The Hip-Hop Mermaid Risen from the warring shore comes what survives the night’s blear of human shards scattered over earth’s sallow brow. Fate clinging to my barnacled flesh for the watery bower dawn breaks over us, she said, snapping her tail. Somehow she got into the pool When nobody was looking, with beaching sepia flotsam bubbling, what bespoke ineffable old rose–tinted morning crags from another clime & century. While sea worms its way into My backyard, drenching me into some searing sex scenes with this nubile & naked mermaid? I’ll leave it to your imagination, For we tell lies beyond reason in swirling sands of mud frost turning like dark pudding as the hungry elements yowl. I devoured the battered remnants Of her glistening fins, I plunged into grief’s plundered port of sin. I searched for music in her body in this bed of tangled seaweed songs do not linger anymore to tantalize the jazz singer’s lips: swelling the tide of my dementia where we are now dissolving & borne by lingering pathogens only shallow sea gods are bitten by, I feed the bloodlust’s swishing vein Sinking my shipwrecked sullen craft ========== Spiked Heels of Lunar Light Does the echo of light fading still reflect the concrete wave before a silent sound banishes candid movements about you of rainfall smearing streets. While your red glossy high heels staccato-tap glistening sidewalks before mist slithering dawn comes: a moment’s elocution of elements finer than your own existence as a precious filament ignites your eyes the angels of death dissipate before. You are the chosen one, Moon Dog trailing ire over jaundiced time nearby my gibbous hidden body your heels excavate heavenly flesh blood-red under moonlit rays, & beneath distant overhead clouds Hot moisture cuts the Velveeta you spread over perfumed breasts before imbibing my fallen presence. Food for dirty thoughts feeding Old moon-dust beneath your feet, My yearning cries now echo across another walkway where footfalls stop in soundless shadows beyond black mascara slashes your sightless eyes redress in naked night’s cruciform raiment ========== Eulogy for the Analog of Lost Desire Only my sex in the ellipsis of your mouth equals the sum of my disenchantment reading your scurrilous epiphany at 4 a.m., & knowing how fucked it is for you to post a revealing ad on Craig’s List in order to write a book later about it; & all your forays into the lusty disorders, As weeds dying on the lawn of your desire devotees of all lost amour aspire to, hoping to escape banal boundaries by extolling perversions to greater ends. You text my acolyte unscathed by hate, forsaking pristine years of bygone innocence. Now the cock crows at the death throes of one’s trendy sex life in empurpled drag. No pill or superlative drug resurrects the banished truth of old renegade heats when there’s nothing left to betray us, just your once revered cocky-capon god sucking love’s mitosis of invisible microbes ========== Symphony with a Severed Head White light glistens in a vase of shadow buds suspended by watery phlegm Of the intoxicated grandpa: I drink the syrup of palliating Scotch Listening to domestic disputes outside a window dust-splotched by faulty sprinklers. The squatter snoring nearby the tool shed isn’t exactly a meditating guru for quietus! No, his curse-ridden dreaming is a diatribe of bad rap lyrics damning his Jezebel. (The one with a bustier so silver-spangled with nipple rings, all very shiny Under his mental door mat of nightly stupor). Blue light in a bottle of 100% ambrosia, forever amber this Thursday evening Marred by police sirens & screams. Outside cops investigate the premises, but I’ll be damned if I’ll go out there Like a concerned citizen of Twitter with my cell phone video recording all. Let the complex go to hell in a handbasket bulging with the last dead rapper’s head, Severed & still bleeding-out dumb aqua until the saints come marching in. Peter Magliocco writes from Las Vegas, Nevada, where he’s been active in the small press as editor, poet, and artist for years. He has recent poetry in Pulp Poets Press, Literary Yard, Dyst, Lothlorien Poetry Journal, Jellyfish Whispers, The Pangolin Review, and elsewhere. His most recent poetry book is Particle Acceleration on Judgement Day from Impspired Press.
Category Archives: CHAOS
Poetry from Tolquinboyeva Odinaxon
***
Imaginations run wild
From the poets
Tears flow from the eyes
From the trembling of the drowsy heart.
Suddenly sleepy souls
Immediately open your eyes
Alisher passed Babur
From the exclamation of figures.
***
This is the sun in the sky
Always is shining
Autumn has come
The wind is howling
The moment you know autumn has arrived
Rushes to school everyone.
The first bell rings
But we avoid the lesson
Essay from Lobar Davronova

21st century is the era of technology and today we cannot imagine our life without social networks. Just like “every good thing has its bad side”, social networks have their good and bad aspects, of course. Well, let’s take a look at both sides of this issue.
Today, 95 percent of the population of our republic widely use social networks (Telegram, Instagram, Facebook, Google…). Because the Internet has become one of the main needs of our daily life. In addition, there is a saying that social media and the Internet make our distance closer and our burden lighter! Now we don’t have to travel thousands of kilometers to see our relatives and friends who live in another country or region, get the books we want to read from a library far away from us, spend money to buy the necessary manuals and textbooks, or waste time and deliver the necessary document for our workplace. All these tasks can be done easily and conveniently through social networks. As an example, today I have many friends who live in different regions of our country and other countries. Samarkand, Bukhara, Tashkent and several others… I have not visited all these places, of course. I met, exchanged ideas and then became friends through social networks. In addition, until now, some of my creative works have been published in newspapers and magazines of several countries, such as Turkey, Germany, and India. Of course, I don’t need to go to those state publishing houses and presses in order for my creative products to be seen in the world. I can find the e-mail addresses of any state newspapers and magazines and contact them using only Telegram or Facebook. In such situations, we really feel that social networks are an integral part of our lives.
But we must admit that the main part of our life is spent on media sites such as Instagram and YouTube. Especially in our society, there are many people who watch other people’s lives and lifestyles through Instagram, comment on them, put their own lives aside, and waste their valuable time by “liking” strangers’ videos or photos. As a result of many distractions in such programs and networks, there are many family disputes, among us there are people who fell under the influence of the virtual world and separated from their personal life by loving gadgets…
Basically, everyone has their own limits and rules for using social networks. I cannot come to a firm conclusion that they should not be used, but taking into account both aspects, it is appropriate to always use them in moderation, in my opinion.
Lobar Davronova. Uzbekistan
Art from Mark Young
Poetry from George Gad Economou
thoughts between the 4th and 6th glass of bourbon we killed the poets, we murdered the writers, we burned the artists on the stake, letting their bones rot under the unforgiving sun. graveyards vast littered with shallow, nameless graves. no one to carve a tombstone, not a single word of praise, or love, or even compassion uttered. only few we kept near, those who were too important to be forgotten; even them, we disregard wildly, reading them only because we termed them classic, vintage, what else have you. it’s the era of decadence, the desolation has begun, there’s nowhere to run. dry tears in dark street corners, every empty needle a reminder of a dead childhood dream, talent drowning in the bottom of bourbon bottles, vision burned up inside cold glass-pipes. it's alright, the rainfall comes, streets flooded, cars not moving, stillness, perfect fucking stillness. no one breathes, no one thinks, no one lives, we altogether smile in unison, a chorus of emphatic victory, singing the songs of childhood, remembering dreams that were written down in white papers and with red pens, smiling over the possibilities that would never be. someone somewhere throws away the trash, someone's watching a movie, another reads a novel and feels enlightened, despite the retardation of the human mind; a bonfire is lit at some distant beach, primal dancing around the flames, whilst elsewhere, someone runs away, speeding into a highway without a destination, only a sacrilegious purpose; a single tree in the middle of the desert, alone, standing tall, fearless, sturdy, stubborn; no lumberjacks, no birds, no rain. only the sand, the tree, the storm. the bartender pours me a bourbon neat, I down it, I ask for another; it's on the house, he says—after four paid glasses, he finally gives me one for free. bring me the sixth; this one, he says, you have to pay for. Bottle Thoughts drinking once more in solitude, the music keeping away the whispers. every sip, another memory of something lost, a year wasted lies in the bottom of each bottle, and I do not miss the nights of sobriety I forced upon myself for her sake. it's alright, I tell myself; I didn't quit the drink for the one that mattered, why should I cry for the one that turned out to be irrelevant and insignificant? memories, mistakes; have I ever done something right? NO, the unified answer of all the ghosts and it manages to be heard despite the loud music through the headphones. one more dark, empty night. alone, yet never lonely. every sip tastes like different lips, as in front of me I see all the pair of eyes I once stared into during cold nights, as we laid under blankets made of snow. every sip, the reminiscent of yet another false promise, of lies muttered in dive bars and strip clubs. it’s alright; another sip, it’s all gone. I’m once more concentrated on the darkness. on finishing my business on this planet, dreaming still of the bar I saw only once, when she thought she had lost me to the needle. I was already given to the bottle, at 14 I had my first real sip and ever since I never wished to escape. it's all a dream, an acid-trip; the forest, the mist, the ocean filled with hungry sharks. the shipwrecks. I'll awake suddenly, in a different bed. next to a stale wife. a teenage son will curse me under his breath during breakfast. I'll lecture him, when he comes home drunk on a sunday morning. I'll scream at him, when I discover a pack of cigarettes in his backpack. he'll wish I wasn't alive. and I'll lay down next to my wife, knowing she hates my fucking guts. and I'll seek refuge in dreams, but be visited only by nightmares. another sip, I'm still here, still plaguing the world. still not giving a damn for all the tears I've caused, still unable to shed real tears. the graveyard, it comes back; threw my very first poems into the hole, over the coffin. nobody has ever read them, I can't recall them. she was taken from me by the needle, along with a baby that will never grow old to hate my fucking guts. I see her on a bed that isn't mine, kissing lips that aren't mine; she's happy. and I'm happy. I still drink, and I would have ruined her, like I ruined her. and somewhere in this ugly town still lives the third one, the cheap substitute of the other two; potentially back in the arms of the one she betrayed for my sake. I don't give a shit. another sip, and she becomes, again, the bad acid-trip she truly was. another sip, hundreds of kisses all at once swarm the soul; there's no warmth, only the coldness of the lies, the falsity of the promises. another sip, time finally to embrace the darkness once and for all and stop tormenting a heart that got tired of beating. Gone into the Dusk daydreaming of embraces doomed to remain unfelt. more promises to be broken, more lies to be uttered. shadows on the couch, reminding me of the yesteryears I wish never were. empty bottles on the floor, soon I'll be gone; the stains will remain tormenting whoever moves in next, pity the poor clueless soul. former loves, moments the heart did skip a beat; all gone, forever lost. trying to recapture the magic, no strength left in a broken body. the wheels keep on turning, no reason to run. a syringe on the coffee table, junk heated, the vapor penetrates the nostrils, back to the colors, the music; time to chase dragons once more, nothing else to do. nothing else I excel at. memories overwhelm the numb mind, the hazed heart skips another beat as images pierce the haunted dreams, lambent smiles of someone who’s been dead for 6 years now, lustful kisses of someone that forced me to break the junk habit. gone, forever. all alone I sit in the absolute darkness preparing for my departure, the return to the collapsing streets of childhood. visions of the nights, wine dreams, I’m gone. forth one final ride, alone in the sunset towards a destination unknown. fueled with all the necessary, the desert filled with a crowd most bizarre, a carnival most grotesque. forests, oceans, metropolises, all and nothing rolled into one, for in the last ride you’re both alone and surrounded. friends and enemies alike, strangers and acquaintances talk, laugh, and bicker, for there’s nothing else to do. some beg for you to stop, others plead for you to go. nowhere to run, but forth as behind lies all that must needs be forgotten. one final ride, and it’s long, seemingly endless, destination elsewhere but via vagueness grandness is born. nevermore time shall matter, nevermore love shall torture. one final ride, it commences, and all’s left behind, dreams unfulfilled, dragons uncaught, people unloved. one final ride, and it all starts anew, for only without the old survival can ensue. Currently residing in Greece, George Gad Economou has a Master’s degree in Philosophy of Science and is the author of Bourbon Bottles and Broken Beds (Adelaide Books), Of the Riverside (Anxiety Press) and Reeling Off the Barstool (Dumpster Fire Press). His words have also appeared, amongst other places, in Spillwords Press, Ariel Chart, Cajun Mutt Press, Fixator Press, Horror Sleaze Trash, Outcast Press, The Piker Press, The Beatnik Cowboy, The Rye Whiskey Review, and Modern Drunkard Magazine.
Essay from Baratov Quvonchbek

Media literacy (impact on youth and related measures)
In recent years, the increase in the flow of information several times, the increase of positive information as well as negative information has made it necessary to have media literacy. Traditionally, media literacy consisted of a person’s ability to analyze literary works and create quality texts. Today, media literacy means knowing why and for what information is transmitted.
Why is media literacy necessary? First of all:
● To understand the essence of the reforms implemented as a full-fledged, active citizen of our legal democratic society!
● Avoiding the control of human consciousness through information. In any situation, it is necessary to find the right decision-making measures and to find answers to the questions of what purposes the information is being transmitted and whose interests it represents!
There are different opinions about the concept of media literacy. It is noted that 《Media Literacy》 is the ability of a person to be active and literate while feeling his responsibility as a citizen in society, to be able to receive, create, analyze and evaluate media texts, to be able to understand the social, cultural and political content of modern media. means! English political scientist R. Kibey understands media literacy as the transmission of information in various forms, their analysis and evaluation. In our opinion, media literacy is a conscious approach to sorting information transmitted through mass media together with highly expressed opinions.
Currently, media education is needed to break the concept of media literacy to young people. to include the concept and basics in the curriculum of each educational institution, to explain its basics to children in the form of interactive games during preschool education, to enable the growing generation to choose what is necessary in the intense flow of information and evaluate it with a critical approach will give. This, in turn, will be the basis for the further strengthening of the citizenship position of young people in the future, the ability to make an impartial assessment of the events happening in the world and make the right decision.
Poetry from John Mellender
Learning Situation There may, especially in times of civil int’resting unrest, be hid ‘midst heroes – who’d solve crimes, believing weaker folks’ good best – badged rogues who’d stop at no excess – to savagery against suspects, karate-chop pat-downs, regress; on courage, honor, cast their hex, leave victims sexually tortured. Idealists who took a stand, Once let out of this devil’s-orchard, must face their love, although unmanned. Their love is beauty, nothing less, who knows to love where courage grows but now finds love a harrowed mess – distrait, stand-offish. Why? Who knows? One may have suffered worse groin pains in downhill bike falls, but – it’s strange – this ache won’t go away. The change will bring unbid but oft’ his brains all addled vivid bright recall of dingy green precinct back room, his hands upon the chilly wall, his legs spread wide in civic gloom. We’d cellmates been in protest time – while I too had attacked a pig, foolhardy vainglory for rhyme it was – hardly a thing as big as bravery. (Though like outrage they’d dealt me, small discomfort lingers – my first night free did much assuage. I’m just glad they spared my fingers.) They’d thrown him howling through the door: “Strike, coward scum, and from behind – thus justice mock since law’s no more where peacekeepers have lost their mind!” He ceased his anguished hoarse harangue and climbed onto the upper bunk. Our cell door slid closed with a clang as back into my bed I sunk. His thrashings kept waking me up for long into ceaseless glare. I gave him water in a cup, he fin’ly slept without nightmare. Then after quiet hours went by wherein he didn’t even snore I guess he must have heard me sigh for, leaping to the iron floor he said his name, stuck out his hand. I shook it, told him “Call me Jack.” He taught up at the college, planned This lecture for when he got back: “When any revolution’s inchoate if it’s at all, such autocratic lock the Powers have on ev’ry human fate the chance that dissidence with fight will mock the pomp of armed enforcers isn’t great. Few act upon disgust that many feel. But character, integrity will rate with some despite the odds, which are surreal. Then luckily the losers themselves find In what we call a learning situation: What ruthless motherfuckers do them bind Is matter for the wonder’s contemplation.” I said that would his students well Forearm. He thanked me. We discussed specific treatment, what befell us both since brought in on this bust, and which side in particular – they differed ‘tween the both of us – received insult testicular. He then reflected – with a cuss: “It seems this adds another facet to passions positive as well – how tell my girl now in tacit accents exactly what a hell her country is, what fiends its cops, what force ensures wage-slave docility, what gratis ache that hardly stops our bliss infects and my virility – No! – she must be carefully shunned. A note with disengagement ring will say, ‘Sweetheart, love’s moribund. You’re not to blame, though, that’s the thing. You know you take it personal when griefs hit folks that aren’t their fault. But now the ghetto I’ll home call while you continue to exalt delight – but new guy overjoy – for I this shaman must consult to help your mad ex-lover-boy again in ecstasy exult….’ – I’ll not write that, just disappear. To flee’s the better part of valor. Of missing history buff she’ll hear, I’ll spare her any further pallor.”





