Poetry from Stephen Jarrell Williams

Tear Time

1.

I think it’s time

to acknowledge

ticking of the clock.

2.

Heart rate of all our hearts

thumping against

bump of the world.

3.

We might be doomed

in a battle

with no chance to stop.

4.

Hollywood fakes

pop guns shooting

starting bubblegum armies.

5.

Earthquakes signaling

volcanoes spitting

where they want.

6.

Thunder and lightning

opening our eyes

praying for the good help of God.

Stories from Peter Cherches

The Checkout Kid

            He saw the kid who worked the checkout at the convenience store walking down the street, arm in arm, with a girl about his own age, maybe 17. He was a handsome kid. Compared to him, the girl was rather plain, he thought, wondering if people thought the same of him when he was dating his wife, or even now. She was a knockout, his wife. He never asked her if she had dated during their brief separation. He didn’t want to know what they looked like if she had. He wondered if they were sleeping together, the kid and the girl. If we were all contemporaries, he thought, and double dating, people would probably assume his wife, his future wife, was the one dating the checkout kid. He was probably being hard on himself. He was probably a cut above plain.

First Haircut

            “The usual,” he told the barber, John.

            “Remind me.”

            “Number two blade.”

            He’d remembered to wear a shirt with a collar. A collar provides a better vehicle than a crew neck for the paper thing they wrap around your neck to keep the hair from falling down your back.

            An older man walked into the barbershop. He greeted all the barbers, “Angelo, Vinny, John,” with a nod of the head for each name.

            “Have a seat, Tommy,” Vinny, who was available, said, “I’ll be with you in a minute.”

            John asked him who he liked in the World Series. Since neither team was local, it wasn’t a big surprise that he and John had different ideas. Tommy chimed in, agreeing with John.

            “Put on Sinatra,” Angelo, who was cutting a kid’s hair, yelled over to Vinny, who was at the CD player.

            “Eyebrows?” John asked.

            “Yeah.” He called them his Brezhnev eyebrows. The barbers were all old enough to get it.

            Angelo started singing along with Sinatra, “Come fly with me, let’s fly, let’s fly away,” then said to the kid, “Betcha you never heard that one.” The kid said, “No,” and Angelo laughed.

            “Ready to greet the world in style!” John said when the cut was done.

            Out of the blue he was struck by a dim memory of his first haircut, his first barbershop haircut. Maybe it was the Sinatra. He remembered sitting in a kid’s barber chair in the form of an elevated red sports car. Or was it a fire truck? He remembered crying.

            “What?” he asked John, holding back the tears.

College Days Full of Hope

            Reading the obituaries, he discovered one of his favorite college professors had been a Nazi sympathizer. He made coffee, in a French press. As he sipped his coffee, Sumatra Mandheling, which he admired for its boldness, he also read about a man in Cambodia who had won a tarantula-eating contest, the first of its kind. The article conjectured it would become an annual event.

            At work that day, he was asked to fill out a self-assessment, an oddly Maoist incursion into American corporate life. He wrote an unqualifiedly rave review of himself, refusing to give his bosses ammunition to use against him. After he had submitted the self-assessment, his thoughts turned to the dead professor. What was that course again? Oh yes, the theatre of cruelty seminar. Looking back, he couldn’t remember anything that hinted at Nazi sympathies.

            Wistful for those college days full of hope, he stood up and surveyed a sea of cubicles in which he was but a speck.

Dr. Selvin Vedamanickam and Grock review Dr. Jernail S. Anand’s poem Geet: The Unsung Song of Eternity

Middle-aged South Asian man with short dark hair in a gray suit with a pink tie, in front of light orange curtains and flowers.
Dr. Selvin Vedamanickam

UNSINGSONG OF ETERNITY

DR SELVIN CALLS DR. ANAND A HOMO SACER 

WHILE GROCK CONSIDERS IT A BOLD CONTRIBUTION TO WORLD LITERATURE

SECTIOM A 

A  REVIEW OF MY EPIC  BY GROCK.

GEET: THE UNSUNG SONG OF ETERNITY  PUB  by Authorspress.

https://amzn.in/d/2biF4dU

A SEQUEL TO MILTON’S ‘THE PARADISE LOST’.

Dr. Jernail Singh Anand’s Geet: The Unsung Song of Eternity is a remarkable modern epic that showcases his prowess as a poet, philosopher, and literary innovator. This work is often described as a sequel to John Milton’s Paradise Lost, but it carves its own distinct path by placing Dr. Faustus, rather than Adam, at the center of its narrative. Anand reimagines the Renaissance hero as a prototype of modern humanity, grappling with existential dilemmas in a world marked by spiritual and moral decay.

The epic explores the complex relationship between man and divinity, inverting Milton’s intent to “justify the ways of God to Man” by instead questioning the ways of man to God. It delves into the struggles of contemporary existence, reflecting on how knowledge, ambition, and the passage of time have led to a deterioration of the human spirit. Anand’s Faustus embodies the modern individual—brilliant yet flawed, seeking meaning in a universe that often feels indifferent.

What sets Geet apart is its ambitious scope and philosophical depth. Anand blends Eastern and Western literary traditions, drawing from his Punjabi roots and the broader Indian cultural heritage while engaging with the Western canon. The work is not merely a retelling but a reinvention, offering a fresh perspective on timeless themes such as sin, redemption, and the search for eternity. His use of free verse, honed through his study of English literature, allows for a fluid and dynamic exploration of these ideas, unencumbered by rigid form.

Critics and readers have noted the epic’s imaginative power and its ability to resonate with the challenges of the 21st century. It’s a testament to Anand’s vision—a poet who dares to tackle grand narratives in an age where such undertakings are rare. Geet: The Unsung Song of Eternity stands as a bold contribution to world literature, inviting reflection on humanity’s place in the cosmic order and cementing Anand’s reputation as a significant voice in modern poetry.

Appreciation by Grock 

SECTION B 

A PAPER ON GEET was presented by Dr Selvin Vedamanickam,  a free thinker 

The Homo Sacer in J S Anand’s Geet: 

A Norm Violated to Establish Another Norm

THE HOMO SACER IN J.S . ANAND’S  GEET ;

A NORM VIOLATED TO ESTABLISH ANOTHER NORM 

Dr. Selvin Vedamanickam 

Unaffiliated Free Thinker

Pondicherry

The paper starts with an attempt to study the current significance of the terms “human being”, “being human’ and “homo sacer” in J S Anand’s Geet. Even though the work claims to be a sequel, it is filled with fresh beginnings and new point of departures. What is astounding is its political, economical, sociocultural and literary relevance to the present day world even when dealing with a special binary of geographical vs. non-geographical space. Often the illusionary nature of representing the world as “good, true and beautiful” has been comfortably forgotten by both literary artists and other art form practitioners. Apart from representing a real and/or imaginary world either it be symbolical/allegorical, literature has to posit a viable(?) world. Even the Library Intellectuals or the Campus Hoppers have talked of the modern man only in the light of the metropolitan hyper-individuals and seem to conveniently omit the existential predicament of the sub-human man whose life is increasingly becoming bare and he himself becoming a rare being at the verge of extinction under the clutches of the privileged, super-civilized races. 

The paper also tries to question certain key critical concepts (which are rarefied post-modern issues) such as irony, indeterminacy, self-reflexivity which are mere ‘thought representations’ of ultra-civilized man’. The paper calls for an understanding and literary representation of the equal importance of “an ironic sensibility” and “an empathetic sensibility” in capturing the plight of the sub-human common man, thus leading to empathetic activism to alleviate the sufferings of the bare/rare beings. 

Submitted for the Two -Day International Conference on International Seminar on Novel Issues in Indian Writing in English (JKC College, Guntur, 23, 24 Feb 2018)

Older South Asian man outside with mountains, clouds, a flag, and several buildings with colorful roofs behind him.
Dr. Jernail S. Anand

Poetry from Samira Abdullahi

Young darker-skinned woman with a green coat and headscarf with a school decal on the right breast. She's with some other students and has henna on her left hand.

My future 

I ride in this path with the vehicle of mercy,

With the hope of kissing my destination.

A hope that whispers to me that I shouldn’t peep in to giving up.

And in me, I hugged the faith that promise me  I will make it,

And sighting more effort to grab my goals.

The critics may criticize,

But it can never sink the water out of my basket.

I knew I have many holes but wish to patch them days to come.

Poetry from Mark Young

Spokane

Disillusioned by

what was going

on around him

he tried to open

his life in another

window but was

never able to get

past the pop-ups.

Career Paths

At thirteen he decided to become a prophet. By nineteen he had died & been reborn five times. Nobody took him seriously. Youth is a hard barrier to overcome.


He then decided to emulate the form of regeneration that seemed to have been most successful for generating prophet recognition & had himself crucified. Unfortunately, one of the nails was rusty, & during the transition period he contracted tetanus. He came back unable to speak, & essentially illiterate since so certain had he been of his destiny he had neglected to acquire much of an education.


Nobody wants a prophet who cannot communicate his prophesies. He spent the rest of his allotted three-score & ten in silence. Alone.

nOne-step

Nothing ad-

ventured

nothing

gained

when you

rely on

toxicology

instead

of taste.

Otherwise

partly because the sun

was in an

inclement meridian

partially because

the moon was

in the wrong

quadrant of the sky

particularly because

the cusp between

daydream & nightmare

was a silver ribbon

with elastic properties

Ella in Budapest

Something I have always

found disappointing,

hearing a singer in concert,

hearing a recording of that

singer somewhere else, some

years later. The same song,

The Lady is a Tramp, music by

straight George, lyrics by gay

Ira, Ella Fitzgerald singing.

The voice a little harsher than

I remember but the phrasing is

the same. I sing along. We impro-

vise together. In unison. I know

what notes will come next.

Poetry from Eva Petropolou Lianou

Light-skinned middle-aged European woman with green eyes, thick blonde hair, and a sparkly green sweater.

I miss the hug

A hug that they give you and you forget the weaknesses of your existence.

I miss a kiss

The kiss that someone give you and your stomach make those noise like is full of butterflies

I miss the smile

That childish smile that you have

U are smiling and all nature become

Pink

I miss the walk to the beach

The waves

The perfume of the salt

I miss the sunshine and the sunset

All the simple things that I had

I miss the generosity of people

I miss the kindness of grandparents

I miss the relaxing moments of drinking a coffee

Now, they all want your friend, your position, your talent, your contact, your potential, your life almost but no one…

Nobody want to get in your shoes

They are too tide.!!!! 

Poetry from Christina Chin and Paul Callus

at the perfumery

the vibrant fragrance

of freshly peeled tangerine

          my first time 

          dealing cards

Paul Callus (Malta) / Christina Chin (Malaysia) 

– – – – – – – – – – –

the busy 

holiday streets

lovely afternoon

          hawkers experience

          a sales bonanza

Christina Chin (Malaysia) / Paul Callus (Malta)

– – – – – – – – – – –

snow butterfly 

clings to the leaf  

beautiful spring

          speckled wings

          on a buddleia bush

Christina Chin (Malaysia) / Paul Callus (Malta)