Poetry from Nilufar Anvarova

Young Central Asian woman in dark braids and a pink and blue patterned dress standing on a pathway in front of leafy trees and grass.

Old Matmusa

Years later, Matmusa also

He got old like everyone else.

Gather your children for a while,

He also took the donkey.

Telling life one by one,

He remembered his youth.

A hero is a tandoor,

He remembered fondly.

There is beauty in your speech,

Ceramic pot, mill.

Harassment to the police,

There is no doubt about it.

You are a ready-made mold,

Matmusa said that.

You are a true and wise seeker,

Matmusa said that.

Regarding the organization,

It was difficult when I was a teenager.

In the roar of the lion,

He said I have a hand.

So that’s all

Set the event.

Sozlan is much more than that,

It made sense.

The sound of children

They look at each other.

Matmusavayo is waiting and exclaiming,

He combs his hair.

The main character is the end,

The conclusion is gone.

Sozi hit towards youth,

It’s good to remember the past.

My children, my tulips,

Don’t be curious, never.

Because now people

The broken heart is narrow!

Nilufar Anvarova, a student of the 8th grade of the creative school named after Erkin Vahidov, Margylan city

Essay from Jacques Fleury

Black and white image of a shirtless man from the back. He's in a cap and casual pants standing on a sandy beach with foliage in the background.

A Story about the “Where Are You From?” Conundrum…

A what appears to be a “black” guy discreetly steps into a room full of “white” people. Well, as “discreet” as a “black” guy can be in a room full of “white” people. Presumably, and rightfully so, the first thing they see is his “blackness”. But wait, there’s more… The next thing they hear is his “accent”. So, the “black” guy knows what comes next.  They will try to discover just what kind of “black” he is. He notices a “white” guy coming his way with the usual disarming wide grin he’s come to know so well designed to lower the defenses. The “black” guy got a twisty feeling in his gut. He knows that this is NOT going to go well or maybe it’s brought on by a self-fulfilling prophecy.

“Hi there, I’m Dick!” The “white” guy exclaims with exaggerated gusto.

“Hi! I’m Jean-Pierre,” says the “black” guy. “I used to know a Dick …” The “black” guy says wistfully.

“Oh, is that riiiight?!” The “white” guy trails off, rapidly batting his eyes, as is somewhat caught by surprise. Then quickly proceeds to his original intention of interrogation style questions, which could be interpreted by some as a form of microaggression among non “whites”.

“So….where are you from? The Caribbean? He asks with the widest grin on his “white” face. Notice how he attributes the name Jean-Pierre to the Caribbean when, in reality, it is of Franco-European origin. Had the “black” guy been a “white” guy, he would most likely attribute the name to France.

Jean-Pierre displays an equally disarming wide grin and blurts out what he’d rehearsed in front of the mirror at home many times over.

“Thank you for your curiosity. Naturally, I come from Mr. Semen and Madame Ovary.  I was born in South Central Vagina. Any other explanation would be an exercise in fertility…” He accentuated his response with a guffaw, leaving Dick in a germinative stupor…

Young adult Black man with short shaved hair, a big smile, and a suit and purple tie.
Jacques Fleury

Jacques Fleury is a Boston Globe featured Haitian American Poet, Educator, Author of four books and a literary arts student at Harvard University online. His latest publication “You Are Enough: The Journey to Accepting Your Authentic Self”  & other titles are available at all Boston Public Libraries, the University of Massachusetts Healey Library, University of  Wyoming, Askews and Holts Library Services in the United Kingdom, The Harvard Book Store, The Grolier Poetry Bookshop, Amazon etc…  He has been published in prestigious publications such as Wilderness House Literary Review, Muddy River Poetry Review, Litterateur Redefining World anthologies out of India, Poets Reading the News, the Cornell University Press anthology Class Lives: Stories from Our Economic Divide, Boston Area Small Press and Poetry Scene among others…Visit him at:  http://www.authorsden.com/jacquesfleury.–

Silhouetted figure leaping off into the unknown with hand and leg raised. Bushes and tree in the foreground, mountains ahead. Book is green and yellow with black text and title.
Jacques Fleury’s book You Are Enough: The Journey Towards Understanding Your Authentic Self

Poetry from Nigar Nurulla Khalilova

Light skinned Central Asian woman with short blond hair and a tight blue top under a black sweater, seated at a brown wood table.

PRAYER

Winter, be merciful,

Reduce your cold nature,

Homeless people in Gaza,

The bodies of the kids

Are shaking from your freezing.

Hunger does not spare the unfortunate.

Even the stars turned away from them.

Death is breathing.

Oh, Almighty God, help them,

Kindness disappears in the world,

It wasn’t You prepared this fate,

You are compassionate, great!

Nigar Nurulla Khalilova is a poet, novelist, translator from Azerbaijan, Baku city, currently in the Kingdom of Saudi Arabia. She is a member of Azerbaijan Writers Union. Nigar N. Khalilova graduated from Azerbaijan Medical university, holds a Ph.D degree. She has been published in the books, literary magazines, anthologies and newspapers in Azerbaijan, Russia, Saudi Arabia, USA over the years. Nigar N. Khalilova participated in poetry festivals and was published in the international poetry festivals anthologies. Conducted data in the Austin International Poetry Festival (AIPF), 2016-2017.

Announcement

The next issue of Synchronized Chaos Magazine will come out on April 5th.

If you’re in the Los Angeles area, please come see us at Chevalier’s Books on Saturday, March 29th at 6pm!

Synchronized Chaos’ Second March Issue: Sanity Break

Blue, full cup of coffee on a light green saucer with some bits of biscotti.
Image c/o Kevin Phillips

In March we will have a presence at the Association of Writing Programs conference in L.A. which will include an offsite reading at Chevalier’s Books on Saturday, March 29th at 6 pm. All are welcome to attend!

So far the lineup for our reading includes Asha Dore, Douglas Cole, Scott Ferry, Linda Michel-Cassidy, Aimee Suzara, Reverie Fey, Ava Homa, Michelle Gonzalez, Terry Tierney, Anisa Rahim, Katrina Byrd, and Cindy Rinne.

Chevalier's Books. Front of the store with glass windows showcasing all sorts of books. Store's name is in gold script letters on a dark pink painted background.

Author Justin Hamm is hosting a FREE online literary event the weekend of AWP, known as StayWP. This will include author talks, informative panels, book launches and networking!

To register, please click here: https://docs.google.com/…/1FAIpQLSe0jqgxfQn…/viewform…

Black on yellow announcement for STAY WP on March 28-30th, typewriter clip art picture on the right.

Poet and essayist Abigail George, whom we’ve published many times, shares the fundraiser her book’s press has created for her. She’s seeking contributions for office supplies and resources to be able to serve as a speaker and advocate for others who have experienced trauma or deal with mental health issues.

Also, the Educational Bookshop in Jerusalem, a store that has the mission of peaceful dialogue and education, invites readers to donate new or gently used books (all genres) that have been meaningful to them, with a note enclosed for future readers about why the books were meaningful. (The books don’t have to be about peace or social justice or the Mideast, although they can be). Please send books here. US-based Interlink Publishing has also started a GoFundMe for the store.

Eva Petropoulou Lianou shares the Dylan Thomas poetry contest and her own poetry launched off to the Moon on the Artemis mission as part of a collection.

A new book, Poetry Mexico, China, Greece, a collection from contributors Jeannette Tiburcio Vasquez, Yongbo Ma, and Eva Petropoulou Lianou, has just been released.

Our April 1st issue will be crafted by co-editor Kahlil Crawford. He’s a poet, musician, and essayist who has put together previous issues on Latin Culture and Electronic Music.

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This issue’s contributors seek balance and mental health by journeying into their pasts, the world’s pasts, into nature, into community, heritage, romantic, and family love. Others find Sanity Breaks in the subconscious, poetry, and art of various kinds.

Tiny bee drinking the nectar of a delicate blue flower in a whole bunch of them on some green grass.
Image c/o Linnaea Mallettte

Marjona Xushvaqtova celebrates the beauty and energy of spring. Shamsiya Khudoynazarova Turumnova takes joy in the fact that winter is dissipating and warmth and growth are returning.

Anna Keiko’s paintings bring a bit of off-kilter color and joy to nature and childhood. Kylian Cubilla Gomez’s photography presents joyful, colorful images of childhood play.

Brian Barbeito conveys the comfort and nostalgia of a small town that seems forgotten by time. Nilufar Anvarova remembers a joyful morning listening to roosters and smelling basil in a country village. Sayani Mukherjee also finds joy in moss, trees, and thatched roof cottages in her piece “Earth’s Song.” In another piece, Brian Barbeito shares intuitions and reflections from a day of walking his dogs in the snow.

Shukurillayeva Lazzatoy translates a poem from Uzbek writer Alexander Faynberg lamenting human-caused environmental destruction and analyzes the literary elements present in much of Faynberg’s work.

Ibragimova Rushana discusses the effectiveness of online language learning programs. Shahnoza Ochildiyeva describes the science of translation and the contributions of Ozod Sharafiddinov to the field.

View out a train window of grass, train tracks, gray rocks, a pole, and distant houses on a rainy day
Image c/o Erene Wong

Shukurillayeva Lazzatoy translates a poem from Alexander Faynberg about always searching for a distant shore, as well as another Faynberg work about finding hope and strength to continue a long journey.

Stephen Jarrell Williams speaks to the shared journey of finding meaning throughout one’s life. Grant Guy contributes musings on relationships and the passage of time as Daniel DeLucie reflects on how time marches relentlessly for us all.

Azamat Abdulatipov highlights how Uzbekistan pays national attention to youth issues through their student development programs. Gulnozaxon Xusanova reminds us to celebrate youthful achievements.

David Sapp draws upon classical art and music to trace a man’s journey towards maturity. Alan Catlin views art and landscapes through the eyes of a variety of well-known international artists. Norman J. Olson seeks out art old and new in London and Italy.

Joshua Martin evokes the subconscious behind-the-scenes consideration of thoughts and sensations in text that reads more like code than writing. Vernon Frazer clangs words together into a street corner symphony. Mark Young’s “geographies” intertwine color, shape, line, and form in unexpected ways. Peer Smits creates abstract images where thick lines and stamps color white canvases, and where posters blur and dance into rippled reflections.

Surreal image of a profile view of a woman with long dark hair curling upwards in a moon shape and a background of gray, black, and brown. Her eyes are closed.
Image c/o Circe Denyer

Mark Murphy illuminates the power of art and imagination to inspire people to claim agency in a world where much seems historically inevitable. Jasmina Makhmasalayeva urges people to form their own self-concepts apart from societal pressure.

Jacques Fleury posits a “resume” for a Black street thug in a way that troubles and questions stereotypes. Isaac Aju presents a tale of a brave student who stands up to institutional disrespect.

Taylor Dibbert highlights the need to write creatively for joy, not for money. Ivan Pozzoni’s work speaks to the struggles of the creative artist in a society dampening creative urges and to romantic love between people not afraid to live fully embodied and present.

Alaina Hammond’s play dramatizes the struggle of a young woman choosing between a steady and comfortable family life and the promise of passionate love. Natalie Bisso’s poem illustrates a tender and intense romantic attraction. Yusufjonova O’gilkhan’s tender short story explores the love between a brother and sister.

Duane Vorhees takes a lexical flight of fancy through nature and romantic attraction. Isabel Gomez de Diego’s photos weave together nature, romantic and family love, and religious devotion. Eva Petropoulou Lianou honors mothers through a poem translated to Arabic by Egyptian poet Ahmed Farooq Baidoon. Musurmunova Gulshoda honors parents, friendship, country and heritage, and teachers. Eva Lianou Petropoulou celebrates friendship and mutual respect among women.

Row of candles burning in pitch black darkness.
Image c/o George Hodan

Poet Joseph C. Ogbonna references the love, comfort and solace he finds through his faith. French poet Timothee Bordenave speaks to his love for the faith-infused atmosphere of Paris.

Mesfakus Salahin speaks to a tender and poetic love, and also describes the joy of authentic love that does not match poetic expectations. Lilian Dipasupil Kunimasa also addresses true love as opposed to exploitation and how reaching maturity will help people figure out the difference, along with the need for universal compassion and empathy.

Kathleen Hellen highlights the fragility and tenuousness of the bonds that connect us. Bill Tope’s short story speculates on the many might-have-beens of a life cut tragically too short.

Mykyta Ryzhykh highlights the devastation of losing years of life to war and grief, blind but able to sense a tree losing leaves and a world that “still remembers the shape of our bodies.” Z.I. Mahmud analyzes the anti-war sentiment of Bertolt Brecht’s play Mother Courage and Her Children by showing how hardship and violence can change or flatten a person’s character and feelings. Umid Najjari’s poetry addresses war, love, loss, and grief.

Eva Petropoulou Lianou raises awareness of how domestic violence can start with control and possessiveness before physical assault. Mahbub Alam writes of his concern for his homeland of Bangladesh where women and girls face rape and assault. Linda S. Gunther’s short story deals with a woman recovering from and reclaiming her self-esteem after a breakup with a powerful man.

Fantastical image of a green monster's hands with red fingernails covering a woman's face. You can see her eyes peeking out. Titled "Depression."
Image c/o Linda Leani

Orinbayeva Dildara reflects on how love has inspired her poetry, but not brought her happiness. Murodillayeva Mohinur expresses the rage and pain caused by betrayal. J.J. Campbell’s work captures ennui and frustration within lonely suburbs.

A fresh installment of Grzegorz Wroblewski’s poems, translated from Polish to English by Peter Burzynski, arrives with surreal and strangely humorous disillusionment about modern society and life in general. Naaman Al-Gharib laments how the modern intellect has descended into petty selfishness and solipsism rather than expansive thought.

Poet Pat Doyne speaks to history’s cycles repeating in the modern world and how easy it is to lose hard-won liberties. Daniel De Culla lampoons and apes Donald Trump in a satirical romp.

Sharipov Dilshod Bakhshullayevich outlines how to maintain one’s sanity and civility in a world that can test your patience. Maja Milojkovic relates how she’s mindfully and carefully maintaining her wisdom and kindness and how she urges the world to do the same, as Mirta Liliana Ramirez shares how she’s choosing the most uplifting and thoughtful memories from all of her past to help her move forward to the future.

We hope that Synchronized Chaos, while challenging your mind and heart and broadening your horizons, also serves as a kind of sanity break.

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Poetry from Marjona Xushvaqtova

Central Asian teen girls in white collared school uniform shirts and long dark braided hair standing in a line next to each other. The author of this piece is in the middle facing the camera.
Spring!

We waited for you when we were children,
We used to run down the hill,
Blue-green grass is the strangest corner,
Bud reminded you today.

We would build a tent out of grass,
What a hero Clouds was.
We made wreaths, beautiful,
Your beauty was also a gem.

When I think about it, I don't appreciate you. 
I will not laugh with you when the time comes.
I didn't become your daughter, Marjon, 
I don't feel you com, spring...

Spring...

Marjonabanu Khushvaktova was born on June 13, 2004 in Kokdala district of Kashkadarya region. Currently, she is a 2nd year student of Shahrisabz State Pedagogical Institute. Her creative works are in “Taloktepa tolei” , “Taloktepa tolei” selection book and “The smart youth of Uzbekistan”, “Raven Cage Zine”, “Page 3 News”, “Youth of Uzbekistan” “Yoshlar bayozi” and has been published in many international books, magazines, newspapers and anthologies, and is the owner of many diplomas and certificates.