Poetry from Iduoze Abdulhafiz (two of three)

LITANIA GESTAPO

… sheen brawls murk descent

toward drunk deft defeats

prior blind struggle ethereal sweat

heaven’s generic tableau splatters

float governing dams

spring weather active determinant

each sacred prerogative

must udder kiss for such nurse

minute attention provide

via each limen lineament

brick glove metallic sat

lip sporadic submissive gains;

constabularies crown greet credential

wads mint scent, pleasure forge

intent tenders luxe coolth

basks storm ranges age and ages

aegis frivolous seeped therein identify

ready to sleep breathing brine

urine sate bliss marinade arms —

bask lain grasp cub beer

beneath breath broke seal

wound teems detriment lament

float triremes convey sorrow

wielding lush goods banks reject

attested prior wrought course

vomit all coasted goods

isle requires and polish seeks

in order to resonate attent glim

bold dais chanting “no more dim

or dust or rubble encumbrances

yet light steps must darken

earth’s collegiate canvas churl

ordering gardenia pure thread reek

to lull aromas settling churn

latent belly dormant gains

speech zips at accomplish

melodious stitches odious police,

painting orifice virginity red

when silence spoke bursts breath legs

ambience desolate demesne lead

dipped drift dealt bliss peculiar connote…”

breaks platform spine inevitable

ensue collapse commence cheer

sharp plummet contrast thusly seeds

pogostemon acrid flare yield

blare of disparate tones

sprung onto kitchen attribute

only window sole vision cognizes

sheen shot brunt; brawl murk

toward drunk deft defeats —

in echo magnify fire scald

filming thumb flesh thrust tap

vigorous squirts peace rested brain

fails aware stainless steel passionate

kissed: tongue spit vigour manoeuvre

mans at stoic corpse

while steam escapes bars spag

lords burnt suzerain propice inhere

regular for optimum culinary spectacular

must prison reach out to dig

hunger being teeth secondary

toddler pristine depth master;

least stew is; other at soon sears

pain ubiquitous futility withdraws

faced bark recalling subjective

imperative grand objective isle

resurfaced by bleached walls

and discordance in gene as eve

deepens in nightly trajectory

defecating eigengrau with loud winds

characterising storms lost at sea

which froze — tabled shrouded

embarks to transport deathly fragrance

with such conflagration as intimidates

troglobites at dawn night

by no initiation whatsoever;

for grim gongs gloat only so —

cannot touch a handshake

despite proven historical attempts;

atomic nature maintains repel latency

vital to propagate and dispel inertia

as an eidetic cat, familiar with

trembling liquid voyages

diminutive beverage addiction

densely thick to slush tongue

and prepossess feline mental faculties

defeating charms wanton ascetic

initiate guiltless gilt age

sleep fills wondrous wanderings

beneath such overpowering beams

intensate passion spices disability

cadaver hears deaf states stating

each strand bears beards and spawns

prickle inquired attentive rendered

egress: self-curtain close event

fate eterne faithless blends

circumspect embonpoint achieve

each grade unlearnt seasons

filmed thumb recites cautious clop

through charnel presenting depth master

crucial design; doll mid-air

sleep evades at activity

night conducted attribute throb

wail, travel, family, lawyers et al.

behest eye remain repose distract

being sole grand infant; cousins past

past — seared thumb jocose attempts

unacknowledged blanch recourse rush

door obverse backs charnel dark

as feet flour strand sudden steps;

ten feet off cadaver speech

transfixed, life depart staid

applauds flaccid conclude distinguish

prior conducts caning migrations

anterior skulls proceeds sheathing

pregnant earth as a result

excess aborting and robbing heights

tectonic grants geographic vision

knowing time is singly constant

in realms of human physics;

failing to escape constraints

even often within sire establish

attracting fallibility of concept approach

leading inevitable perceptive doubt

abandonment or ignorance address

with a divine: sire — slur

for what use but beating meat

such attentive strait as incurred

may one respectable country king

accord superficiality terse; limiting

air meanders method malleability

availing memoir murky memory:

yet search signifies some significant

at consequent catch correspondence

amid blanche beckon burdened

breach threshold teeming terms

terminating resonance reasonable

cohere confusion cachet repudiates

with beer bottles bellied

in indubitable tray isles

dealing general presence darkness

focused at prompt nether egress

analysis digestion and delineation:

your father was in the hospital alone

and was not catered for for years,

how will you reply that

or think it is in anyway right —

payment must be made to our family

or you won’t be permitted burial.;

What have you been saying, Uncle?;

inflame stood scorch scalp:

I took my father to the best hospitals,

What are you saying, God! I’m insulted.

We took our dad to best hospitals,

spent what was necessary and extra.

Ekpen see what they are saying to us.

In fact; how much do you want,

how much? Five hundred k?

I will give you one million

then my siblings will add one one

to make it five, since you want five

at the beginning of the money…

What a five star family consolation

to accuse us!; O ma se vbe rio, e gwi;

Se ai, no gwi. Emwin ni ma ru no,

o ma hen emwin era kekevbe iye ru?

Uki se. O gba ne; see Uncle,

let me be sincere, I don’t like this talk

but I will try and understand

since it is the way of our culture

but please we did what we are meant.

Money is not the issue in this grief

and we are not having that type

of problem. — Tray retreats thus

gesticulated, last catching beams

blasted from a victorious moon

as it returns through recesses

to the kitchen current crowded

by hysterics dissonant effused

from debates wives and sisters voice

which escapes recalling tray

running tired through week

unto splotch of the instant

constructing water atoms from element

to molecular state incognizant

of tremendous leveled activity

sceptic chronic skeptics

colloquial confer ineffable grandeur

knowing such reject sign insane

which is wished off haughty bane

strict avoiding conceit appearances

yet may course deceit pulse justified

by a primal nature of the ego

(the lie will not be lent void)

“self” formulating extant threads

with crucial beam engross

necessitating occasioned appearance

of such as scorned towards spots

boned pretence; where inevitability

accords latter yet denies former

on grounds unexamined latterly

thence though one is not body

by body virtues one grows one

how one ends to learn to can

encountering each -ness expressed

from experiential earthenware

met meeting conscious structure ink

scribbling letters formulating fate

with its laissez faire cartography

pell-mell annals of time anally

with each blob of shit crafting a weekday

much strongly obscuring any pleasure

previous weekend sparse dished

choking parched gullet malleable spit;

forge experienced and muscle toned,

ghosts zeitgeist eterne missive —

earth sires prostitutes to make mockery

from behind blameless screens

of the helplessness of their inclinations

and inevitable succumb

left rife time’s cosmic terrain.

Bed adrift cognize ceiling glimpses:

consciousness lost as common sense

to reveal trickles of experience

scant relevant to slippery gust

wave washing cerebral synapses

with the purity of rest

necessary to run smooth drudgery

sure to spice and assist day

with accomplish element; fruition

greatly sought by the tree,

as time spills off its beer cup,

life with gusto claims at be

dissipate recreative ubiquity

dominant engross generous shrouds

for a constant aware

drives thought severe unaware

inevitable wear of the gloss

commences engross generous shroud

with feline temerity precarious

to the very facts of its allure:

the spring is paste; yet it bodes bold breaths

licked by tongues as spiced frost cup sells

off sheer slive of air moon beams dispel

cloud will derne hell bent bare ray darting

Elysium intrinsic, overpowering night

with streaks day reminiscent

after gifted apparent struggle

art thou pale of weariness

for a constant aware…

Know Lieben, Tu: et je ecrire a tu.

Poetry from Don Bormon

South Asian teen boy with short black hair, brown eyes, and a white collared school uniform with a decal.

Rain in the School

Rain taps softly on classroom glass,

Like nature’s quiet spelling class.

Puddles form in the playground space,

Children dart with soaked-up grace.

Books are damp with dreamy thought,

As thunder hums what clouds have brought.

Teachers pause as drops descend,

A chalkboard mist begins to blend.

Lunch turns into drizzled fun,

With muddy shoes and races run.

The bell rings loud through pouring skies,

While umbrellas bloom like butterflies.

Notes forgotten in soggy bags,

Ink smeared in poetic drags.

Whispers float on puddle streams,

Rain turns math into soft daydreams.

Windows blur with misty art,

Every splash a beating heart.

Lessons drift on rhythmic sound,

Where storm and joy are schoolyard-bound.

Don  Bormon is a student of grade ten in Harimohan Government High School, Chapainawabganj, Bangladesh.

Poetry from Eva Lianou Petropoulou

Middle aged European woman with straight light blonde hair and light green eyes in front of a lake with trees in the distance on a sunny day.

POETRY 

I can write thousands of poems after your poem

I can write thousands of poems after your poem

Access to a wooden box

A little box without a key

Answer to the question

We never ask

Do we have the key pass part out?

We all leave in matrix

Consuming

Wishing

Wanting more

But no access to our inner soul

Poetry from Thathanahally B. Shekara

Middle aged South Asian man in a light blue collared shirt. He's got short hair and a trimmed mustache and is outside on a sunny day with trees and other people behind him.

Our kingdom

I am become victim

For your beautiful smile,

The flirtation of lightning eyes.

Many emotions erupting in the mind

Unbearable impatience

No awareness of the world around me

Sweet feeling in the heart

The feeling of flying in the sky

Your presence is hope.

The sweetness of your voice.

I’m lost, don’t search for me anywhere

I will find you.

Accept me, my life is become delicious.

In our own kingdom,

You are the queen

I am the king

Nobody in our state.

SHEKARA T B. Thathanahally Basavaraju Shekara

I was born on 04.02.1981 in Hassan District, Karnataka State, India.  I graduated from Mysore University and did post-graduate work in Kannada literature and earned a MA from KSOU Mysore. I’ve been interviewed on many radio programs in AIR Hassan in graduation level, many poems of mine are published in many books, and some poems are published in local and international newspapers.  I believe in equality among human beings, freedom of expression, and peace and fraternity in the world.

I write poems and stories in Kannada and English that are published in international literary journals and the Global Nation of Bangladesh, The Primelore, Bangladesh. I’m published in Poetry Tribune Rumenia, Atunis Galaxy Poetry, Literary Barcelona Magazine Egift, Obra Maestra Canada, IACL, Humayun Editorials Monthly Journal of Poetry and outlets on social media.

As a writer, I want to give a voice to marginalized classes of our society, to people of different cultures, religions, and languages. I believe that people are all similar underneath our differences. This strong belief provoked me to write.

Story from Mark Blickley

Image of ram's horns, a young white man with dark hair and a military cap and suit, and an animal carcass on the dirt.

Pomposity and Circumcision

I was an extremely nervous Veteran in my mid-20s, attending college on the G.I. Bill. I wasn’t at this institution of higher learning in pursuit of knowledge. I had been laid off one too many dead-end jobs, and decided to turn to Uncle Sam to provide me with some income.

Veterans could obtain open admission status at Jersey City State College. During the first day of a literature class a rather plump, middle-aged English professor went around the room to each student and asked us who was our favorite writer.

I was at the end of the room in the back row, so my response would be among the last.

The names of authors that the students bandied about baffled me–I had heard the name of 2: Shakespeare of course (though unfamiliar with his work), but as the students spouting names totally unfamiliar to me snaked their way towards my response, I began to panic.

I wasn’t much of a reader before my stint in Vietnam. If I read anything it would be newspapers and magazines, not books, because what’s the point of reading stuff that’s made up?

But while overseas a barracks buddy we called Happy Jack gave me James Michener’s novel The Source. I told him I didn’t see the point of reading novels because it wasn’t about the truth. Happy Jack responded that it was great historical fiction and filled with cool stuff that really happened.

Happy Jack convinced me to read it. I was enchanted with the epic storytelling married to historical facts about the ancient history of the Jews that took readers up to the creation of the state of Israel.

One of the memorable storylines in this novel was about a great Jewish athlete in Israel (based on fact) who was a favorite of the Roman occupying Governor. He wanted to enhance his own glory by sending his prized athlete to compete in Rome. The problem was that all Roman athletes competed in the nude and it would be unacceptable for a circumcised athlete to perform at the games.

The Roman Governor offered his Jewish sports prodigy a very painful medical procedure that would result in a foreskin being sewed back on. The ambitious Jewish athlete dreamed of competing in Rome. When he informed his parents and Temple priests of this choice, they rebuked him and said if he accepted this blasphemous medical procedure, he would no longer be considered a Jew and would be outcast from his true people. After an agonizing deliberation, he chose the operation and this gifted Jew became a celebrated Roman athlete.

This book me led me to read another Michener novel, The Drifters, which blew me away because this author was in his sixties when he wrote about my hippy generation and got everything right, including how and what esoteric music influenced us. During the rest of my military tour, I devoured novel after novel by him.

When it came my turn to declare my favorite author, I proudly said James Michener. The Professor stopped and feigned complete shock. She said she was asking for real authors, not pseudo-writers like my literary hero, whom she put in the same category as popular exploitation authors Jacqueline Susan and Harold Robbins.

I was humiliated by her put-down, especially since I was probably the oldest student in class. But as the minutes ticked by, my shame turned into anger. I felt cut, wounded. Not only had she insulted me, but she also insulted an author that I truly loved and who had ignited within me a passion to read literature. When class ended, I got up the courage—after the other students left—to tell her how upset I was.

Back then Vietnam Vets lived with the stereotype that we were mostly crazed and a cauldron of potential violence, so she seemed very uncomfortable with my confronting her for calling out my “lame” literary taste in class.

I knew that quite a few guys in the military used Harold Robbins as jerk-off books, but Michener was most certainly not in that salacious league. I asked her if she had read any Michener books and she told me she had not. When I asked why not, she said she assumed he was a sleazy writer because he was so popular. She dismissed him as a literary artist in lieu of being a soft porn commercial hack. She said the marketing of many of his trade paperback book covers seemed to come straight out of pulp fiction art.

When I related some of his content and how it affected me to the point where I could now comfortably embrace the genre of fiction, to her credit she gave me a heartfelt apology. Her words of contrition replaced my anger towards her with genuine respect.

This early academic encounter helped erase my intense insecurity that a High School dropout with a military-issued G.E.D. diploma did not belong on a college campus.

Mark Blickley grew up within walking distance of New York’s Bronx Zoo. He is a proud member of the Dramatists Guild, PEN American Center, and Veterans For Responsible Leadership. His latest book is the flash fiction collection ‘Hunger Pains’ (Buttonhook Press).

Short creative nonfiction from Leslie Lisbona (two of three)

Three young white adults with poofy 70's hair and big collared shirts and long jeans standing in front of records on display in a store

Rapper’s Delight

It was 1979, and I was 14; my brother, Dorian, was 28.  We were in our house on 68th Drive in Queens.

Dorian worked in a record store in Times Square and always brought home the newest records. My cousin Michele and I were dancing to one of them, Rapper’s Delight by the Sugarhill Gang.  It was the first rap song we’d ever heard. It blew our minds. Up until then I was listening to the Pina Colada song.   

I was sweaty in my Jordache jeans in the living room in front of the speakers that came up to my waist.  Dorian joined us, his button-down shirt revealing his chest and gold chain. “Hey,” he said, “let’s write down all the words.”  

“Really?” I said. “It’s like 15 minutes long.”

“You and Michele write as fast as you can.”  

We agreed.  I ran to get sheets from my looseleaf notebook for the three of us. Then Michele and I sat on the shag rug, our legs stretched out under the wooden coffee table, Bic pens in hand. I felt as if I were about to run a race, waiting for the gun to go off.

Dorian put the needle down, scratching the record, the instrumentals thumping the beat, bump bump bump.  ‘I said a hip hop the hibbit’ 

We listened hard and missed the whole first sentence. “Wait,” I screamed.

“Oh God,” Michele said, her black hair spilling over her paper.

I heard: ‘say up jump the boogie to the rhythm of the boogie, the beat’

The music blared. “Just write,” Dorian shouted.  

‘Now what you hear is not a test, I’m rapping to the beat’

“Okay,” I said. “Keep going!”

‘Hotel, motel, Holiday Inn’

Pages of paper were accumulating on the table.  Debi, my sister, came down. “How much longer are you going to do this?” she yelled above the music.  

“Until we finish,” we yelled back.  

It was getting dark out. My legs were starting to hurt. I got up onto my knees.

‘I go by the name Lois Lane’

“Wait,” I said again, focusing.  Dorian lifted the needle. “Okay, go!” I said.  My hand was cramping. My handwriting looked deranged.  Dorian put the needle back on the record and sat with us at the table. More pages.

‘the beat don’t stop until the break of dawn’

I felt winded and had to pee. “Can’t we just dance?” I said and flopped onto my back.  

“Yeah,” said Michele.  

“Okay,” Dorian said.  Still on the floor, Michele and I wiggled our feet and sang to each other: “But first I gotta bang bang the boogie to the boogie say up jump the boogie of the rhythm of the boogie that be,” singing the words with conviction.

It was night, past dinner. Michele went home to her house across the street.

My mom came in later, kicking off her Ferragamo boots. “What did you do today?” she asked.

“Nothing,” I said. “Just listened to records.”

Poetry from Mirta Liliana Ramirez

Older middle aged Latina woman with short reddish brown hair, light brown eyes, and a grey blouse.
Mirta Liliana Ramirez

Very Far Away

Desolate and empty I looked out the window.

There were no roads, there was no one…

There was only me

Accompanied by my thoughts

Sometimes hopeful, other times gloomy…

I got away from everything and everyone…

I went so far even so far inside myself

That I couldn’t go back…

Mirta Liliana Ramírez has been a poet and writer since she was 12 years old. She has been a Cultural Manager for more than 35 years. Creator and Director of the Groups of Writers and Artists: Together for the Letters, Artescritores, MultiArt, JPL world youth, Together for the letters Uzbekistan 1 and 2. She firmly defends that culture is the key to unite all the countries of the world. She works only with his own, free and integrating projects at a world cultural level. She has created the Cultural Movement with Rastrillaje Cultural and Forming the New Cultural Belts at the local level and also from Argentina to the world.