Essay from Christopher Bernard

What’s Wrong with Liberalism?

Part Two: What’s to Be Done?

The Two-Percent Club

What can we do? And when I say “we,” I mean you, my readers, and me: a tiny few among the eight billion human beings treading the earth.

Little enough, you might say. And I would agree. But not nothing. And even if we can do little to save humanity from its collective blind stumbling toward the fields of Armageddon, we can at least refuse to add to the insanity that seems to govern our world.

We can each of us begin the long retreat – and a retreat it will be, either controlled or uncontrolled, relatively pain-free or catastrophic. Our civilization is heading for a crash landing, but it can be either guided landing or explosive collision. The first way may be fatal for some; the other way could be fatal for all. But I am sure of one thing: I would rather control it than have it control me. I suspect you may feel the same.

To give a modest example of what I am doing. First, I don’t pretend to myself it will have any calculable effect on the tragedies ahead, but it does at least assuage the guilt I feel as a human being partly responsible for our grim prospects. I am philosophically an Epicurean (technically, a Platonist Epicurean) and therefore base my ethics on my own personal happiness in this life. I believe I have one life, in this world; I do not believe in an afterlife (if there is an afterlife, I will deal with it when I come to it – and any perceived flippancy is altogether intentional!) And although I argue against liberalism, I am, congenitally, “liberal” in my own attitudes: I believe in the fundamental decency and peaceableness of most human beings as long as we are neither threatened nor tempted, both of which are the most aggressive triggers of human evil. I tend to give people the benefit of the doubt, and have no time for the reflexive paranoias of the conservative mind.

I laugh when I hear the definition of a liberal as someone who does not take his own side in a quarrel, because I sometimes see that impulse in myself, though I admit I can usually subdue it without causing myself too much pain. And, though I believe in the existence of evil – that force in the world that seeks destruction for its own sake, examples of which run from cancer to psychopathology – I also believe in the existence of good – in affection, kindness and love – and in their ultimately sovereign power: goodness is the heart of existence because it is existence, just as evil is destruction. I have what amounts to a religious faith in existence itself, though I have yet to meet an organized religion I can believe in.

As part of that faith, I believe I have a moral mandate to face the truth as I understand it and achieve peace of mind through moral courage and right action. I also believe that sereneties are mutually reinforcing: the more that you have peace of mind based on truth, moral courage, and right action, as you understand them, the more I will have it as well, and vice versa. (The careful reader will note that a keynote of liberalism is struck here; this is a moral truth of liberalism that can be, and I believe must be, kept. The individual will always be essential – whether it is an individual human being, ladybug, or blade of grass. But an individual can be essential without being sovereign; making the human individual sovereign is where liberalism made its greatest mistake.)

I believe I cannot achieve that peace if I know I am contributing to suffering in the world, which is why right action is essential. If I cannot stop contributing entirely, I can at least reduce it – and so I have set myself the goal of reducing my contributions to the world’s suffering in ways that do not contribute to my own suffering (which would, of course, defeat the purpose; becoming a self-flagellating saint is simply another way of contributing to the world’s suffering).

It is clear that the global economic system is endangering much of life on earth, including our own; therefore, I am reducing my participation in that system. And how do that better than by reducing my purchases? My overall goal is a modest one: to reduce purchases by two percent per year. At the end of ten years, that will mean an overall reduction of over 20 percent, since the percentages will be progressive. I already have an unusually small carbon footprint for an American, largely because I have never owned a car, I live in an unusually temperate climate, without either central heating or air conditioning, and I rarely travel by plane. All of these were accidental, so I can claim no personal merit, much as I would like to.

But what I buy for myself I have some control over, at least of “discretionary” purchases. And by binding myself to the two-percent commitment, I can at least feel I am not contributing to the unfolding tragedy of human life on earth.

This is a modest commitment I believe many above a certain level of income in the industrialized countries can make.

I call it “The Two-Percent Club,” and I welcome anyone who wishes to join me.

There is a saying that the single flutter of a butterfly’s wing in the Andes can affect the stock market in New York City. Perhaps the single refusal to purchase that little item in the supermarket you don’t really want or need may prevent the Arctic from melting in the summer, a fire from raging across the Amazon, or a winter polar vortex from icing states from Michigan to Texas. And when it is tens of millions of butterfly wings, a single breath might become a hurricane.

  • Social Individualism

At the heart of liberalism is a great emptiness. Though it has a definition of “right” (as in “human rights”), it had no definition of the good; it claims that the “good” is basically whatever liberated individuals believe is their good. But this has led to the greatest evil of all: if I pursue my good in the present, even though it threatens to lead to the murder of tens of millions after I am dead, liberalism has nothing to say in response. It even defends it, by pretending the future will take care of itself. Its faith is blind. It disdains Christianity, but answers naïve faith with a gullibility that is both breathtaking and potentially suicidal for our species.

The existential evils we face have been caused, at least partly, by following the liberal ethos of letting individuals do what they want. Human beings are naturally predatory, and we are preying, at will, on one another, on earth’s other species, on earth’s resources – on the earth itself, with little or no sense of commitment to the future, because the only thing we know is that in the future we will be dead and after we are dead, we won’t care what happens because we won’t be there.

The idea that people care about the wellbeing of their children and grandchildren is questionable; once you have emancipated the individual from life on earth, the result is a nihilistic concentration on the present and personal, on me, on my satisfaction, here and now – and the devil take the hindmost. And the hindmost is the future of life on earth.

We can say, definitively, what evil is: the pursuit of destruction and death – and the greater evil yet is not of the individual but of humanity, and beyond that the genocide of species, when these are the result of our actions, actions that are free and therefore morally responsible.

Since we now can define evil so clearly, it has become easier to define the good.

The good is the whole. Existence is the good; life on earth is the good; the existence of human society is the good; the individual working within society, which exists within the earth’s ecosystem, which lives within the universe as a whole, is the good. Not at war with, but in cooperation with nature is the only way we have survived and, with luck, have thriven and flourished. Nature is our parent, we are her children, however rebellious. The delusion of our separation from, our conquest and our domination of nature will end – or we will end. And it is difficult to avoid the conclusion that, if that happens, we will have deserved it. Perhaps, despite what the physicists and evolutionists proclaim, there is a moral order in the universe after all.

Liberalism is based in the idea of human rights, with an emphasis on “negative liberty” and the refusal of an overarching definition of “the good” beyond the choices made by individuals, as discussed by John Stuart Mill in his classic essays on liberalism, in particular the much-quoted “On Liberty.” (Note one of the central self-contradictions of liberal philosophy: it stipulates that there is no way to define “the good” in general terms – then proceeds to do just that: “the good” is allowing people to make free choices as to what they think is “good”! And what if they choose to give up their liberty to choose? Oh no, we can’t have that! They must be forced to be free, as Mill himself states without blushing – even defending the use of slavery to force societies to rise to the economic level where “choice” will be materially possible. Whoever realizes at this point that liberalism is a totalitarian ideology – as all ideologies are – will win my deepest gratitude.)

But there is another possible political philosophy that incorporates many key insights of liberalism while redirecting its central thesis; it is a philosophy based on a balance of rights and responsibilities and a definition of the good that does not place individual choice at its center: the good is the flourishing of the ecosystem of life on earth. And we know what that looks like from our experiences of two things: the extreme fragility of monocultural ecosystems (which we are creating through our dominance) and the adaptability and resilience of climax ecosystems, such as can be found in the Amazon and old growth forests.

Since we now can define the good, we can begin to construct a social and political order based on it and not on rights alone. The extremities of the liberal order – where “My freedom is your death” – are over. We can claim “No rights without responsibilities, and no responsibilities without rights” with a good conscience.

This is the basis of “social individualism,” which I propose as a successor to liberalism.

It is not a new idea – some claim it is the basis of the political order in countries such as Denmark, which has been called social democratic by Senator Bernie Sanders, though Danes deny the sweet aspersion. It is based on the idea that human beings are social creatures above all – though every human being is unique, with a unique identity, purposes and history, we are also interdependent within both society and the wider ecosystem of life on earth. We are born from other human beings into a living culture itself built across generations and centuries.

Everything we have, we have borrowed from others, from our DNA to our language, customs, education, to the food that nourishes us and the air we breathe. We are dependent beings living within networks of other dependent beings. Life on earth is an immense ecosystem of which we are only a part, though an essential part, both as species and individuals. We are not and cannot be completely autonomous beings absolutely separated from other people or other living creatures. The attempt to do so for an individual is suicidal; for a species, it can lead to ecocide: the destruction of our home, of the only place where we can live. 

In social individualism, individual responsibility is coupled with a network of social supports, for which we, as individuals, are responsible just as we are their beneficiaries; the supports cover education, health care, unemployment compensation, retirement, and the like. They are paid for through taxes, including a progressive income tax. No individual is solely responsible for his success, just as none is solely responsible for failure; the wealthiest, who have benefited most from society, also pay the most back.

Yet each individual acts as if what he does is the most important thing he can be doing at that moment. When he votes, his vote is the only one that counts.

There is a famous story about a rabbi who was asked by a student what was the most important thing he did. He paused and considered for a moment, and then said, “Whatever I am doing right now.”

The individual is expected to take as much responsibility for his life and his society as he is able to. He does this with the understanding that every individual will at times be dependent on others, beginning with childhood and including periods of illness, injury, and financial distress, old age, and the ultimate dependency of mortality and death.

The motto of social individualism is simple, if deceptively so: “No rights without responsibilities; no responsibilities without rights.” No one gets a free run, no right is absolute, and no one bears an exclusive burden – no one may be crushed at will beneath another person’s freedom. This overturns the liberal notion of both the primacy and equality of rights.

When rights conflict with obligations, obligation wins. Corporations would lose their identity as legal persons; shareholders would share in their company’s legal and financial liabilities; if you can take its profits, you can also take its punishment. Voting would be a legal duty rather than a right. No one would be allowed to trample on your rights because he employs you; just because you have a job and receive pay, you do not become a second-class citizen – or rather, not a citizen at all but a part-time slave. No one would be allowed to deprive you – and you would not be allowed to deprive yourself – of your rights, for example to free expression – by the same token, your right of free expression would not give you the right to destroy another person’s reputation or career. Non-disclosure and non-competitive agreements would be abolished. No contract would be legally binding that deprived either side of either obligation or right.

Such a legal and cultural regime might lead to changes in American society that would make it unrecognizable, I believe largely for the good. Note that I refer to “American society,” not the “American economy,” which is the fashionable way of avoiding the entire question of whether or not “American society” exists. Under social individualism there is no question: individuals exist within a network of other individuals, a network we call society, which lives within the broadest network of living creatures we call living nature or life on earth. Individual members of all species are existentially interdependent within these larger ecosystems: neither ecosystems nor individuals can exist without the other.

No-fault divorce might be abolished when children are involved: the obligation of taking care of children would override the rights of adults. There may be a need for the consent of a husband or parents for a surgical abortion. The inauguration of new technologies such as AI and machine learning and reasoning would have to be vetted for possible harmful effects on humanity and on the global ecosystem and constantly monitored for unintended consequences; in no case would the market be allowed as the final arbiter of humanity and life on earth. And, after detailed medical and psychological screening, assisted suicide might be available for anyone who is above a certain age and has no overriding legal obligations; no one should be forced to live a life that has become a torture of hopelessness and pain.

The anti-social individualism that has marked the hardest core of liberalism, especially in the United States, must, I believe, be defeated if we are to survive as a species. I believe this to be incontrovertibly true, but I am pessimistic how it will happen.

In the United States, whose cumbrous political machinery makes it difficult to handle national social crises or emergencies efficiently, major social changes in the past have only happened after disasters or threats thereof: the Civil War, the bloody labor strikes of the Gilded Age, the Great Depression, the two World Wars, the Cold War, the crises of the 1960s, the climate crisis‒caused wildfires and polar vortexes of our time. Thus, I am afraid that, until the civilization built on liberal capitalist principles collapses, causing enormous suffering among the innocent, it will not transform into a society that has any chance of future survival.

Too many, both in the United States and in the globalized neoliberal economic order, are benefiting in the short term from a system that cannot ensure its own long-term survival. As humans – culturally and perhaps even genetically predisposed to living according to the short term and trusting the long term will take care of itself – we are sleepwalking toward catastrophe, laughing at the Cassandras when we hear them, and enjoying our dreams of security until the sun rises to display the abyss at our feet.

Yet we are free to prevent this catastrophe foretold, to transform our world, society, and ourselves, as humanity has done in the past countless times in countless lands and eras. We are not locked into our fate. The glory, the terror, the uncanniness of humanity is that we are free.

The question remaining to us is this one: how will we make use of our freedom? We can continue doing as we have, we can change some things, we can change many things, or we can change everything.

Or everything will be changed for us.

_____

Christopher Bernard is a novelist, poet and critic as well as essayist. His most recent book, The Socialist’s Garden of Verses, won a PEN Oakland Josephine Miles Award in 2021. He is also a founder and co-editor of the webzine Caveat Lector.

Jaylan Salah interviews Biosphere director Mel Eslyn

Jaylan Salah Interviews Director Mel Eslyn on her recent film “Biosphere”

Sterling K. Brown and Mark Duplass in Biosphere directed by Mel Eslyn. Photo courtesy of IFC Films

Billy (Mark Duplass) and Ray (Sterling K. Brown) are lifelong best friends, brothers from another mother – and the last two men on earth.

It didn’t take more than that line for me to sink my teeth into Biosphere. The first thing that comes to mind while watching this movie is how breathless it leaves you. A creative mix between the sci-fi and buddy comedy genres, Biosphere is a movie for comedy lovers, but also those who want to sink their teeth into something beyond their average Cup O’ Joe on screens recently.

I had the pleasure of talking to Mel Eslyn, director and co-writer of the film with Duplass, and tried getting inside the mind of the genius behind this tale of biology, camaraderie, survival, and evolution. The world as we know it might not stay like this forever, there are a million things that threaten its existence and stability. If people are not careful about how they treat their planet, civilization in its most recent form will decline, eating away with it what remains from the land, the soil, the crops, and the greenery.

Biosphere is not only about the dying planet but about the surviving few humans living on whatever remains of life form. Using a few symbolic Darwinian objects, Mark Duplass’s humor, and Sterling K. Brown’s charisma, Eslyn keeps the movie momentum monotonous and easy-paced.

I had to ask Eslyn what compelled her to tackle a story that seemed simple yet complex plot with as much thoughtfulness as there is also humanity and compassion,

“I’m trying to keep the plot under wraps because I miss the authentic experience of walking into a movie theater and knowing nothing. So much of the film today is that we’re having these conversations before seeing it, and I’m like I wanna those after, cuz there’s so much that I wanna talk about that I won’t. But what I can say is: Mark Duplass came to me with a little kernel of an idea. He had a great half-formed idea and what I did with it is that I kinda finished the sentence. So we threw in all these things we loved, and I threw in some themes that I am the most interested in which are science, magic, humanity, evolution, gender, and toxic masculinity [and kinda dismantling it]. I really found a way to put that all in but for it to feel cohesive and it all makes sense together. I think that was the biggest challenge.”

Jaylan Salah talks with Mel Eslyn

Speaking of comedy, not once will the viewer be able to stop laughing. As the plot progresses and the two leads sit down to talk something out or run in a marathon to discuss it with the camera tracking them, or simply watching them from a steady pace as they pace and cry and shout, the dialogue keeps the viewer both on edge and entertained. The bizarreness of the situation that the two leads find themselves in is constantly disrupted with a joke or a perfectly thrown punchline. The comedy doesn’t only come from Duplass whom everybody is used to seeing as a big-time jokester, but also Brown whose calm demeanor and perfect line delivery makes his character both charming and engaging as the voice of the wisdom of this strangely matched duo.

Working with both actors must have been a treat but also a challenge. Both actors come from completely different schools and mindsets. Those who are familiar with Sterling K. Brown know that he has a thing for complex, serious roles, whether as hunter Gordon Walker in Supernatural, Randall Pearson in This is Us, and domineering but loving father Ronald in Waves. Mark Duplass on the other hand, is the master of loose, improvisational comedy and for that combination to occur, it must have been one gigantic mount for the director to climb,

“The crazy thing is that Sterling [K. Brown] is actually so funny and you would never know it because a lot of the roles he played are so serious. When I wrote this role for him it was because I saw him in this indie film Waves and he was so great in it, also in the O.J. series [The People v. O. J. Simpson: American Crime Story], but then I was like can this guy be funny and lighthearted? So I googled him and found a video of him super goofy and dancing so I thought yes, he’s got it in him. I took them to dinner. Mark [Duplass] is one of the closest collaborative relationships of my career. So we brought Sterling in and took him to dinner and I left them to create this energy and this kind of bro-ship and they really clicked. It worked. It feels like they have different energy, but it was actually weirdly similar and they fit perfectly together.”

Eslyn compared Brown’s and Duplass’s styles, with the latter being more improvisational as opposed to how Brown takes his lines seriously. Having to find the middle ground between the two of them was her accomplishment and success as a director, and that was what gave the movie this air of freshness without losing their polarizing natures in between.

Biosphere‘s quest to dismantle toxic masculinity exposes male vulnerability, especially in Duplass’s role. I had to ask Eslyn about creating a safe environment for her actors, not just in terms of physical safety but also from an emotional standpoint,

“It’s all about choosing the right collaborators and setting a tone on set. You know because this film is in a biosphere, you physically can only have so many people with us on set. Everybody else was outside of it at different video villages. So that really helps. The intimacy. And also most crew members I have worked with for years ended up being on this film, and really brought together a group of amazing people. They were all super-talented, loving humans. That just set the tone. For all of us to come in knowing each other, and for Sterling to be the new addition, it made it more comfortable for him [Mark] and he had the safe space to explore.

I think the fact that Mark and I have worked together for so long, he feels very comfortable with me. I feel that I am Mark’s safe space. Sterling saw that and recognized it, and kinda slid in.”

Eslyn also made sure to let everyone have fun by bringing everyone on set and turning on Footloose in the biosphere so that people would just burst dancing together. That must have swept off the tension immediately, not to mention having a video of Sterling K. Brown dancing which all his fans would pray to the film gods that it finds its way somehow into the BTS footage.

Biosphere is an important, small film with big ideas. It’s made with love and passion, the team behind it is an incredible ensemble of artists and thinkers, comedians and professionals, and to support the arts audiences need to tune in and keep these movies being made.

More about the film Biosphere here.

Poems from J.D. Nelson

Seven Untitled Monostichs



soft lentil meteor heavenly



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corrugated headlock votive



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morning frog too soon



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a week in that stew no mention of athens



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big tree sun



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background water self-programming



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show me a mile away



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bio/graf

J. D. Nelson’s poems have appeared in many publications, worldwide, since 2002. He is the author of ten print chapbooks and e-books of poetry, including *Cinderella City* (The Red Ceilings Press, 2012). Nelson’s first full-length collection is *in ghostly onehead* (Post-Asemic Press, 2022). Visit his website, MadVerse.com, for more information and links to his published work. His haiku blog is at JDNelson.net. Nelson lives in Colorado, USA.

Poetry from Jerry Langdon

Black and white headshot of a white man with short dark hair and a white collared shirt.
Jerry Langdon

Power

Power is destruction

A turbine of corruption

The cesspool grows

Out of control

The waste overflows

Takes its toll

Sometimes I feel

Everything is unreal

Like I’m the one awake

While the world is dreaming

With so much at stake

I’m the only one screaming

Following Nephilim among men

We pay the demon

In the fabric of confusion

We choose our chains

Living the freedom illusion

Which soothes our pains

Still building Babel

Where heaven fell

Needing to tear it down

Bring the gods to fall

Knowing if we bring them down

It might end us all

Power is corruption

Power is destruction


Can’t Adhere

I’m so broken the dust flies away.

No shards to cause any pain.

Nothing to put together again.

The winds blow me away

Until only memories remain.

Atoms no longer cohere.

Existence can’t adhere.

So what keeps me here?

Broken; I disappear.


From South-Western, Michigan, Jerry Langdon lives in Germany since the early 90’s. He is an Artist and Poet. His works bathe in a darker side of emotion and fantasy. He has released five books of Poetry titled “Temperate Darkness an Behind the Twilight Veil”, “Death and other cold things” “Rollercoaster Heart” and “Frosted Dreams” Jerry is also the editor and publisher of the literary magazine Raven Cage Zine poetry and prose. His poetic inspirations are derived from poets such as Edgar Allen Poe, Robert Frost and Henry Wadsworth Longfellow. As well as from various Rock Bands. His apparently twisted mind, twists and intertwines fantasy with reality.

Poetry from Annie Johnson

Light skinned woman with grey curly hair and a black floral top.
Annie Johnson

You Are

You are my silent thoughts;

My heart’s rhythmic beating;

My soul’s deepest yearning

When loneliness tries to own me.

You are the resounding bells

Of church spires remembered

From girlhood’s cherished dreams.

You are the sunlit snow of winter –

Bright, silent diamonds sparkling

Like memories of coming years.

My love lives in the shadow

Of your smile and the lightness

Of your high-spirited laughter.

For a time, we shall walk together

While fate is generous and kind

And the love we share is strong

Against the grasping hands of time.


My Time to Dream

Night like a bully has chased the sun away.

All is darkness; there’s no more light of day.

All day long I’ve been a prisoner to duty

With little time to devote to things of beauty.

Now has come the time I devote to pleasure

When thoughts of you abound beyond measure.

In the innocent state of dreams, that are so few

The stars beckon surrounded by midnight blue.

In soft, hand-holding sweetness with soul so true

I fly among the singing stars searching for you

Until your voice on the wind of whirling spheres

Whispers past the solar silence to fill my ears

Saying, “Darling, you are mine for a million years.”


Annie Johnson is 84 years old. She is Shawnee Native American. She has published two, six hundred-page novels and six books of poetry. Annie has won several poetry awards from world poetry organizations including; World Union of Poets; she is a member of World Nations Writers Union; has received the World Institute for Peace award; the World Laureate of Literature from World Nations Writers Union and The William Shakespeare Poetry Award. She received a Certificate and Medal in recognition of the highest literature from International Literary Union for the year 2020, from Ayad Al Baldawi, President of the International Literary Union. She has three children, two grandchildren, and two sons-in-law. Annie played a flute in the Butler University Symphony. She still plays her flute.

Poetry from Maja Milojkovic

Light blond white woman with long hair and reading glasses wearing a floral scarf and green top.
Maja Milojkovic

LOVE AND FEAR

Love requires an open heart

Fear makes the mind tied in knots

The sword serves to cut the knots, and only the ignorant take a sword to an open heart.

They laugh in your face when they hear: I love you!

They do not see for pride, they do not see because of stubbornness,

They renounce everything while crying and attribute everything to the temptations of the Devil, Their souls have been poisoned by religions, they do not know that God is above all religions.

They write love poems that I don’t believe in,

They talk about God’s love but in fact they are wrapped like a silkworm in a cocoon

They have woven themselves and at the end they bless you and call you: Sister, God’s blessing! They use words of lies and hide behind a prayer that contradicts what they feel and by praying

They drive out sincere feelings as sin.

They do not see the golden grains sent by God to transform into golden jewelry,

They reject all that is unknown because love is the transformation from a caterpillar to a butterfly,

If you kill a caterpillar you will never see a butterfly fly.

Love gives you eyes to see more clearly

Fear closes your eyes, the choice is yours,

Do you want darkness and fear or light and love?

SOUL AND SENSES

No one can see or love the soul, that which is of spiritual nature rejoices in the spiritual.

There is no longing, there is no suffering, there is nothing that we feel.

If we have feelings, it is up to us, it is not from a soul that does not speak.

With words we should express what we feel,

If we remain silent it is pride that prevents the words from being expressed.

.

Maja Milojković was born in 1975 in Zaječar, Serbia.

She is a person to whom from an early age, Leonardo da Vinci’s statement “Painting is poetry that can be seen, and poetry is painting that can be heard” is circulating through the blood.

That’s why she started to use feathers and a brush and began to reveal the world and herself to them.

As a poet, she is represented in numerous domestic and foreign literary newspapers, anthologies and electronic media, and some of her poems can be found on YouTube.

Many of her poems have been translated into English, Hungarian, Bengali and Bulgarian due to the need of foreign readers.

She is the recipient of many international awards.

“Trees of Desire” is her second collection of poems in preparation, which is preceded by the book of poems “Moon Circle”.

She is a member of the International Society of Writers and Artists “Mountain Views” in Montenegro, and she also is a member of the Poetry club “Area Felix” in Serbia.

Poetry from Graciela Noemi Villaverde

Light skinned woman with earrings and straight light brown hair.
Graciela Noemi Villaverde

GUILTY

The music of hell springs

Through the pores of the earth

A tribe of purslane words patrols space

Far away a voice is heard

Like copper wire, shiver in the corners.

The human destroys…

You can still hear the roar of the blades

At night…

The poet’s voice disappears in the roar

Of the air, that goes hunting carrying words

And he thinks…

Instead of a river, a hand grenade Instead of a sown field, a hungry child

Guilty!!!

Can’t stop the jagged voices

With its jaws full of tender words


GRACIELA NOEMI VILLAVERDE Poet writer from Concepción del Uruguay Entre Ríos Argentina, based in Buenos Aires Licentiate in letters author of 7 books genre poetry. She has been awarded several times worldwide. She works as the World Manager of Educational and Social Relations of the Hispanomundial Union of Writers UHE and World Honorary President of the same institution. Activa de la Sade, Argentine Society of Writers. MEMBER OF THE HONORARY CABINET EXECUTIVE OF THE COMMISSION FOR PEACE, JUSTICE AND STRONG INSTITUTIONS OF SOUTH AMERICA ARGENTINE CHAPTER OF UNACCC UNITED NATIONS UNIT FOR CLIMATE CHANGE CENTRAL, SOUTH AMERICA, MEXICO AND THE CARIBBEAN, IN THE EDUCATIONAL AND SOCIAL RELATIONS DIVISION .