Juneteenth Such a heart wracking event Bloomed yellow, green and red streams of gladness Ribbons around a geographic pole Unbridled dancing, hallelujahs. Once long ago when Texas was the last remaining stronghold of the Civil War black people toiled resigned in its fields Rattling horses Cleaning homes No one the wiser Not most whites Not blacks. The imbalance of nature hummed nicely As planned Though thoughts, wild thoughts Caromed with force and vigor around the cranium of mind. What color is freedom? What crack whackery brought that lone horseman to the capital His mount dusty, riding Sweat stains lining his neck and pits Didn’t ask for water Tied up his hoss Delivered his message: The General is coming! On Sunday, June 18, 1865 General Gordon Granger marched 1,800 Blue Coats into the island city of Galveston, largest in Texas, Critical seaport. On Monday, June 19, Granger issued General Orders No. 3. Lincoln told him, “Better read it out loud, Some of them don’t know how.” In fact he read it several times around the city At the market At the Osterman building, Union Army headquarters Over by the judiciary Down on the wharf . . . Two months previous, when Texas finally capitulated and was annexed by the Union Granger took troop command of the District of Texas. His first official act, read General Orders No. 3: The people of Texas are informed that, in accordance with a proclamation from the Executive of the United States, all slaves are free. Another day at work in the life of a career soldier. A life-changing event for 250,000 enslaved black people … Didn’t know they had been freed two years earlier. Why so many? By the time General Granger assumed command of the District of Texas, the Confederate capital, Richmond, had fallen, the executive mentioned in the order – President Lincoln – was dead, and the 13th Amendment abolishing slavery would soon be ratified. Is it possible to have a second independence? But the slaves weren’t free. The ex-Confederate mayor of Galveston flouted the Army, forced the freed people back to work, In point of fact, after New Orleans fell to the Union Army in 1862, slave owners in Mississippi and Louisiana and across the South effected their own trail of tears, a re-enactment of the Middle Passage, drove 150,000 slaves on a march to Texas, Deemed the best place to work the economic engine of slavery. Build America. Galveston was a hop and a sneeze from the Caribbean slave-trading islands Privateers and smugglers used it as an outpost for their operations. As long as the Confederate Army had control, there was no way to enforce Lincoln’s order. What turns black to red? Freedom came to Texas slaves two years later when the Confederacy finally surrendered Time enough to harvest two cotton crops When is free, free? Spontaneous celebrations broke out among the freed slaves Churches and homes, picnics and barbecues What is the inside of red? The color red became prominent Partly because it is the color of blood and Partly because it was a color of spiritual power among the Yoruba and Kongo peoples, Shipped to the Caribbean and Gulf Coast long after the slave trade was outlawed in1807. Red, a cultural reminder of the roots of the enslaved – Barbecued ribs in red sauce, Red velvet cake, red beans and rice, lemonade with fresh strawberries, strawberry soda bottled and shipped from Milwaukee. When does emancipation become freedom? ~ Sandra Rogers-Hare
Poetry from Santiago Burdon
Angry Streets The streets are angry tonight traffic ignorant of the punishment it inflicts By driving upon their asphalt backs Sidewalks click clack with choatic rhythm footsteps tapping out a nervous pulse the throbbing heartbeat of a city near cardiac arrest lights grow brighter as night drips darkness Into a black ocean sky overgrown foliage hides a concrete park bench my slumber berth for the night The cement mattress is harder than I can remember. Can't find any reason to complain It's time to pursue an evasive sleep Knowing the catch isn't worth the chase Left only to wrestle treacherous dreams The author of a broken rest Car horns, gunfire and screams Sing a lullaby off key Bleeding through the chorus of nights lacerated voices in between brief moments of silence Sneaks the moan of a lonely saxophone Crying notes to a tune I've never heard before Although it sounds strangely familiar Temporary Sherry The diamond in her wedding ring has lost its glimmer Gone is the sparkle that once danced in her eyes Left with a basket full of dirty laundry Every memory a thief that has robbed her smile She stares out the kitchen window A future now muffled thunder in broken skies Her conversation with silence disrupted By the sound of the baby's demanding cry
Poetry from Andrew McDonald
Seasoned ritual What these lights exclaim— a commonplace of forms in pronouncement of death. They wander untruths hollered foregone of a solstice established a season of touch. Their dross is predicate to a remonstrance performed; shaping as best that fathom of force cultured from specks unjustness shines on bathed nights lacked their lustre. (Here a life extolled; there a dream extinguished). Now so foreign we’re stepping over the timed-in chants to fend for places consenting rest from what reasons that ask it of celebrations intolerance begets, that is how to exercise rhythms their shod worthiness proclaimed in the sudden redux of antiphons once scant now abundant. We trail in our responses, aligned to make delicate the occasion we’ve met, clutching our tapers so that light, too, does not more easily perish. Window shopping Cut figures shaped waxen mirror intentions formed of haphazard strolls down streets love ill-mannered pretends them— some ticketed green of truant devotions come back this garden of delights popular in what’s hoped for. Most of it’s distracting, full of stops and contrition unripe statuary tends those whose lives unfold in service to lost ancestors. But Time will come them who favour this will to remark it— we’re selves left as are to own devices happenstance if birth then recession cemented along lines that dock us of valuables given. Ready or not we wouldn’t have it that smile half-shaped for the crowd to mumble, a relic ambulating distance and emotion the window gives toll to as we gather and shop in the know of what it’s wrought an age post-capitalistic of booming abundance. On a reading of Melanie Klein during lockdown Projected selfhoods applaud affirmations to the bone; deep their solipsism broods the selfishness they’ve caused if wrapped around is a gift their Others’ not wanted but of loans disposed to hearts who contend them. They ride along such subtle devotion its violence that prospers raw conditions suffering made norm as Life is its truth when pretensions implode and grumble the heresies politeness helps form in softness mere cover what tensions belie. Avatar Legitimate runs can’t handle circumstances of commotion. They get wind of escape through worlds our falsehoods outmoding as the real less tangible is speculated more worth than this daily plot thick with the uninitiated. But here: burnt-out traces of corpse project drop-offs the mainframed redoubt-in, lost to bigger cause inhuman as much the next one proposes some new god its hereafters the digital allots of when embraced extensions regulate newness pulled-out from deathbeds their visions that commonplace of norms our postmodern living. Monotony gone deposits best colour this mutiny about us.
Poetry from Anderson Moses
PSALMS 22:19 After Shedrack Bulus To the tongue that cradles on wounds, every poem holds a hammer against my body. Which means, this body lacks a body, sometimes, it is a garden & other times, it's a flower — Perfect paradox saying; the things I once admired now plague on me. Maybe, this is how a body translate to a graveyard. Again, cast me to a river & I'll comeback a sand, scars & death close dialect engulfing a body. Every morning I trust my knees for Grace, but bleeds still flaunt out of me like a spring bee. & these scars too renders me a sacrificial lamb. Tell me, what mouth will remember me & still gospel how to read a poem before a congregation of grief?. The priest said, Son, learn how to build a tower for your scars. Perhaps, I remember— even the Bible pulled pigs out of a body. Say, to nurture a body for moths. Grace tarry & everything ends in science. At least to saviour a body. I, a rotten flesh hunting for hope at feet of a round rope. This poems breaks & clouds this body to a dust. Lord, won't you undress me to a butterfly? Now that blood still wets my knees on breaking tarmacs. ____________________________________________________________________________________________ I CHRISTENED MY BODY A HOME At night, I briefcased my unbelief into the esophagus of my stepmother. Nothing defines a boy more than grief. & I, too. My body have cocoon myriad lightless stars, which often deduced me to a prosaic equation, I mean something poor devoid of brilliance— Emptiness filled me to the edge, & I bend like a crayfish. Which is to say, my body still clings on rotten roses. I lost a sight of myself, & my cousin is now an acronym mouthed by birds. Tell me, In what way can i unbuilt this body?. Perhaps, this poem is modern. Here, everything labyrinths to a requiem, grief, bullet, or whatever can murder. & say, a rose fading to a scar, My shadow bounced back at me. My body shriveled to a room with sharp shards. All wanting to cut & open me to a naked wound. Yesterday, i met God in the flickering of a crescent, I wanted to split this body before his presence, To unfold my soul to a faith. But, here, not everything bring peace. So i relinquished my simulacrum to the mirror & christened my body a home. ___________________ Anderson Moses, nicknamed (Son of Moses) is a poet from a small village in Akwa Ibom State, Nigeria. He's a student of History and International studies. He's works have been published/forthcoming in Brittle paper, Nantygreens, Eboquills, Arts lounge and elsewhere. Apart from writing, he enjoys snapping images.
Poetry from Ann Pineles
Quick Write 5/24/22 Sitting at their desks, in the quiet before the storm, They listened to their teachers. They looked back on a lessening pandemic year, With parents and grandparents and friends finally within touch. They sat at their desks in a classroom. The last day of school They looked forward to summer to freedom to playing and to time with friends In a lessening pandemic year. They felt safe. Children. Someone’s child. Someone’s sister. Someone’s brother Someone’s best friend. Someone’s everything. Someone knew these children from birth And held them and kissed them and snuggled them and treasured them. Maybe they were lucky at home and had meals everyday And had parents who knew where they were all the time And had friends who cared if they talked to them and played with them and ate with them. Maybe they were less lucky and had one parent or one person who looked after them. Maybe they were happy to be in school because the other place they could be was not as good. But they were all together in the classroom. All together at the same time. And then they weren’t. They were not spared. They were suddenly not safe. They were suddenly not children. First they were, then they weren’t. And someone might not have been a mother any more. Or a father. Can we be parents if we don’t have children? And then it was over.
Poetry from Patricia Doyne
JURISPRUDENCE: COLLATERAL DAMAGE A well-regulated militia… The goal is clear: no standing army here in this new country. None. If there is need, just fill the ranks with farmers, merchants, men bringing their own muskets. Then, disband when battle’s won. At least, that was the plan. Today’s lawmakers make no laws to hold back trigger-fingers itching to be free. A teen in Texas purchases two rifles, semi-automatics, rounds of ammo. No questions asked. Just “happy 18th birthday!” So kid shoots grandma in the face, then speeds to school, kills 19 trapped 4th Graders and two teachers. Stops only when he’s shot. Now come the questions; now, when it’s too late. Just six months into 2022, why 27 school shootings? Why? Why should gunmen terrorize our lives? Shootings in grocery stores, shootings in bars, shootings in cinemas, shootings at spas, shootings in synagogues, churches and mosques… Freeway shootings, subway shootings, shootings on the street. A grudge. A gun. A ton of searing grief. From politicians, waffling words and shrugs. “What can you do?” blindfolded leaders bleat. “Some people are just bad. Unhinged. Insane. They’re broken. Laws can’t fix them. Yes, it’s sad.” Does Congress realize that almost half the guns on earth are here, within our borders? A well-regulated militia… The wording is a clue. Suggests a choice. Regulations. Rules devised to curb the leading cause of death for children: guns. 1. Today we have an army. We don’t need recruits bringing a blunderbuss to boot camp, or citizens stockpiling snipers’ rifles. If our domain becomes well-regulated, what works for other countries might work here. Fewer shattered families. Less grief-without-end. A small price to pay for fewer small coffins, fewer urns of ashes kept like shrines. Copyright 5/2022 Patricia Doyne
UVALDE: THE LUCKY ONES Shots explode from somewhere. Is this real? Teacher hustles kids inside. Locks the classroom door. Lights off. Kids have practiced lockdown. But this is not a drill. Hit the floor. Get under a desk, if you can. Shh! No shoving, no poking, no whispering. Hold still. Keep quiet. Pretend this is an empty classroom The shooter breaks glass. Sprays bullets through the window. Teacher is hit in the leg. Makes no sound. Kids see her bleed. Freeze, too scared to whimper. A child also bleeds, grazed by a bullet. Clenches her teeth. The shooter hears no response. Moves on. Time stretches. Every minute is endless. Darkness fills with breathing. Keep quiet. Hope he won’t come back. Hope to get out of here alive. Hope friends are okay. Can’t text—can’t risk a light. Hope. Close by, sudden gunfire. Shouts. Screams. More shots. What is going on? Who got shot? A brother? A sister? A friend? In the dark, someone begins sobbing. But no one moves. He’s out there somewhere. He might come back. Time drags on. Why doesn’t someone do something? Call the cops? Get that bad guy? Let us out of here? More shots. When will this end? Why is he shooting at us? Can’t someone help us? Anyone? Anyone at all?
Poetry from Sheryl Bize-Boutte
LEFT TO HIS OWN DEVICES The lawnmower, the blender, the VCR, The radio, the camera, the engine in the car, A mechanical attention, Would take him far Spirited away by the reel-to-reel hum Introverted they said, crazy said some Fever passed on from father to son She lied to him when she said he was the best And after she never answered his text The IPOD, the IPAD, the laptop keys All interest lost in the birds and the bees The room, the space, the secret stash, Parents short on love provide plenty of cash No friends, no prospects, riding the mist A new world to inhabit became his wish Real flesh, real life, is just too hard No benefits discovered In dropping his guard With no competition for his number of wins Fantasy is reality yet again Screen words declare him the ultimate of all Inside he can make many more fall With nothing else to do On this side of the frame They will all find it easy To remember His name Eyes closed Racked it once And entered the game
Copyright © Sheryl J. Bize-Boutte 2017