Lilian Dipasupil Kunimasa was born January 14, 1965, in Manila Philippines. She has worked as a retired Language Instructor, interpreter, caregiver, secretary, product promotion employee, and private therapeutic masseur. Her works have been published as poems and short story anthologies in several language translations for e-magazines, monthly magazines, and books; poems for cause anthologies in a Zimbabwean newspaper; a feature article in a Philippine newspaper; and had her works posted on different poetry web and blog sites. She has been writing poems since childhood but started on Facebook only in 2014. For her, Poetry is life and life is poetry.
Lilian Kunimasa considers herself a student/teacher with the duty to learn, inspire, guide, and motivate others to contribute to changing what is seen as normal into a better world than when she steps into it. She has always considered life as an endless journey, searching for new goals, and challenges and how she can in small ways make a difference in every path she takes. She sees humanity as one family where each one must support the other and considers poets as a voice for Truth in pursuit of Equality and proper Stewardship of nature despite the hindrances of distorted information and traditions.
Because the women’s population is not equal in size
There are some countries
Where the women
Must get married at the age of seven
Because their families are so poor
There are some countries where the men
Stay with their families
Cannot fulfill their dreams
And they lose their courage
There exist men
Who love women
But the women do not care about their feelings
There exist men
That keep secrets
And they get upset
When they are asked
To show their true self
They don’t know who they are
There are some countries
Where a few women
They love and dream for a perfect romance
But the men they love
They don’t show any interest
There are some countries
Where the men
Beat the women
Or murder them
Because they went to super market
Without escort
They exist men
That meet women
But they do not have a relationship
Because their families
Do not approve that specific woman
So they go away
There are countries where a couple
Can be in love
And just see each other
Only from distance.
There are some men
They stay silent
They say white
And black every day
They are afraid of love.
There are some men
That keep their feelings hidden
For years
Until one day
They get old
And they discovered
What they lost…
There are some men
That love money
More than women
And they are closed doors to love.
Love, is a free path
An energy that can realize so many wishes
Love is for the believers..
Love is for the strongest hearts
Looking for a country
Where men and women
Will live in harmony
Surrounding themselves
Only with love and hugs
Looking for this country….
Eva Lianou Petropoulou Lianou
ANALYSIS
Eva Lianou Petropoulou’s poem, “Relationships,” delves into the complexities of human connection across diverse cultural and societal landscapes. It paints a poignant picture of the challenges, hopes, and dreams associated with love and relationships. The poem underscores the impact of gender inequality on relationships, particularly in societies where women are marginalized or subjected to restrictive norms. It highlights the role of cultural expectations in shaping romantic relationships, often leading to compromises and sacrifices.
The poem explores the pain and frustration of unrequited love, where one’s feelings are not reciprocated. It delves into the fear of vulnerability and the reluctance to express genuine emotions. The poem highlights the suppression of desires and the subsequent regret. The poet yearns for a world where love and understanding prevail, free from societal constraints and personal insecurities. It emphasizes the importance of strength and belief in the power of love to overcome obstacles.
The poem employs vivid imagery to evoke strong emotions and create a sense of empathy. The concept of “country” symbolizes different societal and cultural contexts. The repetition of certain phrases emphasizes key themes and creates a sense of rhythm.
Life is a figure of multi things (history and mystery) we know
We realize this before the eyes
Experienced so good in the moderate weather
So bitter in cold or hot
Life charmed with you
Life bleeds on the leaves in the ground
We pay tribute to the Almighty
We shoot, we arrange tribunals
Justice never comes out
Justice lives in the heart,
Though we leap not looking before
People fight, people die
To see this weapon play
Our Almighty laughs from above
Though the moon still shines in the darkness
The ship can mark the right way in the mid sea
The magnetic power always works from all sides
Make us stable to live in joy and peace
Makes us feel how to make a bond of love
Then why we intrigue for hurting others
If one part cries in pain
The other part must suffer for long
This or that time
Then what’s the life figured out?
‘Think thyself’, reflects clean before the glass.
Chapainawabganj, Bangladesh
26 November, 2024.
Md. Mahbubul Alam is from Bangladesh. His writer name is Mahbub John in Bangladesh. He is a Senior Teacher (English) of Harimohan Government High School, Chapainawabganj, Bangladesh. Chapainawabganj is a district town of Bangladesh. He is an MA in English Literature from Rajshahi College under National University. He has published three books of poems in Bangla. He writes mainly poems but other branches of literature such as prose, article, essay etc. also have been published in national and local newspapers, magazines, little magazines. He has achieved three times the Best Teacher Certificate and Crest in National Education Week in the District Wise Competition in Chapainawabganj District. He has gained many literary awards from home and abroad. His English writings have been published in Synchronized Chaos for seven years.
First of all, contributor Jeff Rasley invites people to consider this opportunity to further education in Basa Village, where he has spent much time.
From Jeff: The people of Basa Village, Nepal, have requested our Foundation’s help with two projects commencing in 2025. Funds are needed to help pay the salaries of three of the village school’s teachers. If private funding is not provided, the school’s English, Science, and Social Studies & Computer Literacy teachers will have to work for no pay or resign. Because the village’s family farms are all subsistence farms, many of the 85 elementary school students will eventually leave Basa. Acquiring education that will help to make the village’s youth employable in a city may be vital to their future. The Foundation is seeking contributions to fund those three teachers’ salaries for one year.
The second project is the development of a commercially viable herd of goats and pigs. The villagers are dependent on subsistence farming and money earned by some of the adults working in the tourist industry as support staff for treks and mountaineering expeditions. Disastrous earthquakes in 2015 and the 2020 COVID pandemic virtually shut down tourism for two years following each of those catastrophes. The village leaders realized that a sustainable business is needed to support village families, when jobs in tourism are not available. The first animals were purchased this year, but to make the endeavor profitable, more animals must be purchased and cared for. The goal is to have a profitable co-op business of selling goat milk, cheese, and yoghurt and pork within two years after the requisite number of animals are acquired. Money earned above costs will support the village school and provide assistance to any families in need.
Please consider contributing to our fundraiser for the school and farm projects via our website at https://www.bvfusa.org/donate
Or, send a check to our corporate treasurer David Culp 2322 E. 66th St. Indianapolis, IN 46220. Let me know if you have any questions about the projects or the BVF. The Basa Village Foundation USA, Inc. is a 501(C)(3) organization, and financial contributions to it are charitable donations, per the US Internal Revenue Code.
Now, for this month’s first issue: Who Will We Become?
John Edward Culp personifies the human journey through life as a child learning to walk under a giant sky. On the other hand, Ilhomova Mohichehra’s work honors the beauty and longevity of a tree.
Sayani Mukherjee communes with the hidden longings and feelings layered within a landscape as Rubina Anis melds colors into gentle natural scenes. Christina Chin and Jerome Berglund’s collaborative tan-renga highlight vignettes and observations of humans co-existing with nature. Raquel Barbeito’s art zooms in on pieces of nature – flowers, spiders, a skull – in black and white. O’tkir Mulikboyev wishes to become part of his natural environment and bring nutriments to those around him.
Alan Catlin presents human and animal wildness in its feral glory: hunger, fear, crashing ocean spray, animal eyes in the dark, earthworm trails. Sidnei Rosa da Silva’s prose poetry depicts the lonely calm of a northern winter. Christina Chin and Kimberly Olmtak’s collaborative tan-renga becomes more personal and domestic, presenting cozy tea and houseplants.
Duane Vorhees furthers his poetic exploration of sensuality, fecundity, and history. Brooks Lindberg’s poem probes the linkages between older mysticism and newer beliefs given our understanding of physics.
Isabel Gomez de Diego’s photography positions youth and new life as a continuation of the world’s cultural and natural history. Kylian Cubilla Gomez captures the off-center wonder and mystery of childhood through his photographic close-ups of toys.
Jacques Fleury’s pieces address awakening, surprise, and discovery. JoyAnne O’Donnell celebrates the manifold ways ordinary people can find joy in our everyday lives, including love and close relationships. Lilian Dipasupil Kunimasa conveys the deep joy of intimacy, friendship, and love. Mesfakus Salahin evokes quiet moments of peace brought by a tender love. Sara Goyceli Serifova wishes to live a long time with her beloved partner, as her grandmother did.
Z.I. Mahmud examines the characters’ journeys out of self-absorption toward empathy and wonder in Antoine Saint-Exupery’s The Little Prince.
Layla Adhamova suggests that happiness is accessible to many people, not just the wealthy. Gullola Nuriddinova laments the betrayal of a lover who chose money over their beloved. Bill Tope’s short story illustrates a youthful form of justice against family favoritism and classism around the holidays.
Brian Barbeito conveys the wisdom of age in his piece on a friendship between a young boy and a kind elderly neighbor.
Haitmurodov Ismoil reflects on how a father’s love can sustain you throughout life. Azimbayeva Dilrabo gives a tribute to a caring father who passed away, Iroda Sherzod offers up a tribute to her caring and selfless father, and Rahmiddinova Mushtariy pays tribute to her father’s wisdom. Olimjonova Muslima pays tribute to her parents’ continued support all along her academic and personal journey.
Sobirjonova Rayhona shares tributes to beloved teachers here, here, and here. Shahnoza Ochildiyeva’s story illustrates how a teacher brought about justice in the classroom without shaming anyone. Shoxijaxon Urunov’s essay highlights how teachers accomplish so much more than imparting information.
Dilbar Koldoshova Nuraliyevna reflects on the difficulties and hard work of the creative life and her determination to pursue that path, as Kass probes the solitary inner drives of a literary artist.
Rick Reut tinkers with the arrangement of words in concrete poetry exploring time, memory, and language. Vernon Frazer’s words pop out of juxtaposed shapes and images while Mark Young serves up a heady word-marinade. Maftuna Yusufboyeva looks into a different way of using language, examining the role, goals, and purposes of advertising. Texas Fontanella links ideas and words and bursts of thought together in his Pound-inspired modern canto.
Federico Wardal spotlights the elegance and cultural history of Andrea Ceccomori’s San Francisco flute performances. David Sapp illuminates a moment of rapturous ecstasy in the view of sublime art. Dr. Jernail S. Anand’s poetry reminds us that the truth about history and humanity is often difficult to stomach and that art helps us process our knowledge. Thus, the literary arts are a worthy calling, despite the lack of remuneration.
Norova Zulfizar outlines various historical sites in Uzbekistan while Rustambekova Nozimakhon sketches life in her neighborhood, showing her pride in her community. Khalida Nuray’s poem urges people of Turkish ancestry to rise up and defend and protect their homeland and culture.
S.C. Flynn’s poetry illustrates the tragedies of incomplete journeys and transformations: beautiful thoughts, creatures, and relationships that never develop into what they are meant to be.
Taylor Dibbert’s poem reflects the quiet anxiety many Americans felt over the 2024 presidential election. In a similar vein, Daniel De Culla satirizes Donald Trump’s values and personality through poetry and a photo. Pat Doyne bitterly calls out the United States’ less welcoming attitudes towards immigrants. John Ebute poetically seeks signs of life in his native and troubled Nigeria. Abigail George mourns the loss of life and the obfuscations of international politics in her poems on the war in Gaza. Alexander Kabishev ends his saga of the trauma of living in St. Petersburg under siege. David Woodward reflects on broken American political systems with concrete poetry using absurdist forms.
In a more general vein, Anvarova Nilufar laments the harsh state of the world and human nature. Goyibnazarov Abdulla reminds us how people often overestimate their abilities and knowledge.
Mykyta Ryzhykh’s undercapitalized works evoke the barren, alienated landscape of modern life. J.J. Campbell offers up a bah-humbug to the festive season, showing overworked cashiers, commercialism, pain, racism, and loneliness behind the holiday mood. Jim Meirose sends up a quirky tale for the season of online electronics shopping.
Tempest Miller explores memory, trauma, and the absurdity of existence through his pieces on zebras, crocodiles, industry, and nature. Jake Cosmos Aller revels in the surreal wild spirit of a crazy night of passion and booze. Paul Costa uses the language of Western-style adventures to highlight struggles within and among people.
Ilhomova Mohichehra reflects on human vulnerability and on gratitude for her health. Graciela Noemi Villaverde reflects poetically on the loss of a great love. Mahbub Alam also mourns an absence that has become visceral and inescapable. Philip Butera’s poetry explores personal and relational grief, loneliness, and the desire to escape from oneself. Christopher Bernard expresses similar sentiments in his poetic tribute to writer Marvin R. Hiemstra and other deceased writers, which focuses less on than on the individuals who passed and more on the implacability and universality of death.
Christina Chin presents a third round of collaborative tan-renga, this time with M.R. Defibaugh. Its protagonists bring a quiet determination to face unexpected twists of fate.
Maja Milojkovic presents a glorious vision for the world, where everyone enjoys peace, freedom, and mutual respect. We hope that this publication brings Earth a step closer to that goal. Please enjoy the issue!
I don't love
I don't give a damn anymore
I will not burn again,
Lovers are unfaithful,
I don't love a rich girl.
As the waters flow into the stream,
As the rich feed the rich,
The heart is broken,
I don't love a rich girl.
Faithful promises,
Their love is lies,
He laughed at me,
I don't love a rich girl.
A fairy in a white dress,
Mom tell me what to do
I won't come back now
I don't love a rich girl.
Bahram Toji don't cry,
Don't give up,
There are many beauties in the world,
I don't love a rich girl.
