Poetry from Michael Marrotti

Whiteness Without The Guilt

Symmetrical
perfection
easily
concealed

Tranquility
in my
pocket
whiteness
without
the guilt

A bitter
taste that
contradicts
the bitterness
of the past

It lasts long
enough to
make it stop

For once
the clock
is my friend

 Michael Marrotti is an author from Pittsburgh, using words instead of violence to mitigate the suffering of life in a callous world of redundancy. His primary goal is to help other people. He considers poetry to be a form of philanthropy. When he’s not writing, he’s volunteering at the Light Of Life homeless shelter on a weekly basis. If you appreciate the man’s work, please check out his his book, F.D.A. Approved Poetry, available on Amazon.

Poetry from Michael Robinson

Tick; Tick; Tick,

That when the bomb inside of me was set.
At any time it may go off,
And then at that moment,
I would commit my suicide.
It’s been ticking for years,
It started in 1964,
Inside my mind is the bomb from 64.
Will someone defuse it?
Can it be defused?
Time is running out for me.

Tick, Tick, Tick.

*****

 

Star Night Star Bright

Shooting stars shooting past me,
Shooting guns shooting at me,
Shooting stars shooting past shooting guns,
A soul shooting past shooting stars,

There’s hope!

*****

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Poetry from Laura Kaminski & Siraj Sabuke

PETALS OF LIGHT
Darkness has veiled us
In the heart
Of this labyrinth
In this season
Of no moonlight
How do we safe-shuttle
Our bones and flesh
From this vultures-ridden
Cemetery of a home
To the lit path
That leads to the garden
Of petals of light?

-Siraj A Sabuke

*****

FIND THE LAMP AND FILL IT
for Siraj A Sabuke
The moon is veiled that we might learn
to miss her face. She hides her light
that our feet might learn to find their
way by touch, learn to read the messages
left for us in the cemetery’s dust.
Just because the vultures perch upon
these trees around the graves does not
mean they will feast on us. But loathing
and fear tempt us to cut off our own
limbs, to offer them like money on top,
a bribery that lurking things may turn
away from ours, from us, go blind small
and let us pass in safety, unmolested.
But in truth, vultures will have their
feast. Should we wish them on someone
else instead of you and me? The moon is
veiled, not that we might stumble, not
that we might fail to find our way. She
hides her light so that we might stop
casting our own blindness on everything
around us, blame the darkness for being
so oppressive and misleading. Who picks
a lamp from the closet and polishes its
surface when the light around him shines
sufficient? Who, in moonlight, remembers
to take time to thread and trim the wick?
The moon is veiled that we might learn
to miss her face, veiled that we might be
reminded to fill our own hearts with oil.
-Laura M Kaminski

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Poetry from Gabriella Garofalo

And that’s how she sees the East:
The blue hunger where a child fell asleep,
A theatre actor drank himself to stupor, maybe death,
A teacher misplaced his tablet, mobile and life,
A silent man gazed at her through fear and rioting cells -
Water, mist, who cares, it happened
When she was waiting for light to get a move on
And jet her branches, for days to disperse
In white hunger or nipped desire -
Do come in, please take a seat,
Shift branches from the table,
Shift fractious lights, I know, it’s the prophet’s fire,
Don’t ask ‘Souls get lost in blue, is it fair’,
Don’t ask ‘Are mothers risk or Lethe
When averse limbs and snowy manes invade’ -
Demise, the wind won’t listen if you run
Through white pages, through life tearing apart
Words, grass -
Even the moon halts in a truce wonkier than sunrise,
Green hunger where women sport
Sharp features or white doughy jowls :
Do they look like vipers or pancakes?
Whatever -
Each sunset deserves a long wild wake.
I said ‘Go, naked soul’
To the night silence fading in blue
Where hunger led her and her likes:
To crave a Cyclops, a freak,
To surprise chimera parties, over there
You can see words, the freaked pedestrians
Opposite traffic lights: waste, loss, demise,
Or dawdlers lost in a maze, the only signs being
Babies ravaging mothers or teats,
Butterflies asking spent flowers for more -
So, did you find them in a junk shop?
Nice, ok, but what are they for,
Look, it wasn’t that bad when I was a child
And stared at them for a long while,
Their eyes swamps of blue tenderness
As they said their name, life or demise?
Whatever, handle with care,
Such bloody high maintenance!
And you don’t fret, soul, if your eyes
Scare the beejeesus out of them,
Stay here and let Cassandra hide -
I know, wasn’t he lucky with such friends
Who tied him up to the mast
While the song went unfazed -
Mind, we are not, too much time on their hands
Those three guys or that light
Doesn’t call it quits, who knows,
More power to her, we’ll make do
With a merry parade of bright-coloured
Bedding and words -
Things changed for worse? Maybe,
But colours we’ve got and a vagrant light:
Enough for a shelter? I dunno -
Oh, so sorry, dear soul.
That sticky love of mothers?
Thanks but no thanks,
Time kindles himself through his offspring,
No one knows his father -
A bastard, but stick to him
And you’ll dash to death like a child
To windswept spring grass -
Flowers and butterflies, hopes?
No, lest she go wild,
Ban out the silence,
At best cast some embers -
Blessed abundance went missing at last -
To think you saw the harshness of flowers
As a force, to think you arranged rituals
For the goddess of harvest -
Look at you now, helpless in a maze
Of pomegranates and misleading oaths -
Who’s to blame, blue or demise?
Nonsense, blue came to help,
Stones didn’t sneak off
And where’s the point in music, cider,
Sweet gifts from your friends -
She falls asleep out of the blue:
End of books, end of packed rooms
As the tangled veins show you
Her true gift -
Deep silence at night
When colours sell themselves cheap,
Yet stars insist on a sky blank of zest
And blue light says “to every night its moon”,
Yes, yes, but get you fruitful, fear,
Dig graves, dig words,
Forget wintry souls:
Even fire skips them when diving
Through roads, squares, signs -
You’ve given enough -
Stop it now.

Born in Italy some decades ago, Gabriella fell in love with the English language at six, soon after she had started writing poems (in Italian). She has contributed to a number of national and international  magazines and anthologies, and is the author of Lo sguardo di Orfeo, L’inverno di vetro, Di altre stelle polari , Casa di erba’, and in English, A Blue Soul and Blue Branches.

Poetry from J.D. DeHart

Hollow

My name is not
the hollow where I ran, brushing
past leaves, leaping away
from hornet nests, collecting
thick husks and seed pods
My name is not
the echo of a gunshot
across observing mountains,
or the cut of a trail through
thick undergrowth, looking
for wild signs
All of these elements
comprise my story, compose
my mind, but none of them
name me completely.

Dementia

Restless, she roamed
the streets and night, crooning
about ex-lovers, holding
on to fragments of memory,
half-remembered faces, names
that no longer held meaning,
floating like party favors
drawing her back down to earth
with the promise of a history

Jaylan Salah reviews Janine Canan’s book Mystic Bliss

Mystic Bliss: Janine Canan’s Mysterious Skin

Janine Canan's Mysterious Bliss

Janine Canan’s Mysterious Bliss

 

 

 

 

 

 

 

 

On her newest poetry collection “Mystic Bliss”, Janine Canan continues to shine through her dedication to Earth –and my humble self, on my signed copy only- her reflections on life, the self, the damage done to women and how they can rise above.

The collection is bilingually translated to German, which mirrors Canan’s devotion to a pan-cultural presence, and a more solid sense of self through her universal meditation on women, God and humanity.

In her sharp, abrupt use of imagery, Canan’s language seems heavily influenced by the Dickinsonian style. Canan is not generous with her words. She uses the shortest form of the written verse to express the meaning she tries to convey. Her meanings, profound as they are, carry the syntax which she masterfully desires. The abundance of layers makes up for the more intentional themes viewed as unfavorable forwardness in some poems such as “Prayer” and Streams”.

Canan’s poems vary from simple, mundane expressions of monotone feelings “Sorrow”, “Stages of Woman”, “Mirror” to the more mysterious ones, laden with complex meanings and oozing with thousand methods for deciphering the subtext. Among those that shine is “Consciousness” in which she ends the poem with a bang;

before we know

we are god

There’s also the emotionally-charged “Headless” which is a testament to the violence women face on a daily basis, or “Idiot’s guide to survival” which mourns the destruction of Earth by the hands of men.

Despite the eerie feelings Canan’s poetry could evoke in you, she always ends on a high note. Like a prophetess her message was not to be a warner, but a herald of glad tidings onto people who will listen to her. So listen closely to what she has to say, for her words would definitely be

inscribed on your soul

in lasting Light

Janine Canan’s Mysterious Bliss is available here.

Poetry from William Blome

WOONSOCKET

Little Woonsocket, little Woonsocket, you’re still figuratively bigger
than a Pomeranian or an Indigo Bunting,
and plumbers here a century back moved out
on horse-drawn carts and carried decent rubber plungers
underneath their hairy arms, and they sported rubber boots
that many-a-time father made to double
as waders come Rhode Island’s snarking trout season.

Little Woonsocket, little Woonsocket, I screamed into town this morning
as two rippling, chunky women were doing boom-box calisthenics
at the end of the open road, up against the city’s lesser gates,
and the only thing I had in my car to barter oral pleasure
was a one-third empty jeroboam of Carlo Rossi red,
though as shit and sweet fortune would have it,
that was more than enough to spear the black girl’s thong
for later framing and ridiculous mounting
as high as I can reach up walls in daddy’s fireplace-d den.

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