Poetry from James Benger

More than Enough

Take it out

and spin it in your hand

as if that is what

it was always meant to do.

These are the moments that see us

undeniably under,

promising things physically impossible

to come through with.

But still,

it’s the hope

that proceeds everything,

and most days,

that’s more than enough.

The Interim

A rock embedded in the wall

near the bottom of a canyon

knows nothing of the constant pressure,

the massive force under which it operates,

because that’s all it’s known

since before history,

or somewhere thereabouts.

You see, it’s all about perspective,

stretching that timeline to the

far reaches of our collective imagination,

neverminding the present troubles,

or at least shrinking them

to their true infinitesimal form.

But it’s so hard to practice this zen

when every horizon

illuminates the suffering of

everyone

who could be anyone

who could be you.

On a long enough timeline,

everyone’s survival rate

drops to zero,

but what we do in the spaces

between where the string is cut

is what matters,

whether we choose to

plant

or paint

or burn.

Consequences

Mom told me

if I messed with raw meat,

especially raw birds,

I’d get sick and die.

It was a practical warning,

since we lived out in the woods;

feral cats

and coyotes

and stray dogs

always leaving half-eaten presents

that she didn’t want me covered in,

because who knew when

the well would run dry,

and a drive to town

just for a shower at the Y

was always such a hassle.

So, defiantly standing in that trailer

in 198-whatever,

I laid a palm flat on the

package of uncooked chicken.

It was still frozen,

so cold, it didn’t take long

for my hand to begin to hurt.

I pulled it away,

and rubbing it, thought:

If I die, I’ll be in so much trouble.

Weather Report

She stands under a rotting eve,

waiting for the

storm to pass.

This has been going on

longer than she can remember;

seeking questionable shelter

from a life that

continuously dumps.

Regardless of her

ample experience,

she always finds herself

soaked in some way.

But right now,

as nothing physical but sunshine

threatens her day,

she hides,

because everything is a storm

when she refuses to see

anything else.

Trees flutter in the breeze,

no cars pass to thicken the air;

it’s all a reflection of

someone else’s ideal.

There’s little but desolation behind her,

and all she can see ahead

is the unveiled threats

of an uncaring world.

A cloud purer than watercolor

passes overhead,

but all she can envision

is the coming torrent.

She stands under a rotting eve,

waiting for the storm to pass,

but it never does.

Sunrise

We admit that we see things

only from forgotten corners;

a less than desirable perspective,

but it’s the one we’ve got,

flowering from a slant view,

we see little but refractions,

and we use those to create

our own infractions,

pulverizing the semblance

of community,

terrorizing any sense of

coming to balance.

Last night,

tonight,

tomorrow;

it all blends into a blandness

felt by all,

but acknowledged by none.

So we see these things

only from forgotten corners,

but sometimes

we can look to and from afar,

and can almost make out

a new horizon.

James Benger is the author of several books of poetry and prose. He serves on the Board of Directors of the Writers Place, and the Riverfront Readings Committee, and is the founder of the 365 Poems in 365 Days online workshop. He lives in Kansas City with his wife and children.

Poetry from Jian Yeo

Black Wings

‘Twas the night before they hooted echoes of cackling laughter 

that played a loathing symphony;

knotted joints grasped the veins of empty melodies,

in hopes that someone would notice their song;

cobweb strings mourned,

as the roots anchored dust into its wooden body–

tilted softly along the whispers of dusk–and

entrapped notes being forgotten, gingerly;

pressing black and white muffled the air,

how stagnant they were under her ethereal beauty 

as she breathed warmth in their cadaver,

and hushed them a lullaby;

yet, one would only see the angelic dusts

flying ever so gently under the nacreous clouds of the evening, 

above the obscure fields of daffodils; 

their shadows pirouetted under the moon,

and they ambitiously started plinking,

caressing the void notes,

along the breaths of velvet, dark green Earth;

I heard them. 

The Korean Flower

Her glass drops reflect the eyes 

she once had sown,

as she sinks into the innocence that never 

drifted away 

A soft breeze swirls her silver hair as she 

slowly collapse 

her wrinkled eyes,

brim her lips 

with the last water,

cascades of them 

she last colored, 

kisses of sun bleeds through her body

Petals she collected in her vase,

withered too soon before goodbye–their

picturesque shades soak the 

great emerald beauty, floating 

Roses of Sharon on its gentle shivers,

and how she watch her fingers slip away from those

fading memories and the blooms

Gentle laughter of her children echoed like wind chimes,

each mellow tune harmonizing in her ears

and then she saw–

her daughter’s warm tears trickling down, her 

trembling hands cradling the weathered palms

that once taught her how to hold the world

With her last breath, the mother whispers one final lullaby for her daughter:

when mother leaves to pick oysters in the shadows of the island,

the baby stays behind alone, watching over the house

then, to the lullaby sung by the sea, 

slowly and gently, the baby falls asleep,

hoping that her daughter would marvel at the 

ephemeral Nature and one day realize 

how petals perish 

beautifully.

Last Moments with the World

A mother’s wail drifted through the gust of waves,

beware of him who walks where echo fades.

Clung her tight from the

Devil’s hand–choking,

eating those

fleshes 

gargling Death before it spoke

hushed by the piercing wind

Is that what it feels like–to be

Justified? 

Kingdoms fall

like lullabies luring a child to 

marvel at the synchronous aurora and dirge 

Nature sings so calmly,

one day it will realize 

petals wither with with beauty too cold to touch

quivers of sand and wind 

rocked the ship 

side-to-side 

tilting the decks

until all that it left was the

vulnerability a human endures–how they 

writhed.

xanthic light flickers between the rumble while her

yearning carved on the woods

zipped shut by the deep hush.

Jian Yeo is a student of poetry based in Massachusetts, where the changing seasons and scenic landscapes serve as a constant source of inspiration for her work. She is currently a student, balancing her academic pursuits with her passion for writing. 

Poetry from Mesfakus Salahin

South Asian man with reading glasses and red shoulder length hair. He's got a red collared shirt on.
Mesfakus Salahin

Mritiqa

‎Mritiqa, can you walk?

‎From one heart to another.

‎Can you arrange emotions?

‎in the heart of a boring world.

‎Can you paint with the colors of the sun?

‎The hungry stomach of the sea that has been thrown up.

‎Can you  play the flute of Hamilto?

‎In the cursed city gathered on the forehead.

‎Can you make a walking path?

‎In the unnecessary glands.

‎Can you read?

‎The silent call.

‎Can you absorb?

‎The red tears that tore my heaven.

‎Can you make me

‎a dreamy musical piece

‎Come and slowly touch

‎My final twilight.

‎Look at this vast sea of people

‎Silent in the half-darkness and the crushing darkness.

‎The fields, the mountains, the valleys, the springs are oppressed

‎Dead winter, dead spring.

‎The dead emotions of living people walk around

‎On the path flowing past the grave.

‎Candles do not illuminate the grave of the heart

‎Immortal death on the edge of the sleepless night

‎I return to you in deep sorrow

‎Leaving my hometown to the forest.

‎All pain fades away in an instant

‎In the cage of your innocent chest.

‎I like to do in search of you

‎In the form of the wind.

‎Embrace me once in both arms

‎The beginning of a bright new day

‎Cast anchor in the song of the primeval night

‎Where civilization sprouts from seeds

‎My fire pit – eager for freedom

‎In the united march of free living

Poetry from Stephen Jarrell Williams

Fourteen Lines

Thousands

with too many wounds,

bodies of stitches

hard to breathe,

earth quick rolling

sky sparks of war,

never ending

babies ready to march,

madmen mumbling

counting their gold,

drinking their mix

of death and blood,

they do not care of the innocent

only their lust for themselves.

Seven Lines

She’s over there with knees bent

her right jaw against the dirty floor

her arms behind her back

against her will

she died yesterday

the rich laughing

between the explosions of their wars.

Three Lines

Drone swarms

becoming alive

without hearts.

Too Late to Count

Someone lighting the last fuse….

Poetry from Mirta Liliana Ramirez

Older middle aged Latina woman with short reddish brown hair, light brown eyes, and a grey blouse.
Mirta Liliana Ramirez

Missing You

when it dawns,

I feel the dew on my lips

gently moistening your face…

With the passion that burns in my heart

like summer sun chaco…

my soul burns

love

I put it out with tears

of an unexpected rain of my eyes

Knowing that I can only imagine you.

crying for you

after feeling

the company of my pillow

confirming that you will never return…

Mirta Liliana Ramírez has been a poet and writer since she was 12 years old. She has been a Cultural Manager for more than 35 years. Creator and Director of the Groups of Writers and Artists: Together for the Letters, Artescritores, MultiArt, JPL world youth, Together for the letters Uzbekistan 1 and 2. She firmly defends that culture is the key to unite all the countries of the world. She works only with his own, free and integrating projects at a world cultural level. She has created the Cultural Movement with Rastrillaje Cultural and Forming the New Cultural Belts at the local level and also from Argentina to the world.

Mauro Montacchiesi creates a dialogue between Dr. Jernail Singh and Rabindranath Tagore

Older white man with reading glasses, a black coat, and blue shirt and black patterned tie.

RABINDRANATH TAGORE AND JERNAIL SINGH ANAND

Mauro Montacchiesi (Rome)

ESERGO

“Faith is the bird that, when the dawn is still dark, feels the light..” — Rabindranath Tagore

PREFACE

In the brownian traffic of cosmic thought, few, very few indeed, are the voices that shine with luminescing clarity -Rabindranath Tagore and Jernail Singh Anand are two of them. Although they are many years apart, they are brought together in the spiritual and poetic sphere of existence, where their philosophies, ethics and aesthetic minds intermingle in a metaphysical quest. This meeting is not a mere dialogue of minds, but an eavesdropping of two souls: two souls that are committed to truth, to beauty and to human advancement. Bengal’s mystic bard meets bio-textual consciousness sage of a later age; Tagore and Anand speak across the time and space of centuries and continents.

MONOLOGUE BY TAGORE

Older South Asian man in a loose fitting linen garment and scraggly beard and hair.

I am the hushed tone of the break of day.

My words are drawings in the air, my grief and my joy have come and met.

The universe is not a problem to be solved but a poem to be sung. In every flower’s whisper, in every beggar’s palm, I see the face of the Infinite.

Not to teach, but to wake. The soul is not a lesson but a dance.” Oh Earth, with fire let me kiss you, and in your embrace vanish.

HAIKU

Waves of morning light

caress the soul’s silent shore

—truth blooms in stillness.

MONOLOGUE BY ANAND

Older South Asian man with a purple suit and turban and tie standing to read from a book.

I am the pen of the hopeless, the scream of the battered Earth.

My ink suffers of time, my pen mourns.

The truth is not a relic, it is a cry. I’m moving with some prophets/ eating with the orphans.

I saw my thirst mirrored, there in Whitman and Puran Singh. In the mirror of Whitman and Puran Singh, I found my thirst; I learnt my thirsting. Out of this thirst, I forged the theory of Bio-Text—where blood and word can no longer be told apart.

APHORISM

“The poem is written by the world whispering through the soul, not by the poet.”

DIALOGUE BETWEEN TAGORE AND ANAND

TAGORE: Do you write with joy, Anand, or with wounds?

ANAND: I write because wounds have learned to sing. And you?

TAGORE: I sang before I knew what sorrow meant. Then sorrow became my scale.

ANAND: We have walked the same riverbanks, then. I named the stream Bio-Text. You called it Gitanjali.

TAGORE: And yet, a longing for the Divine in the human, the current is the same.

ANAND: The poem is our proof, our protest, our prayer.

TAGORE: If truth be told. The poet speaks, even in silence.

ANAND: And the poet restore to health, in suffering.

TAGORE: Like bread among seekers, then let our ink be shared.

SYNTHESIS

In their dialogic dance, Tagore and Anand, unveil the poem as a sacred act: both offering and resistance, both vision and balm. The mystic and the reformer merge into a single pulse of conscience. Their words, whether sung or bled, form a liturgy of hope in the age of dissonance.

PARALIPOMENON

The play takes the form of a dreamed conversation between two great poets who write in right-minded, spiritually questing ways. The form transitions seamlessly blip by blip from monologue to dialogue, aphorism to synthesis, and calls to mind Tagore’s transformative mysticism and Anand’s existential activism. The haiku is a frozen breath of union, and the aphorism is the metaphysical embodiment.

AUTHOR 

Mauro Montacchiesi is one of the leading Italian intellectuals, multi talented and multi awarded author, ex President  of the A.I.A.M. International Academy of Modern Art in Rome. 

DR. ANAND:

Dr. Jernail Singh Anand, with an opus of 180 plus books, is Laureate if the Seneca, Charter of Morava, Franz Kafka and Maxim Gorky awards.  His name adorns the Poets’ Rock in Serbia. Anand is a towering literary figure whose work embodies a rare fusion of creativity, intellect, and moral vision. He’s not just an Indian author but a global voice, challenging readers to confront the complexities of existence while offering hope through art and ethics.   If Tagore is the serene sage of a colonial past, Anand is the fiery prophet of a chaotic present.

Essay from Jo‘rayev Ulug‘bek

Central Asian teen boy in a black suit and tie.

PRODUCTION OF SMART SUPERABSORBENT POLYMERS FOR SEALING CRACKS AND INCREASING THE STRENGTH OF CONCRETE STRUCTURES

Dean of the Faculty of Chemistry, Termez State University: B.A. Kholnazarov
E-mail: baxodir.xolnazarov@rambler.ru
Student of the Faculty of Chemistry, Termez State University: Jo‘rayev Ulug‘bek
E-mail: ulugbekjorayev901@gmail.com


Abstract

This scientific work is devoted to studying the production of smart superabsorbent polymers (SAPs) and their integration into concrete mixtures with the aim of solving the problem of cracking in concrete structures and extending their service life. The study analyzes the hydrophilic properties of SAPs, particularly their ability to absorb and retain moisture from the surrounding environment and how this contributes to sealing microcracks and capillary voids within concrete. Furthermore, it demonstrates through practical experiments how the self-healing properties of these polymers enhance the structural integrity and water resistance of concrete.

The paper outlines the synthetic production methods of SAPs, their granulometric composition, chemical stability, and interaction with concrete. The final results serve to improve the long-term durability of concrete products, reduce maintenance costs, and contribute to the development of environmentally friendly innovative building materials. Moreover, SAPs help retain moisture within the concrete, thus supporting the continuation of the cement hydration process.

During the study, various SAP brands, their physicochemical properties, optimal dosages, and methods of integration into concrete mixes were examined experimentally. The results showed a significant improvement in crack resistance, water durability, and strength of concrete samples containing SAPs. This innovative approach enhances the reliability of building materials and extends their service life.


Keywords:

Concrete structures, crack sealing, smart polymers, superabsorbent polymers (SAP), self-healing materials, strength, hydration process, water resistance, innovative construction materials, concrete composition, crack resistance, polymer additives, service life of concrete, construction material innovation, SAP technology, microstructure enhancement, environmentally stable materials, variable humidity conditions, technological additives, mechanical properties of concrete.


Introduction

Today, in the construction industry, requirements such as durability, strength, and long-term performance are of crucial importance. In particular, ensuring the structural stability of concrete constructions remains a pressing issue. Although concrete is one of the most widely used construction materials, it is prone to the formation of internal and external microcracks over time due to various factors. These cracks weaken the structure, lead to corrosion, and shorten the service life of the material.

Therefore, developing technologies that allow concrete to self-heal and automatically seal such cracks is a significant goal. In recent years, smart materials—particularly superabsorbent polymers (SAPs)—have emerged as a promising solution, attracting increasing attention from the scientific and technical communities. These materials can absorb and retain environmental moisture and expand in volume within the concrete to fill cracks as they form. Additionally, by promoting continued cement hydration, SAPs enhance the internal structure of concrete.

This study focuses on producing such SAPs, investigating their properties, and evaluating their practical application in concrete mixtures. Despite the widespread use of concrete, one of its main disadvantages is the development of cracks due to internal pressure, temperature fluctuations, or external loads. These cracks reduce the mechanical strength of concrete and make it more susceptible to external influences, ultimately decreasing structural reliability and increasing repair needs.

Modern construction material technologies offer innovative approaches to solving this issue. In particular, the use of smart materials such as SAPs to develop self-sealing mechanisms in concrete is gaining significant interest. These hydrophilic polymers react with moisture in concrete, expand in volume, and effectively seal cracks. Moreover, they support the continued hydration process of cement, thereby strengthening the internal structure of concrete.

This research provides an in-depth analysis of the use of SAP technology to enhance the strength and crack resistance of concrete.


Materials and Methods

Materials:
In this study, the following materials were used to improve the crack resistance and strength of concrete mixtures:

  1. Portland Cement (CEM I 42.5N): A high-quality binder and the main component of concrete.
  2. Natural Sand (0–2 mm): Ensures uniform mass and density of concrete.
  3. Crushed Stone (5–10 mm): Enhances the mechanical strength of concrete structures.
  4. Superabsorbent Polymers (SAP): Self-healing polymers that absorb moisture and expand to fill cracks.
  5. Clean Water: Required for cement hydration and activation of SAPs.
  6. Plasticizer (polycarboxylate-based): Reduces viscosity of the mix and improves workability.
  7. SAP Stabilizer (if needed): Controls excessive swelling of SAPs and ensures even distribution in the mix.

Methods:
The following tests and experimental methods were applied to assess the crack resistance and mechanical properties of concrete and to study the effects of SAPs:

  1. Preparation of Concrete Mix:
    Concrete mixes were prepared according to the GOST 10181-2014 standard. SAPs were added in amounts ranging from 0.1% to 0.5% of the cement mass. All samples were prepared under identical conditions using the same components.
  2. Determining Water Absorption Capacity of Polymers:
    The water absorption of SAP samples was measured using the gravimetric method: pre-weighed SAP samples were immersed in distilled water for 24 hours, and weight increase was recorded.
  3. Compressive Strength Testing:
    The compressive strength of concrete samples was tested at aging intervals of 7, 14, and 28 days following GOST 10180-2012 standards. Each test was conducted three times, and average values were calculated.
  4. Crack Sealing Evaluation:
    Pre-cracked concrete samples were stored in a humid environment. The extent to which SAPs sealed the cracks was observed microscopically. Changes in crack width and depth were monitored over 28 days.
  5. Water Resistance and Capillary Absorption Test:
    Water permeability of SAP-modified concrete was assessed using a vacuum chamber absorption test.
  6. Microstructure Analysis (Structural Study):
    The internal structure of the concrete was analyzed using Scanning Electron Microscopy (SEM) to study the distribution of SAPs and their effect on hydration.

Production of Superabsorbent Polymers (SAPs)

Superabsorbent polymers (SAPs) are hydrophilic polymers capable of absorbing and retaining large amounts of water. These are typically based on acrylic acid and its derivatives and are produced using specific chemical processes. The production process involves the following key stages:

  1. Monomer Preparation:
    The main raw material for SAPs is acrylic acid (CH₂=CHCOOH). It is neutralized using agents such as NaOH, adjusting the pH to the 6–7 range.
  2. Polymerization Process:
    The neutralized acrylic acid is mixed with a small amount of cross-linker (e.g., N,N′-methylenebisacrylamide) and an initiator (e.g., ammonium persulfate or sodium persulfate). These components initiate a radical chain polymerization reaction, usually carried out in an aqueous medium at 50–70°C.
  3. Gel Formation:
    The resulting polymer forms an elastic gel with a cross-linked structure, capable of absorbing large volumes of water.
  4. Drying:
    The fresh SAP gel is dried completely using a vacuum oven or a low-temperature dryer, resulting in a solid yet hydrophilic polymer granule.
  5. Grinding and Sieving:
    The dried SAP is ground using a crusher and sieved to achieve the desired particle size (typically 100–800 microns). These granules are then added to concrete mixes.
  6. Quality Control of Finished SAP:
    The final SAP product is tested under laboratory conditions for its water absorption capacity, density, swelling recovery, and thermal stability.