Poetry from Joseph Ogbonna

He is Black and He is African 

He is African and he is marginalized 

He is black and disdainfully beheld by haughty eyes.

He migrates because his home is uninhabitable 

He migrates because he is oppressed.

Oppressed by his own kith and kin in the black skin who lord it over him as political overlords and bigwigs.

He is oppressed by European neo-colonialists and the Asian hegemon.

The European neo-colonialist, the Asian hegemon and his own repressive kith and kin in the black skin have one thing in common;

they are complicit in the scheme of his enduring and lasting neediness and destitution.

He is herded by destitution to the middle east, where he is treated like scum by his semitic abuser.

He is shepherded by penury to the far-east, where he is superciliously sized up by haughty Oriental eyes.

He is driven by indigence to continental Europe, where rights are upheld, but he is still relegated to the depths as a famished black man in dire need of the luxuriant and lush European pastoral green.

He is guided by his empty stomach to uncle Sam’s North America, where Mr. Levy alleges he is a savage for eating dogs and pet cats.

He is steered within the continent, to his black African neighbours, especially to the deep south, where he is derogatively branded ‘kwerekwere.’

His African brothers of the much lighter skin tone, to the far north of the continent are snobbish, and scarcely identify with him.

He is black African, and he is between the proverbial “Devil and the deep blue sea.”

He is black African, and he carries the dark skin as a social stigma within and without his own continental home.

He is a minority amongst minorities,

Only heaven can be his only realm of solace.

Joseph C Ogbonna is a widely published poet. Some of his works have been published by Spillwords Press, Synchronized Chaos, Micromance, Written Tales, North of Oxford, Waxpoetry, Orenaug mountain publishing, Borderless journal, Double Speak, All Your Poems, All Your Stories, Flowersong press, Soulful valley publishing, Clarendon publications, poetrysoup and a few other magazines and anthologies.

He is also a winner of three international weekly poetry contests. He was a high school teacher, with a major in history. He lives in Enugu, Nigeria.

Poetry from Saeed Koushan

Endgame in Exile

I. Age Eleven

Tehran. Burning summer.

A Guard’s cold fist

meets my face

for a question asked

in the wrong tone.

The mark stays.

The question remains.

II. Age Sixteen

Break time. Empty classroom.

We draw the board—

chalk squares,

quiet pieces.

The door slams open.

Someone told.

“Eat it.”

Chalk dust on my tongue.

Bitter.

They erase the board.

Winter enters the room.

III. Age Seventeen

Chemistry class.

He leans close—

“Look what I brought.”

Her face in his palm.

Boots in the hallway.

The door bursts wide.

Rifles. Hands in bags.

His eyes meet mine.

We tear fast—silent—

her smile into fragments,

swallow the evidence.

They pass.

That night

I taste ink and fear.

IV. Age Twenty-Two

University hall.

My classmate—

a player in Tehran’s Chess Federation.

My mother that morning:

“Be careful.”

I set the first piece down.

Before the second move,

Security’s hand

fell heavy on my shoulder.

The board scattered.

King, queen, pawns

rolling across the floor—

and for a moment

we all watched them go

as if none of us

knew how to stop

what had already begun.

V. Exile

Airports.

Fluorescent light.

The stamp falls—

once,

then again.

Each square erased.

The board I knew

stays behind

in chalk dust,

torn photographs,

a game folded

into the corners of my bag.

I carry the pieces

through every border—

but nowhere

to place them.

VI. Endgame

At each border

they open my bag,

turn over shirts,

books—

only empty spaces

where the pieces should be.

They never find

what I swallowed:

chalk dust,

ink,

the taste of fear.

A game

without a board.

Some nights

I dream in Persian.

The classroom returns.

The door flies open.

Pieces scatter

across the floor.

I wake—

reaching for a piece

that isn’t there.

Somewhere inside me

a pawn is still moving,

one square at a time,

toward a rank

it may never reach.

Poetry from Priyanka Neogi

At the Crossroads of the Mind

Once I realized the concentration,

This is a novel theory.

Change of directions,

Little by little the awakening of the feelings of the mind,

A light feeling of vibration in the body.

Heart attraction,

Mirror of moonlit night,

The perception is an exciting one,

How are you thinking?

Flows in the river of love,

Holding tightly both fingers.

A picture of the two of us admitted is a mind map.

Thoughts are colorful.

the call of something new,

Two to two in responsibility,

A peace of mind and happiness,

Two with two for life,

Every kiss in conversation,

A palpable taste of satisfaction,

Embrace deepens,

From thoughts to reality,

A love plagued by illusion.

Date: 21.08.2026

India.

Amb. Dr. Priyanka Neogi is from Coochbehar. She is an administrative controller of United Nations’ PAF, a librarian, a CEO of Lio Messi International Property & Land Consultancy, international literacy worker, sports & peace promoter, dancer, singer, reciter, live telecaster, writer, editor, researcher, literary journalist, host, beauty queen, international co-ordinator of the Vijay Mission of Community Welfare Foundation of India.

Poetry from Egamnazarova Shahina Shaxriyor qizi

Suddenly, we might meet

Did you search for me in the east and far away,
Did you think of me in the burning distance?
If so, one day surely, God
Will show me the path to you suddenly.

Your thoughts seem like the sky and heavens,
Your sorrows linger inside like a crucible.
Did you search for me from the sky above,
Why haven’t you found me yet?

I know you can’t find me,
Because you don’t know me yet.
Perhaps one day we will meet suddenly,
Maybe on that day in a bookstore, destiny.

Egamnazarova Shahina Shaxriyor qizi was born on November 28, 2006, in the Qashqadaryo region. She is currently studying at Turon University in Philology: Teaching Languages (Uzbek) program. She works as the deputy director at the Qarshi Medical College. She is the recipient of the National Hope chest badge. Several of her articles have been published in international journals. Her articles have appeared in Turkey’s “Bilgi çeşmesi” and Germany’s “GERMAN INTERNATIONAL JOURNAL”.

Poetry from O’tkir Mulikboyev

THE RAIN SONG

​Rain, oh rain, pour down and stay,

Milk down blessings on your way.

The sleepy springs have closed their eyes,

Wake them joyfully to the skies.

​Your falling drops are pearls so bright,

Let painters paint them with delight.

The earth’s great pot is parched and old,

Let your waters turn it into gold.

​Let gutters sing a cheerful song,

Nature plays music all along.

Let happy children join their hands,

And praise the rainbow o’er the lands.

​Deep in the mountains, in gardens green,

Let rushing valleys now be seen.

Into the streams, let clear springs flow,

Full of sweet nectar, watch them go.

You bring abundance, heavy rain,

Let racing clouds drift by again.

And on the farmer’s furrowed soil,

Bake bread of drops for all their toil.

​Come, scatter joy and pure delight,

And open up our inner sight.

Across the hills and fields so wide,

I wish to pick flowers by your side.

​Rain, oh rain, pour down and stay,

Milk down blessings on your way.

The sleepy springs have closed their eyes,

Wake them joyfully to the skies.

​By O’tkir Mulikboyev

Qoshrabot

AUTUMN TIME

​The fallen leaves drop from my hair,

The heavy shadows fade to air.

My soul washes away the care,

Standing still…

​Before the clouds frown in the sky,

Bringing their trays from up on high.

Flakes of rain softly drifting by,

Asking how we feel…

​The carts, the furrows, drawers and ties,

The bustling loaders start to rise.

Deep thoughts pour down before our eyes,

At early dawn…

​Golden molds on every track,

Heaps of color, front and back.

Inner love ripe with no lack,

If you just gaze…

A sudden chill runs through the spine,

A thousand glances wake and shine.

Gold bars drip from the sun divine,

Drink them in…

​The fields are patches of great grace,

Abundance decks this sacred space.

Lullabies of hard work’s embrace,

Gather and reap…

​Autumn heaps the harvest high,

The markets buzz as crowds pass by.

Sweet halva melts like secrets sly,

Life feels whole…

​The storage shelves go down in size,

The winter’s near, warm cloaks arise.

The heavy hoes drink syrup wise,

Like a painted view…

The autumn landscapes charm the sight,

Petals dance down in graceful flight.

Beauty adorns the world with light,

In autumn time…

​Prostrations line the earthly floor,

The bodies turn to paths once more.

Soft feathers weave through nature’s door,

Like the symbol of a heart…

​Life’s rush and pillows fly away,

The ticking clock counts down the day.

Autumn’s poise tempers life’s display —

Both a guest…

And a host…

The golden autumn…

​By O’tkir Mulikboyev

Qoshrabot

THE SOLUTION TO HAPPINESS

​The hearts that are weary will heal up one day,

But those with no heart merely drift on their way.

A few gentle hearts melt the ice into streams,

A smile unties knots that are tangled in dreams.

​Each soul will share bliss as the seasons roll by,

And happiness then will enlighten their sky.

If only the world could forget how to hate,

Today would surpass yesterday’s brightest fate.

​A centenarian grandpa lives life with a goal,

His old aging wife smiles with joy in her soul.

The air is as pure as a clean, sacred mind,

Like innocent babies, no stain will it find.

To sharpen your speech, rub it hard on a stone,

To find the solution, stir fires unknown.

The moonless dark night will look radiant and bright,

If you kindle your heart with love’s endless light.

​Time waits for no one if you sit there and cry,

Or lead your own steps where the steep canyons lie.

Though bitter hot peppers may season your meat,

The bread that you break will taste hearty and sweet.

​You discover your true self in library halls,

You see who you are where the loud echo calls.

A wealth that is greater than all worldly gold,

In reading and books, you will surely behold.

If you wish to fly high, you will spread wings and soar,

If you wish to embrace, you will hold and adore.

Consider your health as the greatest award,

Drink happiness deep, let your spirit accord.

​Don’t drown your brief days in a river of grief,

Life passes like storm-winds, so fleeting and brief.

Justin 9 place the bright sun in your chest for a while,

Don’t wake in the night with a tear, but a smile.

The beauty of living is never regret,

Envy eats up the heart where its shadows are set.

Admiration will lift you to heights that are grand,

And purpose builds kingdoms from castles of sand.

​The hearts that are weary will heal up one day,

But those with no heart merely drift on their way.

A few gentle hearts melt the ice into streams,

If you smile, you will loosen all knots from your dreams.

​By O’tkir Mulikboyev

Qoshrabot

O‘tkir Mulikboyev Qo‘chqor o‘g‘li was born in 1990. He currently serves as a primary school teacher at Public School No. 75 in the Qoshrabot district. Alongside educating and nurturing the younger generation, he is actively engaged in both scientific and creative research.

​The author’s academic and creative works have been featured in a number of national and international journals, as well as prestigious collections. Furthermore, hundreds of his heartfelt and profoundly meaningful poems have been widely published in the press.

Poetry from Latifa Harbaoui 

In the Dream

Without your tiresome chattering body
and wherever your soul may be now
the fever’s howl won’t reach you
nor the clatter of coughing
this sudden expulsion of air through the throat
recurring again and again over a flickering fire 
what exactly did Ibn Sina mean by it
perhaps between them a brow that never meets
the essence and the corpse

It is happening now
that you will not cross one leg over the other to read The Prince
nor laugh inside the fat waiter’s head
as he sterilizes your table of the spray
of the invisible
Virtue is not possible
half animal half human
the argument ends
and Machiavelli remains the speaker who will not fall silent

It is happening now
that in the unseen Socrates has come to know everything
and the sophist Protagoras has stopped orating
having discovered at last
that eloquence is everyone falling silent

It is happening
that Schopenhauer still suffers
even as he finally sheds his body
Nietzsche did not despise his body but it is
weak
weak
weak

It is happening now
that you too are alone

And it is happening
that Van Gogh
is explaining The Yellow House to the dead
isn’t color the thing a human surrenders his soul to
however painful the body may be

And many things
are happening
many things
in the agonies of waking

Latifa Harbaoui
Algeria

When?

Feigned Confluence

Besieging the meaning for a poet’s corpse

The text that formed the hump of the text

The bendings in the midst of a long prayer

Long along the orbit of language

The coveted earth

The abyss

The void

The treacherous days

The lament

The bewilderment

The obscure

The weak, weak human

The lone, solitary moon

And your grave, which you now inhabit

The when?

Prey to the putrid question decomposing in absence

How I wish

You would answer me about the when?

When will you return?

When shall we meet?

And when will we all forgive one another?

The beautiful ones

The beautiful ones

The beautiful ones

At the hour exhausted from the body / from the senses

At the bottom they turn over their new features, they tuck their withered names into the pocket of the earth

Thanks be to God…

Thanks be to God that they cannot see the great flowers

heaped upon their gravestones

The when the caesura is all that remains of the rubble of questions

When was the poet born

When did the poet die

Latifa Harbaoui is an Algerian poet, writer, journalist, and media personality. She graduated in Philosophy from the University of Bouzaréah and continued her studies at the University of Mohamed Khider in Biskra. She is widely recognized as one of Algeria’s distinguished contemporary literary voices, having published extensively in leading Algerian and Arab newspapers and magazines, where she authored influential literary and cultural columns.


Her published works include the poetry collections A Sun Tailored to My Size, Fragments of Anxiety, and Close to the Front with a Kick, winner of the Dar Motoun Prize for Creativity (2023), while her forthcoming collection, Proof, is currently in press. She also published the literary epistolary collection Letters of the Blond Bat, wrote for children’s theatre, and authored the children’s book My Golden Steps in Smart Reading, published under the supervision of the Algerian Ministry of Culture and Arts in 2025. She is also working on her debut novel, Yet He Sees Me.


Harbaoui has served as Algeria’s representative of the Arab Writers League, President of the House of Poetry Biskra Branch, and a member of the Cultural Advisory Council of Biskra Province. She founded the children’s artistic troupe Shadou El Djazaïr in 1995 and produced several literary and radio programs.


Her writings have been the subject of extensive academic research at Algerian universities and translated into English, Turkish, Albanian, and other languages. She has received numerous national, Arab, and international distinctions, including the First of November Medal, two honorary doctorates, recognition among the 100 Most Influential Personalities for three consecutive years, and recent honors from the Governor of Biskra Province and Barcelona Magazine, reflecting her outstanding contribution to contemporary Arabic literature.

Poetry from Nidia Amelia García

DREAMS THAT FLY HIGH

A girl with her paper airplane, dreams that fly high and far, with wings of hope and freedom, her imagination has no limits. 

The wind carries it and makes it fly, the girl smiles, with bright eyes, her paper airplane, a symbol of dreams, that can take her to magical places. 

Nidia Amelia García, from Buenos Aires, Argentina, is a writer and an active member of Juntos por las Letras (Together for Letters). She has participated in numerous virtual events in Uruguay, Paraguay, Bolivia, Spain, Colombia, Portugal, Nigeria, Uzbekistan, Kyrgyzstan, and elsewhere. She has also contributed to literary anthologies such as “Books of the Immortals” and “Anthology of the 50 Poets of the World 2022.”