Poetry from Mark Young

The Virtue of Crowds

Left alone I would

run out of excuses.

It’s a by-product of

staying too long in

the one place. That’s

the virtue of crowds.

Swept along with no

idea of where I’m go-

ing, not really caring,

too busy sharing other

people’s destinations.

So pick any arbitrary

point to turn even if

still surrounded.

Finally apologizing

if really necessary.

The First Position

Caught by an aberration

in the parameters of the

Library he paused. Stopped

for a moment by a book-

case. Noticed that the titles

were different, were now

written in a language that

was foreign to him. Became

perplexed. Uncertain if it was

a diminuition of his psyche or

simply his eyes playing tricks.

smalltown weekend

The shopping center is

Sunday empty. A State

regulation — remember the

sabbath or some such re-

fried beans. Only the bakery

& the newsagent open. Bread

rolls & Lotto, one certain

one wishful.  But I’m a

believer in musical omens,

so the fact that the left-on-

all-the-time soundsystem is

piping country music into

the passageways as I enter

signs no luck for me today.

Seasonal

Broad brushstrokes

of smoke across

the landscape. Point-

illist pain in my

head, just behind

the ear. Everything

closes in, is

focused. Nothing

I can do but

cut myself another

slice of watermelon,

lie back, &

think of England.

The Dichotomous Key

If it has these attributes

then it is this.  

Otherwise it is not this.

& if it is not this, but has

these other attributes

then it is that.  

Otherwise it is not that.

If it is neither this nor

that, but possesses another

set of characteristics

then…..

& so on

down the line, eliminating

the alternatives by

counting in turn the

wings, legs, body

segments, etc.

so that you

might start off

with the spider

& end up

with the fly.

Poetry from Christopher Bernard

On Becoming a Fossil

by Christopher Bernard

There is always the question of when it 
       began,
or when you first noticed it.

One day, a spot of gray on a nail 
of the left small toe, 
has become, a week later, a pebble.

So that is the way you are headed now,
who was never (let’s face it)
much with it.

One reaches no age with impunity;
your time was hopelessly yesterday
even at the time you were a tyke: your 
      music
was never Chuck Berry but Ludwig van,
your reading not Vonnegut or Hermann Hesse,
but Henry James and Thomas Mann.
Your generation to you was a mess:
half decadent, half barbarian.

There is a certain progression, as, below,
it rises, salt-like, from your toe:
a certain stoniness in your hearing
or taste of pristine metal after bathing,
a calcification of a memory
that rattles between two syllables of a 
      greeting.
A quiet thrumming at the back of the
      throat
that reminds you of Medusa’s immediate 
      glare,
a locked joint as you embrace a pillow,
a crying spasm in your left calf,
a line of pain hooked between pelvis
      and ankle.

You stare at the spiral of darkness of 
      an ammonite,
thinking through eons of stratigraphy 
pressed to ink between layers of shale,
civilizations shrunk to a cloud
of dry mud, monuments, poems, songs:
the layers of stone in a cliff wall
soaring toward the sun where you climbed 
      as a boy,
dreaming of the flight of the hawk, how 
      your wings
shall weave in the air
in random happiness
from cloud to cloud
as drunk as Icarus as he climbed toward 
      Apollo,
winging across the earth that made you 
      and now
embraces you as you tumble back,
the sun melting your wings— 
your hopes, your dreams
blowing away like the feathers of a lark— 
to air, to water,
to stone.

_____

Christopher Bernard’s book The Socialist’s Garden of Verses won a PEN Oakland Josephine Miles Award and was named one of the “Top 100 Indie Books of 2021” by Kirkus Reviews.


Poetry from Noah Berlatsky

For HDC

Grief is a stupid thing.

I grieve that you’re not here to grieve

all the corpses in the water.

All the corpses we’ve built out of laws

that say you don’t belong.

Poetry from Mirta Liliana Ramirez

Older middle aged Latina woman with short reddish brown hair, light brown eyes, and a grey blouse.
Mirta Liliana Ramirez

The sea and your memory

At dusk,

I saw a figure

I’m sure

it was your sign

telling me: “I’m here

just a glance away.”

The sea reminds me of you

The waves crash on the shore.

The smell of salt reminds me of you.

We were happy, here, in this place.

And today, I know you’re waiting for me.

Wherever you are…

Mirta Liliana Ramírez has been a poet and writer since she was 12 years old. She has been a Cultural Manager for more than 35 years. Creator and Director of the Groups of Writers and Artists: Together for the Letters, Artescritores, MultiArt, JPL world youth, Together for the letters Uzbekistan 1 and 2. She firmly defends that culture is the key to unite all the countries of the world. She works only with his own, free and integrating projects at a world cultural level. She has created the Cultural Movement with Rastrillaje Cultural and Forming the New Cultural Belts at the local level and also from Argentina to the world.

Essay from Oyatillo Jabboraliev

Why Are Study Abroad Semesters Valuable for Students?

Meaning of These Programs – What Are They?

A study abroad semester is a life-changing experience – but how exactly?

Costs, Challenges, and Requirements

Nowadays, there are many foreign citizens in my country. Are they just tourists? Not quite. Today we see young people coming from abroad to various parts of our country. The reason is the global student exchange program. This program has a long history and began to develop in the 20th century. It was created to promote cultural and scientific cooperation between countries. A student exchange program allows students to temporarily study at a different university abroad. Through it, students gain knowledge and experience.

Historically, the United States was one of the first countries where such programs became popular, beginning with the Fulbright Program. One of the most well-known is the ERASMUS program – the oldest student exchange program in Europe, launched in 1987. Germany later developed its own version, with the DAAD program starting in 1925. These programs are highly popular among young people.

Experiences of Students:

Many students report positive experiences with exchange programs. Jabboraliev O., who studies at Kuala Lumpur University in Malaysia, said: “I expanded my professional experience through the exchange program. That’s why I’ve worked in many areas of my field.” This shows that exchange programs offer career benefits too.

Dilafruz, a student who studied in Japan, said: “My verbal communication improved significantly.” In particular, her ability to express herself in Japanese grew. This proves students can also benefit linguistically from exchange programs.

Advantages of Student Exchange Programs:

Exchange programs offer many benefits. Students gain new knowledge and boost their academic progress. But that’s not all. Studying abroad helps develop important personal skills, such as:

– Intercultural Competence: Students learn to understand and respect cultural differences by engaging directly with people from diverse backgrounds.

– Independence: Living in a foreign country forces students to organize daily life independently – from housing to daily routines.

– Language Skills: Constant exposure to a foreign language helps students improve their language proficiency.

– Better Career Opportunities: Employers value international experience, which signals flexibility and adaptability.

Challenges:

Of course, there are also difficulties. Many students face the following challenges when moving abroad:

– Financial Issues: Living abroad can be expensive. Students often need scholarships or part-time jobs.

– Different Education Systems: Learning methods may differ from those in the home country, requiring students to adapt.

– Cultural Differences: Adapting to new customs and traditions can be tough in a foreign country.

Conclusion:

In conclusion, student exchange programs are an excellent opportunity for young people to gain international experience, explore other cultures, and improve both academically and professionally. They help students adjust to new environments and foster mutual understanding between cultures.

During the program, students learn how to navigate life in a foreign country, speak new languages, and enhance communication skills. These experiences are valuable in today’s world and can improve future career prospects. Additionally, students form international connections that may benefit them later.

Despite the challenges, such as financial burdens, housing issues, or differences in education systems, these very obstacles help students become more independent and adaptable.

Overall, exchange programs are a key component of global education. They not only help young people expand their knowledge but also support personal growth. International exchange strengthens relationships between countries and universities. Therefore, such programs should continue to be supported so more students can benefit.

Oyatillo Jabboraliev was born in Fergana region. He is a student at Xiamen University in Malaysia.

Synchronized Chaos Second June Issue: Chaos Does Not Exclude Love

Fence covered in hundreds of brown locks as a symbol of love.
Image c/o Irene Wahl

First, a few announcements.

Konstantinos FaHs has another article published following up on his Synchronized Chaos pieces about ancient Greek myths and their continuing role in modern Hellenic culture. He’d like to share his piece in The Rhythm of Vietnam, which is a Vietnamese magazine with a mission that seems similar to our own.

Also, disabled contributor, lyric essayist, and ALS activist Katrina Byrd suffered hurricane damage to her home and seeks support to rebuild and make ends meet while she’s getting ready to move. Whatever folks can contribute will make a real difference.

Now, for our new issue: Chaos Does Not Exclude Love. The reverse of a phrase from a review of Elwin Cotman’s urban fantasy collection discussing how Cotman’s work was from a loving place yet made room for the complexity of the world. At Synchronized Chaos, we are intimately acquainted with the world’s nuance and chaos, yet we see and find room for empathy and connection.

Neven Duzevic reflects on travel memories and reconnecting with an old friend. Dr. Perwaiz Shaharyar speaks to the awesome and transformative power of romantic love. Dr. Prasanna Kumar Dalai reflects upon the intensity of romantic feelings. Duane Vorhees speaks to loneliness and heartbreak and sensuality and various forms of human-ness. Kristy Raines speaks to the beauty of love and the tragedy of heartbreak.

Small bouquet of red roses attached to a brick wall
Photo by Nguyễn Tiến Thịnh

Harper Chan reflects on his bravado and the reality of his feelings in the past year. Mickey Corrigan’s poetry shows how psychological and cultural shifts and traumas can manifest in our bodies. Abigail George speaks to how support from friends and family and a commitment to live in the present rather than reliving old traumas can help those addicted to drugs. Alan Catlin mixes cultural memories and touchstones with personal and societal losses.

Vo Thi Nhu Mai offers up a poetic tribute to the international vision of fellow poet Eva Petropoulou Lianou. Greek poet Eva Petropoulou Lianou interviews Bangladeshi poet S. Afrose on how she hopes poetry and joint exploration through literary sci-fi will obliterate the need for war. Dr. Jernail Singh laments that morality and compassion have become passe to a generation obsessed with modernity and personal success. Priyanka Neogi speaks to the beauty of carrying oneself with noble character. Maria Koulovou Roumelioti urges us to remember the world’s children and create love and peace as Anwar Rahim reminds us to live with kindness and courage.

Mykyta Ryzhykh speculates on whether love can continue to exist amidst war. Haroon Rashid pays tribute to Indian political leader Dr. A.P.J. Abdul Kalam, who loved peace but led through strength. Christine Poythress reflects on how easy it is for a once-proud and free nation to slide into fascism simply by admiring the fascist aesthetic and its seductive power. Ahmed Miqdad renders a global tragedy in simple terms: he’s too scared to go back to his home in Gaza to water his cactus plant.

Lili Lang probes the meaning behind things that seem simple: the work of a hairdresser, a family packing up the belongings of a recently deceased grandmother.

Couple off in the distance walking together on sand dunes near a beach.
Photo by Negar Kh

Mahmudova Sohibaxon offers up a tribute to dependable and caring fathers. J.J. Campbell writes of the visceral love and physical work of aging and caregiving, of inhabiting an elderly and a middle-aged body. Taylor Dibbert’s poetic speaker embraces age with joy, thrilled to still be alive. Bill Tope crafts an expansive and welcoming vision of perfection that can welcome more types of people and bodies as Ambrose George urges the world to maintain an open mind towards gender roles and identities.

Leslie Lisbona pays tribute to her deceased mother by writing a letter catching her up on family news. Stephen Jarrell Williams considers endings and beginnings and the possibility of renewal. Asma’u Sulaiman speaks to being lost and then found in life. Cheng Yong’s poetry addresses ways we hide from each other and ourselves, physically and psychologically. Mahbub Alam wishes for a romantic connection that can extend and endure beyond Earth. Dibyangana’s poetry touches on love, grief, and personal metamorphosis. Mely Ratkovic writes of spiritual contemplation and the nature of good and evil. Lilian Dipasupil Kunimasa describes souls who turn away from greed and evil and heal, in smaller and larger ways. Christopher Bernard suggests that creativity and storytelling might play a part in what makes life worth enduring.

Brian Barbeito speculates about intention and communication with the universe. Svetlana Rostova speculates on what spirituality might mean in the face of a seemingly indifferent world. Shamsiya Khudoynazarova Turumnova’s piece conveys spiritual ecstasy, love, and beauty.

Sandro Piedrahita’s story highlights the power of enduring and sacrificial spiritual devotion in the midst of our human-ness.

Chimezie Ihekuna engages with the talents, creativity, and limitations of being human. Dr. Jernail Anand looks at human creativity and at AI and draws a comparison, encouraging humans to continue to create. Jasmina Rashidova explores what motivates people in the workplace. Eva Petropoulou Lianou interviews Turkish poet Bahar Buke about fostering imagination and connection through her work.

Silhouette of a human hand casting a paper airplane into the sky at sunrise or sunset.
Photo by Rakicevic Nenad

Paul Durand reflects on teaching first-grade music in a time of hatred and divisiveness. Su Yun collects the thoughts and observations of a whole selection of schoolchildren in China about nature and their world.

David Sapp reflects on how he wishes to always appreciate the egrets and lilies, sailing off into nature amid the various bird voices of the wild world. Mesfakus Salahin rhapsodizes about flowers and giddy spring romance. Soumen Roy celebrates the simple joy of butterflies and tea. Sayani Mukherjee speaks of an enduring oak tree in summer. Poetry from Eva Petropoulou Lianou, translated to Italian by Maria Miraglia and Arabic by Ahmed Farooq Baidoon, celebrates life lessons from nature. Liang Zhiwei reminds us of the power and vastness of nature, before and after the era of humanity. Nuraini Mohammed Usman sends up a sepia photograph of a tire hidden by a leafing young tree.

Jibril Mohammed Usman shares a photograph of a person looking into nature, at one with and part of his world, altered in the same way as the trees and house. Mark Young’s geographies play with and explore Australia from new angles, turning maps into works of art.

Jerome Berglund and Christina Chin stitch ideas and images together like clotted cream in their joint haikus. Patrick Sweeney’s two-line couplets explore a thought which ends in an unexpected way.

Graffiti on a corrugated metal wall that looks like a child is sipping from a metal pipe as if it's a straw.
Photo by Shukhrat Umarov

Odina Bahodirova argues for the relevance of philology as an academic discipline because of its role in preserving cultural wisdom encoded in language and the ability of students to understand and think critically about language. Sevinch Shukurova explores the role of code-switching as a pedagogical tool in language learning. Surayo Nosirova shares the power of an educator giving a struggling student tutoring and a second chance. Nozima Zioydilloyeva celebrates Uzbekistan’s cultural accomplishments and women’s education within her home country. Marjona Mardonova honors the history of the learned Jadid Uzbek modernizers.

Nazeem Aziz recollects Bangladeshi history and celebrates their fights for freedom and national identity. Poet Hua Ai speaks to people’s basic longings to live, to be seen and heard. Leif Ingram-Bunn speaks to hypocrisy and self-righteousness on behalf of those who would silence him, and self-assertion on his part as a wounded but brave, worthy child of God.

Z.I. Mahmud traces the mythic and the heroic from Tolkien to Harry Potter. Poet Hua Ai, interviewed by editor Cristina Deptula, also wonders about the stories we tell ourselves. She speculates through her work about what in the human condition is mandatory for survival and what is learned behavior that could be unlearned with changing times.

Synchronized Chaos contains many of the stories we tell ourselves about ourselves and our world. We hope you enjoy and learn from the narrative!

Poetry from Ahmed Miqdad

Headshot of a middle aged Middle Eastern man, bald, clean shaven, in a collared black and white and green plaid shirt.

My Loyal Cactus

My loyal cactus,

I’m sorry to leave you alone in my balcony

I have no excuse except being forced to go to the south

Under the barrage of heavy bombs,

Frightening explosions and thousands of martyrs.

I’m sorry  again to let you encounter the terrible days and nights,

Witness the destruction of my surrounding neighborhood

And let you face thirst for more than a year without a sip of water

But I was there hungry and starving like you

When I came back

I found you still stalwart

Only some scars on your body

As a testimony on the merciless soldiers.

Let me  hug you tightly  and console you 

Because your thorns more delicate

Than the hypocrisy of humanity.

©® Ahmed Miqdad

Gaza

Palestinian poet

Activist

Awarded poet

Literary prize

Naji Naaman

2025