  Helena LeClerc Reformed Solemniac—ho! There! You woke now? Wakened out up and in now eh? 

So! Sonboy!
Listen to me I am Helena LeClerc Reformed Solemniac Helena LeClerc Reformed Solemniac, and again and forever Helena LeClerc Reformed Solemniac so!

Be awake!
Now and immediately! 

Ah oh stand back blanket flung four by four splintering sheet rent gold flecks shattered torn shreds flying shot from the ground and unseen in the dark, signboard first in two and, unseen in the dark, then in five, is eh then in fifty eh one hundred eh all rubble eh grown down into grassweeds time and pressure pressure and time too hot much too hot much hot too much too hot no up get go up get go danger hey—

Sonboy up awake and unseen in the dark shouting.
The light! Give me light!
What is the where is this? 
Give me light!

Snap-on; all a’beaming—
Sonboy, good morning. 
Ah—who are you—I—

I am, for the last time, Helena LeClerc Reformed Solemniac. 
Oh—
But, as previously stated, you may call me Dwight.

Sonboy’s fists came up twisting the sleep from his eyes. The black pebble swirl from within soothed and soothed and he kept at it until the pressure turned unpleasant lowering his fists, and, blinking, he beheld things at last clearly.

Sonboy! Sonboy.
At last and for once clearly.
Mom, he stated. 

The word licked in his mouth as she said, Come on Sonboy. I’ll whip you up some breakfast. Come on.


 Jim Meirose's short work is widely published, and his novels include "Sunday Dinner with Father Dwyer"(Optional Books), "Le Overgivers au Club de la Résurrection" (Mannequin Haus), "No and Maybe - Maybe and No"(Pski's Porch), "Audio Bookies" (LJMcD Communications), "Et Tu" (C22 press), and "Game 5" (Soros Books).  info: www.jimmeirose.com, X id @jwmeirose

Poetry from John Martino

Empires Fall

One morning you leave the house feeling good. 
Great, in fact. The wind just right, a constant 
certain breath in the air, refreshing in a soft, 
invisible way, a reassurance that every step
you take is a correct step forward. Or, if not 
forward, then correct in its improvised			
arrangement, its volition to arrive somewhere		
else. Somewhere new. So you keep leaving
without having meant to. And you think, 
Nowhere to go but there. Where I’m going. 
You notice the sunlight filtering evenly 
through the leaves and decide, Perfect, 
just as it should be. Blue patch of sky 
showing between rooftops and trees, 
carrying the faint ghost of last night’s 
moon like an afterthought. Yes, all is 
well, the voice inside continues. Exactly 
the way you believed it could one day be. 			
Without turning to look, you see the house 
now behind you, the shut windows, the closed 
door, everyone still asleep, the white porch 
paint beginning to peel, flag on a stick
barely stirring. You watch it all recede, 			
growing smaller with each quickened step. 
Your eyes fixed on what’s in front of you 		
growing larger as you near. Eighteen years. 		
A lifetime ago. But you feel no sorrow, only 
joy. Or, if not joy, determination. You’ll visit 
again, now and then. Each visit more distant 
than the last. But for the most part you		
know this is it. This is change. Farewell. 				
Hello. Time to move on. While there’s time. 
And that voice inside reassures, This is good. 
This is right. This is always how it had to be.		

 

Goa, India

To the woman crossing the intersection
of Bogmalo and Zuari Roads
at 2:21 in the afternoon,
February 28,
 2019,
a Thursday,
with a big blue 
office cooler-size bottle 
of sun-bright plastic
water perfectly  
balanced, 
hands-free, atop your
purple covered head,
and which stayed there,
balanced,
glowing aquamarine,
even as your head turned
abruptly to catch me
attempting to take your image
with what I thought to be
a surreptitious camera eye,
and the look on your face:
can I ever forget
the sad quiet anger
that said, unmistakably,
“Don’t!”?
And I didn’t.
Lowering the lens,
then my gaze,
shamefully toward my knees.
Though you, no doubt,
believed otherwise as the light
turned green
and the taxi where I sat 
safely ensconced
sped off
in a different direction.
Greater that a rich man
will crawl through the eye
of a needle
than you will ever read this.
And yet, as Lord
Shiva is my witness,
I want you to know,
unequivocally
and with absolute contrition,
I didn’t!


To a Small House

The tests are back.
You’d die laughing
through leaves
if you knew.
(Myself silly too.)

Which is how, 
no doubt, it all 
began. And I 
wonder now 
if, perhaps, we 

could have found 
it in History 
with a capital 
“H” and stopped
it in its tracks?

Or at least on 
an old calendar
with a small 
“c” and mostly 
X’ed-out dates, 

though a few
circled (some
even starred)
in red, as well. 
Remember?

In any case, 
one of us 
judged (or was 
it misjudged?)
the way light 

appeared, entered
obliquely, gave 
a party 
(think: shine
on shine) 

and we were (or 
so we believed) 
radiant lines 
of pure poetry.
Something like 

an eternal silver
wedding cake,
one tier 
for each year 
of transparency,

i.e., blissful
indifference. But 
now the roses 
on the bedroom 
wall are peeling, 

the sofa just				
sits and sags,
and hands and 
feet look, if 
not ugly, then

certainly funny. 
In the end 
(according to
the tests (oh, 
you’d laugh!)) 

it will all swell 
unhappily off 
course and, 
of course, 
much too late.


Chasing Potholes

Two roads diverged in a sallow wood. 
With a load of blacktop, I traveled both. 
For one was just as hole-y as the other. 
Lucky me. Each led to Starbucks and a KFC. 

Oh, morning pee, where is thy stream?
In a week, I’ll be 53. Age is but a number 
of debilitating ailments increasing rapidly. 
Maybe I should have been a plumber? 

What if I have a question but can’t raise 
my hand? Will the little girls understand?
I flush with a blush. Verily, verily swirls 
the dream. Nothing to do and no one to

do it with. The spoon is missing the dish. 
Pave it all to Hell and back. Paradise is locked. 
I watch my night-sky screen saver pocked 
with stars. I pick one and make a wish.




How to Disappear Completely and Never Be Found

Whittle with the wind. Blubber and bleed 
at each end. Drag your self with both fists 
down an alley of cut sharp rib. Let your rap 
hole reek of hemlock. Turn one white sock 

into an ill-fitting glove. For one buck, or less, 
do a killer moonwalk. Scream: “Not hungry!
ANGRY!” See that highway stretching sea 
to oily sea? It goes nowhere you need to be.

Pass people on the street curled up fetal, 
or laid out straight as a needle, and never 
know if they’re breathing or not. Play “Fifty 
Ways to Leave Your Liver.” Fifty little puffs of				

cloud descend upon the Giver. It’s just a world, 			
rigged and wired, rather silly. A crumpled atlas, 
really. One shrug, one cartoon K-9 ditching its fleas 
and—poof!: no more ground beneath your knees.		



The Kernel* 

I was all kneecaps and embedded lace. 
You were liquor on a paper terrace, 
eyes rimmed with salt air. The Paris	              
moon was a pistol in a mad cop’s face. 			

Between poems, I swung legs true 
and bare above my head until 
my hands split like sacks to spill 				
human sugar and Voltaire. You threw			 

a bottle of broken English at the plate 
glass window’s ear, ordered the maid 
to slice more mango. I tongue tied
a T.V. cord round the neck of 2008,

hung it like a good year. The green 
parrot squawked Merde! on the one clean 
scrap of floor. You cut the table in two. 
The House was divided with peach halves,

lamb’s blood. The daily bread was blue.
Between poems, commercials offered salves
on a gold and cushioned tray. Our raison 
d’etre was easy. Governing was our forte.


(*This piece borrows and repurposes a number of words from Carolyn Forche’s poem “The Colonel”.) 



American Sonnet		

Sitting here helping my fingernails grow.
Skating around my own mental rink. 

Hello’s but a stone’s throw 
from the immanent brink. 

The tape’s running slow.
My lips aren’t in sync. 

All night I crow. 
All day I blink. 

Can’t know!
Don’t think!

Watch Aristotle
spin down the sink.

I pass Love the bottle
and Love takes a drink.



John Martino is a writer, educator, and avid traveler currently residing in Hong Kong. Some of his wayward poems have found a home at North Dakota Quarterly, Another Chicago Magazine, Packingtown Review, and BOMBFIRE, among others. He is the Executive Editor at Home Planet News (homeplanetnews.com).


Poetry from J.D. Nelson

Three Haiku


first day of July—
lightning above the mountains
to the west of here


—


electrical storm!
radio static crackles
during the ballgame


—


small bird in the air
attacks magpie on its perch
guilty on all counts


—


bio/graf

J. D. Nelson is the author of eleven print chapbooks and e-books of poetry, including *purgatorio* (wlovolw, 2024). His first full-length collection is *in ghostly onehead* (Post-Asemic Press, 2022). Visit his website, MadVerse.com, for more information and links to his published work. Nelson lives in Boulder, Colorado, USA.