Synchronized Chaos’ Second January Issue: Who Will We Become?

Stylized painting of a man of average height, indeterminate race, walking on a dirt path near a crossroads. Trees, clouds, and blue sky and flowers and grass are along his path.
Image c/o Kai Stachowiak

First of all, published poet and contributor Tao Yucheng is still hosting a poetry contest, open to all readers of Synchronized Chaos Magazine.

Synchronized Chaos Poetry Contest: We seek short, powerful, imaginative, and strange poetry. While we welcome all forms of free verse and subject matter, we prefer concise work that makes an impact.

Guidelines: Submit up to five poems per person to taoyucheng921129@proton.me. Each poem should not exceed one page (ideally half a page or less). All styles and themes welcome. Deadline for submissions will be in early March.

Prizes: First Place: $50 Second Place: $10, payable via online transfer. One Honorable Mention. Selected finalists will be published in Synchronized Chaos Magazine.

Stylized painting of a young brown-skinned girl with a black hat and curly hair and a patterned shirt holding a sign that says "Ignorance is a Choice."
Image c/o Linnaea Mallette

Also, past contributor Alexander Kabishev is seeking international poems of four lines each on the theme of friendship for a global anthology. The anthology, Hyperpoem, will be published by Ukiyoto Press and a presentation of the poem will take place in Dubai in August 2026.

Kabishev says the new vision of the project goes beyond commercial frameworks, aiming to become an international cultural and humanitarian movement, with the ambitious goal of reaching one million participants and a symbolic planned duration of one thousand years.

The focus is on promoting international friendship, respect for the identity of all peoples on Earth, and building bridges of understanding between cultures through poetry and its readers.

Please send poems to Alexander at aleksandar.kabishev@yandex.ru

Man in silhouette walking through a rounded tunnel of roots towards the light.
Image c/o Gerd Altmann

This month’s issue asks the question, “Who Will We Become?” Submissions address introspection, spiritual searching, and moral and relational development and decision-making.

This issue was co-edited by Yucheng Tao.

Sajid Hussain’s metaphysical, ethereal poetry, rich with classical allusions, reminds us of the steady passage of time.

Jamal Garougar’s New Year reflection emphasizes ritual, spirituality, and the practices of patience and peace. Taylor Dibbert expresses his brief but cogent hope for 2026.

Dr. Jernail S. Anand’s spare poetry illustrates the dissolution of human identity. Bill Tope’s short story reflects on memory and grief through the protagonist’s recollection of his late school classmate. Turkan Ergor considers the depth of emotions that can lie within a person’s interior. Sayani Mukherjee’s poem on dreams lives in the space between waking thought and imaginative vision. Stephen Jarrell Williams offers up a series of childhood and adult dreamlike and poetic memories. Alan Catlin’s poem sequence renders dreams into procedural logic: how fear, guilt, memory, and culture behave when narrative supervision collapses. Priyanka Neogi explores silence itself as a creator and witness in her poetry. Duane Vorhees’ rigorous poetic work interrogates structure: individuality, myth, divinity, agency, culture. Tim Bryant analyzes the creative process and development of craft in Virginia Aronson’s poetic book of writerly biographies, Collateral Damage.

Norman Rockwell black and white painting of various people, mostly elderly, with hands clasped in prayer.
Image c/o Jean Beaufort and Norman Rockwell

Nurbek Norchayev’s spiritual poetry, translated from English to Uzbek by Nodira Ibrahimova, expresses humility and gratitude to God. Timothee Bordenave’s intimate devotional poetry shares his connection to home and to his work and his feelings of gratitude.

Through corrosive imagery and fractured music, Sungrue Han’s poem rejects sacred authority and reclaims the body as a site of sound, resistance, and memory. Shawn Schooley’s poem operates through liturgical residue: what remains after belief has been rehearsed, delayed, or partially evacuated. Slobodan Durovic’s poem is a high-lyric, baroque lament, drawing from South Slavic oral-poetic density, Biblical rhetoric, and mythic self-abasement.

Melita Mely Ratkovic evokes a mystical union between people, the earth, and the cosmos. Jacques Fleury’s work is rich in sensory detail and conveys a profound yearning for freedom and renewal. The author’s use of imagery—“fall leaf,” “morning dew,” “unfurl my wings”—evokes a vivid sense of life’s beauty and the desire to fully experience it. James Tian speaks to care without possession, love through distance and observation. Mesfakus Salahin’s poem evokes a one-sided love that is somewhat tragic, yet as eternal as the formation of the universe, as Mahbub Alam describes a love struggling to exist in a complicated and wounded world. Kristy Ann Raines sings of a long-term, steady, and gallant love.

Lan Xin evokes and links a personal love with collective care for all of humanity. Ri Hossain expresses his hope for a gentler world by imagining changed fairy tales. Critic Kujtim Hajdari points out the gentle, humane sensibility of Eva Petropoulou Lianou’s poetry. Brian Barbeito’s lyric, understated travel essay passes through a variety of places and memories. Anna Keiko’s short poem shares her wish for a simple life close to nature. Christina Chin revels in nature through sensual, textured haikus.

Doniyorov Shakhzod describes the need for healthy and humane raising of livestock animals. g emil reutter hits us on the nose with cold weather and frigid social attitudes towards the suffering of the poor and working classes. Patricia Doyne lampoons authoritarian tendencies in the American government. Eva Petropoulou Lianou reminds us that we cannot truly enjoy freedom without a moral, peaceful, and just society. Sarvinoz Giyosova brings these types of choices down to a personal level through an allegory about different parts of one person’s psychology.

Dr. Jernail S. Anand critiques societal mores that have shifted to permit hypocrisy and the pursuit of appearances and wealth at all costs. Inomova Kamola Rasuljon qizi highlights the social and medical effects and implications of influenza and its prevention. Sandip Saha’s work provides a mixture of direct critique of policies that exploit people and the environment and more personal narratives of life experiences and kindness. Gustavo Gac-Artigas pays tribute to Renee Nicole Good, recently murdered by law enforcement officers in the USA.

Photo of a heart on a wooden bridge. Sun and green leaves in the background.
Image c/o Omar Sahel

Dr. Ahmed Al-Qaysi expresses his deep and poetic love for a small child. Abduqahhorova Gulhayo shares her tender love for her dedicated and caring father. Qurolboyeva Shoxista Olimboy qizi highlights the connection between strong families and a strong public and national Uzbek culture. Ismoilova Jasmina Shavkatjon qizi’s essay offers a clear, balanced meditation on women in Uzbekistan and elsewhere as both moral architects and active agents of social progress, grounding its argument in universal human values rather than abstraction.

Dilafruz Muhammadjonova and Hilola Khudoyberdiyeva outline the contributions of Bekhbudiy and other Uzbek Jadids, historical leaders who advocated for greater democracy and education. Soibjonova Mohinsa melds the poetic and the academic voices with her essay about the role of love of homeland in Uzbek cultural consciousness. Dildora Xojyazova outlines and showcases historical and tourist sites in Uzbekistan. Zinnura Yuldoshaliyeva explicates the value of studying and understanding history. Rakhmanaliyeva Marjona Bakhodirjon qizi’s essay suggests interactive and playful approaches to primary school education. Uzbek student Ostanaqulov Xojiakba outlines his academic and professional accomplishments.

Aziza Joʻrayeva’s essay discusses the strengths and recent improvements in Uzbekistan’s educational system. Saminjon Khakimov reminds us of the importance of curiosity and continued learning. Uzoqova Gulzoda discusses the importance of literature and continuing education to aspiring professionals. Toychiyeva Madinaxon Sherquzi qizi highlights the value of independent, student-directed educational methods in motivating people to learn. Erkinova Shahrizoda Lazizovna discusses the diverse and complex impacts of social media on young adults.

Alex S. Johnson highlights the creative energy and independence of musician Tairrie B. Murphy. Greg Wallace’s surrealist poetry assembles itself as a bricolage of crafts and objects. Noah Berlatsky’s piece operates almost entirely through phonetic abrasion and semantic sabotage, resisting formal logic and evoking weedy growth. Fiza Amir’s short story highlights the level of history and love a creative artist can have for their materials. Mark Blickley sends up the trailer to his drama Paleo: The Fat-Free Musical. Mark Young’s work is a triptych of linguistic play, consumer absurdity, and newsfeed dread, unified by an intelligence that distrusts nostalgia, coherence, and scale. J.J. Campbell’s poetry’s power comes from the refusal to dress things up, from humor as insulation against pain. On the other end of the emotional spectrum, Taghrid Bou Merhi’s essay offers a lucid, philosophically grounded meditation on laughter as both a humane force and a disruptive instrument, tracing its power to critique, heal, and reform across cultures and histories. Mutaliyeva Umriniso’s story highlights how both anguish and laughter can exist within the same person.

Paul Tristram traces various moods of a creative artist, from elation to irritation, reminding us to follow our own paths. Esonova Malika Zohid qizi’s piece compares e-sports with physical athletics in unadorned writing where convictions emerge with steady confidence. Dr. Perwaiz Shaharyar’s poetry presents simple, defiant lyrics that affirm poetry as an indestructible form of being, embracing joy, exclusion, and madness without apology.

Ozodbek Yarashov urges readers to take action to change and improve their lives. Aziza Xazamova writes to encourage those facing transitions in life. Fazilat Khudoyberdiyeva’s poem asserts that even an ordinary girl can write thoughtful and worthy words.

Botirxonov Faxriyor highlights the value of hard work, even above talent. Taro Hokkyo portrays a woman finding her career and purpose in life.

We hope that this issue assists you, dear readers, in your quest for meaning and purpose.

Poetry from Anna Keiko

Young East Asian woman resting her head on her hand. Long trimmed brown hair and brown eyes.

My Spiritual Home

If I had an acre of fertile land,

A thatched cottage to shield from wind, cold, heat and damp,

Why would I squeeze into the steel and concrete jungle?

No matter how large a house can be measured,

The human heart remains unfathomable.

The fragrance of wildflowers along the path is natural and pure.

Even amidst thousands of houses and lanes, a single glance is enough.

If the heart is filled with light, brightness will abound everywhere.

Lights shine on faces, affairs cater to the powerful and rich.

I’ve wasted my prosperous days in vain,

Touched by the vastness of this worldly way.

I yearn to move to an isolated island,

Watching over the empty wilderness on all sides.

A single ladle of water, a single drink,

Are enough to make my heart turn toward the light.

January 2, 2026, 08:51

Comment: A Search for a Pure Land amidst the Hustle and Bustle

Anna Keiko’s “My Spiritual Home” is like a clear spring, flowing with a deep longing for a pure spiritual world amidst the hustle and bustle of the mundane world, touching and inspiring readers’ hearts.

The imagery in the poem is ingeniously used with strong contrasts. The “acre of fertile land” and the “thatched cottage” form a sharp contrast with the world built of “steel and concrete”. The former is simple and rustic, an ideal haven of peace and freedom; while the latter, though its space can be measured, has an unfathomable human heart, revealing the spiritual emptiness behind material prosperity. The natural fragrance of the “wildflower path” and the worldly disturbances of the “thousands of houses and lanes” further highlight the poet’s yearning for nature and authenticity, as well as her alienation from the utilitarian and mundane.

The emotional expression is sincere and profound. The poet directly conveys her inner belief: “If the heart is filled with light, brightness will abound everywhere”, spreading a positive and uplifting energy and making people believe that inner light can dispel all darkness. Regarding worldly prosperity, the poet laments in无奈 (helplessness), “I’ve wasted my prosperous days in vain, Touched by the vastness of this worldly way.” In a reality where power and wealth reign supreme, her loneliness and confusion are evident, and this emotion can easily resonate with readers.

The artistic conception is profound and full of philosophy. The “yearning to move to an isolated island” is not an escape from reality but a pursuit of inner peace. In the empty wilderness, she can blend with nature and find her true self. “A single ladle of water, a single drink, Are enough to make my heart turn toward the light” reveals that happiness does not lie in material abundance but in inner fulfillment and tranquility, containing profound life wisdom.

The language is simple yet full of charm, without the embellishment of flowery words, yet it can accurately convey emotions and thoughts. “If I had an acre of fertile land, A thatched cottage to shield from wind, cold, heat and damp” is simple and plain but creates a sense of peace and serenity. The rhythm is also natural and harmonious, forming a rhythm through word combinations and sentence patterns, enhancing the poem’s appeal.

“My Spiritual Home” is an excellent work that leads us to stop in the hustle and bustle, examine our inner selves, and pursue that piece of peace and light that belongs to us.

Painting of a large woman in a red top with a blue skirt in a room with a candle.

Essay from Doniyorov Shakhzod

Young Central Asian man in a suit and red tie with short dark hair standing in front of a geometrically patterned background.

HEALTHY LIVESTOCK – A HEALTHY SOCIETY

When we talk about health today, we usually think of the human body, medicine, hospitals, and pharmaceuticals. However, the roots of public health are often overlooked. In reality, they begin on farms, pastures, livestock facilities, and in veterinary clinics. A healthy society is not defined solely by healthy people, but also by healthy animals, safe food, and responsible drug use. In this sense, the phrase “Healthy livestock – a healthy society” is not merely a slogan, but a vital reality.


Livestock farming is one of the fundamental economic and social pillars of any society. Meat, milk, eggs, and dietary products are integral components of everyday human nutrition. Yet we rarely reflect on the conditions under which these products are produced, the medications administered to animals, or the extent to which these processes are regulated. In fact, any issue related to animal health ultimately affects human health.


One of the most serious global challenges discussed in recent years is antibiotic resistance. This problem does not originate only in hospitals. On the contrary, one of its major sources is the uncontrolled and improper use of antibiotics in livestock farming. In some cases, antibiotics are administered not for therapeutic purposes, but to accelerate animal growth or as a preventive measure. As a result, bacteria adapt to these drugs, rendering commonly used antibiotics ineffective in humans. This poses a serious threat to public health.


Unfortunately, attitudes toward drug use remain problematic. Some livestock owners administer medications without consulting a veterinarian, relying on the belief that “this drug worked before.” In other cases, dosages are not followed correctly, and treatment courses are not completed. Most concerning is the failure to observe withdrawal periods before slaughter. Consequently, drug residues remain in meat and dairy products, which eventually reach the consumer’s table.


This is where the close interconnection between veterinary medicine and pharmacy becomes evident. While veterinarians are responsible for diagnosis and treatment, pharmacists ensure the quality, safety, and correct use of medicines. Without effective collaboration between these professionals, medications may cause more harm than benefit. Therefore, veterinary pharmacy is not merely a professional field, but a critical component of public safety.


Today, the market offers a wide range of veterinary medicines, but their quality varies significantly. The issue of counterfeit and substandard drugs is particularly alarming. Such products fail to treat animals effectively and may even worsen diseases. As a result, livestock mortality increases, productivity declines, and economic losses occur. More importantly, these drugs pose an indirect threat to human health. Thus, strict regulation of veterinary medicines is not only a professional responsibility, but a societal necessity.


The issue of healthy livestock is not limited to medication alone. It also encompasses proper husbandry, sanitation, disease prevention, and vaccination systems. Preventing disease has always been more effective and economical than treating it. However, in practice, preventive measures are often neglected, and problems are only addressed once diseases have progressed. This approach is neither economically viable nor beneficial for public health.


At the global level, the concept of “One Health” is becoming increasingly relevant. This approach views human, animal, and environmental health as a single interconnected system. Everything in nature is interrelated: when animals fall ill, humans are put at risk; when the environment is degraded, livestock become more vulnerable; and when medicines are misused, society suffers. Therefore, healthy livestock is not merely an agricultural issue, but a matter of national and global security.

Another crucial aspect is the training of specialists. Modern veterinary medicine and pharmacy require advanced knowledge, technology, and a strong sense of responsibility. However, the gap between theory and practice remains evident. Young professionals must be not only knowledgeable, but also ethical and conscientious. A single mistake can affect an entire chain—from livestock health to human well-being.


As a society, we must also recognize our responsibility. Chasing cheap products and choosing meat or dairy of questionable quality ultimately harms us. Where there is demand, supply follows. If consumers demand safe and high-quality products, producers will be compelled to meet these standards. This, in turn, encourages the production of healthy livestock.


In conclusion, building a healthy society requires more than doctors and pharmacies alone. The process begins on the farm, continues in veterinary clinics, and is reinforced through the pharmaceutical sector. Only when each link in this chain fulfills its role honestly and responsibly can we truly speak of a healthy society. Healthy livestock is not merely about animal welfare—it is a guarantee of the health of future generations.

Essay from Botirxonov Faxriyor

Young Central Asian man with a white and black cap, brown hair and eyes, and black coat over a white shirt.

Why Hard Work Is More Important Than Talent

Many people believe that talent is the main reason some individuals succeed while others do not. From a young age, we are taught to admire people who seem naturally gifted — those who learn quickly, perform effortlessly, and stand out without much struggle. Because of this, talent is often seen as the most valuable quality a person can have. However, in real life, talent alone is rarely enough. Hard work plays a far greater role in achieving long-term success.

Talent is only potential. It gives a person a starting advantage, but it does not guarantee progress. Without effort, talent slowly loses its power. A talented individual who does not practice or improve will eventually fall behind someone who is less gifted but more determined. Hard work allows skills to grow, while talent without effort remains unused. Over time, consistency beats natural ability.

Hard work is what turns ordinary ability into real strength. Success comes from repeated practice, patience, and discipline. Whether in sports, academics, or business, the people who reach the highest level are usually the ones who spend the most time improving themselves. They make mistakes, learn from them, and try again. Talent may help at the beginning, but only hard work leads to mastery.

Another reason hard work is more important than talent is that it builds character. Working hard teaches responsibility, self-control, and persistence. Life is full of challenges, and talent alone cannot prepare someone for failure or disappointment. Hardworking people are more likely to stay focused during difficult times because they are used to putting in effort even when results are slow. These qualities are essential for success in the real world.

In addition, the world values effort more than natural ability. Teachers, employers, and leaders look for people who are reliable, motivated, and willing to improve. Talent might impress others at first, but hard work earns trust and respect over time. A person who consistently works hard will continue to grow, while someone who relies only on talent may stop developing.

Failure also shows the importance of hard work. Everyone fails at some point, but hardworking people do not give up easily. They see failure as a lesson rather than an ending. Instead of quitting, they adjust their approach and keep moving forward. Talent alone often fails when determination is required.

This does not mean talent is useless. Talent can be helpful when it is combined with effort. However, if someone must choose between being talented or being hardworking, hard work is the more powerful choice. Effort creates opportunity, while talent without effort is wasted.

In conclusion, talent may help someone start their journey, but hard work is what carries them to success. Hard work builds skill, character, and resilience — qualities that last a lifetime. True success belongs not to those who are simply gifted, but to those who are willing to work for their goals every day.


Author Note

I am Botirxonov Faxriyor, a 7th-grade student at Karshi Presidential School. I enjoy writing essays and exploring ideas related to education, personal growth, and success. In my free time, I enjoy exploring new ideas and technologies, learning programming skills, watching action movies, and going for walk. I spend my weekends with my family. I have recently started writing articles and finding the process both engaging and motivating

Poetry from Stephen Jarrell Williams

Speaking Now

Speaking now

a ringing in my ears

almost a singing

I heard when I was young

looking out my window then

at night from my bed

stars so distant

cold and watching me

feeling alike

no words 

only a sense of knowing

their world

and my world as a child

a song unfinished

never rehearsed

but coming back

hoping

we share the end.

Ecstasy

The long moon ride

can’t sleep

the ecstasy above

out in the vacant field

I catch hold

not sure how

but I’m hanging on

upward and gliding

dreamlike

in awe

breathing forever

the face of earth within.

The Race

Ran the race

and didn’t know how

well I’d done

until the words came out

on the glow screen of now

bright as sunlight at night

telling me all the secrets

in one pop of sight

one final heartbeat in time.

Bubble

You never understood me

loving you in my bubble

floating over every second

of us

in our lifetime of love

loving everyone and all

like the poets we are.

Essay from Ozodbek Yarashov

Nothing Changes Until You Change

Nothing is changed until you are changed. Many people spend their lives waiting for tomorrow, believing that time itself will improve their situation. They think that one day everything will become better without taking any real action. However, time alone does not create change; only personal effort does.

Imagine that you do nothing except sit in your chair for one hour. What has changed? Almost nothing. You may feel relaxed, but your life remains the same. Now imagine sitting in the same chair for two hours or even longer. Instead of improvement, your body becomes tired, and you may struggle just to stand up. This simple example shows an important truth: doing nothing does not move us forward. In fact, it can slowly harm us. Progress requires action, even if that action is small.

Real change begins when a person decides to act. Every small step taken today shapes the future. Waiting for the “right time” often becomes an excuse for fear or laziness. Time helps only those who move with it, not those who wait for it to pass. If someone wants a different result, they must become a different version of themselves through discipline, effort, and consistency.

In conclusion, life should be lived in the present, not postponed to tomorrow. Understanding that today is the only moment we truly control is the key to success and happiness. Change your actions, and your life will change with them.

Chatgpt also helped me. 

I am Ozodbek Yarashov and I live in republic of Karakalpakistan, Turtkul district. I am a young curious person and I am interested in English (in fact, my English is almost C1), and math. In the future, I am going to be a developer, not just a developer, but a developer who changes the world! I always believe in myself. I recommend to everyone, change your thoughts, change yourself!

Poetry from Dr. Ahmed Al-Qaysi

Older Middle Eastern man with a big hat and reading glasses, a suit and dark coat, standing in front of a textured painting of a woman in grey with a yellow umbrella.

And jasmine remains white,

no matter how treacherous the seasons may be.

Like the heart of a child is your heart,

and like your presence in my life — a secret of eternity,

planting in my heart roses that never wither,

no matter how many years pass over them.

You are a melody that never loses its glow,

no matter how tired the fingers grow,

a pulse that never fades, even in the fiercest storms,

O child of my heart.

When you draw near, words fall silent

out of reverence for your presence,

time becomes perfumed with your gentle scent,

and I feel as though I breathe another life

within your heart.

Like rain after a long thirst,

in you I find the meaning of purity

when purity is lost in this world.

You are warmth when winter betrays me,

a refuge for gentle souls when the dark winter night frightens them,

and the heart’s reassurance

when souls tremble.

Your love remains pure in my heart,

no matter how fierce the storms may be.

You are my homeland and my light

when the path is lost.

The song of my heart,

and the song of the soul when silence fails it.

In your eyes, I find both safety and wonder.

My wish, my little one —

in the warmth of your hands

I discover that time can stop

in reverence for a sincere moment.

O purer than all the verses poets have written,

secret of dew and whiteness of dawn,

you are the branch leaning over

the balconies of Damascene shanashil,

over ancient windows and doors,

O fragrance of jasmine.

Your presence with me

turns all seasons into an endless spring.

And jasmine remains white,

no matter how treacherous the seasons may be.