John Thomas Allen is 38, loves stained glass, and loves imagery for imagery's sake. He also enjoys giving single dollar bills to crack addicts at real carnivals, igniting charity balls for people who don't work, and entertaining strange strangers online. He admires the work of Peter O Leary, Bernadatte Meyer, and Mina Loy.
The Carnival Tarot
I was there the night the carnival tarot began
In a glass mosque of magic satin
flooded with fireflies
winding the meditation boxes
to a focus levels flooded without grounding
To a focus level split in the screaming
sonar whistles
dew drops of dim deja vu,
beads bodiless with worlds shed aflame
echoes of billiard halls in their boozy spider glass
echoes of hobo clown gangs split in galleys
of long handed shadow
echoes of orchestrated lightning in black boxes
echoes of paint chips patterned after a decayed
glass marquee in downtown LA
The third eye all smoke
and thus frying the Om…
now with the dowsing snakes hushed buzz.
The fleecing syncopation of All In All
All At Once
Before falling they’d seen ameythistine temples,
rising tide of movie monsters eloped
from the moving pictures
in the singular monstrosity of self possession
gravity’s cells swallowing each free breath of even
air.
In the EVP library’s soundscape, the voices freed
the dead’s sound bytes inside holofoil crypts.
The pale swan arms, bonding afterlives, braille echoes on the No. 5
pencil
She sang the Hours with carnie ministers, crowned ghosts.
The icons were flooded out with sound mirrors the body
of a saw
Refracting icons in the library’s reading room
Howling and nude in caged specters of lightning,
eyes smoked like a blue owl
a dribbling decoy of light.
Visionary–like Lamantia
Great imagery, John!
Thank you, thank you.