Poetry from D.S. Maolalai

The kite

and this was toronto.

somewhere: a tuesday.

one of those dull

and hot days in late

summer. I wasn’t working.

I was sitting in the park

near my apartment,

reading a book

from my pocket.

and there were squirrels, employed

in their running about –

there were squirrels

all over toronto –

and then there was also

a hawk. it was flapping,

its wings making holes

in the grass, hurried along

like a fast escaped kite.

it didn’t get any of them;

just blew about, a little breeze-caught,

right in front of me

looking huffy and somewhat

embarrassed. I could have

touched it, if I’d put down

my book. the dark feathers,

the fast moving head

and the eyes. then it was gone

and the day was quite warm

and there was traffic moving

and a streetcar going up bathurst,

the colour of an old

can of cola.

and people were yelling

from the park’s public

swimming pool

and people were yelling

on the street.

we were somewhere,

and something

had happened.

The sort of thing that happens

4pm. Sunday

in the Phoenix Park back

and the north and a pub

called The Hole

in the Wall. drinking

a warm can of Guinness

like coffee. watching the deer

as they run between cars.

this is the thing –

what you see in the park

on a sunday. energy springing –

anxiety given

a shape. and we’re by

the back garden

to Áras an Uachtaráin

(that’s the seat of the president

for American readers)

the sort of thing that happens

in Ireland sometimes.

Stripping the kitchen.

like a lizard

scraping skin

over gravel,

or like peeling

a difficult orange,

I cut through linoleum,

dragging the knife

along down the edges

of cabinets.

this is a saturday,

eight months in a rented

apartment – we weren’t quite sure

what the contract allowed us

to do, but messaged the landlord

and hated the kitchen.

his easy response

with the usual english: I could not

give much less of

a fuck. I finish the trim

and call over my girlfriend

to help me in drawing

from body. it comes up

with an ease

which surprises the both of us,

upsetting my coffee

and bucking like water at stones.

frees with a scrape

and a sickening sucking

sensation, but the tiles

underneath are well-

cared for, and this

is a good afternoon.

the corners are stained

and discoloured by glue,

though the centre

is clean and bright yellow,

solid as surface, with some

minor cracking,

like a bone when it breaks

through the skin.

The houseplant

I slept late then

often, woke up

and made kitchen-

coal coffee. walked

to the bedroom,

useless and dry

as a plant. there was

something growing.

something awful

was growing. my girlfriend

had work and my friends

were all working; the dog

just as tired as I was.

I checked messages,

job listings, made

another coffee.

sent applications

and didn’t hear back. there was

something growing. a seed

in a shed in a garden,

on a dusty wood shelf

by some gloves.

summers would come –

I did know that.

and winters – and I

knew that too.

In India.

he took a room

in an apartment building

in the vaguely spaced out

no-man’s land

somewhere south of Smithfield,

past the Liffey,

near the Liberties. a hillside

which lurched on, downward

toward the river

like a mildly drunken misstep

on a badly levelled street.

and he overlooked

the brewery

and the clearly stretching

sunlight, which fell out

from his window

toward the northside

of the town. no shadows

but his own, marking time

and getting longer, like a toddler

slowly growing

until 10.

and he’d dearly

loved the dog – he had gave it

to his sister – but he’d left the plants

and bookshelves

and goldfish with a note;

perhaps the landlord

wanted them. and occasionally

a message: she was doing well

in India – could probably pay

his passage, if he’d maybe like

to come? inspired by the light

which struck the buildings opposite

he took to painting pictures:

his girlfriend, still in India,

and writing him

short messages.

Elizabeth Hughes’ Book Periscope

Middle aged white woman with glasses, a smile and blonde bangs
Elizabeth Hughes

Tropical Doubts by David Miles Robinson

Tropical Doubts is part of the Pancho McMartin series. The series is a legal thriller. Pancho McMartin is a criminal defense attorney, one of the best in the Hawaiian Islands. Until, that is, he loses three trials in a row.

His very good friend, Manny, comes to him after his wife, Giselle, dies after surgery. Then with a twist, Pancho is then defending his friend Manny when the lead surgeon is murdered and Manny is accused of his murder. Tropical Doubts is a fast paced novel with an abundance of suspense that will keep you intrigued until the very end.

David Myles Robinson’s Tropical Doubts can be ordered here from the author’s website.

Poetry from John Most

I’ve heard that a nurse will sing Amazing Grace on inauguration day for Biden and Harris.
I understand Donald Trump may sing his own version for his departure:
“Amazing Base” (with apologies to the composer/lyricist of Amazing Grace)

Amazing base, how sweet their sound
To praise a kvetch like me
Dems claim I lost, (fake votes they found)
They’re blind – just wait – they’ll see!

‘Twas Race I used to stoke such fear
And Race the nation cleaved
How sharp my ugly tweets appeared
My smitten base believed

Through Mueller, and impeachments’ tar
We have already come
The base has stuck with me so far
My base will lead us home

My reign should last ten thousand years
Bright, shining as the sun
With all those days to sing Trump’s praise
We’ve only just begun

Amazing base, how sweet their sound
That loves a kvetch like me
I’ve never lost: Fake votes were found!
Stand strong, just wait – THEY’LL SEE!

Poetry from Ike Boat

Young Black man in a dark jacket reading on stage at night under a bright light.
Poetrician Ike Boat

The Cocoa Tree

The cocoa tree,

Beautifully, planted in the fertile soils of Africa

Where the process of photosynthesis makes it free

In order to germinate in the farmlands of Auntie Rebecca

As she often addresses the folks about the need to become cocoa farmer.

The cocoa tree,

Nicely, go through the watering routine to grow every stage

Thus, it becomes attractive for the eyes to see

Just like how a man develop at individual age

So as to nourish even in the season of summer.

The cocoa tree,

Unfortunately, can’t mature at the sea-breeze atmosphere

As I was told long ago by one teacher Lee

Who once upon a time taught is there and here

And introduced us to the usage of a hammer.

The cocoa tree,

Produces the tasty little seeds like fruit

Which sometimes become the friends of a flying bee

Thus, when it’s cracked open and sweet to suit

Under the Sun when it changes colour so fine.

The cocoa tree,

Develops the pods from greenish to yellowish

Amidst climatic conditions enjoyed without any fee

Which makes it huge and flourish

It’s sometimes support the other tree with a vine.

The cocoa tree,

Helps the certainty to ensure production of the divine chocolate

As I was informed by the Brit friend known as Gee

How lovely to lick and such during a family dinner date

In fact, it’s like the beauty of all things combine.

Rhythms Of Waterfalls

Rhythms of waterfall,

As the liquid she’s carrying drops and splutter.

It’s within the yard and not the hall

So, this piece of writing hit the mind to utter.

Rhythms of waterfall,

As some sight it in Boti, somewhere in the nation.

Where the mountains are so tall

Thus, it beautifies what lies in nature’s creation.

Rhythms of waterfall,

As it turns to meander and flows.

Like a stream which doesn’t touch the wall

Not even the air or wind which blows.

Rhythms of waterfall,

As outstanding as aircraft landing.

With passengers on-board making last minute phone-call

To bring their partners and lovers, welcoming and embracing.

Rhythms of waterfall,

As pieces of Niagara is far away Canada.

Where no child dares to play the ball

Like those living on the fertile lands of Grenada.

Shadow

Shadow,

You’re associated with nature

Aside, becomes visible in the reflection of a picture,

Which is taken today and tomorrow.

Shadow,

You’re often seen in the night

When there’s availability of light,

In the storeroom or bedroom with your mattress and pillow.

Shadow,

You’re close friend to all races even though your colour is dark

It doesn’t matter if a person is called Mark,

But, it depends on the direction which you naturally follow.

Shadow,

You’re like the stranger to an innocent one unknown

So, it’s a wonder to the kids who’re not grown,

Yet, night by night you pursue in the motion so slow.

Shadow,

You’re made from what’s solid

And sometimes appear to be rigid and not vivid,

Well, that’s how to end your descriptive now.

Synchronized Chaos January 2021: Loss and Resurrection

Dream states, meditation, closing your eyes – all darkness. The child in the womb, the stars, the vast universe – all in darkness. Seeds planted in the ground – in darkness. Darkness is the breeding ground for all life. Who taught you to fear it? — social media wisdom

Black and white photo of two trees in a field. The one in the foreground is dead with twisted empty branches and the one to the right in the background is full of leaves.

In this month’s issue, Patricia Doyne urges us to drop-kick 2020 to the curb. As she mentions in her second piece, illness and death from the global pandemic, along with ruptures caused by underlying social inequities, played a large role in the past year.

Bruce Roberts also writes of the pandemic, and also compares the departing US president to Shakespeare’s King Lear.

Ahmad Al-Khatat mourns the loss of a life to political violence, while Santiago Burdon explores the mental state of addiction, the loops of need and desire. Jack Galmitz’ speaker lies awake at night, missing and wondering about someone not present.

J.J. Campbell writes of our human frailty in plague times, mixing a bit more havoc and chaos in with his usual loneliness and pain.

Chimezie Ihekuna writes of love lost and found amid our human physical and psychological weaknesses and social injustices.

Other authors contribute thoughts and ruminations, exhalations of the subconscious in one form or another.

Single windmill in a wet marsh area with water and some windswept grassy plants, clouds overhead and a pink/purple sunset or sunrise color.

Daniel DeCulla poetizes on the human body through random whimsy, comparing his large male belly to his pregnant daughter’s. A. Iwasa reflects on the random day-jobs he held on his pathway to artistic creativity and social activism.

Jaylan Salah identifies and explores queer male visions and intimacy within current Egyptian cinema.

Dan Raphael starts his meditative pieces with ordinary life – weather, food, hikes, the calendar – and goes deeper through steady thought. Ferris Jones’ poems convey the fluid nature of many of our childhood memories and the different ways our mind can perceive time and space.

Norman J. Olson reflects on decades of his own personal history, following many Americans of his generation from the ‘farm to the city to the suburbs.’

Mark Murphy also probes history and memory through a poetic rendering of a painting of Renaissance political leaders and explorers.

Joan Beebe offers up a compassionate prayer for healing while R.S. Mengert reflects on death, grief, and renewal in pieces reminiscent of medieval mystics.

In Sheryl Bize-Boutte’s short piece, a teacher reaches out for comfort after her loved one suffers racially motivated violence.

Mahbub and John Culp both turn to nature to find reminders of renewal. Butterflies in early spring and a lemon tree in winter suggest to Mahbub that he can, as John Culp affirms, find strength through letting go and accepting the natural passage of seasons.

Ike Boateng showcases an annual masquerade parade in his home country, Ghana.

Large fruiting lemon tree planted in red-brown soil near some grass and other lemon trees.

Mark Young’s poems speak to us of delicate moments, little interruptions, while Hongri Yuan’s writing, translated from Mandarin into English by Manu Mangattu, celebrates instances of spiritual transcendence.

We invite you to reach for moments of that nature as you read this month’s issue, and we hope that you find grace and inspiration even in these global circumstances.

Poetry from Ferris Jones

delirium

(parked in a cemetery; raining)

i understood early. life is strange for anybody. i didn’t realize my nursery school companions didn’t comprehend. i watched the coffee table walk on its four limbs. i stared at its stability. not a single dip of my father’s beer had overflowed. while it roamed, its supremacy overcame me. Intelligence to each stride. he appreciated where he was going. i craved to be that way.

it’s conscious. everything. nothing ever dies. it becomes foodstuff for the universe. dinner is prompt. we should embrace. treat well. my world, heavier than most. what did i know? i was five years old. what was real? mommy carried me, settled me. the world turned. i could perceive now. it was as absolute as that.

sweet boy

don’t weep. we won’t surrender you on this dilapidated dance floor. we will reconstruct it into a sky that will not squirm. its guardian will be of your crop. we will be the spirits that will yield blood for your tranquility. our minds will accept this pandemic and sections will disappear. nobody will realize how great they should have remained. a parachute will break your loss. go on, little one, conceive those daydreams. the earth cluttered with our remains will attend over you. no mischief will appear to you.

we will draw up arms and overthrow the pagan vampire that is autocracy. its assault will be but fables, flying before the years develop. the hijacker will expire in shackles, millions will lament, rifles will blow, capitals will ignite. airborne joy will torrent the invasion.

i will stand my history in your palms, be delicate with the mass, golden stars will be on your screens. read the message, behold the ground, envelop the tombstones. the karats are the weight, controlled by the painting of your forthcoming. i will stare on to you and your triumph, sweet boy. we will not let you, nor will we dig the tunnels.

past lives

my judgement opens from space. islands inhabit this elegant territory. true, as if planted by god’s palm. it’s rests nowhere else. lives and eye’s, roamed here for centuries. expired here. bones are in divine locations, not discovered. rafts of bamboo carried these waters. sculptures of the heroic warrior’s in the star’s highway at night. they understood time.

i’ve been there. reached from the sky and set on the water. an elegant craft. wealth. but when? i recognize i fell through the crystal water. taken part with the roads of the sand. the moon generates arrangements sustained beyond many deaths. was I one of them?

Poetry from Dan Raphael

Here we Go Again

Most years January doesn’t have to do much—its reputation’s enough, every day

in the 30s, rain with 20 mile wind from whatever direction you’re walking;

sometimes the rain polymers branches, cars and streets in cold hard transparency,

soaked soil and juggernaut wind bringing down trees and lines, increasing the darkness

that should be diminishing:  the suns been up for hours but January wont let it out,

Jan doesn’t look at us at all, knows what we’re waiting for, so becomes 2 weeks longer— February won’t mind, having been the shortest all its life knows what complaining brings,

its only reward an extra day every 4 years like a gold star that won’t stick to its forehead, February’s that long car ride, soon as it begins we’re asking is it March yet.

March marches, mars the god of war showing off its new but familiar uniforms

this month of sideways rain, month of flowers teased into blossoming then frosted brown

by northern winds tromping the calendar line claiming winter’s over

March has no idea how April got here or who let it in, April so caught

in its fashionable reflection. intoxicated by its own promise,

it seldom looks outside—why are you complaining, it’s April—

put on your shorts, dust off your bike and celebrate your way to a terrible cold.

The Universe Started in a Kitchen

Warm bread, cold coffee, basil rain

a medium rare minute

my autobiographical menu

dreams with food around but i can’t get any

Boil before you mash

wash but don’t peel

3 minutes per side

don’t measure, weigh

follow the pilot light

A kitchen off the grid

different sizes of spatulas, flippers, wood & metal spoons

3 knives

great grandma’s cast iron pan

this fork grew an extra tine

Eating steak without utensils

my molars aren’t what they used to be

Red means go, when it’s a tomato

someone tall & thin as a cornstalk

7 bees swim in an artichoke flower

some crops don’t want to be eaten

the only thing that grows in my kitchen
         is the stack of dishes and pots to wash

a stove you can take to any room, any where

Times my stomach rumbles for no reason

if i’m eating, it’s mealtime

wish the fridge and fruit bowl could refill themselves

so when I put a bed in here, i might never leave

Under Cloud Cover

a mani-permeable membrane

four way street, traffic circle sprouting sinuous

combination window mirror camera  and screen

as if I’m one

sometimes particle, sometimes wave

for the tiniest increment timeless

one blade in miles of grasses

between breaths, among heartbeats

my roots go everywhere

no reason to taste me

don’t know what I’ve been holding back til I let it go

like that sleepless, walletless hitchhike across the country

how long it took to convince myself I could sleep now

or the second trail day in Nepal, got lost,

take 20 steps, catch my breath, take 20 steps, sit or lean

resilience    recovery    resignation    reignite

in my current flame of mind

in several keys, several languages, not all of them

voiced or heard, no harmony without absence

muscle rippling bone, pushing while pulling away

how hugs become subcutaneous

each pore can breathe, each hair

can transmit and receive

sun slices through clouds

won’t let my hands touch its light

more motion than heat

places where clouds are illegal but not hard to get a little

places the sun shines through the earth ‘round midnight

Of the Land

How are my territories divided:  the physical, the emotional,

the only borders are my clothes, cat scans looking for

quick passage, hidden benefits, mazes of intestines and nerves

the river going through me can be dammed or polluted upstream

Weather grants no suffrage but always provides consequence

seasonal conundrums, the powers of habit and accumulation

but not what I was saving for which comes when

there’s no longer room or company

How to find a balance point with so many fingers on the scales

the momentum of intent, the inertia of comfort, inherent randomness

when supply demands, an idea made flesh, knowing when to shrink

or vanish, a door locked before i could learn the combination

What lets in wind but not light, a skull so tight not even

whispers can get through, an untranslatable past

becoming smithereens of the future, as it takes a thousand arms

to keep all of a life’s moments aloft, a fluid index,

when what seems chaos are the many ways to tell the same story

as plots cross-breed, as characters become their speeches,

costumes gleaned from the effluvia of closets

When we ran on all fours and kept gaining weight

so nothing could carry us away, earning the choice

to stay out of the rain, be close to a fire

what often happens around now, at this age,

what remains a mystery since no one’s seen it before

the country trying to grow inside me must be cut our or dispelled

Born Under a Vague Sign

particular matter     vague concerns     open seasoning

we need wind to mask the freeway noise

windows to keep out what the wind is carrying

how far this dust has come, a slow migration.

local rebels, taking a chance—you don’t know where that wind’s been

when the wind and rain boycott us, meteorological distancing

the masked sky diffusing the sun

adjusting the dimmer for 12-14 hours of equal gray

every time the electricity hiccups all the clocks turn to midnight or noon

shadows growing from the streets and yards

smoke trees     street trees     family trees     triage

when the windows go blank

when there’s nothing beyond my yard

since the sky’s so vacant the thunder must be manmade, ground pounding

pits and spumes of dust as if slow rain but no rain—

earth burps     soil yeast     foundations too unsettled to not squirm

can we just jump from 6 o’clock to 9, from downtown to road free

rotate this valley 90 degrees to change its relation to everything

the rain’s never lost cause it doesn’t care where it’s going

clouds throwing off water like we do cigarette butts and burger wrappers

as if we wait til sunrise to start and stop soon as dark reaches our ankles

as a compass is not a clock of space, gps is just numbers

and you know how stable they are, how easily 8 becomes three,

take the 1 from 10, when it’s easier to count the commas than the places

even temperature speaks multiple languages and never asks us

for a reference or limit, skin wants its own arithmetic

add, divide or multiply, things get so confuddled

even gravity’s misoriented, light slows to get a better look

after decades of steady friction blood escapes, nerves stop receiving

and only transmit, wirelessly, enough pain or joy at times

to reach a satellite and either bounce or tread

into the emotional vacuum, the place so many causes and effects

hide each other. as if the sun is all we got, as if the moon is content

most of the stars are not meant for us