Poetry from Mickey Corrigan

.

Lucia Berlin
(1936-2004)

Lucia, Daughter

Northern lights in the sky
over Alaska her father
deep in mines, engineer
moving from mining
town to town
to tar paper shacks
to a boarding house
to a log cabin in the woods
long johns and a baby sister
then Father off to war. 

Waiting for him, waiting
under a treeless sky
air heavy with heat, dust
in El Paso with Granpa
the town dentist, mean
drunk and her mother
shut down, closed off
in a dark bedroom
with a bottle. 

Father’s new job: Arizona
a real house in the hills
the bright evening star
in the dark night sky
Mother in pretty dresses
baking cakes, playing bridge
picnics and potlucks
until the next move.

A prestigious position
in Santiago, Chile
a two-story Tudor
green lawns, fruit trees
purple iris, a gardener
Mother in bed all day
with a bottle.

Teenage Lucia the hostess
for her father’s social events
private school, rich friends
skiing, swimming, movies
dressmakers, hairdressers
nightclubs, balls, boys
then a dorm in Albuquerque
her girlfriends still in Chile
married with mansions
busy with children
but after the revolution
all her old friends
murdered
or suicides.

Lucia, Wife

She’s tall, lean, svelte
dark hair, sapphire eyes
at 17 still passive
when her parents reject
her 30-year-old lover
a Mexican-American veteran
throws her out of his car
never sees him again.

A few months later
she marries a sculptor
who rearranges her
hair, clothes, stance
and avoids the draft
with their first son
with a second on the way
he’s off to Italy
on a grant, with a girl
doesn’t see him again
for sixteen years.

A musician called Race
kind, quiet, a good man
talented Harvard grad
from a big warm clan
playing gigs on piano
gone while she’s home
with the babies
in a cheap rural rental
outside Albuquerque.

Dusty, silent except for
horses, cows, chickens, dogs
red chili on strings
drying in the sun
in an old adobe
rounded, wind-softened
the same dirt-brown
as the hard-packed earth
no phone
no stove
no running water
loads of diapers
she’s too alone
this pretty young girl.

Lucia, Lover

Race moves them
to an unheated loft
in New York City
he’s out all night
at his jazz gigs
she’s up all night
typing stories
while wearing gloves
while the kids sleep
in earmuffs and mittens

until a way out arrives
with a bottle of brandy
four tickets to Acapulco
another Harvard man
Race’s buddy Buddy
dark, handsome, rich
bad boy
with a drug problem

offering the sexy allure
of escape to hot sun
sky blue pools
white sand beaches
and crazy love
with a heroin addict.

She bites, writes
bears two more sons
an electric life
flying in Buddy’s plane
landing like crop dusters
for detox and retox
always fearful
of his dealer friends.

To keep him clean
they move away
to another land
live in a palapa
with a thatched palm roof
and a beach sand floor
on the edge
of a coconut grove
surrounded by mountains.

The boys love it there
amidst parrots, flamingoes
spearing eels and fat fish
dark nights in hammocks
swaying under rustling palms
in the soft ocean breeze
heady with gardenias
their paradise life

until Buddy gets bored
and the drug dealers come.

***

Lucia Berlin shared the stories of social outsiders with her own special brand of detachment, humor, and economy, presenting the brutality of blue collar life tempered by her compassion for human frailty. She was relatively unknown until eleven years after her death when a collection of her selected stories hit the New York Times bestseller list.

Born Lucia Brown in Alaska, she spent her childhood in mining towns all over the west. After her mining engineer father got promoted to an executive position, the family lived in Chile in relative luxury. She moved to Albuquerque for college, returning later for graduate school. 

Married multiple times, she lived in Manhattan, rural Mexico, and New Mexico. After leaving her third husband, a heroin addict, she took her four young boys and settled in California. 

As a single parent, Berlin worked odd jobs including cleaning woman, physician’s assistant, hospital ward clerk, and switchboard operator. Her stories were based on incidents she experienced herself in her difficult life. She would type late at night while the boys were asleep, a bottle of bourbon at her side. 

She eventually gave up the booze and remained sober, teaching writing at the San Francisco County Jail, Jack Kerouac School of Disembodied Poetics, and University of Colorado Boulder. Lucia Berlin died in California at age 68.

Her books: 

A Manual for Cleaning Women: Stories

Evening in Paradise: Stories

Welcome Home: A Memoir

Originally from Boston, Mickey J. Corrigan hides out in the lush ruins of South Florida. She writes pulp fiction, literary crime, and psychological thrillers. Her poems have appeared in literary journals and chapbooks. A collection of biographical poems on 20th century poets is in press with Clare Songbirds Publishing.

Poetry from Alexa Grospe

Awake

You were the one keeping me from wake

As I slept,

your pillowed hair spread

across the skin above my aching chest

and broke my lungs in two

so that I couldn’t just suffer

from long term

asthma,

but that

my voice shook

everytime I spoke a word

that I wrote which felt

familiar to my tongue.

I bite down,

like it stings,

on the edge

of where thoughts

tremble out

and fall

onto solid table and paper and pen

instead of where they once believed they would reside.

When winter mouth veins

reach gray lines of work

they seem to soak

like edges,

attempting to raise

a fallen wood back

from death,

spit,

down,

onto a speaker’s face.

Water can never ease

a pain

so speak up

in the bottom

of one’s throat

God where even is that?

So let my nails dig in

while I choke on

words evenly written

but horribly pronounced-

they cannot hear a shaking song

from a side of the room

in which ink doesn’t rise.

You kept me from waking:

from pain never spoken nor taken

God why do my words shake?

They fall out irregularly

like tongue twisters

or misplaced letters

in my own book.

I cannot

stumble

or trip

over something

I wish was never

put on the ground.

You keep me

from falling asleep

against sound waves,

distorted

in only

my ears.

Poetry from Turkan Ergor

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(Light skinned Central Asian woman with long blonde hair, a headband, a long green necklace, and a black top).

WASTED  EFFORTS 

Human sometimes 

Wasted efforts 

Wants Endless desires 

Loves 

Jealousies 

Even a bird sometimes 

Wasted flat its wings 

While flies in the sky 

Wasted efforts 

Everything as it should be 

Wherever self has to go 

Wheresoever it has to end 

Whatever it has to be 

Everything as it is 

The rest wasted efforts.

Türkan Ergör was born in 19 March 1975 in the city of Çanakkale, Turkey. She was selected International “Best Poet 2020”. She was selected International “Best Poet, Author/Writer 2021”. She was selected International “Best Poet, Writer/Author 2022”. She was awarded the FIRST PRIZE FOR THE OUTSTANDING AUTHOR IN 2022. She was awarded the 2023 “Zheng Nian Cup” “National Literary First Prize” by Beijing Awareness Literature Museum. She was awarded the “Certificate of Honor and Appreciation” and “Crimean Badge” by İSMAİL GASPRİNSKİY SCIENCE AND ART ACADEMY. She was awarded the “14k Gold Pen Award” by ESCRITORES SIN FRONTERAS ORGANIZACIÓN INTERNACIONAL.

Essay from Normatova Sevinchoy

Simplicity — the Most Natural Form of Beauty

Beauty is the pleasant and delightful appearance of a person, nature, or a work of art. True beauty lies in a person’s naturalness, simplicity, and sincerity. Real beauty is the beauty of the heart. Everything in this world has its own kind of beauty.

The essence of simplicity is to be naturally beautiful without unnecessary decorations or artificial things. Everything created by Allah in this world is beautiful, and among them, the most beautiful is the human being. To be a beautiful person is indeed a blessed feeling.

Inner beauty is reflected through one’s inner qualities such as kindness, honesty, patience, forgiveness, gratitude, and sincerity. This kind of beauty is not seen on the face, but shown through a person’s character and behavior.

“Outer beauty is seen by the eyes, but inner beauty is felt by the heart.”

Outer beauty fades with time, but the beauty of the heart shines brighter as the years pass. A person with a beautiful heart spreads warmth and joy to others just by being themselves.

The secret of beauty lies in being both outwardly and inwardly beautiful — loving ourselves, the world, and everything around us. Sincerity, simplicity, and kindness are the feelings that make a person truly beautiful.

In conclusion, simplicity is the most natural and genuine expression of human beauty. Sincerity and naturalness bring warmth to hearts, for indeed, simplicity is the highest virtue that adorns a person’s inner beauty.

Normatova Sevinchoy, Uzbekistan 

Synchronized Chaos Magazine Mid-October Issue: Learning from History

La Fenetre de Paris announces a submission opportunity for poets. Poetry anthology Water: The Source of Life seeks submissions

Contributor Taylor Dibbert seeks reviewers for his new poetry book On the Rocks. Please email us at synchchaos@gmail.com if you’re interested.

Also, we will stop accepting submissions for November’s first issue on October 25th. You may still submit after that date, but your work will go into our second issue for the month.

Large sunlit medieval stained glass greenhouse with green plants and chairs and a piano.
Image c/o Rostislav Kralik

Now, for this month’s second issue, Learning From History.

Sayani Mukherjee muses on the rise and fall of the Roman Empire.

Kelly Moyer’s film, created together with Hunter Sauvage and starring Robert P. Moyer and Annie, draws on ancient myth to understand the United States’ modern political situation. Abigail George analyzes the strengths and weaknesses of certain leadership styles illustrated by Donald Trump and several African leaders. Patricia Doyne speaks to the hubris of American political leadership. Andrew Brindle and Christina Chin’s tan-rengas explore society’s injustices and contradictions.

Old library warmed by incandescent lamplight with multiple floors of books.
Image c/o Petr Kratochvil

Ivan Pozzoni’s poetry declares his speaker’s independence of mind as an artist and offers critiques of government funds’ being taken from ordinary taxpayers to bail out large banks. Bill Tope’s short story celebrates the power of understanding and empathy for people at all social levels. Poet Eva Petropoulou Lianou interviews poet Til Kumari Sharma about the importance of gender equality, humanity and empathy, and living with solid morals. Til Kumari Sharma reviews Brenda Mohammed’s poetry collection Break the Silence, about ending drug addiction, domestic violence, and human trafficking. Nordona Norqulova describes strategies world governments use to combat terrorism. Til Kumari Sharma also expresses her hope for a world where women, children, and everyone is treated with respect.

Patrick Sweeney’s one-line senryus decenter the author as head of the universe. Mark Young contributes a fresh set of altered geographies. Baskin Cooper describes encounters slightly mysterious and askance. Christopher Bernard describes the frenzied, ghostly glamour of Cal Performances’ recent production of Red Carpet.

Brian Barbeito reflects on the wonder and spiritual curiosity he finds in natural landscapes. Su Yun’s collection of poetry from Chinese elementary school students reflects care for and admiration of the natural world and also a sense of whimsy and curiosity. Stephen Jarrell Williams’ short poems depict an escape from overcrowded cities back into nature. Vaxabdjonova Zarnigor discusses the chemical composition of chia seeds and their nutritional value. Nidia Garcia celebrates the natural environment and urges people to plant trees. Madina Abdisalomova reminds us that environmental care and stewardship is everyone’s responsibility.

Primeval jungle painting with dragonfly, sun and clouds, small trees and large green ferns.
Image c/o Martina Stokow

Mahbub Alam extols the beauty of morning and nature in his Bangladeshi home. Jonathan Butcher’s poetry explores the different rooms in which we make our lives and the stories they could tell about us. J.T. Whitehead shows how external cleaning can parallel interior personal development. Srijani Dutta discusses her personal spiritual journey in prayer to the divine of at least a few faiths.

Alexandros Stamatoulakis announces his new novel The Lonely Warrior: In the Wings of the Condor, about a man discovering himself in the midst of a tumultuous modern environment. Chris Butler’s wry poetry explores long-lasting, but hopefully not implacable, truisms of the human condition. Ana Glendza speaks to the fear and insecurities that come with being human. Kavi Nielsen speaks to the experience of loneliness and rejection.

Noah Berlatsky satirizes faux-human tech support and our efforts to understand our whole world through technology. Timothee Bordenave outlines innovative ways to improve electricity transmission as Abdurofiyeva Taxmina Avazovna discusses treatments for cataracts.

Old fashioned sepia toned photograph of a laboratory. Beakers, bottles of substances, and open books.
Image c/o Petr Kratochvil

Zarifaxon O’rinboyeva’s short story presents a woman overcoming poverty and grief to become a physician. Doug Hawley reflects on the ups and downs of summer jobs. Turdiyeva Guloyim’s poetic essay shares a complex emotional tapestry of childhood village memories. Rahmataliyeva Aidakhon highlights the importance of grasping folktales to understanding Uzbek heritage and culture. Madina Azamjon highlights the literary importance of Hamid Olimjon’s writing and how he drew on Uzbek folk culture for inspiration. Gulsanam Qurbonova extols the linguistic and cultural education she has received at her university. Ermatova Dilorom Bakhodirjonova explains the intertwined nature of Uzbek language and culture and the need to preserve both.

Mukhammadjonova Ugiloy celebrates her school and the sports and student leadership education she received there. Choriyeva Oynur outlines benefits of integrating technology into education. Abdirashidova Ozoda outlines the importance of encouraging and fostering creativity for preschool students. Nilufar Mo’ydinova discusses ways to encourage second language acquisition at an early age.

Anila Bukhari’s poetry celebrates the creative spirit surviving amid poverty and oppression. Taro Hokkyo’s prose poem details his protagonist’s escape from emotional and spiritual darkness to rise to the heights of creativity. Alan Catlin’s barman odyssey explores the roots of creative inspiration.

Emran Emon speaks to the recent Nobel Prize award for world literature and the value of writing. Abdusalimova Zukhraxon outlines strategies for teaching the Uzbek language to foreign students. Abdusaidova Jasmina Quvondiqovna shares some of her art and expresses her pride in her native Uzbekistan. Jumanazarova Munojot Elmurod qizi suggests ways to help young children learn to tell time. Qurbonova Madinaxon discusses the importance of games and play in children’s education. Hayotkhon Shermatova outlines issues with Uzbekistan’s educational system and how to address them. Azamova Kumushoy illustrates the importance of teaching language students how to analyze literary texts.

Classical statue of a woman with curly hair, blue waves, white chunks of veined marble for a crown, and sailing ships in the distance.
Image c/o Kai Stachowiak

Duane Vorhees revels in erotic sensuality and the learnedness of ancient history. Perwaiz Shaharyar’s poem, translated to English and Italian by Maria Miraglia, celebrates the beauty of the positive aspects of many cultures’ concept of the feminine.

Ismoilova Gulmira celebrates the strength, thoughtfulness, creativity and resilience of Uzbek girls and young women. Abduqahhorova Gulhayo’s poem takes joy in the grace and kindness of young Uzbek girls. Svetlana Rostova finds beauty in everything, even ugliness, loss, and death.

Graciela Noemi Villaverde praises the creative insight of her dance teacher. Saparov Akbar outlines his personal quests and passions and his desire to educate himself and elevate his life. Mesfakus Salahin’s poetry celebrates the artistic inspiration that can come from romantic love.

J.J. Campbell details his middle-aged, disillusioned quest for love or maybe just a little break from reality. Donia Sahib speaks to spiritual and earthly love. Teresa Nocetti’s poem urges a loved one to invite her into their life. Eva Petropoulou Lianou shares a tale of lovers in search for one another.

Mural of a person's hand from behind bars in a brick wall chained to a dove and a red flower.
Image c/o Guy Percival

Graciela Irene Rossetti’s poetry revels in tender gentleness. Mirta Liliana Ramirez expresses the pain of being shamed for who she is. Rezauddin Stalin speaks to partings and farewells. Umida Hamroyeva expresses her love and longing for a departed person.

Ahmed Miqdad speaks of the forgotten sufferings of ordinary people in Gaza. Fiza Amir’s poetry evokes the many personal losses and griefs of wartime. Jacques Fleury reviews Joy Behar’s play My First Ex-Husband, which explores marital and relationship issues in a way that is relatable for many people, married or single.

Mykyta Ryzhykh presents a protagonist who explores alternatives and then revels in his ordinary humanity. H. Mar. shares the joy of day-to-day human companionship.

We hope this issue provides artistic, emotional, and intellectual companionship to you as you peruse the various contributions.

Poetry Anthology: Water: The Source of Life

CALL FOR SUBMISSIONS

INTERNATIONAL POETRY ANTHOLOGY 2025

La Fenêtre de Paris, 4th Edition

Editor: Poet Abu Zubier, France

Water: The Source of Life

SUBMISSION RULES

Language: Poems must be submitted in English only.

Length: Maximum 50 lines per poem. with short Bio of 300 words

Original Work: Only original, unpublished works will be accepted. No previously published poems in print or online are allowed.

Format: Submit poems in Word (.doc/.docx) or PDF format. Include the poet’s name, country, and email in the document itself.

COPYRIGHT RULES

By submitting, poets grant La Fenêtre de Paris rights to publish the work in this anthology in digital and print formats.

IMPORTANT DATES & CONTACT

DEADLINE: 20th October 2025

SUBMISSION EMAIL: lafenetredeparis2025@gmail.com

WhatsApp Contact: +33758301645 (for inquiries only)

Poetry from Chinese elementary school students, compiled by Su Yun

1. Flowers

Li Mengxi (11, Xiaohe Poetry Club)

For whom do flowers bloom?

By whom are they praised as “excellent”?

When flowers fall, who will pity them?

For whom do they strive all their lives?

2. Returning Home

Chen Yuyao (10, Xiaohe Poetry Club)

The city is filled with tall buildings;

The countryside has green mountains, clear waters, singing birds and fragrant flowers—

Such is the contrast.

Even if I can never step out of the mountains,

I am still willing.

3. Sweet Osmanthus

Liu Zihan (12, Xiaohe Poetry Club)

Huh? Can you smell it?

This lingering fragrance—

Whose is it?

Huh? What’s that?

Wow, it’s sweet osmanthus!

This rich, dense scent—

Fills every corner of our house.

I won’t allow it: no one should fail to smell the osmanthus yet.

Because the osmanthus wants everyone in the world

To catch its faint sweetness!

4. Loss

Meng Lianghua (11, Xiaohe Poetry Club)

My dad has uremia.

If one day he’s gone,

I’ll be so sad.

I’m scared of losing my friends and other family.

When I grow up, I want to be a soldier—

To guard my friends,

Guard my family,

Guard the country.

5. Ode to Beans

Zhang Yuxuan (11, Xiaohe Poetry Club)

Beans, beans, beans—

The little bean vines

Climb up the frame.

After autumn passes,

I’ll help Mom harvest mung beans.

6. Why It Has to Be Glutinous Rice Balls

Su Moyan (10, Gongyelu Primary School, Gaocheng District, Shijiazhuang City, Hebei Province)

If only you were the moon—

You could hang high in the sky.

Being a bird’s egg would be nice too,

Hatching into a bird that flies far away.

Even being a ping-pong ball works,

Bouncing and spinning happily.

Being a gem would be even better,

Worn on the king’s crown—

Who would dare to offend the king?

But you just have to be glutinous rice balls.

Sigh, I always want to gobble you up in one bite.

7. Socks

Li Qiaoyu (8, Gongyelu Primary School, Gaocheng District, Shijiazhuang City, Hebei Province)

Once I had lots of colorful socks—

With little tigers, little crocodiles, all kinds of designs…

But I often wore

A red one on the left foot and a green on the right,

Ne Zha on the left and Ao Bing on the right.

Later, Mom had to replace them

With a pile of identical white socks.

No matter how I mix them, I can pretend they’re a pair.

8. Little Bee Takes a Bath

Xue Ziyang (9, Guanzhuang Primary School, Jiashizhuang Town, Gaocheng District, Shijiazhuang City, Hebei Province)

The little bee takes a bath in the flower—

Tosses left, glances right.

What is it looking for?

Oh, it’s searching for nectar shampoo!

The greedy little bee,

After bathing,

Carries two buckets full of shampoo

And heads home.

9. The Wind That Loves Sleeping

Xue Jiayi (9, Guanzhuang Primary School, Jiashizhuang Town, Gaocheng District, Shijiazhuang City, Hebei Province)

The naughty wind

Loves sleeping.

When it sleeps,

It loves snoring.

One snore—

Brings a late spring cold.

10. A Rabbit’s Words

Xue Yaozong (9, Guanzhuang Primary School, Jiashizhuang Town, Gaocheng District, Shijiazhuang City, Hebei Province)

Don’t laugh at my short tail—

It’s actually my advantage.

You don’t know:

When enemies come,

It won’t happen that

My body gets into the hole,

But my tail is still stuck outside.