at the perfumery
the vibrant fragrance
of freshly peeled tangerine
my first time
dealing cards
Paul Callus (Malta) / Christina Chin (Malaysia)
– – – – – – – – – – –
the busy
holiday streets
lovely afternoon
hawkers experience
a sales bonanza
Christina Chin (Malaysia) / Paul Callus (Malta)
– – – – – – – – – – –
snow butterfly
clings to the leaf
beautiful spring
speckled wings
on a buddleia bush
Christina Chin (Malaysia) / Paul Callus (Malta)
Listen to Qyincko’s WerewolvesvsJustice Grimes by The Desoxyn Midnight Gunners (Sloth and Styx@$).mp3 by STYX VISCOUS on #SoundCloud
Fixing Cars
These callow young men who work under cars
all summer with eyes on the girls passing by
billboards of flesh, attired as if to please.
Wanderings of flesh, whose pale youth beckons
to tease and torment, their pleasure as if
just an image and perfume is enough.
For callow young men who work under cars
their white t shirts stained with copious sweat
cool mirror shades reflect metal workings
iron tools of the trade only rearrange.
When summer’s over, the cars remain ghosts
but the girls return for a final pose.
Then driven to nowhere in borrowed cars
these callow young men reserved all along.
Death Of Language
Out of body
even as our eyes
focus/our
fingers interlocked
with familiar
detachment.
She takes
photographs of
herself, of me
countless birds
that leave us
without crumbs.
All, as it
should be until
with succinct
innocence she
mentions a friend
whose obviously more.
A montage of
images gather
to assail/accuse
with inviolate
clarity. Her
recent furtive
moments…
Calls made
with surreptitious
candor. Late
nights and
now its too late
to ask why.
On a busy street
she wants to explain
all I feel. As every
artery rushes blood
to my skull with
dizzying effect.
At a restaurant
she cant explain herself
nor can I.
The death of language
all we know.
Waitress gives us
menus but English
and love are now
languages-
I no longer understand.
For Lydia Lunch
They’re all guilty
said Lydia Lunch
of her predators.
Cracked mirrors
who left each
sharp shard
of hate deep
to draw blood
frequently in
nightmares framed
with forbidden
detail from assaults
of childhood incest.
It’s been her life
to wake scathed
from these or
lesser indifferent wounds.
Later documented as if
from a mirror
in too many ways not
to be her life’s work.
A timeless art
from trauma her shadow
at home or hospitals
as they stitched her up again.
Trauma of being set loose
with havoc and revenge
the only words to live by.
Seldom having
enough disdain to aim.
Her targets all
varied players…
some merely accidents.
In lurid yet beguiling
ongoing adventures
she half hypnotizes
even the casual to read…
or hear on stage.
Where still
no one is ever safe
especially not her.
The next issue of Synchronized Chaos Magazine will come out on April 5th.
The next issue of Synchronized Chaos Magazine will come out on April 5th.
If you’re in the Los Angeles area, please come see us at Chevalier’s Books on Saturday, March 29th at 6pm!
In March we will have a presence at the Association of Writing Programs conference in L.A. which will include an offsite reading at Chevalier’s Books on Saturday, March 29th at 6 pm. All are welcome to attend!
So far the lineup for our reading includes Asha Dore, Douglas Cole, Scott Ferry, Linda Michel-Cassidy, Aimee Suzara, Reverie Fey, Ava Homa, Michelle Gonzalez, Terry Tierney, Anisa Rahim, Katrina Byrd, and Cindy Rinne.
Author Justin Hamm is hosting a FREE online literary event the weekend of AWP, known as StayWP. This will include author talks, informative panels, book launches and networking!
To register, please click here: https://docs.google.com/…/1FAIpQLSe0jqgxfQn…/viewform…
Poet and essayist Abigail George, whom we’ve published many times, shares the fundraiser her book’s press has created for her. She’s seeking contributions for office supplies and resources to be able to serve as a speaker and advocate for others who have experienced trauma or deal with mental health issues.
Also, the Educational Bookshop in Jerusalem, a store that has the mission of peaceful dialogue and education, invites readers to donate new or gently used books (all genres) that have been meaningful to them, with a note enclosed for future readers about why the books were meaningful. (The books don’t have to be about peace or social justice or the Mideast, although they can be). Please send books here. US-based Interlink Publishing has also started a GoFundMe for the store.
Eva Petropoulou Lianou shares the Dylan Thomas poetry contest and her own poetry launched off to the Moon on the Artemis mission as part of a collection.
A new book, Poetry Mexico, China, Greece, a collection from contributors Jeannette Tiburcio Vasquez, Yongbo Ma, and Eva Petropoulou Lianou, has just been released.
Our April 1st issue will be crafted by co-editor Kahlil Crawford. He’s a poet, musician, and essayist who has put together previous issues on Latin Culture and Electronic Music.
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This issue’s contributors seek balance and mental health by journeying into their pasts, the world’s pasts, into nature, into community, heritage, romantic, and family love. Others find Sanity Breaks in the subconscious, poetry, and art of various kinds.
Marjona Xushvaqtova celebrates the beauty and energy of spring. Shamsiya Khudoynazarova Turumnova takes joy in the fact that winter is dissipating and warmth and growth are returning.
Anna Keiko’s paintings bring a bit of off-kilter color and joy to nature and childhood. Kylian Cubilla Gomez’s photography presents joyful, colorful images of childhood play.
Brian Barbeito conveys the comfort and nostalgia of a small town that seems forgotten by time. Nilufar Anvarova remembers a joyful morning listening to roosters and smelling basil in a country village. Sayani Mukherjee also finds joy in moss, trees, and thatched roof cottages in her piece “Earth’s Song.” In another piece, Brian Barbeito shares intuitions and reflections from a day of walking his dogs in the snow.
Shukurillayeva Lazzatoy translates a poem from Uzbek writer Alexander Faynberg lamenting human-caused environmental destruction and analyzes the literary elements present in much of Faynberg’s work.
Ibragimova Rushana discusses the effectiveness of online language learning programs. Shahnoza Ochildiyeva describes the science of translation and the contributions of Ozod Sharafiddinov to the field.
Shukurillayeva Lazzatoy translates a poem from Alexander Faynberg about always searching for a distant shore, as well as another Faynberg work about finding hope and strength to continue a long journey.
Stephen Jarrell Williams speaks to the shared journey of finding meaning throughout one’s life. Grant Guy contributes musings on relationships and the passage of time as Daniel DeLucie reflects on how time marches relentlessly for us all.
Azamat Abdulatipov highlights how Uzbekistan pays national attention to youth issues through their student development programs. Gulnozaxon Xusanova reminds us to celebrate youthful achievements.
David Sapp draws upon classical art and music to trace a man’s journey towards maturity. Alan Catlin views art and landscapes through the eyes of a variety of well-known international artists. Norman J. Olson seeks out art old and new in London and Italy.
Joshua Martin evokes the subconscious behind-the-scenes consideration of thoughts and sensations in text that reads more like code than writing. Vernon Frazer clangs words together into a street corner symphony. Mark Young’s “geographies” intertwine color, shape, line, and form in unexpected ways. Peer Smits creates abstract images where thick lines and stamps color white canvases, and where posters blur and dance into rippled reflections.
Mark Murphy illuminates the power of art and imagination to inspire people to claim agency in a world where much seems historically inevitable. Jasmina Makhmasalayeva urges people to form their own self-concepts apart from societal pressure.
Jacques Fleury posits a “resume” for a Black street thug in a way that troubles and questions stereotypes. Isaac Aju presents a tale of a brave student who stands up to institutional disrespect.
Taylor Dibbert highlights the need to write creatively for joy, not for money. Ivan Pozzoni’s work speaks to the struggles of the creative artist in a society dampening creative urges and to romantic love between people not afraid to live fully embodied and present.
Alaina Hammond’s play dramatizes the struggle of a young woman choosing between a steady and comfortable family life and the promise of passionate love. Natalie Bisso’s poem illustrates a tender and intense romantic attraction. Yusufjonova O’gilkhan’s tender short story explores the love between a brother and sister.
Duane Vorhees takes a lexical flight of fancy through nature and romantic attraction. Isabel Gomez de Diego’s photos weave together nature, romantic and family love, and religious devotion. Eva Petropoulou Lianou honors mothers through a poem translated to Arabic by Egyptian poet Ahmed Farooq Baidoon. Musurmunova Gulshoda honors parents, friendship, country and heritage, and teachers. Eva Lianou Petropoulou celebrates friendship and mutual respect among women.
Poet Joseph C. Ogbonna references the love, comfort and solace he finds through his faith. French poet Timothee Bordenave speaks to his love for the faith-infused atmosphere of Paris.
Mesfakus Salahin speaks to a tender and poetic love, and also describes the joy of authentic love that does not match poetic expectations. Lilian Dipasupil Kunimasa also addresses true love as opposed to exploitation and how reaching maturity will help people figure out the difference, along with the need for universal compassion and empathy.
Kathleen Hellen highlights the fragility and tenuousness of the bonds that connect us. Bill Tope’s short story speculates on the many might-have-beens of a life cut tragically too short.
Mykyta Ryzhykh highlights the devastation of losing years of life to war and grief, blind but able to sense a tree losing leaves and a world that “still remembers the shape of our bodies.” Z.I. Mahmud analyzes the anti-war sentiment of Bertolt Brecht’s play Mother Courage and Her Children by showing how hardship and violence can change or flatten a person’s character and feelings. Umid Najjari’s poetry addresses war, love, loss, and grief.
Eva Petropoulou Lianou raises awareness of how domestic violence can start with control and possessiveness before physical assault. Mahbub Alam writes of his concern for his homeland of Bangladesh where women and girls face rape and assault. Linda S. Gunther’s short story deals with a woman recovering from and reclaiming her self-esteem after a breakup with a powerful man.
Orinbayeva Dildara reflects on how love has inspired her poetry, but not brought her happiness. Murodillayeva Mohinur expresses the rage and pain caused by betrayal. J.J. Campbell’s work captures ennui and frustration within lonely suburbs.
A fresh installment of Grzegorz Wroblewski’s poems, translated from Polish to English by Peter Burzynski, arrives with surreal and strangely humorous disillusionment about modern society and life in general. Naaman Al-Gharib laments how the modern intellect has descended into petty selfishness and solipsism rather than expansive thought.
Poet Pat Doyne speaks to history’s cycles repeating in the modern world and how easy it is to lose hard-won liberties. Daniel De Culla lampoons and apes Donald Trump in a satirical romp.
Sharipov Dilshod Bakhshullayevich outlines how to maintain one’s sanity and civility in a world that can test your patience. Maja Milojkovic relates how she’s mindfully and carefully maintaining her wisdom and kindness and how she urges the world to do the same, as Mirta Liliana Ramirez shares how she’s choosing the most uplifting and thoughtful memories from all of her past to help her move forward to the future.
We hope that Synchronized Chaos, while challenging your mind and heart and broadening your horizons, also serves as a kind of sanity break.
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Spring! We waited for you when we were children, We used to run down the hill, Blue-green grass is the strangest corner, Bud reminded you today. We would build a tent out of grass, What a hero Clouds was. We made wreaths, beautiful, Your beauty was also a gem. When I think about it, I don't appreciate you. I will not laugh with you when the time comes. I didn't become your daughter, Marjon, I don't feel you com, spring... Spring...
Marjonabanu Khushvaktova was born on June 13, 2004 in Kokdala district of Kashkadarya region. Currently, she is a 2nd year student of Shahrisabz State Pedagogical Institute. Her creative works are in “Taloktepa tolei” , “Taloktepa tolei” selection book and “The smart youth of Uzbekistan”, “Raven Cage Zine”, “Page 3 News”, “Youth of Uzbekistan” “Yoshlar bayozi” and has been published in many international books, magazines, newspapers and anthologies, and is the owner of many diplomas and certificates.