Essay from Mykyta Ryzhykh

Futuristic image of giant pigs in a barren landscape dominated by domelike wooden structures with large spinning wheels, ladders, and sod roofs.

The Myth of the Last Shelter

AI GENERATION

The world was a graveyard of metal and dust. Once, it had been a thriving ecosystem—a place of green forests, blue skies, and quiet lakes. Now, all that remained were ruins. The air was thick with the acrid scent of burning plastic and oil, and the ground was cracked, barren, like a wound that refused to heal.

Three piglets—small and fragile in the face of this post-apocalyptic landscape—struggled to survive. Each had their vision of how life could continue in the ruins, each had their own idea of shelter, safety, and salvation. But the truth was simple: none of them were truly safe.

The first piglet, named Ironhoof, built his fortress of steel. Tall spires of metal rose like the bones of a giant, sharp and cold, stretching toward the gray sky. He filled his walls with machines—giant gears that turned without purpose, engines that roared in the silence, weapons that gleamed with dangerous promise. To Ironhoof, survival was about control, about the power of human-made structures, about making a world where nothing could touch him. But the walls of his fortress did not protect him from the constant hum of emptiness. As the wind howled outside, he sat alone in his sterile tower, staring at the screen that flickered in the dark. He wanted power, but it was the lack of meaning that gnawed at him.

The second piglet, Greenwhisk, crafted a dwelling of glass and plants. Her structure was a delicate blend of bio-tech and nature—vines curled around the frames, and bio-luminescent moss lit the pathways at night. She dreamt of a world where harmony with nature could return, where the earth could heal itself. The winds whispered through the leaves of trees that grew in the heart of her shelter, their roots entwined with the very wires that powered her home. Yet, Greenwhisk found no peace in the rustling of leaves. The gentle hum of life outside her walls was tainted by the constant reminder of the world’s decay. She wondered if she was merely hiding in a fragile illusion—a fragile dream that would wither when the last resource ran dry.

The third piglet, named Wildtail, had built his home in the ruins of nature itself. His shelter was less a building than an extension of the land—a cavernous space woven into the roots of an ancient tree, where branches reached down like veins connecting the past to the future. His philosophy was that true survival lay in returning to the land, in living as one with the forgotten world, in surrendering to the rhythms of the earth. Yet, as he lay in his shelter, he could hear the groans of the land itself, the cracking of the trees, the faint whispers of extinction in every gust of wind. How long could the earth withstand the weight of their need?

The world outside was constantly shifting—storms brewed and passed, but each one left its mark. The threats were always there—bandits who roamed the broken roads, scavengers who preyed on the weak, and the unrelenting erosion of the planet’s resources. But as each attack came, each threat loomed larger, the piglets began to see a different truth.

One evening, as the sun fell beneath a sky the color of ash, a violent storm raged over the land. Ironhoof’s fortress shook as the winds slammed against its steel walls. His machines buzzed erratically, flickering in and out of power. Greenwhisk’s plants withered under the pressure, their bioluminescent glow dimming, leaves curling in defeat. Wildtail’s tree was bent, its branches snapped like bones under the force of the storm.

The piglets emerged from their shelters and met in the middle of the ruined land. They had survived the storm, but the cost was clear. Ironhoof’s walls were battered and rusting. Greenwhisk’s glass cracked under the pressure. Wildtail’s roots had begun to decay.

“We are losing,” Ironhoof said, his voice hollow. “None of our shelters stand up to this world. We build, and it is destroyed. Over and over again.”

Greenwhisk, staring at the shattered remnants of her plants, spoke softly, “Perhaps we were never meant to fight against the world. Maybe we were meant to live with it. But even that… it’s slipping away.”

Wildtail, his eyes reflecting the dying light of the storm, whispered, “Maybe we’re not meant to survive at all. Maybe we’ve already lost.”

The three piglets stood in silence, facing the crumbling ruins of their shelters, and in that silence, they realized the true destruction was not in the storm, not in the broken world—but in themselves. They had built their shelters to protect against the world, but they had never stopped to question their own hearts, their own contradictions.

Ironhoof had sought power, but in the end, he was trapped within his own fortress of isolation. Greenwhisk had sought harmony with nature, but had she been blinded by her idealism, too fragile to withstand the world’s cruelty? Wildtail had sought surrender to the earth, but the earth was already dying, and with it, so was he.

They stood there, each lost in the ruins of their beliefs. The world was no longer something they could fight against—it was something that had already claimed them. The storm had passed, but the true storm—the one within them—raged on.

In the end, there was no answer. There was only the wind, the empty sky, and the sound of their hearts slowly breaking, one beat at a time.

Prose from David Sapp

Three

I’m three three three one-two-three and nobody knows I’m up up up – Mommy sleeping sleeping sad in her big bed. Daddy at work – work work work in town at the dry cleaners after bacon and eggs and coffee at Ohio Restaurant. Love Daddy – I’m Daddy’s little girl.

Climb one-two-three shelves for cereal in the cupboard – bowl spoon milk from the frigerator sometimes smells bad. Then turn the knob all-by-myself open the big heavy door open the screen door out the door. No shoes no socks my feet my toes wiggle in the grass wet wet wet. Run run run to the barn pee in my big girl training pants take em off and toss em in the weeds every-Mommy’s-bad-word-morning-when-will-she-learn. Bare bottom who cares I don’t care no one cares maybe grandma cares.

Horses are waiting for me me me at the gate one big one nice one mean one brown one white and a pony-just-my-size. And I pet their noses oh my gosh soft so soft and I feed them green grass even the white mean-to-grown-ups one who could eat my tiny fingers anytime it wants to snap-just-like-that but it doesn’t never never never did never never never will. My big brodder’s watching me from his window thinks he’s the boss of me but isn’t the boss of me. Face scrunched and big frown always worry worry worry.

Then my dog friends are waiting every-morning-same-place-same-time for me me me. Black white and brown but mostly black Smokey knows only one trick shake shake shake the neighbor boys taught him a long time ago when he was my brodder’s dog not anymore. And Sammy also black with curly part-poodle hair. And the next-door-neighbor’s big big big red Ireesh Sitter with eyes that say something to me every day. Just us we all go running in the tall green grass field – green grass taller than me and when I fall down my dog friends wait for me to get up and catch up. I know lunch time just-know-it lunch time and cartoons and fight-every-Mommy’s-bad-word-day-driving-me-crazy-brodder time – who’s not the boss of me.

(But he makes me laugh laugh laugh so much I pee my pants accidental not on purpose. When I dunk Oreo cookies in my milk and my mouth is full – makes me laugh so I spray it all over the table. Laugh when he makes the squeaky mouse voice when I try to bite a pickle I can never eat my pickles. “No! No! No! Don’t eat me! Please please please don’t eat me!” And he pushes me around the driveway in my old junky I’m-too-big-for-it-stroller again again again! And of course he showed me how to swing a swing and slide a slide. Keeps my bare feet away from rusty nails and sometime makes me Froot Loops even if I think I-did-it-all-by-myself. And he said he would look after me when I ride the school bus for the very first time. And he looks for me when no one is looking for me and he makes sure I get home for supper. Okay my brodder loves loves loves me even if he isn’t the boss boss boss of me.)

And at nighty-night time Mommy awake – not a morning mommy. And Daddy’s home – I’m Daddy’s little girl Daddy’s home! Brodder shuts up but sometimes a story. Mommy finds at bath and toys in the tub and towel time tics in my ears burrs in my hair from the tall green grass time. Daddy mad Mommy says nothin’ Brodder told-you-so. Tics and burrs just like Smokey Sammy and the big big big red Ireesh Sitter who don’t get baths or towels or cartoons so what’s the big deal?

David Sapp, writer and artist, lives along the southern shore of Lake Erie in North America. A Pushcart nominee, he was awarded Ohio Arts Council Individual Excellence Grants for poetry and the visual arts. His poetry and prose appear widely in the United States, Canada, and the United Kingdom. His publications include articles in the Journal of Creative Behavior, chapbooks Close to Home and Two Buddha, a novel Flying Over Erie, and a book of poems and drawings titled Drawing Nirvana.

Poetry from Brian Barbeito

Middle-aged bald white man with a small white beard, reading glasses, a red and white sweater, and gray sweater over that.

wind borne poems

the wind was something. I could hear it rattling outside and at least little parts of the sky blue showed themselves. I had a problem with the boot laces and changed them, using a lighter lace, a running shoe lace as I forgot to purchase proper laces. but I remembered going to Seneca College summer hockey camp and they showed us a video of Gordie Howe giving a few suggestions on equipment. he tied the lace before you do the loops, not once around, but twice, saying that if you do that it won’t come loose. I picked up on that then and always did that and felt I knew some secret about laces. Think about it and you will probably remember seeing someone in life holding down their laces with a finger or fingers in the middle of tying them. That’s because they can become loose before you are done. better to do Gordie Howe’s trick. I wonder how he learned it or discovered it himself. the old time people and figures sometimes know much. 

I ventured out and made my way to some

fields. I saw some leaves on trees and they seemed lonesome and strange, burdened by life. I imagined, a pure shameless projection, that they would rather be in Florida on a beach. I myself would have been. I imagined verdant palm fronds in a warm wind, talking slightly in their own way. How would it be? I would walk down some place and easy landscape and read campy pulp novels for fun, enough big thinking about literature and philosophy, spirituality and ideas. but sometimes I’d read a bit of Alexandr Solzhenitsyn and things to remain soulful and as sharp as possible. I’d head back to a patio and order a turkey club sandwich and a diet soda if I was getting hungry. maybe the next day I’d choose to eat at home and fix a sandwich myself. Outside I might hear the sea, and then take a break from eating that lunch, and go glance at the wondrous and whimsical ocean and coastline. 

but I had to concentrate on the present and brought myself out of my daydream about the southern shores. I kept on and went over a small bridge. one could hardly discern this bridge from the ground as the snows that had come over the weeks of the middle winter were that high. but some planks wooden were still there, confident and reliable. I stood there for a bit and the wind got stronger, almost vexatious, and I took a few big gulps of it. I had read that Knut Hamsun had gone on top of a train when he was sick and was gulping all the air and helped cure himself. whatever the case, fresh air couldn’t hurt and could only help. then I composed a more ‘verse’ poem in my head:

those leaves/

crinkled and old, staying/

nobody notices such/ and beyond the

winter wind makes the evergreens move/

the working boots talk their talk I see/

and the white collars too/

a bird appears/ somehow displaced from home/ looking/ not at ease like the birds of the summer poet/ no/ looking for something lost

I didn’t have a title for the words then. but I would end up calling it simply, Leaves 

there was a series of hills and I went up and then down them, bumps in an otherwise pretty vast and plain area. there were some spots near the far purlieu where some wild sumac lived, retaining that deep inspiring colour in all months. the snow had stayed on some of it, and the white/red made an interesting picture for its juxtapositions. when I had begun nature walking everything looked the same. as time went along I learned that there were hundreds, probably thousands of pictures and poems and stories to be had from woodlands and fields, even the sky and water. we had become friends, and my friends seemed to teach me through time not only photography and writing, but mysticism and maybe…do you know what is beyond mysticism itself, all forms of mysticism, and is the true and most noble and important goal? it is Enlightenment

, Moksha, Freedom, Awakening. Pick your word. I walked and walked. I had to take my time as the snow was deep. The main paths were too busy though. I’d take the snow. Like in life, the main path is easier but paved with mediocrity and predictability. I would make it my own way, somehow, in the snow, in the arts w/my work, and in spiritually and life itself. but, though on the monomyth journey, and the fool’s journey of the tarot, that entire seeker’s trip, i was also no fool, and so would remember to tie my laces like the great Gordie Howe did. 

—-

Essay from Z.I. Mahmud

Black and white illustration drawing of two dressed-up white gentlemen sitting down talking with each other in a study with a lamp and a writing desk.

The Hound of the Baskervilles

Examine close reading of The Hound of the Baskervilles: Another Adventure of Sherlock Holmes with textual references and critical perspectives.

Arthur Conan Doyle’s crime novella is a canonical work of speculative fiction and detective literature that explores the hellhound of the Baskerville legends as a diabolical agency, huge creature, luminous, ghastly, spectral devil phosphorus painted baying werewolf spirited beast haunting the legacy of Baskerville estate and suburbians of Dartmoor Grimpen mire. In reality the mystery behind this superstitious supernatural phenomenon is a death entrapment laid down by Rodger Baskerville II in the disguise of Jack Stapleton. However the antithesis of superstitious mythicism is shrewdly contested by the skeptical detective Sherlock Holmes, and thus supernatural gothicism is challenged to the core of realistic cosmos. Selden, the absconded convict, kinsman to the Barrymores, is suspiciously implicated for his fiendish notoriety of Notting Hill case “ferocity of the crime” and “wanton brutality of the assassin”; but lately acquitted from allegation through befallen excruciating death perpetrated by the baying hound. “Barren waste moors, chilling winds and darkling skies” foreshadows saturnine funebrial macabre as envisioning of the literature of gothicism and foretelling chronicles of sublime detective fiction. 

The popularity of the impeccable detective hero Sherlock Holmes foregrounds intuitive logic, astute observations, perspicuous inferences to reveal the murder mystery of the heir to the Baskerville fortune in The Hound of the Baskervilles. Diabolical supernatural agency of the hellhound is a core paradox fabricated within the threads of this occultist murder mystery. Sherlock Holmes cast as the voice of reason and rationality to challenge the swashbuckling psychorama. In this detective fiction, archetypal plot twists occur along with the progression of the storyline, in anticipation of a reverse chronology, in which the murder mystery of Charles Baskerville is committed surrounding a close circle of suspects before a gradual reconstruction of the past. Contemporaneous detective novels of Arthur Conan Doyle is diversified canon of hybridized and fluid genres involving stereotyped characters within middle class family settings, duelling and feuding in all likelihood for identity and individuality, vindictive salvation and retributive justice, freedom and equality, importance of knowledge and the discovery of buried family ties. Central characters and formal elements of the Hound of Baskervilles is a conglomeration of thrill, mystery, suspense, horror, terror, spookiness, creepiness, grisliness and wonder. However, unlike Gothic literature, wonder and terror of the supernatural, fantastic and romantic worldview: suspension of disbelief is silhouetted into obscurity; ie, the murder mystery spectacle of Gothic tradition. Afterall, the real monsters weren’t the supernatural beasts of legends but the darkness hiding within human hearts. 

Howcatchem and whodunit of the Devonshire is interwoven by scientific empiricism and human psychology, bringing to the fore: epistolary chronicles between duo Holmes and Watson; weathering the taste of time; entrenched within themes, motifs, settings and psyches of Victorian England. Sherlock and Watson formulated after all, Rodger staged as Stapeton in order to get rid of the competitor rivals to the family estate and legacy of Baskerville fortunes. However, the fin-de-siecle of the prophetic rhetoric implied in the diction of Dr. James Mortimer is lucid and succinct, “there is a realm in which the most acute and most experienced of detectives is helpless.” The shoplifting of money in South America by Rodger as the imposter Vandeleur of preparatory educator of East Yorkshire and entomology research fellow of the Museum is the retrospective foreshadowing of the modern detective fiction. Jack Stapleton is the aftermath of his wedding with Beryl Garcia in Costa Rica and simultaneous settlement in England upon the voyage home. Vandeleurs occupied the Fraser’s fortune and eventually sank from disrepute to infamy. Fallaciousness of the specious identity of Vandeleur and/or Jack Stapleton alongwith the baronet’s ‘mastiff hellhound’s flaming jaws and blazing eyes’ limelights fin-de-siecle detective  masterpiece.  

Further Reading, References, Endnotes and Podcasts

The Hound of the Baskervilles pp. 75

Chapter Title: In the Closet of Sir Arthur Conan Doyle: The Private Life of Sherlock

Holmes (1970), Book Title: A Foreign Affair, Book Subtitle: Billy Wilder’s American Films, Book Author(s): Gerd Gemünden, Published by: Berghahn Books. (2008)

Studies in the Literature of Sherlock Holmes, Robert Knox, Bluebook, Oxford lectures, (1910)

Introduction: What is Crime Fiction? Charles J. Rzepka

Chapter Defining Detective Fiction © The Author(s) 2023, S. J. Link, A Narratological Approach to Lists in Detective Fiction, Crime Files, https://doi.org/10.1007/978-3-031-33227-2_2

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Degeneration, Fin-de-Siecle Gothic, and the Science of Detection: Arthur Conan Doyle’s The Hound of the Baskervilles and the Emergence of the Modern Detective Story, Nils ClaussonUniversity of Regina, December 2005, Journal of Narrative Theory 35(1):60-87, Eastern Michigan University, pp. 1-25

Sherlock Holmes Codes the Social Body, Rosemary Jann [George Mason University], ELH, Vol. 57, No. 3,  Autumn 1990, Johns Hopkins University Press. 

Essay from Eva Petropolou Lianou

Sign in Greece in red and black and white marking the entrance to a hiking trail known as "The Hero's Path." Trees and bushes in the background, cloudy day.

A dream…

becomes reality

The Hero’s Path

Once upon a time there was a girl full of dreams and hopes.

He liked mountain climbing and walking in the mountains.

Iro was a great soul, she loved animals, birds, trees, nature, and exploring the forest.

So one day in Politika, she discovered a Hero’s Path, unique, that no one knew about…no one had walked it except her.

Iro decided to share her path with friends and confided in her parents about her big dream.

I would like to create a path where everyone can take a walk in nature, but they will be able to admire the trees, the birds, children will be able to come into contact with nature and play, and climbers will be able to do their favorite sport.

“We’ll do it,” both parents said happily.

But the evil wizard who lived far away on a rock, did not let the beautiful Hero live her dream. He sent a dragon darker than him and wounded her in the chest with disease.

Our Hero fought, as a heroine, every day, every moment, every minute with armies of dark forces.

Unfortunately, her heart was weak…she didn’t make it.

But her soul, by the grace of God, transformed into a butterfly 🦋

and she stayed on her favorite Hero’s path, along with her parents, greeting passersby.

So one summer month, I and other friends met, with the aim of reciting poems about Irene, at the Hero’s Theater.

We had a great time and everything was done with love and respect.

When at the end the abbess of the Monastery of Panagia of Perivleptou, Mariam, sang a wonderful song dedicated to Iro’s mother, Giorgos Chryssi Marangou, we all gasped.

Our story does not end here, I had to, as President of Greece, representative for the Mil Mentes Por Mexico association International, share the wonderful event that we organized with the help and support of George Pratzikos, Iro’s family and all the wonderful poets who took part…

I should have shared it with the President.

DrA Jeanette Eureka Tiburcio of the organization and of course I talked to them about the Hero’s Path, Hero’s parents, their wonderful work who, with effort, love and respect for their child’s dream… have created a wonderful marked path, friendly to everyone.

In November at the largest event, held in Rome by two organizations

Global federation of leadership and high intelligence Mexico and Unacc India, at the Pontifical University Antonianum, Rome

50 important women from around the world were awarded for their contributions to culture and literature, as well as for their general contribution to their country.

Chrissi Marangou was among the 50 important women and I feel proud to have nominated her for this very important award that has now found its place in the

Path of the Hero.

I feel proud to be an Ambassador of the Hero’s Path, and I continue to promote all the events and all the needs of …

I feel proud and deeply grateful that my own poem dedicated to the heroine, for me Hero, also found its place, and the visitor, ascending for the first route, can read my poem, The Butterfly 🦋

Then, leave a few flowers or say a prayer at the Hero’s monument and then let his soul fly there among the trees.

Thank you to everyone who did this wonderful job, including the graphic designer Ms. Kanari.

the people who continue to work on the Hero’s Path.

The parents of Giorgos Chryssi Marangou who continue…and dream

Abbess Mariam

I suggest you take a trip to Politika, Psachna, Evia.

Give a big hug to Chrissi Marangou and George

Go to the Monastery of Panagia Perivleptou and light two candles.

Poetry from Mexribon Shodiyeva

Young Central Asian woman in a graduation cap and gown with earrings, and a red sash and light purple silk collared shirt.

Butterflies

Waving its delicate wings for a while,
An elegant butterfly flies from flower to flower.
It doesn’t fit in the happy one at all,
He is like a hawk with white wings.

Everyone will taste the sweetness of the flower,
Although his life is short, he is happy with life.
Seeing him in the flower garden in the morning,
I fell in love with Harir’s wings.

Immaculate and delicate, an angel is an example,
Butterflies are harmless.
They are a small symbol of goodness,
Don’t hurt your wings.

Shodiyeva Mehribon Amin’s daughter was born in 1998 in Shofirkon district of Bukhara region. The young artist’s poems have been published several times in newspapers and magazines such as “Shofirkon ovozi”, “Buxoroyi Sharif”, “Istiqlol g’unchalari”, “Buxoro adabiyoti va san’ati”, “Bilimdon”, “Dono word”. Collections entitled “Nurli manzillar”, “Beg’ubor orzular” have been published. Currently, she is an independent student of the Bukhara State Pedagogical Institute.