Mom
Mom
whisper of love
silent rustle
in the cradles you love
in the silence of the nights.
Looks
and love songs
those light hands
and the caresses on the faces
of children born in pain.
Mom
they are ointments
those words of yours
whisper in the night
to the chant of the lullaby.
Still your breath
on the skin and lips
pink mom in heart
your every smile
it is a wonderful flower.
These words like swords
The words remain silent
but soon the truth will be Light
with strength and courage
the universal verb
it will thunder in the cities of the world
in the voices he will find the way
the freedom of human thought.
These words will be the swords
will be the different realities
the history and the future
everlasting clothes
worn by warriors
fearless men
archers of life and time.
Brothers
They
they are in us
and we are
They.
Brothers
same blood
equal loves
thorns and pains
joys and songs
we are family.
Distances never desired
roots intertwined in the heart
and still love
in our eyes
our dreams and flowers
to live together.
Is love tears and violence!
It is love that then
sleeps in mud and pain
forcefully torn from the earth
afraid of human violence
hidden beyond borders
silent desert in the world
dies in the silence of the truth.
Is love tears and violence
wear elegant dress
it shows kind on the face
dirty inside of feelings
poisoned by rabies
and eyes blinded by evil
that kills the beloved beauty.
It is sleepless and wounded love
ready to become a legend
in the mouth or in the blood
love watches over mothers
women and wives in wars
the souls who fell victim to the song
once the beloved cup married.
Sing again man!
Sing man
sings life
hears the days
and to the deeds of the heart
don't let yourself die
inside this envelope
in this endless night.
Still a man
dance and laugh
jump on the edge of the imagination
tell your dream
never be afraid
to show your eyes
your reasons
every feeling inside you.
Man of reason
wind man
man of silence
your courage still screams
give your strength to the stars
in the night of the world
drowns without hesitation
all pain and fate
chained to the events of life.
Heart
Like bread
it's you heart
crumbly
warm with love
full of joy
memory of a dream
breath of a man
it always pulsates
suffers pains.
My heart
good morning heart
heart so big
friend of the world
feeling
without borders
barriers
humble and so strong.
Inside this
immense sea
you always fight
Heart
warrior you are
rest on memories
everlasting is your blood
love buds from your eyes
truth from the days
spotless
they flow silently
in your thoughts
in born poems.
Need.......
Need
of love
in this world
of hugs
of kisses
and many caresses.
Need
one more smile
of a tear of joy
of dreams for everyone
and happiness to every heart.
Need
that life
extinguished by violence
free from any inferred reason
be a long breath of love
that the sky
no longer gray
and the stars shine
for all the people.
Need
of peace
in this crazy time
where love is humbled
from muscles
from anger and pain.
Need
that the words
are true
no more lies
and that reality
of us humans
is a poem to love
and the wind that stirs
the reasons for the pain
be it finally
a drowned tear
in the sea of life
like a light feather
no more fears
torn truths
in the eyes of children
and to the victims of this
useless paradise.
The power of poetry
Vibrate in the chest
scream in blood
the verses are the words
it's the breaths sometimes
other times instead
they are sharp knives
it is poetry
the true power of poetry
storm inside the blood.
It's not a game
it is never an empty story
she is always the poem
the words of the soul
the face of human life
love next to thorns
the wind whistling in the sky
daughter of the heart.
Come again Faith!
I would like wings to fly
to reach
the end of the universe
overcome the dark
and eternal understanding
buried inside my heart
break the invisible barriers
and so then land
in the world of love.
Come again Faith
inside this flesh
like a sharp blade
rips
tears
this human shell
and make me a man
that I can understand
the meaning of life.
The sun in the eyes
There is love in every flower
in the caresses of a mother
in the sighs of a woman
there is love laughing in the heart
and still there is the sun in the eyes
and the silent breath in thoughts.
There is a party in the memories
dressed in songs and poems
it smells of love and beauty
rare rose reserved for life
there is a small world in dreams
and often cries out the need for love.
The poet Francesco Favetta was born in Sicily in Sciacca, he has always loved poetry, writing verses, but above all culture, food for the soul: culture is Freedom, it is Free Spirit, it is Soul in Movement, not it should never be harnessed!
In 2018 he was awarded by the Accademia di Sicilia, Academician of Sicily. He has been published in various anthologies and in various magazines, among which, we mention a few: international magazine The Poet; Revista Azahar who edited the first Sylloge of Poems in Spanish: Encantamiento y Palabras como Plumas; Anthology The Silk Road Anthology: Nano Poems for Africa; “Poetic Galaxy Atunis”; WorldSmith International Editorial; OPA The Poetry Journal; Inumbrable magazine; Magazine Polis; rank of minister in the Order of the Titan and publication of a lyric in Octobermania; international literary magazine Kavya Kishor in Bangladesh; international journal of language, literature and culture “Petrushka Nastamba” Serbia; international magazine, Namaste India and Certificate of Appreciation; Different Truths social journalism platform; Cisne Magazine Digital; Humanity St. Petersburg magazine; fourth Panorama International Literature Festival Spain, delegate for Italy.
He founded a theater company in Sciacca: “Theatrum Socialis Sciacca”, and a Lions Club, the “Sciacca Terme”. Finally, the poet Francesco Favetta is convinced that poetry will be the weapon with which humanity will make their lives free, and furthermore beauty will always be a truth that will never be buried from the times and events of daily human life!
Note: The poetic style is a reinvention of an old formal style, the lanturne, into a new form called a saturne binary.
A saturne binary (satbi) joins two saturnes, a speculative variation of lanturnes. Poems are centered with 1,2,3,4,1 syllables per line suggesting the shape of a lanturne or Saturn with its rings. In a satbi, the second poem is reversed. For more information, see “Saturnes: A Speculative Variation of Lanturnes,” Scifaikuest August, 2021, print edition.
When the Martian Wind Blows
the
only
signs of wind
dust in the air
no
pond
rippled with waves
no leaves tossed
by a
breeze
This Rhysling nominated poem first appeared in Scifaikuest, August 2021, print.
*
There it Goes!
our
perfect
zero-G
ceremony . . .
stops
short
when he fumbles
and “drops” my
wedding
ring
This poem first appeared in Star*Line 45.1, winter 2022.
*
Cleaning Cosmic Clutter
space
sweepers
– magnetic
exteriors – – –
huge
maws
remote controlled
fleet keeping
orbits
safe
This poem first appeared in Scifaikuest, August 2021, print.
*
First Day Among Humans
when
he heard
a mom say
“time for baby’s
change”
a
young shapeshifter
changed too screams
still haunt
him
This poem first appeared in Scifaikuest, August 2021, online.
*
My New Fur Coat
stuck
hiding
from snapping
fangs till the moon
sets
wait!
are these teeth marks?
healing fast
under
fur
This poem first appeared in Scifaikuest, August 2021, print.
Lauren McBride finds inspiration in faith, family, nature, science, and membership in the SFPA. Nominated for the Best of the Net, Rhysling, and Dwarf Stars Awards, her poetry has appeared in dozens of publications including Asimov's, Fantasy & Science Fiction, and Dreams & Nightmares. She enjoys swimming, gardening, baking, reading, writing, and knitting scarves for our troops.
I might not know why, but I’ve got a pretty good idea why; here’s why; wrong’s the number one great-big-sign-on-the-highway polesitter and <whew> now there were five there to fight over who’s to * serenade and flowers * do it okay knock it * serenade and flowers * off damn you * serenade and flowers * damn you and damn you and * serenade anPERIOD by that now long-gone great big wallpaper superstore past which we normally would enter the northbound lanes of the interstate numbered all 287 {ghost}
Whoop!
Rich!
Seemsytha’s wapped up ‘rre back-alleys!
So there take that and take this kind fellows!
Take that and take this if you’re men!
Yes big fat strong hollow men!
Party!
WHOOP! no non no – p-p-p-p-p-push head out ‘nn’d s-s-smoke clearing—body; quick, follow!
Whoo.
Empty silent solid steel room.
But—“who”—“who”—catch breath.
Yes catch breath.
Okay. |late breaking late breaking|
<null>
<null>
Ack. So.
So where the hell were we?
S-scat backenda pup-tent, c’estergee-e Top-mayor and their McFreeze-dMcHenchamanette deeply willowed :yas thatz wright! Party! Quite deeply willowed!: hung ten off their boards until once more fully sensible. Like—like “Crafty Nation Cereal—Good for yer Mean-Streak”—t’ b’ kneaded by all n-n-ninnimalle trainers up this earthbounded strip-mall. God! Must you need to be told ever [‘illina ‘illina stil’ down t’ road hipsla-tango!] .ything? Must you be—told? Everything? Really everything? No imagination, really? No God-damned imagination at all? Wow. Wow. Then—PUT DOWN THIS BOOK!
NOW!
RIGHT NOW!
Party!
[ ¡Fiesta! ]
Wonderful!
So they restarted the plant = quelled the town’s fear of fire = {ghost} = and Bergeron’s Bulkermen [La Stahl all La Stahl] triggered the beaching for scrapping lllllllllllang! o’ what remained (if any) of Tapper “BB” Rose : hafter hash-recting h’ plaque in har’s honour JEEZ! : down the waterfront (off the long lashing training ground if you’re familiar) but—Hey, Pop Cuba! Where the hell you been, old man? It’s not been the same! / the horror / wow / hey dig them “Pink Christians” / opium-dream off mah side! / please cleanse men crank, Carmen Basilio it is time to get back to work volver al trabajo takaisin töihin reen al laboro it is back to work [volver] is time to get “al trabajo” takaisin time to get ’töihin reen’ al laboro back to back to work it volveri is al time trabajo to get {TAKAISIN} that universal töihin indoor “court game” reen court game al laboro “it is time to get that universal coin-operated indoor court game supercenter Carmen Basilio built here Mister GENERAL-MANAGER what is the what is what is the status is the status of getting that universal coin-operated indoor court game supercenter Carmen Basilio Carmen Basilio Carmen Basilio built?”
Mister GENERAL-MANAGER huh?
ĉu?
а?
‘diarisus U.?
‘toch?
Yep!
Yup. “casaluna! casaluna!” N’ so, c’est just like ringmasters fatly howling “all’unisono” in bitter tones crank, ‘La-Lune!’ they repaired out down ‘n away to obtain by way of stray cat support-staff a picture of who’s ‘heeze ‘gwonda-tined down the incompletely built gigantical Jai alai center (which even though its now termed “universal coin-operated indoor court game supercenter Carmen Basilio” they’ve found that at least in the interim “Jai alai center” is much ‘heezier to reversely-sween-swallow (out its other much more intelligible way) why don’t ya?) there were those same young men-tinios playing the Jai alai game { but being beginners doing so in a very rudimentary manner HiccuP }, c’est oo’ oof the cestas slashing the rubsoles squealing the time flow l-l-ling’d the bad passing the goods crank, the granite slab up (t’ top out their (heh heh heh)) back : wrench! :, c’est big flow and big after; and the return; fling! Fly! Pop! so Back! no they Catch! play are wrong very wrong get Fling! down and Fly! stop them Pop! stop them!
Get down and stop them!
Carmen Basilio?
Carmen Basilio.
“Isn’t this game great, great fun?”
“Yes it’s fun!”—UP no b-but now the Toply-mayoral blessed young Henchmanette took charge crank, and rendered them down * without using their stunplug * back way-way-way phum, c’est Isn’t this game great, great No no stop fun?Yes it ‘n lop-it yo it’s fun! Get off you polesitter great-big-sign-on-the-highway one number the wrong’s; why here’s; idea good pretty, a got I’ve but why, know not might I. {ghost}
Jim Meirose's short fiction has appeared in leading journals. His novels include "Sunday Dinner with Father Dwyer"(Optional Books), "Understanding Franklin Thompson"(JEF), "Le Overgivers au Club de la Résurrection"(Mannequin Haus), "No and Maybe - Maybe and No"(Pski's Porch), and "Audio Bookies" (LJMcD Communications) coming in 2024. Gen'l info: www.jimmeirose.com @jwmeirose
Stick to the script Bradley. Learn the damn lines, she thought to herself. She deplored actors who didn’t take the time, care enough to digest their assigned dialogue. Most fought tooth and nail to snag as many lines as possible, coveted them, persevered like hell to learn them.
As soon as Cynthia received her script from the Director, she consumed her lines, dedicated to absorbing them as quickly as possible. Once she received the script, she would immediately read aloud every single word of dialogue into an old-fashioned tape recorder from start to finish, whispering her own character’s lines faintly into the microphone, and then audibly read in full voice all the other characters’ lines. She listened to the recording at least twice a day during both the rehearsal and performance periods, inserting her own lines, in character, as prompted. If she had a major role in a production, she would listen to the tape three times each day outside of scheduled theater rehearsals. She recited her lines every chance she got, during her hour-long car commute to work, while walking on the beach, in the check-out line at Safeway and even in bed before sleeping.
Cynthia memorized her dialogue within a week after receiving the script, even when she was the lead in the play with hundreds of lines. Hell, it was an adventure – a challenge, a new mountain to climb each time she was cast. Directors and fellow actors were duly impressed at her speed at picking up the lines and her ability to transform herself into the character. She could “become” anybody if she put her mind and heart into it.
But at 40 years old, Cynthia’s theater activities had become a job to her; more tasks to accomplish, a burden of responsibility versus a passion or outlet for creativity. Rehearsals had become another place she had to be by a certain time several nights a week.
She drove to the theater for the first rehearsal of her latest romantic comedy. This is the last play I’m doing for a while, maybe forever. She was pleased that she had been chosen as the lead in the production. The Director had personally phoned her and asked her to do it. With only three characters in this tale of lust and murder, each actor in their own right was critical to the show’s success. Although disenchanted with the downside of theater, she was tickled about this particular role; a great note for her to end on. Twelve years ago, Cynthia had performed the same lead role in the same play with the same Director. Being asked to revive the character of ‘Loretta’ confirmed that she was not yet too old to play the attractive young wife of a car salesman who ventures into a reckless affair with the family dentist, and then plots with him to murder her spineless yet lovable husband.
As Cynthia parked the car on the street by the theater, she sat by herself for a moment in the dark. I’m cranky. Too much on my plate at work.
Just before they finished blocking Scene 1, Bradley, who played the dentist, stood behind her, reached his hands under her armpits and firmly cupped both of her boobs full-on. His hands pressed her nipples. She felt his hot breath on the base of her neck.
“Wahoo!” he shouted, and let go.
Yes, Bradley Fisher, the dope who struggled to learn his damn lines in every show she’d done with him, had now sexually molested her.
She looked down at Gary, the fully-bearded Director, his dark hair wild and disheveled. He sat on a tall wooden stool at the foot of the stage, a dog-eared script in hand. Cynthia was astounded to see that he showed no reaction. His failure to acknowledge what just happened was inconceivable to her. Had he chalked it up to acceptable comedic actor shenanigans? Or had he accidentally turned away for that specific moment, and completely missed the blatant sexual assault which took place only a few feet away? Dan, the actor playing Cynthia’s bumbling husband, one of the most decent guys she knew in theater, didn’t seem to react either. She thought she saw Dan raise his eyebrows before he turned and looked down at his script.
Did the event really even happen? She considered the possibility. More ridiculous to her was that she said nothing to Bradley or Gary in terms of her outrage, disgust, confusion, all the things she felt inside. She wanted to scream but instead she froze.
“Cynthia, can you move downstage for Scene 2, first two lines?” Gary said, looking up from his script. She hesitated, feeling like she was in an episode of ‘The Twilight Zone,’ yet nodded, marked the blocking note with a pencil on her script, and moved downstage to say the opening line. The rehearsal went on, all the blocking done. “It’s a wrap for tonight,” Gary said, tapping his pencil on his script.
When she stepped down from the stage, Gary tapped her shoulder and whispered, “Great job Cynthia.”
“Thanks,” she said, giving him a weak smile.
Bradley picked up his jacket from a front row theater seat and moved towards her, his blue eyes wide, his blonde hair slicked back, an impish grin on his face. He seemed to want to hug her good-night. She glared at him, pressed her lips tightly together and moved away quickly before he could reach her. She grabbed her purse and sweater from the seat on the aisle, and started to rush to the back.
“Good-night, Cynthia,” she heard Dan call out. She forced herself to respond. “Bye,” she said feeling fractured by his nonchalance and her humiliation. She pushed on the swinging door to exit the dimly-lit theater. Once outside on the street, around the corner and in her car, she dropped her head down on the steering wheel and wept.
Bradley never did anything inappropriate again for the remainder of the six-week rehearsal period. When she had to kiss him in a love scene, she wanted to puke, but kept her composure, hiding any hint of weakness. Bradley seemed devoid of self-awareness or regret, and actually invited Cynthia to be friends on Facebook two days following that first rehearsal. In disbelief, upset and angry inside, Cynthia considered calling his wife and spilling the beans. She daydreamed on how satisfying that would be. Cast members and stage crew had received the contact list, so Cynthia had his home phone number. Does Bradley’s wife know her husband’s a sexual predator?Has he done this before?How many victims?
Cynthia accepted Bradley’s Facebook invitation placing her only one click away from posting the sex violation for all his friends and family to see. That would help to settle the score. Some degree of vindication. But she did nothing about it. Nothing! She buried it, started to feel ashamed, awkward. The last thing she wanted was to rock the boat for the show, jeopardize the role she was so eager to do again, one last show; with performances sold out ahead of the three-week run.
On the night before their final performance, as she attempted to fall off to sleep, Cynthia felt restless, conflicted about not speaking up about Bradley. Her mind floated back in time to when she was 12 years old. It was a hot, muggy June day in the Bronx. Cynthia and her three best friends were in seventh grade, Sherry, Rebecca and Sally, and Cynthia had planned to board the Flushing Line and head to the World’s Fair at Flushing Meadow that afternoon because of teacher in-service training which meant school would end at noon.
Once they purchased train tokens and went through the turnstile, the girls giggled and chattered about their science teacher who was a dead ringer for Paul McCartney, each with a story about what he did or said in class during the past week. On the platform waiting for the train, they snickered about Miss Troskin, nicknamed “the Trashcan,” a doddering, red-rouged French teacher who could not see past her crooked nose. They reminisced about the hilarious time they had that morning in the back corner of French class, each of the four girls with their long hair pulled forward over their face, dark sunglasses over the hair, loudly popping their gum. To top off their prank, Sally hid a small radio under her desk and played Hungarian polka music at low volume. It drove the “the Trashcan” crazy as she paced the front of the room, spurting screechy phrases in French, her eyes darting right to left trying to figure out where the muffled music was coming from. They knew she could barely see to the back row of students. Once the bell rang, Sally, Sherry, Rebecca and Cynthia had rushed out of the classroom and bent over in hysterics.
It was close to 90 degrees that day – sticky, humid, and felt like a furnace in the jammed train car. Cynthia was used to the gross smells on the train, the bodies so close together, the putrid breath, the overly-scented perfumes, the stale food odors, not a slice of space to move or bend an elbow or raise a hand to cover a sneeze. New Yorkers accepted close quarters without complaint. As the car doors slid shut, the girls shook with laughter at some story Rebecca shared about Bobby Tuckman, the nerdiest kid in the 7th grade.
She felt a large hand lock onto her crotch. It seemed to come from in front of her but it was hard to tell. She looked down but couldn’t see beneath her chest with the bodies pressed so close against her. She tried to wedge her hand down to her thigh to push the grabbing hand away but couldn’t. She wriggled her shoulders to pivot her body, twist away but couldn’t move below her neck. Her friends talking loud and then laughing at some story. She pressed her lips together, turned up the corners of her mouth and pretended to listen to their chatter. She screamed inside her head. The rattling of the train on the tracks roared in her ears. Sweat dripped from her armpits. The hand took a tighter hold, thick fingers determined to pry into her gingham shorts clawing to pull away the fabric of her cotton underwear embossed with tiny pink flowers, the underwear which started to cut inside her. Even with all the noise in the crowded train car, she could hear heart thump, her head about to explode. The fingers seemed to give up getting inside her, but the grip of the hand grew tighter, wrapped from the front of her vagina to her butt, the hand determined to pry her thighs apart. She closed her eyes for a second. The hand released her. She let out a slow sigh of hot air. Time slowed. She turned her head to see if someone was watching her. To the left, she eyed the two men closest to her. They both looked bored, rocking back and forth with the motion of the train. The taller one stared down the jammed train car, squinted, his eyes almost shut, like he was falling off to sleep, one arm raised over a short plump frizzy red-haired woman, reaching to hold onto the leather strap. The other man was short, bald, his eyes focused on a Coppertone advertisement posted above the sliding door, the poster of a small dimpled, blonde-haired toddler, a tiny rambunctious dog at her back, his teeth playfully pulling down the girl’s underwear, half-exposing her butt. It was the ad that appeared everywhere in magazines, newspapers, on television, on the side of city buses, and in trains cars, the ad her mother routinely pointed out and said was so cute. Cynthia turned her head to her right, to her giggling friends. Sally was telling another ‘cute-boy’ story.
The train veered to the right, went into a dark tunnel, rose up on the tracks like a rollercoaster, then shot out of the tunnel back into daylight. They were in Queens. The tracks were raised up above the brick buildings. The train screeched to a stop. The doors opened. A few people got off but more rushed in pushing people even closer together. One more stop before they were at the World’s Fair. Oh God! The fat fingers were on her again, reaching into her shorts, in a frenzy. She felt the elastic being pulled away from her panties, the jagged edge of fingernails. The sound of the train seemed to get louder as it hurtled down the tracks. Her brain seemed to sway. The fingers crept up, almost inside her when the train jerked forward with the abrupt jolt of the stop. The fingers left her. She gasped. Her friends didn’t seem to notice. The sliding doors opened. She spotted the mosaic Flushing Meadow sign on the cement wall. She secretly hadn’t believed in God but in that moment, she did.
The crowd hurtled out of the train car. People pushed, yelled, laughed. Outside on the raised platform, the girls huddled together.
“You all have your entry tickets ready?” Sherry said.
Cynthia nodded, said nothing to her friends, nothing to anyone about the grabber. Inside her head she could hear Mom’s voice: “Just Pre-tend Noth-ing Bad Hap-pened.” Mom would say that same stinking phrase whenever Cynthia would cry or complain, like when Cynthia banged her head into a telephone pole in a snowstorm walking up the hill to their Bronx apartment and the football sized lump hurt like hell for days. “Just Pre-tend Noth-ing Bad Hap-pened!”Or when Mom took her three kids, and left Cynthia’s dad in the middle of the night when Cynthia was six. When Cynthia begged her mom, wishing she could see her dad again, she heard the same words. “Just Pre-tend Noth-ing Bad Hap-pened!” She detested the way Mom banged out each syllable, while she peered into her daughter’s pained eyes, beating the message into Cynthia.
On that hot muggy June day at the World’s Fair, Cynthia said the words inside her head. Pre-tend Noth-ing Bad Hap-pened! The four girls went on more than a dozen rides, visited all the exhibits, watched the “General Electric House of the Futureshow,” took photos in front of the giant globe, drank coca colas, and ate curly fries. Cynthia participated in all of it, repeating to herself over and over: Just Pre-tend Noth-ing Bad Hap-pened on that train.
Now, twenty-five years later, Cynthia felt the sting of that Flushing Line train ride to the World’s Fair all over again, wondering whether any of her friends on that stifling train had also been sexually violated but never said a word about it.
Damn it, I can’t sleep. After an hour staring up through the skylight above her bed in the dark, she reached over, pulled open the top drawer of her bedside table, and took an Ambien from the small plastic bottle. She had sworn off sleeping pills but her brain was racing, her hands clammy, her pillowcase damp with sweat. She had to get some sleep. Tomorrow was Saturday, a full day of tech rehearsals, and two script run-throughs, the show opening on Sunday evening.
The romantic comedy played to sold out houses in Santa Cruz. Each of the three actors portrayed their characters with great comedic flair, which is what the critic wrote in the local newspaper. Cynthia received kudos and flowers from friends, family and even roses from two theater-goers she didn’t know. Bradley missed some of his lines here and there during the run, but was still reviewed as hysterically funny. His two scene partners had successfully covered his flubs. Throughout the run, Cynthia never stopped wanting to slug Bradley, erase the perpetual grin from his face. But she didn’t do or say anything. Or maybe he secretly prayed that she wouldn’t expose him or make a fuss about his sexually offensive act? On closing night, when the actors took their final bows, Bradley turned to her, squeezed her hand and winked, a sly smirk on his face.
What he didn’t know was that she had been invited to have lunch with the producers of the show the very next day, both of them female. Cynthia had a story to tell and she wouldn’t hold back.
Linda S. Gunther is the author of six suspense novels: Ten Steps From The Hotel Inglaterra, Endangered Witness, Lost In The Wake, Finding Sandy Stonemeyer, Dream Beach and Death Is A Great Disguiser. Her personal essays and short stories have also been featured in a variety of literary publications.
+
Water for Children
and fresh Clean Sky
Ancient's thought Wander
Love won't have to try.
If Graves You are Building
to Remember this day
Remember the Children,
a Good Place to play.
Nature's Reward
to
Who Cares at all
Eternity's Bliss
Can Wander
Stand Tall
When You walk with Ancestors
and Fruits Life can send
A Gift to Your Children
Our future, My friend.
♡
...
by John Edward Culp
January 28, 2018
All the Birds Forever
We went to a place where a lot of people went and we loved each other and talked about whether Boba Fett loved Spock and Brandy vs. Monica and then sometimes for fun we would pour tar on each other until we died and got mad at each other for cheering when the alligator ate the kid. It was a great thing and terrible like words made of vomit and corncob and golden eggs that smell like vomit. But maybe it would get better someday because also America gets better someday when you vote. And shoot the Nazis though you’re not supposed to say that or how the Supreme Court should retire and go be the biggest of all rear ends underwater so the dolphins can get them. These are the things you remember from your friends until one day everyone is bought and you can speak freely about how you are bought and can’t say anything else. The whole world is just one guy and that is capitalism. It’s not really any worse than before though before is also what was bought and turned into a human centipede of time scrolling so it is hard to know.
in the box of the tomorrow
skull fragrance
& pasta bowling
& forest hush
is this ladder a worm to snow?
you bother me
danish zoo
sherman coyote
chickpea— don’t!halo farm
in charge of the sauce
(mumble, mumble)
crackling toulouse
shopping for
a tooth
at the old ben franklin store
balking
falcon
J. D. Nelson’s poems have appeared in many small press publications, worldwide, since 2002. He is the author of ten print chapbooks and e-books of poetry, including *Cinderella City* (The Red Ceilings Press, 2012). Nelson’s first full-length collection is *in ghostly onehead* (Post-Asemic Press, 2022). Visit MadVerse.com for more information and links to his published work. His haiku blog is at JDNelson.net. Nelson lives in Colorado, USA.
