Poetry from Mesfakus Salahin

Moon Without Language 


The moon doesn't just shine 
Burns the darkness of the night
 Fire burns in the eyes
 Flowers bloom in the flesh of fire
 In the midst of emptiness brings infinite fullness 
Build the construction.
 Even if everyone disappoints, the moon does not 
The emotion of the first letter is in his skandha 
Breakfast radiates love
 Like the unspoken eye language of a girl 
Waiting at an open window with a tower in her hair 
Or like a long-enveloped rose petal 
Lover's hands will be dyed
 Or as unknown letters on the pages of the heart.

I touched the body of the naked moon Touched day after day 
I saw the mystery of the fingers of the ancient scholars 
Shaking, shaking my life line
 There is a river of voices in fear
 Saw delirium delusion smell of cinnamon
 From start to finish.

Poetry from Czarina Daltiles

simple things 

it’s the quiet, 
the space of air between 
us that we both take in 

it’s the looks, 
the way your eyes catch mine 
like some sort of secret, an inside joke 

it’s the gravity, 
the external force that draws 
us together, whether we want it to or not 

it’s the history, 
the knowledge that no one else can understand you as much as I do 

it’s these simple things 
I miss, staring at my ceiling in the dark, thinking of you, 
thinking of us, 
thinking of what we could have been if we cherished these moments 
a little more
the stars in the sky 

what’s desired is deprived of and 
the acquired forgets it has 
been bestowed by a star’s end; 
constant sprinting down a road as some inaugural physics law whereas we all could just accept our place 
what is first when a sphere is our race? 

what’s envied is what I contend, 
fixed to a conjecture as 
yellow is to the love of a friend, 
admonished for breeding bias; 
the very archetype of Midas 
is what we’ve all been taught to chase what is first 
when a sphere is our race? 

what’s in the stars, I can’t comprehend born for the sky, “lift us, Atlas” 
skill needs talent; though wisdom transcends even those with an eye for a canvas for A’s have been favored for eras 
tradition is not simply erased 
what is first when a sphere is our race?
 
what’s in being top of the class? 
what’s in taking all of the space? 
why want more than what one has? 
what is first when a sphere is our race?
and their shine

coated in hologram film,
by way of its reflection in my gaze,
the stars in our sky
are beautiful tonight,
alighting the twelfth stroke
with a mystical haze

wonder strikes me
at the beat of our time
how can wisdom be but a lie?
when the twinkles delight
and assurance seems right,
only those who know how can fly

you may cry and you may complain,
yet it is i who is left to look up,
rooted by inadequacy,
cursed unimaginably,
you are confined with the stars
so, isn’t the universe enough?

harder to rise than it is to maintain
harder to disprove than it is to accept
when i try, it’s my best
in my best, i’m still less
compared to whatever i hope to be
when i stand below your step

surely the stars don’t mean to bewitch
surely you’ll see if our souls were to switch

Czarina Datiles is an eighteen-year-old Filipino writer and poet from San Diego, California. A national medalist in the 2023 Scholastic Art and Writing Awards, her works have been recognized by The New York Times and published in The Weight Journal. She loves rainy days, fantasy novels, and boba drinks.

Poetry from Mykyta Ryzhykh

the faucet is clogged as if after the verse of death
like the winged word of a wingless crane
like the erection phase of an automatic gun

faucet is clogged but leaking
such a strange dream had a dungeon dispatcher 
while the subway cars crashed 
into each other at an inexplicable speed

what can god know about the dungeon 
if even his only son did not descend to us below 
the earth's surface

***
silent weapons shoot louder
a blind butterfly shines brighter
the wingless man flies further
the sky falls on everyone's head the same way

the birds of hell have come to gouge out the eyes with their claws
and I look at them without eyes without a mouth without wings
living corpse along the river flowing into the pipes of war

my late grandfather always told me about the importance of wings in childhood

my grandfather didn't tell me anything about guns and sky bridle in prayer in prayer

hello grandpa 
give me paradise apples 
in this hell of a grave
in this hell of a live

***
the cash register of the store is the door to narnia
near the rack with comics the cashier sleeps
behind the back of the cashier there is a cupboard from which kafka comes out leading to the path
the path leads to the forest with butterflies in the belly of nature
seminal lobes rush with atoms molecules fight in love
the chocolate hare jumps to the cotton candy stream
the stream by which we will die of thirst with sugar on our lips

***
body in a sheet of cold snow
dead man in sky-colored robe
newborn in naked silence
child in the name as if in religion
teen with dildo like god
adult with childhood in the auricles
old man with body reaching for the sky

***
heart torture chamber
dwarfs of minutes scatter
birds fly like jet planes
wait those are not birds they are jet planes

the fish plays suicide on the dream shore

the bird on the back of the survival stub screams:
hangman here hangman

***
niche industry of porn magazine
a lump with a deity inside the stomach
indigestion of sadness flowing through the veins
myopia of approaching my love
every time i try to touch you
every time i try
every time you leave
soulless beer can niche industry
niche industry of disappointment in people
used can of beer and emptiness on the pages of a porn magazine

***
neural network is called intelligence
I call myself a neural network
I'm just an ant, fill my chest with reflexes
I'm not human anymore I'm artificial intelligence
I'm artificial
i'm not smart
i am a walking reflex
I am a walking disappointment -

and then I woke up and went to clean up the shit after the cat

***
manna from heaven falls
from the sky directly into the mouth
another day of eating wealth
from which nothing will be born

(Reprint by BarBar)

***
cotton candy smothers us with sugar
a stream of blood and tears of the dead flows near the house

we have nothing to eat and drink

(Reprint by BarBar)


***
fire does not give rise to perspective
the birds don't sing
autumn does not come
autumn from now on without legs without god without man

(Reprint by BarBar)

Short story from Gustavo M. Galliano

Middle aged Latino man with short brown hair standing in front of a painting of rocks against a red and orange and yellow desert landscape. He's wearing a black short sleeve shirt.
Gustavo M. Galliano
ÚLTIMA GRAN PANDEMIA 
Por Gustavo M. GALLIANO

	Nadie supo cómo, donde o porqué surgió. Bastó su génesis para que se propagara por todo el desprevenido planeta, y ya no hubo retorno. Contagio total, sin tiempo de medicinas.
	Me ha contado en secreto mi amigo imaginario Xerafín que el huésped primario fue un humano. Que decidió abrir su pecho  y exclamar,  en sincero  frenesí,  las  tres fantásticas palabras: “¡Solidaridad, Resiliencia y Paz!”.
	Al instante, el virus se propago por el aire, pandémico,  vinculando  cuerpos, mentes y almas, en cada rincón.  El planeta muto, sus habitantes no volvimos a ser los mismos. 
	Y ese día fue hoy.-


LAST GREAT PANDEMIC 
By Gustavo M. GALLIANO

       No one knew how, where or why it arose. Its genesis was enough for it to spread throughout the unsuspecting planet, and there was no return. Total contagion, no time for medicines.
       I have been secretly told by my imaginary friend Xerafin that the primary host was a human. That he decided to open his chest and exclaim, in sincere frenzy, the three fantastic words: "Solidarity, Resilience and Peace!".
       Instantly, the virus spread through the air, pandemic, linking bodies, minds and souls, in every corner. The planet mutated, its inhabitants were never the same again.
And that day was today.-

BREVE BIOGRAFÍA de:

Prof. Gustavo Marcelo GALLIANO.

          Nacido en Gödeken, Santa Fe, República Argentina. Escritor, poeta, Jurado en certámenes literarios Internacionales. Periodismo digital. Docente Universitario de la Facultad de Derecho de la UNR, en la asignatura Historia Constitucional Argentina. Miembro del CICSO (Centro de investigaciones en Ciencias Sociales). Secretario Técnico de REDIM.     

          Se ha desempeñado como Corresponsal Especial en diversas revistas internacionales de Arte y Literatura (Cañ@santa, Sinalefa, ViceVersa, Long Island al Día, RosannaMúsica, etc).

          Integra la Red de Escritores en Español (REMES), Poetas de Mundo, Unión Hispano-Mundial de Escritores (UHE), la Fundación César Égido Serrano, Naciones Unidas de las Letras (Ave Viajera y Proyecto Mundial Semillas de Juventud), entre otras. Actualmente es colaborador especial de Revista Poética AZAHAR (España), Revista Literaria-artístico PLUMA y TINTERO (España), Revista Literaria KENAVÒ (Italia) y Revista OFRANDA LITERARA (Rumania) donde también integra el Colegio Editorial.

          Ha obtenido distinciones y premios en certámenes y concursos internacionales de cuentos, narrativa, micro relato y poesía. Publicó libros (LA CITA, 5 AUTORES) y participe  de antologías y revistas publicadas y traducidas en más de 100 países.

          Ha sido designado como Embajador de la Palabra y la Paz por diversas instituciones: WWPO (USA), Círculo de Embajadores Universales de la Paz (Francia / Suiza), Fundación César Égido Serrano y Museo de la Palabra (España).

          Reside en Rosario, Santa Fe, República Argentina.

BRIEF BIOGRAPHY of:

Prof. Gustavo Marcelo GALLIANO

Born in Gödeken, Santa Fe, Argentine Republic. Writer, poet, jury in international literary contests. Digital journalism. University Professor at the Faculty of Law of the UNR, in the subject Argentine Constitutional History. Member of CICSO (Social Sciences Research Center). REDIM Technical Secretary.

He has worked as a Special Correspondent for various international Art and Literature magazines (Cañ @ santa, Sinalefa, ViceVersa, Long Island al Día, RosannaMúsica, etc).

He is a member of the Red de Escritores en Español (REMES), Poetas de Mundo, Union Hispano-Mundial de Escritores (UHE), the César Égido Serrano Foundation, the United Nations of Letters (Ave Viajera and the World Seeds of Youth Project), among others. Currently he is a special contributor to AZAHAR Poetic Magazine (Spain), PLUMA and TINTERO Literary-artistic Magazine (Spain), KENAVÒ Literary Magazine (Italy) and OFRANDA LITERARA Magazine (Romania) where he is also a member of the Editorial College.

He has obtained distinctions and prizes in international contests and contests for short stories, narrative, short story and poetry. He published books (LA CITA, 5 AUTORES) and participated in anthologies and magazines published and translated in more than 100 countries.

He has been designated as Ambassador of the Word and Peace by various institutions: WWPO (USA), Circle of Universal Ambassadors of Peace (France / Switzerland), César Égido Serrano Foundation and Museum of the Word (Spain).

He resides in Rosario, Santa Fe, Argentine Republic.

Poetry from Henry Bladon

The Sweet Smell of Chaos 

The frantic fizzle-frazzle fanatic,
pounding the sidewalk 
proposing splintered logic
and energised by hypertrophic rhythm.

Pulsating patterns propound
a maelstrom mindset, 
a confused calibration
housed in a chocolate-stained cabinet.

The metallic clang 
from a spoonful of sympathy 
is mixed in a sunlit side room.

Sudden alchemy from a cobalt portal. 
The succulent sound of ozone.
The taste of psychic salvation.

Someone crunches on a red apple
and starts to cough.

 
Dark Matter

There was a hippy unreality in my dream.
I was in an online echo chamber
where thoughts queued for attention
and words were bending into a black hole.

The background was populated
with pixelated memories 
of the 90s rave scene 
and pieces of leftover pizza.

There was anxiety when
conversational voids appeared
in a debate concerning
early climate change warnings.

The galactic rulers filled the space
with free streaming particles
and announced that cosmic microwaves 
would be available in all new-build cosmic houses.

In the corner of a park,
a man was standing on a box 
and yelling into a broken megaphone,
asking: if we can’t see it, 
does dark matter really matter?

Poetry from Noah Berlatsky

Get Out of the Water

Jellyfish float like lungs in the sea

and lungs float like jellyfish in a different sea.

Everything is breathing with life and ick.

That is the kind of pantheism we are talking about.


Every beach is on the edge of another beach

and you can walk there on the jellyfish.

They pulse with the transparency of borders.

Our lungs yearn to mate and evolve in the jellylike sea.


We will never stop evolving.

The jellyfish are going to kick your ass, God

with their universal love that stings.