GRACIELA NOEMI VILLAVERDE is a writer and poet from Concepción del Uruguay (Entre Rios) Argentina, based in Buenos Aires She graduated in letters and is the author of seven books of poetry, awarded several times worldwide. She works as the World Manager of Educational and Social Projects of the Hispanic World Union of Writers and is the UHE World Honorary President of the same institution Activa de la Sade, Argentine Society of Writers. She is the Commissioner of Honor in the executive cabinet IN THE EDUCATIONAL AND SOCIAL RELATIONS DIVISION, of the UNACCC SOUTH AMERICA ARGENTINA CHAPTER.
Mirta Liliana Ramírez has been a poet and writer since she was 12 years old. She has been a Cultural Manager for more than 35 years. Creator and Director of the Groups of Writers and Artists: Together for the Letters, Artescritores, MultiArt, JPL world youth, Together for the letters Uzbekistan 1 and 2. She firmly defends that culture is the key to unite all the countries of the world. She works only with his own, free and integrating projects at a world cultural level. She has created the Cultural Movement with Rastrillaje Cultural and Forming the New Cultural Belts at the local level and also from Argentina to the world.
Md. Mahbubul Alam is from Bangladesh. His writer name is Mahbub John in Bangladesh. He is a Senior Teacher (English) of Harimohan Government High School, Chapainawabganj, Bangladesh. Chapainawabganj is a district town of Bangladesh. He is an MA in English Literature from Rajshahi College under National University. He has published three books of poems in Bangla. He writes mainly poems but other branches of literature such as prose, article, essay etc. also have been published in national and local newspapers, magazines, little magazines. He has achieved three times the Best Teacher Certificate and Crest in National Education Week in the District Wise Competition in Chapainawabganj District. He has gained many literary awards from home and abroad. His English writings have been published in Synchronized Chaos for seven years.
We don’t want light. We want darkness, in which we could pursue our dark passions.
If we look at the focus of studies in modern times, scales have shifted away from the study of literature and greater emphasis is being placed on the study of subjects which are directly in demand for the purpose of jobs. Only those things are studied in schools and colleges which make students sharp of understanding, quick at decision making, and fast at the art of problem solving. The focus of studies, and the prized positions for which the cream of the students aspire and work assiduously, are top IT jobs with millions in packages, or positions of power and wealth in civil services.
In a scenario, where people are bewitched by the political and bureaucratic power, and wealth, it is but natural that students tilt towards subjects which deliver them into plum positions of society. Now, look at literature, a field which has been sent to margins, and now being obliterated altogether, being replaced by language studies, and teaching of letter writing and draft making. No one can contest if, as we go along, we improve our teaching techniques, and introduce new subjects. But, if we just reduce to nothingness subjects which have always remained the grandeur of universities, it is a serious setback to the idea of education at a whole.
In a society which is being controlled by power lobbies, and machines, and where tastes are being dictated, and human nature is under close scrutiny of AI and other appliances, everything can be digitalized and documented except human mind, his imagination, his feelings, and how a man reacts differently at different occasions to the same stimuli. Psychology is a science, but not an exact science, because human mind cannot be fully brought on the laptop screen. Tentative decisions are made with results which too are approximate. Literature which studies human mind, his psychology, his passions, his joy, and his pain, has revolted against regimentation and digitalization, and herein lies the danger of revolt to an organized society which believes in power and control.
Look at the plight of teachers in schools and colleges. They are booked and copy-booked the whole day, without a moment for themselves, when they can breathe free. Same is the condition of students. No time to look away from the syllabus books. The Principals are happy, now they have made every one busy, and there is no nonsense like students indulging in lofty thoughts, studying great men, and learning arts which relate to higher learning. From books to more books, this is our studies nowadays. From marks to more marks is their trek. And if they top the lists, newspapers capture headlines. And there the game ends.
Literature and Free Thought
Literature is on the losing end, and it is being eliminated, for the reason that it believes in free thought. It believes in the life of the mind. It believes in ethics, beauty, art – things which do not go well with the matter-of-fact practitioners of pratical sense. If we look back, challenge to the political power always came from educational institutions. Because universities were the places where people could study great masters, had time to discuss and debate. Now, also, debates are held, but they do not relate to philosophy. They relate to Shark Tank.
Moreover, the world has learnt the art of turning literature into a commodity, as it has done with religion. A noble activity, which is meant to refine human sensibility, can lose its own sensitivity if it is reduced to an economic activity, a passion for success and awards. The genuine man of literature has been pushed out of the margins, while those who can fight it out, pay it out, buy it out, stay in the field, with laurels. If literature does not subdue, rather gives rise to the running sensations of success and wealth formation, best sellers and copies sold, I wonder it can do the job it is basically expected to do.
Literature has become a liability for the society as a whole, when it resists the attempts to commercialise it and it fails to yield returns in terms of money and power. It is a light which shows us the path. Herein lies the problem. We don’t want light. We want darkness, in which we could pursue our dark passions.
Another major reason why literature has become a defunct field of study, relates to how the leaders of the world behave. Politics and real life is a field of a cutting-edge race of macabre lies. Literature does not fit into a world which has no stake in truth, goodness, honesty, integrity and values like ethics.
If we want a better world, we shall have to revive literature and bring mankind back from the brink of unrealistic dreams of high life based on power and wealth. Else, the drift into the morass of a world of flimsiness, artificiality, shallowness and duplicity is inevitable, and irresistible.
Dr. Jernail Singh Anand, with an opus of 180 plus books, is Laureate of the Seneca, Charter of Morava, Franz Kafka and Maxim Gorky awards. His name adorns the Poets’ Rock in Serbia. Anand is a towering literary figure whose work embodies a rare fusion of creativity, intellect, and moral vision. He’s not just an Indian author but a global voice, challenging readers to confront the complexities of existence while offering hope through art and ethics. If Tagore is the serene sage of a colonial past, Anand is the fiery prophet of a chaotic present. Recently he dedicated hos collection of 12 epics Epicacia Vol 1 and Vol 2 to Serbia and Dr Maja Herman Sekulic.
SUSTAINABILITY IN BOOK PUBLISHING: CHALLENGES AND OPPORTUNITIES
Abstract
This article analyzes the concept of sustainability in book publishing, the challenges it faces, and the opportunities available for sustainable development. It examines the use of environmentally friendly materials and energy-efficient technologies in the publishing industry, the role of digital publishing, and its economic and social aspects. Improving production processes and introducing innovations in line with sustainability principles will contribute to the long-term development of publishing houses.
Keywords
Sustainability, book publishing, eco-friendly materials, digital publishing, energy efficiency, environmental protection, waste reduction, recycled paper, social responsibility, innovative technologies
Introduction
Today, the global economy and industry are increasingly based on the principles of environmental sustainability. Sustainable development is a set of strategies aimed at conserving natural resources for future generations, protecting the environment, and ensuring social well-being. The book publishing industry is no exception to this process and is striving to increase its environmental responsibility. This is due to the fact that paper production and printing processes have a significant environmental impact. This article explores the concept of sustainability in book publishing, the emerging challenges, and the new opportunities in this field.
Main Body
Sustainability is a concept that integrates environmental, economic, and social spheres, aimed at the rational use of natural resources and the reduction of pollution. In the publishing industry, sustainability refers to processes based on the use of eco-friendly materials, energy-efficient technologies, and waste reduction. Paper production involves deforestation, high water consumption, and the use of chemicals, all of which pose environmental threats. As a result, the demand for recycled paper and other eco-friendly materials is increasing.
There are several challenges in achieving environmental sustainability in publishing. Firstly, eco-friendly materials and new technologies are often more expensive than traditional methods. This can lead to an increase in product prices and a potential decrease in consumer demand. Secondly, recycled paper may not always match the quality of conventional paper. Additionally, both producers and consumers may lack sufficient environmental awareness.
However, innovative technologies and government policies play a crucial role in addressing these issues. For example, strengthening environmental protection laws, implementing eco-certification systems, and providing subsidies can encourage the production of sustainable products. At the same time, publishing companies should optimize their internal processes and adopt methods that conserve energy and water resources.
Today, the growth of e-books and digital publishing is reducing the demand for paper. Digital publications offer opportunities for sustainable development, but they also come with challenges such as energy consumption and electronic waste. Therefore, it is important to focus on hybrid models that combine digital and print publishing.
Demand for products manufactured in accordance with sustainability principles is growing. This provides publishing businesses with opportunities to access new markets and attract customers. Moreover, increasing social responsibility improves the company’s image and strengthens relationships with both employees and customers. Adhering to sustainability principles can enhance economic efficiency in the long term and ensure resource conservation.
Conclusion
Sustainability in book publishing is a pressing issue of our time. Publishing companies must address environmental challenges by implementing innovative technologies, using eco-friendly materials, and developing sustainable strategies in collaboration with government policies. Combining digital and print publishing opens up new opportunities.
Thus, sustainability becomes the foundation for the environmental, economic, and social health of the publishing industry.
In addition, by widely adopting sustainability principles, publishing houses can enhance their competitiveness on a global scale. Along with the positive impact on the environment, they can demonstrate social responsibility, thereby building trust among consumers and partners. Furthermore, the efficiency and cost-effectiveness of sustainable production help reduce manufacturing costs in the long run. Therefore, supporting sustainability is an effective strategy not only from an environmental standpoint but also from business and social perspectives.
References
Smith, J. (2020). Sustainable Publishing Practices: Challenges and Innovations. Green Press Publishing.
Johnson, L., & Brown, M. (2019). “Environmental Impact of Paper Production in the Publishing Industry,” Journal of Sustainable Development, 12(3), 45–60.
Williams, R. (2021). Eco-friendly Materials in Printing: A Practical Guide. EcoPrint Publications.
Davis, K. (2018). “The Role of Digital Publishing in Reducing Environmental Footprint,” International Journal of Digital Media, 8(2), 22–35.
United Nations. (2015). Transforming Our World: The 2030 Agenda for Sustainable Development. United Nations.
Thompson, H., & Garcia, S. (2020). “Economic Benefits of Sustainable Publishing,” Publishing Economics Review, 14(1), 10–25.
Nilufar Mo’ydinova was born in Qo‘shtepa district of Fergana region, Republic of Uzbekistan. She graduated from the Uzbek State University of World Languages. She currently works as a manager at the “Fair Print” Typography Service. Her articles have been published in the newspaper Bekajon.
