Short story from Adewuyi Taiwo

THE STAR CALLED PRIYE

My second mother wore a wide black, hat that exposed only her chin, but since I was right beside her, I clearly saw the contortion on her face, an ugly expression like the combination of a gleeful smile and a hateful sneer. Her black gown billowed in the wind, softly at first, then harshly, as the sky darkened and hesitant raindrops plummeted down as if the clouds themselves were grieving with us.

The priest’s solemn voice monotonously articulated the last farewell for Priye. Her embalmed body lay in the brown casket seven feet in front of us, quiet for the first time in seven months. Her picture was hugged to my chest, where her face blossomed with a pleasant smile that would forever haunt my dreams. The green, chiffon dress she wore in the picture was resting at the back of my wardrobe. I would wait for six months before wearing it along with all her clothes and jewelry that had become mine, even though it had only been seventy-two hours since she died.

Priye was my elder sister by three years. She was frail, sickly and short. But she was more intelligent than me, and she had a beautiful voice that mesmerized everyone in our school. Last year, her performance of Whitney Houston’s “I will Always Love You” was so breathtaking that our principal’s mottled face cracked a smile for the first time that term and he approached her in his black, pinstriped tuxedo to shake her hand. “That was marvellous. It reminded me of my late wife. She loved that song in our twenties,” he had croaked, looking wistful.

Priye had beamed with an ethereal radiance, looking more like an angel than a human being. If not for the leukaemia that ravaged her body…“Oh God, her mother died barely five years ago. Why?” my grandmother wailed in her wheelchair, her saggy cheeks throbbing with every sound she retched. “Why did she die so young?”

I looked at her, at the wispy patches of white hair on her head, and her wrinkled face. In eighty years. Priye could have resembled her. She would have enjoyed her old age, tending to her hibiscuses alongside a host of stubborn grandchildren. I pictured it for a moment, and gulped back a sob.

“Why?” Grandma cried again. She turned to look at me. “Priye, is this a dream? Wake me up!” She gestured at the coffin. “Wake Ifunnaya up, please!”

My second mother hushed her. “Priye is dead, Mama. The person you are talking to is Ifunnaya. The priest is still speaking.”

Did she ever wonder why Grandma kept making that mistake? Maybe not. Grandma’s eyesight was very poor anyway. Most times, she couldn’t see people until they were stooping very close to her nose. But I knew, and the truth was stuck in my throat like a goitre, something I couldn’t swallow, yet couldn’t spit out. Because my mother killed her before her time, I thought, answering grandma’s question silently, hugging Priye’s frame tighter. My mother was a more insidious disease than Leukaemia.

On those dreadful nights, three months ago, when Priye howled in her bed, my mother sang in her room, eulogizing God for bringing misfortune to all her enemies. She rocked expensive aso-oke to galas and to the birthdays of her clients while I held Priye’s hand and assured her, she was not alone.

In those moments, it hurt so much to remember that two years ago, she had been well enough to attend school, chirping tirelessly about everything like the Maths teacher’s knack for singing Fuji in class, her dreams about sailing the Atlantic in her own yacht and her subtle affection for a tall, nerdy boy in her class whose glasses were three times the size of his eyes and who always came first in Mathematics, even though my mother never gave her food for days. It was later that I knew that she poached food from her friends during lunch break, and she did it so prudently that they never suspected that she was being maltreated.

I remembered waking up late in the night, disentangling my second mother’s limbs from around me, and tiptoeing outside. I would go to the backyard with a nylon of biscuits for Priye. She always kept her window open so that I could throw the biscuits in. The window was two stories high so I was often successful two times out of thirty.

Many nights, I was totally unsuccessful, the biscuits thumping against the sliding glass or the wall. Most of the biscuits that made it in had been smashed into crumbs that Priye had to pour into her mouth.

That was when I noticed her fascination with stars. Those nights I woke up after midnight and raced to the backyard, I found her stargazing, with her window open, the chestnut curtain bunched behind her, her white nightgown draped over her skinny frame, looking as bright and quiet like the celestial bodies she stared at.

The only time I ever saw her differently was one night, months afterward, when my mother said she would not waste another dime of her late husband’s money on her disease and Priye latched onto her like a monkey and bit her neck. But after that, she apologized. Though, that night, she looked into my eyes with the intensity of a camera taking a picture. Her diary entry for that night read this: I think we human beings are more like stars than we think. We shine brighter when we start to fade.

It was as if she knew that she would die, so from that day onward, she said her goodbyes quietly. She confessed her love to the boy who told her sorry, he was in love with Zendaya, and she ran home without taking the bus, crying and laughing at the same time. She told me she was crying because he was so stupid, and laughing because she finally mustered up the courage to ask him out. All I did was stare at her, dumb, because I had no idea what it meant to have a crush on someone.

After she calmed down a little, she asked me to draw her, so I took my drawing book and drew her at her window, staring at the sunset. I should have painted the sky black to show it was night but I wanted the memory to be warm, not bleak, besides her skin tone was the colour of a brown sunset and I wanted that effect to show when I painted the drawing.

That night, she sat by the window in her satin nightgown with a crime novel in her lap, staring at the man selling suya on the busy street behind our house and the people walking, and she suddenly asked me a question.“Did you know that stars shine the brightest when they want to fade?” her laptop was playing a YouTube video of how a star becomes a supernova. 

She didn’t seem to expect my answer. She probably knew I didn’t know what she was talking about back then. Now that I remembered it, I could assume that she thought of herself as a supernova.“Ify, will you remember me after I’m gone?”

I just stood there in her room, petrified. I was bigger, healthier and more loved than her, but in that moment, I wanted to become her. I wanted to be the strong one, even if it meant our second mother would hate me.

“I wish my mother didn’t die,” she sighed, and looked at me with a sad smile. There were no tears in her eyes, only the shimmering darkness of her irises that portrayed her beautiful soul.

Believe me, I wanted desperately to, but I couldn’t tell her that her mother didn’t die five days after her car accident, mine did. And the woman who called me her child now was actually her own mother. This was the last thing my late mother told me. It was the secret only I knew.

I couldn’t remember my real mother’s face clearly anymore, but I remembered her dimples and dreads. She might have looked like Asa. She was our first mother and she loved Priye and me the same way. All I did was cuddle closer to Priye that night. I noted how she smelled like a flower garden. It was the soap that a chubby, jovial boy in her class gave her. She told me how expensive the soap was.

While I listened, I wondered why she didn’t realize that this other boy had a crush on her. We talked for hours uninterrupted because my second mother had travelled to Abuja and left us in a neighbour’s care. We pretended we were sleeping so he let us be. That night was the Champions league final so we weren’t his main priority. We heard him screaming and cursing from his room as his club conceded four goals during the match. We couldn’t help laughing at his plight.

Priye and I talked about many things until she began drifting off to sleep. I was often amazed at how quickly she slept. In a few seconds she was breathing softly, relaxed, her hand which moments ago had clutched mine now limp.

“This woman is your mother, you know?” I whispered so quietly that Priye might not have heard me. It was the best I could do.

And for a brief moment, I was sure she did not hear me.

“I know,” she said faintly. “You are Priye and I am Ifunnaya.”

Poetry from Melita Mely Ratković

Light skinned Eastern European woman with light brown hair and a pink vest seated in a black and white chair in a yellow room.

I LOOK AT YOU 

Where has the shine disappeared

In your sad eyes

I feel, longing destroys your

Despite the years, beautiful face

Can you free yourself, 

Forgive those who

Didn’t know how to love you 

As you deserve

Do you have the strength to let go

The devastating pain in your chest? 

Who are you unconsciously punishing

Despite the love they offer you

Can you love again

Release the weight, take off the shackles,

Free your soul, let the light in

Into life, without fear of rejection, 

Consciously accept a dormant desire

Are you able to try to change yourself? 

 

Melita Mely Ratković is a poet, translator (Spanish, Portuguese, English, Bengali) and literary ambassador of Serbia in Brazil and Spain. She has participated in world anthologies, including HYPERPOEM for the Guinness Book of Records, and has been recognized among the 50 most important women in Europe. She is the winner of international literary awards and a member of several world academies.

Poetry from Teresa de Lujan Safar

C:\Users\user\Downloads\download (37).jpg

(Middle aged light skinned woman in a black top)

THE BEST GIFT 

Good morning! For everyone, 

With a smile. A mate, a coffee. 

Good morning, accompanied by an I love you. 

Necklaces of hugs from everyone, at home. 

Bunch of hands, are the best flowers, 

The perfect decoration for all mothers. 

It’s the joyful setting for everyone gathered, 

May they sing her name, may they call her mother. 

May they pamper her and cherish her. 

A prayer to heaven for those who went before.

TERESA DE LUJAN SAFAR, MEMBER OF TOGETHER FOR LETTERS. I LIVE IN PERGAMINO, BUENOS AIRES PROVINCE MY BOOK: “CRISOL OF IDEAS” I PARTICIPATED IN: • THE “HUELLAS DE CRISTORES” ANTHOLOGIES • THE LITERARY WORKSHOP OF ESTELA TORRES ERILL • SEVEN “ROSARIO, BRIDGES OF WORDS” ANTHOLOGIES, GUARDED BY WRITER GLADYS LOPEZ PIANESI • I CURRENTLY ATTEND THE “FLORILEGIO” LITERARY WORKSHOP, COORDINATED BY WRITER MARTA SUSANA LOMELLINO • I AM CURRENTLY A MEMBER OF “TOGETHER FOR LETTERS”

Synchronized Chaos Magazine Mid-October Issue: Learning from History

La Fenetre de Paris announces a submission opportunity for poets. Poetry anthology Water: The Source of Life seeks submissions

Contributor Taylor Dibbert seeks reviewers for his new poetry book On the Rocks. Please email us at synchchaos@gmail.com if you’re interested.

Also, we will stop accepting submissions for November’s first issue on October 25th. You may still submit after that date, but your work will go into our second issue for the month.

Large sunlit medieval stained glass greenhouse with green plants and chairs and a piano.
Image c/o Rostislav Kralik

Now, for this month’s second issue, Learning From History.

Sayani Mukherjee muses on the rise and fall of the Roman Empire.

Kelly Moyer’s film, created together with Hunter Sauvage and starring Robert P. Moyer and Annie, draws on ancient myth to understand the United States’ modern political situation. Abigail George analyzes the strengths and weaknesses of certain leadership styles illustrated by Donald Trump and several African leaders. Patricia Doyne speaks to the hubris of American political leadership. Andrew Brindle and Christina Chin’s tan-rengas explore society’s injustices and contradictions.

Old library warmed by incandescent lamplight with multiple floors of books.
Image c/o Petr Kratochvil

Ivan Pozzoni’s poetry declares his speaker’s independence of mind as an artist and offers critiques of government funds’ being taken from ordinary taxpayers to bail out large banks. Bill Tope’s short story celebrates the power of understanding and empathy for people at all social levels. Poet Eva Petropoulou Lianou interviews poet Til Kumari Sharma about the importance of gender equality, humanity and empathy, and living with solid morals. Til Kumari Sharma reviews Brenda Mohammed’s poetry collection Break the Silence, about ending drug addiction, domestic violence, and human trafficking. Nordona Norqulova describes strategies world governments use to combat terrorism. Til Kumari Sharma also expresses her hope for a world where women, children, and everyone is treated with respect.

Patrick Sweeney’s one-line senryus decenter the author as head of the universe. Mark Young contributes a fresh set of altered geographies. Baskin Cooper describes encounters slightly mysterious and askance. Christopher Bernard describes the frenzied, ghostly glamour of Cal Performances’ recent production of Red Carpet.

Brian Barbeito reflects on the wonder and spiritual curiosity he finds in natural landscapes. Su Yun’s collection of poetry from Chinese elementary school students reflects care for and admiration of the natural world and also a sense of whimsy and curiosity. Stephen Jarrell Williams’ short poems depict an escape from overcrowded cities back into nature. Vaxabdjonova Zarnigor discusses the chemical composition of chia seeds and their nutritional value. Nidia Garcia celebrates the natural environment and urges people to plant trees. Madina Abdisalomova reminds us that environmental care and stewardship is everyone’s responsibility.

Primeval jungle painting with dragonfly, sun and clouds, small trees and large green ferns.
Image c/o Martina Stokow

Mahbub Alam extols the beauty of morning and nature in his Bangladeshi home. Jonathan Butcher’s poetry explores the different rooms in which we make our lives and the stories they could tell about us. J.T. Whitehead shows how external cleaning can parallel interior personal development. Srijani Dutta discusses her personal spiritual journey in prayer to the divine of at least a few faiths.

Alexandros Stamatoulakis announces his new novel The Lonely Warrior: In the Wings of the Condor, about a man discovering himself in the midst of a tumultuous modern environment. Chris Butler’s wry poetry explores long-lasting, but hopefully not implacable, truisms of the human condition. Ana Glendza speaks to the fear and insecurities that come with being human. Kavi Nielsen speaks to the experience of loneliness and rejection.

Noah Berlatsky satirizes faux-human tech support and our efforts to understand our whole world through technology. Timothee Bordenave outlines innovative ways to improve electricity transmission as Abdurofiyeva Taxmina Avazovna discusses treatments for cataracts.

Old fashioned sepia toned photograph of a laboratory. Beakers, bottles of substances, and open books.
Image c/o Petr Kratochvil

Zarifaxon O’rinboyeva’s short story presents a woman overcoming poverty and grief to become a physician. Doug Hawley reflects on the ups and downs of summer jobs. Turdiyeva Guloyim’s poetic essay shares a complex emotional tapestry of childhood village memories. Rahmataliyeva Aidakhon highlights the importance of grasping folktales to understanding Uzbek heritage and culture. Madina Azamjon highlights the literary importance of Hamid Olimjon’s writing and how he drew on Uzbek folk culture for inspiration. Gulsanam Qurbonova extols the linguistic and cultural education she has received at her university. Ermatova Dilorom Bakhodirjonova explains the intertwined nature of Uzbek language and culture and the need to preserve both.

Mukhammadjonova Ugiloy celebrates her school and the sports and student leadership education she received there. Choriyeva Oynur outlines benefits of integrating technology into education. Abdirashidova Ozoda outlines the importance of encouraging and fostering creativity for preschool students. Nilufar Mo’ydinova discusses ways to encourage second language acquisition at an early age.

Anila Bukhari’s poetry celebrates the creative spirit surviving amid poverty and oppression. Taro Hokkyo’s prose poem details his protagonist’s escape from emotional and spiritual darkness to rise to the heights of creativity. Alan Catlin’s barman odyssey explores the roots of creative inspiration.

Emran Emon speaks to the recent Nobel Prize award for world literature and the value of writing. Abdusalimova Zukhraxon outlines strategies for teaching the Uzbek language to foreign students. Abdusaidova Jasmina Quvondiqovna shares some of her art and expresses her pride in her native Uzbekistan. Jumanazarova Munojot Elmurod qizi suggests ways to help young children learn to tell time. Qurbonova Madinaxon discusses the importance of games and play in children’s education. Hayotkhon Shermatova outlines issues with Uzbekistan’s educational system and how to address them. Azamova Kumushoy illustrates the importance of teaching language students how to analyze literary texts.

Classical statue of a woman with curly hair, blue waves, white chunks of veined marble for a crown, and sailing ships in the distance.
Image c/o Kai Stachowiak

Duane Vorhees revels in erotic sensuality and the learnedness of ancient history. Perwaiz Shaharyar’s poem, translated to English and Italian by Maria Miraglia, celebrates the beauty of the positive aspects of many cultures’ concept of the feminine.

Ismoilova Gulmira celebrates the strength, thoughtfulness, creativity and resilience of Uzbek girls and young women. Abduqahhorova Gulhayo’s poem takes joy in the grace and kindness of young Uzbek girls. Svetlana Rostova finds beauty in everything, even ugliness, loss, and death.

Graciela Noemi Villaverde praises the creative insight of her dance teacher. Saparov Akbar outlines his personal quests and passions and his desire to educate himself and elevate his life. Mesfakus Salahin’s poetry celebrates the artistic inspiration that can come from romantic love.

J.J. Campbell details his middle-aged, disillusioned quest for love or maybe just a little break from reality. Donia Sahib speaks to spiritual and earthly love. Teresa Nocetti’s poem urges a loved one to invite her into their life. Eva Petropoulou Lianou shares a tale of lovers in search for one another.

Mural of a person's hand from behind bars in a brick wall chained to a dove and a red flower.
Image c/o Guy Percival

Graciela Irene Rossetti’s poetry revels in tender gentleness. Mirta Liliana Ramirez expresses the pain of being shamed for who she is. Rezauddin Stalin speaks to partings and farewells. Umida Hamroyeva expresses her love and longing for a departed person.

Ahmed Miqdad speaks of the forgotten sufferings of ordinary people in Gaza. Fiza Amir’s poetry evokes the many personal losses and griefs of wartime. Jacques Fleury reviews Joy Behar’s play My First Ex-Husband, which explores marital and relationship issues in a way that is relatable for many people, married or single.

Mykyta Ryzhykh presents a protagonist who explores alternatives and then revels in his ordinary humanity. H. Mar. shares the joy of day-to-day human companionship.

We hope this issue provides artistic, emotional, and intellectual companionship to you as you peruse the various contributions.

Poetry from Ana Glendža 

Light skinned European woman with curly brown hair, blue eyes, and a blue necklace and white tee shirt.

BARE

Then, as if I had bared my soul to the sky,

through words and tears I broke the endless dry,

through a gaze brighter than any star could be,

through a silent talk, more secret than secrecy.

Then, as if I had foreseen something near,

I told my unrest and omens, clumsy yet sincere,

my armor and my shields I cast upon the road,

my fears and sorrows I left in some other abode.

Those tremors and thoughts were part of my name,

wandering aimlessly since the dawn it came.

That night, a naked soul looked them in the eyes,

and, as in every tale, beheld fear’s disguise.

Ana Glendža was born on January 16, 2001, in Cetinje. She graduated in Psychology in 2023 at the Faculty of Philosophy, University of Montenegro, where she also enrolled in master’s studies the same year. She is currently in the final phase of her master’s program, working on her thesis titled “Diabetes as a Risk Factor for the Development of Depressive Symptomatology.”

She approaches poetry spontaneously – she writes when it finds its way to her. She perceives verse as a possibility to express those parts of herself she does not reveal to others, but also as a path to self-discovery, since through writing she often uncovers what she had not known before. She believes that the written word holds healing power – both for the author and the reader. Each poem, in her view, carries a fragment of the personality of its creator, while the reader has the freedom to discover new meanings and open the doors within themselves.

She is a member of the Association of Young Artists of Culture.

Poetry from Ahmed Miqdad

Middle Eastern man, bald, with brown eyes and a small beard and a blue and gray shirt.

A Cup of Coffee

My morning cup of coffee

On the table of displacement

I taste the bitterness of life

And live the dark and terrible nights

I watch the violent storm inside

Eradicating my tent so far

And the dogs attack my innocent children.

I see the world as a foam

Cover the heinous crimes

While we are drowning so deep.

I smell the scent of blood

With every sip of my cup

And I see the faces of the children

Who immersed in their blood.

After awhile,

I woke up while I’m absent-minded sitting

On the table of displacement

Gazing inside my coffee

And listening to the silence of the the world.

Poetry from Patricia Doyne

NOBEL PEACE PRIZE 2025

He sent ICE into factories, fields;

seized workers, whisked them off to jail.

Alcatraz in the Everglades

is bursting with brown immigrants.

He wants the Nobel Peace Prize.

Sent National Guardsmen to LA,

threatens Portland, Chicago, and more.

He’ll quell protests in blue-state burgs

with military troops and guns.

He wants the Nobel Peace Prize.

He took health care away from millions;

food stamps, too, and meals on wheels.

He’s gunning for Social Security,

and all programs that help the poor.

He wants the Nobel Peace Prize.

Why? He’s ended seven wars!

Which? Don’t ask.  Big wars.  Bad wars.

When? Fake News is so unfair!

Broadcast license should be revoked.

Surprise! He didn’t get the Nobel Peace Prize.