Poetry from Mykyta Ryzhykh

birds come home from
paradise and sing songs
the silence recedes

***
Angst
Angst
Angst
Angst
Angst
AngstAngst
AngstAngst
AngstAngst
AngstAngst
AngstAngst
AngstAngstAngst
AngstAngstAngst
AngstAngstAngst
AngstAngstAngst
AngstAngstAngst

аnd I’m not scared anymore

***
the fields
what's lurking out there

nothing
It's been a month of war

***
what the tear hides
spring is playing hide and seek

а winter feeling creeps into my heart
а tear freezes and doesn't dry up

inside the child the wizard dies
and becomes an adult

***
You don't come home
You don't come to the neighbors
You don't come to me
You don't come to your senses
You can't take out the trash
You don't clean your ears

Looks like I died
Inside your head

Mandatory link to the source «You don't come home»:https://issuu.com/tiptonpoetryjournal/docs/tpj52 

***
This poem smells blue
| | |
The color of wrinkles in the sky
¶
Black shapes in clear water
∆
This verse will be picked up by crows in the morning
And they will be thrown from heaven
On icy concrete heart rocks
~
All in vain
.

Winner of the international competition «Art Against Drugs», bronze medalist of the festival Chestnut House, laureate of the literary competition named after Tyutyunnik. Nominated for Pushcart Prize.


Published in the journals “Dzvin”, “Ring A”, “Polutona”, “Rechport”, “Topos”, “Articulation”, “Formaslov”, “Colon”, “Literature Factory”, “Literary Chernihiv”, Tipton Poetry Journal , Stone Poetry Journal, Divot journal , dyst journal, Superpresent Magazine, Allegro Poetry Magazine,  Alternate Route , Better Than Starbucks Poetry & Fiction Journal, Littoral Press , Book of Matches , on the portals “Literary Center” and “Soloneba”, in the “Ukrainian literary newspaper”, Ice Floe Press.

Poetry from Vernon Frazer

Panning Out



the ontological panacea

galloping airbrakes their launching

moles against angry vibrations



     inveighs awful reverb to

     orange scrape dentures

     and beefburger eyeballs



 the reveries of memoriam putting

 darkening the screwdriver period



                     harkening sonic calcification



         negative zoom: sternum 

         curls tight in tumid sector breath



the cornered moonbeam’s communique



                     latent in seawater

                     softened the homecoming eardrum



          while

                   victors 

                               bubbled



                         driveway claimants



                  stepped where clichéd glitter

                  stoked thoughtful commotion

                  drenched by deuce dropping



     narrowed diaper compartment fairgrounds





Day Turning Dark for the Night


daylight drifting

intones the scented patois

its daydream stolen



     the mixture

     a bartered abandon 



         disposed the grim fret

         holiday eponym aggression



               the firestorm boiled 

               at empty eyebrows



 to rapture in firecracker roadhouses 





                     (     )





a subterranean temptation

glinting retorts umder caliper vessels



      nominal venom prefixes

      nuance eyebrow tactics



repentance blueprint blown last

off the walks, a despair tankard

covered in a thermostat virginal



           cowered before posse moonlight





                (     )





numbered breakthroughs 

catapult the thought, not the few

     the insight rushing



          sycophantic mezzanine colors



                   docket tension

                   wayside caring



the chance phonemes neon remedial leave





The Loyal Backing Away


spectral allegiance

sampling

               the legendary obscure



     a rugby phantom

     gone missing in the rain



              a dalliance 

              dripping slippery breath

              over wet tentacles



periphery bursting a drunken glow



    no motto left

    to have or habitate

                       over

                              each



nomenclature cufflink suicide undecided



          beyond the reach

          of any tonic’s clef





                   (     )





at root

a sonic declamation

amply 

         scuttled



the celebrity rumor gloss thickened 



          its equivocal moss 

          festering essential time legions





              where lingering denotes

              chronic enervation in keeping



                             up with



                                         a rumored sample

                                         under a hiding sun 



                                                   a traitor shadowed




Under the Weathered



the rain needs certificates 

abducting a marginal soufflé

process merchants acquired 

a projective conditioner view

that shuttered trough tests

to pace their slow sharking

over clustered frustration 

their regions remembered

decorations bare for the rite

fossil taxes renewed raking

over the scrotal oration cloud 

a weary gabble once it left

phylum rafters a cartilage city

warring below sweatshirt fringe

benefactors plaster the known 

parameters vomit members

shopping becomes undone

for the wetter energy barking

commotion to terminal daylight

a tractor-lined euphoria danger 

factored when foundations air

footed barbarity notwithstanding

clamor swim coincidence taunts

lunging turned danger a force 

as voltage pits looted their colors

from omelets deleted as savage

the wary pain of practical turmeric

their savage daylight left unfilled

a mudslide flavored the movie







Story from Peter F. Crowley

                                            Dump

     From the early afternoon light filtering through the tavern’s off-white shades, Sharon’s frown had become apparent. She sat there watching Daryl eat an enormous pulled pork sandwich after finishing her grilled tempeh and arugula salad.
     “What?” Daryl asked, taking off his baseball hat and wiping the sweat from his brow.
     It was over 90 degrees. From where they sat in the back, not a trickle of air from the doorway fan was palpable.
     Sharon’s lower jaw sunk low as she started to open her mouth. She placed her pointer finger to her lips and thought for a moment before putting her shoulder-length, red hair into a bun.

     “He’s not a bro but he’s different from me,” she thought. “He doesn’t get the details of my paintings and how it’s really only them that matter. Kara even said that the details ‘overwhelm and inform’ the whole. But the last portrait I did of an old woman, all that Daryl said was, “Very cool.” Did he even look at it? I tried to show every skin cell of the woman’s face to depict the dark circles around her eyes and all her wrinkles.”
     “Not talking again?” Daryl asked.
     The waiter came by and asked if everything was ok. Sharon responded that all was well, as Daryl had just taken another large bite from his sandwich. 

     Did they want the check? Sharon shook her head.
     It’ll be ten years before he finishes that sandwich. He eats so goddamn slow and look how he chews! Like a cow chewing on grass all day. Hurry up, cow!
     Sharon tried to remember if Daryl had asked her something. He must’ve, but what?
    “How’s your sandwich?”
     “It’s good.”
     Sharon raised her eyebrows and nodded.
     “Why do you always have to be so sarcastic about everything? You don’t have to look down on me for eating meat.”

     “I don’t.”
     Actually, I do, but not that much. If you just ate chicken and beef occasionally, it’d be different. But you eat beef or pork every day. Don’t you realize how bad that is for the environment? Methane is worse than CO2, dude. And you say you care about climate change. That was probably just to get into my pants.
     “I have to say: I’m really loving this conversation we’re having.”
     “Me too.”
     “See what I mean? And I don’t even know if you mean it or not. But I guess not, right? Because we’ve barely spoken all through lunch.”

     “That’s because you’re eating.”
     “We’ve both been eating. You’re just done.”
     “Yep, I was done like ten minutes ago.”
     “Is it a race? I can’t help it if this place makes ginormous sandwiches.”
     “You don’t have to eat all of it.”
     “Come on, this kind of thing would taste horrible the next day. It’s eat it all now or waste it, you know?”
     “Interesting.”
     Was he always so boring? He couldn’t have been. Or maybe I was just blinded by his good looks and how into me he was.

     “Really? You don’t find that interesting. You shouldn’t say stuff that you don’t mean. It almost seems like you’re just responding to me on autopilot and you’re really just way off on another planet or something.”
     That would be preferable to being with you.
     Sharon got up and went to the bathroom. A thick cigarette smoke pervaded the air. The stall she went into had an empty Heineken bottle floating in the toilet. 

     “Figures,” she thought. “He always likes divvy places. Maybe that was cool when you’re 21 but not when you’re 35!”
     When she returned, Daryl was lying on the floor underneath their table, with his head popping out at the end. The plate of pulled pork sandwich, of which there was still ¼ remaining, was on his stomach. She rested her feet on his ribs as she sat down, and it felt particularly comfortable. The White Stripe song “Stop Breaking Down” came into her head and she tapped out the beat with her heeled shoes.
     “I think I got it! That’s Green Day’s “Basket Case,” right?”
     “No.”

      “What is it then?”
      “Why does it matter?”
      Daryl peered up at her, trying make eye contact and asked, “Don’t you love me anymore?”
     “Did we ever say we loved each other?”
     “Yeah, we both did. Remember? We were in Brooklyn at your favorite restaurant in the whole world.”

     Sharon thought back to a year ago, four months after they had met. They were seated outside at a narrow row of tables next to a dozen-story brick building. It was an Indo-Chinese vegan place. She ordered an amazing Gobi Manchurian appetizer; he just sat there with a coffee, saying that he wasn’t hungry. He looked into her eyes and said those words. When she replied in kind, his eyes hazel eyes beamed. 
     Love is weird. I thought I loved you then, but did I? Maybe? But maybe I was just really horny and lonely. I definitely don’t love you now.

     “Why do we always have to talk about these kinds of things?”
     Why, really, do we have to talk at all?
     “I don’t know. I guess that it’s nice to reminisce about the nice times that we’ve had together.”
     Sharon looked straight across the table to where Daryl had been sitting and said, “I’ve been thinking. We’ve been together for almost a year and a half now. Don’t you think it’s time to give ourselves a little space and maybe see other people?”

     “You mean like an open relationship?”
     “No. I just mean us not see each other anymore. Ever.”
     Daryl stopped chewing and looked up to the ceiling fan, which had finally whirred on.
     “…I don’t think that’s something we need to do.”
     “I do,” Sharon said, shoving her heels deep into his side as she pushed herself out from the booth. 
     She stood up, looked down at him as he masticated on a mouthful of pulled pork and said, “I’m dumping you, Daryl.”

                                       Nanny

     “Good timing,” Giselda thought, taking off her shoes. 
     Jimmy, the 13-month old she was hired to watch, had fallen asleep for his morning nap just before she arrived.   
     Giselda looked out the window, from the dried-up grass on the expansive front lawn to a sign in the neighbor’s yard across the street that read “We’re proud of our Christian Academy student.” 
     She took out her phone and scrolled through Facebook. Her friend Adriana and her new American husband had posted pictures from a fishing trip to New Hampshire. But Giselda knew that Adriana didn’t even like fishing. Giselda’s mother had finished reading the Harry Potter series for the fifth time. Her São Paulo high school classmate, Luiz, posted something new against Bolsonaro.

     “Would you like a coffee?” asked Lisa, Jimmy’s mother, who Giselda had responded to on a local Nannies/Babysitters community page seeking childcare. 
     “No thank you.”
     “Good, because I’d have to charge you for it.”
     Lisa laughed and stood over Giselda, watching her look into her phone.

     “How long are his naps, usually?”
     “What?” asked Lisa, unaccustomed to ESL speakers.
     “Jimmy’s naps, are they usually for one hour? Two hours?”
     “Oh, I don’t know. They could be anywhere from 15 minutes to three hours.”
     “Wow, quite a range!”
     Lisa nodded and walked away. 

     Giselda fished out a hair tie from her purse and tied her long, silky black hair into a ponytail. She looked to her phone and saw Rodrigo’s number pop up. They had broken up two months ago, but he kept calling her to “check on her health.” It was around the time that she had Covid when she stopped taking his calls. She had been symptomless for over a month and a half but the only foods she could taste were Guaraná and her roommate’s barbeque beef.
     Giselda texted, “I’m fine. Stop calling me all the time. Ok?”
     A few minutes later, just as she heard fussing coming from Jimmy’s upstairs bedroom, Rodrigo texted back, “Ok. But I care about you. If the feeling isn’t mutual then I’ll just go back to São Paulo.”

     “No, stay. Not because of me though. I don’t think we’ll ever get back together. But the money you make at your fancy job, it doesn’t make sense to leave now. Your family needs that.”
Rodrigo was a software engineer at a Boston financial firm. Although he didn’t make as much as his American colleagues, he was fairly content with his salary.

     Giselda felt a tap on her shoulder.
     “Umm, excuse me. Did you hear Jimmy?”
     Lisa looked down at Giselda with small, squinting blue eyes. Her dirty blonde hair was parted in the middle and tucked behind her ears. When she bent over and tapped Giselda, the right side of her hair fell across half of her face.
     “Yes, but it just sounded like a little fussing. Do you want me to go and get him?”
      Lisa stood upright and leaned towards the staircase with a tilted head.

     “He quieted down. Never mind.”
     Lisa went back to the kitchen and began chopping vegetables. She turned on the radio to her favorite soft rock station.
     “Just as an fyi, I don’t pay for the time when he’s napping.”
     “Are you serious?”
     “It wouldn’t be fair to us. I can’t pay you to just sit there. We aren’t loaded.”
     “It doesn’t matter if you’re loaded or not. This is my time that you have to pay for.”
     “It’s your time to go on Twitter or text your boyfriend. I won’t pay for that.”

     Lisa opened the freezer and took out a plastic bag with several pizza crusts from weeks ago. She placed them into the microwave to defrost, then put them in the toaster until they got warm and crispy and started chewing on them while chopping celery.
     Giselda remained seated in the family room and stared at the Persian rug. It had multiple gilded boarders, each one smaller than the others. In the center, there was a detailed depiction of a king seated on a throne. A woman wearing a wimple clasped his leg with both hands.

     “I like that we can still talk,” texted Rodrigo.
     Giselda started to text back when her phone was snatched away. Lisa stood over Giselda wagging it in her face. 
     “Hey, we provide free internet service for you here and we aren’t a public library. So, drop the sour face, k?”
     Giselda gritted her teeth as Lisa handed her phone back. She looked back to the picture of the king and woman. The king had one of his hands on the woman’s head, as though he was petting a dog.
     Giselda clutched the phone, put her arm back and hurled it at Lisa as she walked away.

     “Ouch, fuck!” said Lisa, holding the back of her head where the phone had hit. She pointed towards the door and said, “Get the hell out of my house!”
     Giselda walked slowly towards Lisa and picked up her phone from the off-white linoleum kitchen floor.
     She looked into Lisa’s eyes and said, “Gladly, you miserable woman.”

As a prolific author from the Boston area, Peter F. Crowley writes in various forms, including short fiction, op-eds, poetry and academic essays. In 2020, his poetry book Those Who Hold Up the Earth was published by Kelsay Books and received impressive reviews by Kirkus Review, the Bangladeshi New Age and two local Boston-area newspapers. His writing can be found in Middle East MonitorZnet34th Parallel, Pif MagazineGalway ReviewDigging the FatAdelaide’s Short Story and Poetry Award anthologies (finalist in both) and The Opiate.

Poetry from Beth Gulley

At A YMCA Swim Meet

The inexperienced,
unsupervised lifeguard
splashed the baby vomit
into the pool.
The mothers collectively gasp.



Last Chance

Last chance sunflowers
Wilt on the table
Winter claims it’s time





Brave World

I was brave today.
I went into the world,
and didn’t take a sweater.





We Find Out

This house 
hemorrhages nails.
Where from?
After a big wind
we find out.






Poetry from Charley de Inspirator

TESTIMONY

Darkness came upon me like a tsunami

And Scorched away my smiles

Pulling me through the shadows of death

Disassembling my tiles

Ignorance was my buddy,

We wined and dined,

And life that as once shining,

Has not started dimming.

I battled against myself

Cuz I couldn’t flee my fright

Anger reigned over my voice

And darkness was my sight 

At some point, I felt the turbulence circulating my veins

The rage of horror parading my scenes

I feared my fears and hid my pains

Pretending freedom but mentally in chains 

One day, I felt a man coming my way

No, not just a man but a God

A God who holds the world in his hands

His fragrance overgrown my odor

His presence made the day

And once again I felt I had a savior

He touched me and give my life a meaning

He broke me and gave me a new 

beginning

He scorched me so I could bleed away my pains

He baptized me and made me clean again 

He give me a new name and purpose

He called me his own though he wasn’t supposed

I knew I wasn’t worthy of him and all his glory but he called me his son; and to me, eternal life he proposed.

I gladly accepted to be his citizen

Rebored of his love

Justified by his blood

and Sanctified by his choice

FOR THIS, I TESTIFY

Because he rectified all my mistakes

Justified me no matter what it takes

Nullify my flaws

Amplified my joy

And Solidify my hope in him

So this is my Testimony

Charles G. Kpan, Jr, is a Spoken Word Poet and goes by the Penn Name: Charley De Inspirator. He termed his writing style as Inspirational Poetry. His work has been featured in Local and Internal Poetry Magazines including: PoetrySoup, We Write Liberia, League of Poets, Eboquils, helloPoetry, All Poetry, SpillWords etc.

Essay from Jeff Rasley

Darkness and Light, Despair and Recovery

In a dark time, the eye begins to see.

Theodore Roethke was born in 1908 and died in 1963. The quote is the first line of his poem, In a Dark Time. Roethke won the Pulitzer Prize for poetry in 1954 for his book The Waking. He won the National Book Award for Poetry twice. Despite the accolades he received for achievements in his chosen craft, Roethke was a tortured soul. “Dark Time” reflects his struggle with madness. It has many allusions to a psyche filled with fear and dread. For example:

A man goes far to find out what he is –

Death of the self in a long, tearless night,

All natural shapes blazing unnatural light.

Dark, dark my light, and darker my desire.

My soul, like some heat-maddened summer fly,

Keeps buzzing at the sill. Which I is I?

And yet, there is a hopeful note in other verses in the poem. Roethke struggled with mental illness, especially depression, but he did not let it extinguish his creativity. The darkness in his poetry is usually overcome by the light of hopeful change. The darkness of despair can be escaped. There is a way out of depression, if the light can be found.

Roethke was a nature lover. He found solace being outside in forests, fields, hills, or dales. But his soul seemed to respond as deeply to the dark side as to the bright side of the natural world. Nature inspired allusions to both darkness and light in Roethke’s poetry. There is the bloody evisceration of prey by the predator, and there is the shimmering surface of a tree-lined brook. Roethke understood that both are inherent in Nature and in human nature. We can’t have light without darkness nor darkness without light. They are yin and yang.

Humans may be unique in our capacity to despair, as well as our ability to recover from it. Another poet, May Sarton (1912 – 1995), in her Journal of Solitude, put it this way:

Does anything in nature despair except man? An animal with a foot caught in a trap does not seem to despair. It is too busy trying to survive. It is all closed in, to a kind of still, intense waiting. Is this a key? Keep busy with survival. Imitate the trees. Learn to lose in order to recover, and remember that nothing stays the same for long, not even pain, psychic pain. Sit it out. Let it all pass. Let it go.

Roethke thought humans must experience the dichotomy of the light and the dark. And so, his mental illness, loss of a professorship, and a failed love affair were dark experiences, but they became challenges essential to making him who he was. Living through those periods of darkness, as claimed in his poem, his eye began to see. And what it saw was light at the end of the tunnel. Roethke ends the poem so:

A fallen man, I climb out of my fear.

The mind enters itself, and God the mind,

And one is One, free in the tearing wind.

In your experience, does light always, eventually, follow darkness? I am sometimes haunted by dark thoughts. They usually come at night, when I wake up from a troubled sleep or I am having trouble falling asleep. I do not consciously welcome these thoughts into my mind. It feels like they come uninvited and unwanted, like they have surfaced from a murky subconscious level. Why am I unable to banish them forever and know they will never return? I don’t know. So far, light has always followed those dark thoughts and every other type of darkness in my life. But that is not true for everyone I have been close to.

Three close friends of mine committed suicide. I know why each one of them did it, and I am sure that two of the three thought that they could not find a way out of the dark place they were in, except through death. I hesitate to judge their decisions, but I think those two friends of mine could have found a way out of the darkness, if they had been willing to put in the time and work to find the light.

I wish Bob would have kept trying to find alternative ways to deal with his bi-polar condition. I wish Byron would have taken responsibility for his deception, accepted his marriage was over, and built a new life. But Bob had tried for over twenty years to find a satisfactory way to live with his mental illness, and finally gave up trying to find a way out of that darkness. I think Byron was so intensely ashamed of himself that he was convinced he did not have the strength to work his way back into the light with his family. He must have felt that he did not deserve forgiveness, so he sentenced himself to death.

If people see a lighted tunnel as they are dying, as some survivors of near death experiences claim, I hope Bob and Byron saw that light and could feel some warmth at the end.

Ray’s case is more difficult, because he killed his life-partner Juan and himself. Juan was an eminent physician and proud man, who lost the ability to control most of his faculties in his mid 80s. He wanted to die. Ray fulfilled Juan’s request and then immediately committed suicide. Ray left his estate to a school for Palestinian children. He let it be known that he preferred his remaining wealth to be spent on that worthy cause rather than dwindle over time maintaining a life he did not want to live without Juan. Ray thought that putting Juan out of his misery and dying at his side was the way out of the darkness that had descended on them when Juan became incapacitated.

I was surprised to learn of my friend’s murder-suicide, because I thought I had talked him out of the plan. Ray told me a week or so before he did it, what he planned to do. I thought I had convinced him to meet with a Quaker “clearance committee” to talk through the issues before he took any action. However, he executed his plan the day before he was scheduled to meet with the clearance committee.

Ray thought that ending Juan’s pain was the way out of the darkness for Juan. And without Juan, Ray thought he would never feel the light again. I know that Ray believed ending their lives together and giving $250,000 to a school for Palestinian children was the right thing to do. He was convinced that putting an end to Juan’s misery and ending his own life was the best way to end the darkness they were experiencing. Ray was an atheist who did not believe in an afterlife, so he did not expect to see any light when his life ended. He just thought it would end.

As for us survivors, whether it is light, darkness, something else, or nothing at all that is at the end of this life, well, that is something we will eventually discover. If physical or emotional pain is terrible, and there is no hope for relief from the suffering, does death hold the only possibility of escape from that darkness into light? Will those who have faith in a lighted after-life be disappointed or rewarded for their faith? Does light always follow darkness, as Roethke implies, or will there only be darkness at the end of a lighted tunnel?

I don’t know the answers to those questions, but I agree with Roethke’s wisdom. There will be periods of light and darkness during our lives. That is natural and inevitable. The challenge is to find a way to use our dark times as opportunities for deep reflection, and then find a way back into the light. If we can find meaning in the darkness, and then find our way back into the light, Roethke’s assurance is that life will be even better. Do you believe it?

The enigmatic artist, M.C. Escher (1898 – 1972) wrote this in a letter to his son: A person who is lucidly aware of the miracles that surround him, who has learned to bear up under the loneliness, has made quite a bit of progress on the road to wisdom. Escher struggled with depression. Although his oeuvre now holds an honored place in modern art and eventually became popular with academic critics and the general public, he felt misunderstood by the critics and the art-buying public. His work was such a unique blend of mathematics, multi-dimensional perspective, optical illusion, fantasy and realism that it was and is weird and confounding. A common reaction to an Escher painting is, How did he do that!? What kept him working at his art, despite feeling unappreciated and misunderstood, was his sense of the miraculous in Nature and in human consciousness. Escher was convinced that, although it was a lonely one, he was “on the road to wisdom.”

May we each find that path.

This personal essay by Jeff Rasley is a chapter from his recently published book, 72 Wisdoms: A practical guide to make life more meaningful, published 2022, Midsummer Books.