Synchronized Chaos’ First September Issue: Piece By Piece

Thank you to Jacques Fleury for responding to our request for readers to offer their expertise to assist writers! He has a variety of published writing which he can refer people to on request and is open to being interviewed on these topics:

-History of Haiti, as an author on the subject & as a Haiti born  American citizen 

-Black/African American History, as a “black” man who grew up in America & as an author on the subject

-Race and Racism, as a Person of Color having survived & thrived despite lived experience of racism & as author on subject

-Mental Health/Illness/Wellness & Recovery, having had lived experience & as an author on the subject

Everyone else, if you have an area of knowledge where you’d be glad to be interviewed to help people who are writing about that topic, please reach out to us at synchchaos@gmail.com.

Also, our contributor Abigail George’s book When Bad Mothers Happen, released January 2024 from European publisher Morten Rand, is available for Synchronized Chaos readers to review. Please let us know if this interests you and her publisher can send review copies (and we can publish reviews!)

It is available on Amazon here, and here is a link to a promo video.

This month, our contributors figure out how to make sense of the universe, piece by piece.

Alan Catlin renders lists and catalogues into a form of poetry, building up objects from their components, like a brick tower or a floral arrangement. J.D. Nelson crafts auditory and visual snapshots that can stand for and evoke an entire scene.

Soren Sorensen contributes mixed media alterations of reality and existential poetry on making sense of the universe. Mars Brocke’s mixed media artwork plays with reality and perception in a nod to Alice in Wonderland. His poetry, also surreal, evokes memories and states of mind. Martha Ellen conveys the psychological changes induced by benzodiapine medicine and the fluidity and vulnerability of the human brain and mind. Mark Young creatively defines concepts through descriptive words that once explained something.

Christina Chin and Uchechukwu Onyedikam’s collaborative haiku focuses on and thus highlights the value of noticing small and in-between moments.

Saidova Mahzuna outlines methods for learning and teaching vocabulary. Mo’minjonova Diyora highlights the benefits of continuing to read and learn throughout life. Sevinchoy Sanat outlines ways to enhance education through technology as Ibrohimova Durdonaxon outlines different areas to focus on when improving childhood education. However, sometimes the old ways still hold wisdom: Daniel De Culla relates a humorous tale of a modern woman who chooses to go with folk wisdom regarding her health. Gregg Norman presents a poem from the point of view of a character who’s living life to the fullest, with health benefits as incidental.

Noah Berlatsky muses on the identity of Spock and on what makes intriguing literary characters. Jacques Fleury reflects on his personal and cultural identity. Mesfakus Salahin speaks to life, death, and personal accountability, redemption, and the meaning of one individual life. David Sapp relates a tale of responsibility, honor, and mailboxes. Ranjan Sagar reminds us that others’ poor character need not diminish our own. Lilian Dipasupil Kunimasa addresses the tension between roots and wings, needing to fly free and wanting a stable nest, and reflects on the end of life. Paul Tristram speaks to personal growth, strength, and self-discipline while Sarvinoz Mansurova shares her family’s dreams for her and her own aspirations. Nigora Tursunboyeva’s short story celebrates adventure and finding one’s own way in life.

Two people, sci-fi or fantasy style characters, light skinned, in short dresses and vests, floating in the starry sky. They're shaded in purple and blue.
Image c/o Victoria Borodinova

Gaurav Ojha reflects on how he will take nothing with him when he leaves the earth. Graciela Noemi Villaverde expresses the exquisite anguish of losing someone close to her. Engin Cir speaks to the grief, but also the indignation, of romantic heartbreak. Faleeha Hassan evokes the feeling of anxiety, being exposed and weighed down. Mykyta Ryzhykh conveys alienation, cold, and a halfway state between life and death.

Duane Vorhees speaks to creativity, sensuality, and history, evoking major and minor apocalypses that occur when people cannot or do not adapt to constant change. Taylor Dibbert reflects on how creativity can help him weather, if not avoid, his struggles. Z.I. Mahmud links the expectations of Samuel Beckett’s characters in Waiting for Godot to those of broader Western religious and cultural traditions.

Adam Fieled writes of our twin natures, the balance of masculine and feminine. Z.I. Mahmud examines the family relationships in D.H. Lawrence’s Sons and Lovers through a Freudian psychoanalytic lens. Karimova Sarvara Karimovna crafts an elegant and highly personal love poem. Kristy Raines speaks to the joy of a close loving relationship. Aytuvova Khurshida shares a love story that gets interrupted by life, but where the former partners always remember each other. Numonova Khonzodabegim poignantly shares the challenges and risks military families face.

J.K. Durick speaks to the harsh realities of aging and death and hunger, which can be eased, but not completely erased, by modern culture. J.J. Campbell’s poetry addresses aging and resignation while Dildora Toshtemirova reflects on the loss of a close friend or lover. Nosirova Gavhar’s short story combines two great human passions: love and grief.

Paul Callus and Christina Chin collaborate on a wide-ranging haiku collection evoking home, place, and time. Stephen Jarrell Williams captures many of summer’s varied moods in his haiku. Steven Croft watches a Civil War reenactment through the eyes of a modern veteran. Brooks Lindberg speaks to what we remember and what we forget, of grasping happiness despite reality. Rustamjonova Nodira celebrates the perseverance of Uzbekistan’s founders, leaders, and people, as Nuraini Mohammed Usman urges her society to carry out collective housecleaning and purge old enmities.

Murodova Sitora urges teachers to continue to learn and develop their skills and be accorded the respect and resources in order to do so. Abduraximova Muyassarxon relates how a dedicated teacher helped her regain her confidence. Rukshona Qiyomova outlines the many responsibilities of a teacher and the value of the teaching profession. Sevinch Saidova reflects on the value of education for personal development. Sushant Kumar highlights the need for teachers to serve as role models as well as impart intellectual information.

Monument in Moscow, metal statue of a woman with short hair and a feathered hat, with birds landing on her coat. She's holding papers and a rules and is in front of a small building with trees and people in the background.
Image c/o Lynn Greyling

Majidova Sevinch pays tribute to the many dimensions of a mother’s love and care. Sobirjonova Rayhona offers a tribute to her sister’s care and friendship. Ilhomova Mohichehra takes joy in her friends and her lovely homeland of Uzbekistan.

Brian Barbeito revels in the easy intimacy of the conversation on a summer hike. Salokhiddinova Mohichehra examines the structure and function of nature close to home, the human kidney. Isabel Gomez de Diego contributes visual poetry of everyday life: dinner with family, a visit with a grandson, a tree in the yard. Kylian Cubilla Gomez takes closeup peeks at backyard chickens.

Sayani Mukherjee recollects a quiet morning outdoors under the blue sky, smelling the scent of trees with her child. Maja Milojkovic yearns for and finds reminders of her lover in every aspect of nature. Intizor Samandarova evokes the sky’s expansive emptiness in her poetry as Don Bormon poetizes about the vast variety of clouds.

However, nature is not always calm: researcher Les Beley speaks to the ecological impact of Russia’s invasion of Ukraine. Mahbub Alam describes the recent flash floods in parts of Bangladesh and the loss of life and property.

Farida Botayeva reflects on how quickly our circumstances and emotions can change. Ziyoda Murodilova considers how she will persevere in her life despite unpredictable feelings.

Finally, Christopher Bernard presents an old-style lyrical recipe for preparing hope in the kitchen.

Poetry from Sayani Mukherjee

Remember

I remember the brightest star

Seeking a symphony of

Cacophonous smile

A birdwatcher’s view

Melting into red blue

Nothingness

A sweet tooth for all seasons

I pine for the sweet magnolias

The cricket’s happening stance

Of welcoming smiles

Magnitude of oceans

Rising into my palms

The oak trees follow their path

A napping squeeze

Of Rosemary and thyme

I remember that oceanic haze

A bright blue morning

Of heaven seeking

Wrapped around my children’s

Little finger

Essay from Z.I. Mahmud

Middle aged white man with a collared shirt and tie and a beard and mustache with his name, D.H. Lawrence, in signed script above the black and white photo.

Evaluate D.H. Lawrence’s Sons and Lovers as a case study of Freudian psychoanalytical genesis of the emotion of love.

A son loving his mother too dearly and in turn, the mother who lavished all her affection upon her son. Elusiveness and mystification of the psychic conflicts between mother, lovers, father and sons framework engenders the Freudian psychoanalysis and thus underscores the Oedipal and Electra complexes. Mr. Lawrence voices the struggle of the central protagonist Pual Morel to emancipate himself from maternal allegiance and thus transfer his affections to a fiancee who belongs to another human creed. Furthermore, mother and son are one and the husband is completely effaced and the father exists merely as a harlequin humbug. 

Obsession with the possessive love between mother and son salvages the creaking domestic hearth’s explosive ambience from the parental violence and physical intimidation including banging fists, muffled voice, hurling of attics. Paul Morel’s tokens of love and appreciation such as the bouquet of flowers and extracurricular activities accomplished with accolades, medals and laurels become entirely dedicated to the heartfelt charismatic lady, Mrs. Gertrude Morel. This possessive obsession is explicated in the statements from the textual reference: “In the end she shared everything with him without know … She waited for his coming home in the evening, and then she unburdened herself of all she had pondered, or of all that had occurred to her during the day. He sat and listened with his earnestness. The shared lives.” Furthermore, this recreational exchanges and emotional correspondence provide salvation to Mrs. Morel’s macabre existence that compelled her life to a maniacal debacle, haunting the Derbyshire coal mining family.  

Eventually with the demise of the patriarchal head of the family, Paul Morel’s dilettantism and hedonism frame the newly orphaned boy to earn a thirty and/or thirty-five shillings a week. With that petty finance Paul Morel intends to pursue a Bohemian lifestyle except purchasing a real estate shanty cottage in the neighbouring countryside and live there with his mother happily ever after. In this episode, Paul Morel develops a romantic affair for the neighbouring farming family maiden Mirriam Leiver, a loner, reticent, exalted and reserved girl. Herein, the intruder motherly figure creeps into the lives of these romancers to a hellish extent and that her intrusion, however, can be solely vindictive in case of apprenticing Paul Morel to surgical warehouse for the rapid surge in effeminization.  

Nonetheless, Mrs. Gertrude Morel admonishes the camaraderie of vampirish girls such as Miriam Leiver emphasizing that, “She is one of those who will want to suck a man’s soul out till he has none of his own left.” This commentary satirizes the trenchant of a scathing wife to her husband.  Relationship between the newly piquant romancers thus prove to be a futile endeavour if analogies to textual references are contextualized: “Oh, Lord let me not love Paul Morel. Keep me from loving him, if I ought not to love him” and “He was afraid of her. The fact that he might want her as a man wants a woman had in him been suppressed into a shame.” Tumultuous turmoil invades the relationship and thus virulent acrimony plagues their relationship through rhetorical estrangement and psychological alienation. Except the church gatherings harboured a sense of spiritual reconciliation by reuniting his two loves under the spell of the place of worship. 

Even the maternal allegiance disintegrates to a dread and dreary affair as soon as gerontological diseases and William Morel’s death inflicted Mrs. Morel. Off late Paul Morel’s Lincoln Cathedral excursion proves to be a bizarro after witnessing Mrs. Morel to the emblematic manifestation in idolized version of an old sweetheart. 

The amorous conquest progresses toward Clara Davies, distant relation of Miriam Leiver. She possesses sensual mysticism as revealed by the intimation of Paul in the statement that “She was to him extraordinarily provocative, because of the knowledge she seemed to possess and gathered fruit of experience. Afterall, Clara advises Paul that Miriam wanted sensual gratification instead of soul communion and fantasy imagination. In this way, she thus, boldly wields the shield of courage in the fantastical Paul Morel that he couldn’t have achieved out of his own accord. .   

Morbid manifestations of the abnormal environment transforms the hero of the narrative fiction from a wreck and a ruin to a ruthless egotist and a vicious weakling in his dealings with the feminine characters. Even his masculinized maleness can be challengingly grisly by his dealing with his elderly mother whom he had stooped to get rid off. These human flaws are the result of the love instinct that gradually partakes with the sudden efflorescence and poetic charm booming from evolutionary stages of puberty. Freud explicates motherly love to be maidenly love that blooms during maternal caresses and intimate feelings of oneness, thus we feel a conscious passion for another individual of the opposite sex. Frank hostility and incessant jealously invoke the spirit of childhood and adolescence love fantasy and this testimony testified unbridled egoism. Paul Morel is tenaciously rooted in his maternal parent and doesn’t relinquish his hold upon her unless her elderly transition to old sweetheart. 

Paul Morel’s dejection and desertion of love life is the result of the interweaving  of immature phantasies of procreation with his former ideal adoration of his beloved mother Gertrue Morel. Furthermore Freudian psychoanalysis implies that male characters like Paul Morel chooses a girl who most resembles his mother and the heroine figures are likely to mate mostly with the man who reminds themselves of their fathers. Our fathers and mothers are ingrained imagoes in the veil of forgetfulness ever since childhood which we cannot obliterate. 

Further Reading 

Sons and Lovers: A Freudian Appreciation [1916], Alfred Booth Kuttner, Psychoanalytical Review, Vol. 3, No. 3, July 1916, pp. 295-317, D. H. Lawrence’s Sons and Lovers, A Casebook, Editorial of John Worrhen [Emeritus Professor of the University of Nottingham] and Andrew Harrison [a tutor in English Literature at the University of Warwick], Oxford University Press.

Essay from Saidova Mahzuna

WORK ON THE VOCABULARIES GIVEN IN TEXTBOOKS 

     Saidova is Mahzuna Farhod’s daughter

Shahrisabz State Pedagogical Institute

2nd stage student of Uzbek language and literature

Abstract. This article discusses the use of the words in the dictionaries in literature textbooks and the methods of working on them and using dictionaries in the course of the lesson. In addition to literature textbooks, information was also provided about the ways of using dictionaries in mother tongue classes, and the role of dictionaries in the development of students’ speech. 

Key words: vocabulary, methodology, textbook, vocabulary, “Matching pair” exercise, “Did I make a mistake?” game, “Small review” method.

Annotation. In this article, the use of the words reflected in the dictionaries in literature textbooks, as well as the methods of working on them and using dictionaries in the course of the lesson, are discussed. In addition to literature textbooks, information was also given about the ways of using dictionaries in mother tongue classes, and about the role of dictionaries in the development of students’ speech.

Key words: dictionary, methodology, textbook, vocabulary, “Matching pairs” exercise, “Can you find me wrong?” game, “Little review” method.

Абстрактный. В данной статье рассматривается употребление слов, отраженных в словарях, в учебниках литературы, а также методы работы над ними и использования словарей в ходе урока. Помимо учебников по литературе, была также дана информация о способах использования словарей на занятиях родного языка, о роли словарей в развитии речи учащихся.

Ключевые слова: лексика, методика, учебник, словарный запас, упражнение “Сопоставление пар”, “Найди меня неправым?” игра, метод “Небольшой обзор”.

Getting acquainted with the dictionaries in the textbook, if we familiarize ourselves with the explanation of the word dictionary before working on them:

Dictionary [Arabic language, dialect; word, phrase] 1 A book in which the words of a language are compiled in a certain order (usually in alphabetical order), explained or translated into another language.

2 Words; the set of all words in the language, vocabulary.

Dictionaries are of great importance in explaining the meaning of words and developing students’ speech. A word is the smallest part of a language that conveys meaning. A collection of all words and phrases in a language is called a dictionary. The branch of linguistics that studies the vocabulary and structure of the Uzbek language is called lexicology.

It is known that the textbooks of the new generation are modernized and adopt a number of examples from the education of the developed countries of the world. In 6-7-10th grade textbooks of literature and mother tongue, updated in 2022, dictionaries according to the picture below are mentioned.

Figure 1.

Literature is a field that incorporates the art of words. Because it is necessary to use dictionaries in literature classes. Some of the words found in the works are historical, and some are archaic. We can apply the vocabulary given in literature textbooks to the lesson process in the following ways:

“Matched pair” method;

“I made a mistake, find it?”;

“A small review”;

Explain correctly.

 For example: we will try to fill in the vocabulary given in the 10th grade Literature textbook using the “Matched Pairs” method.

Dictionaries in the “Gorogli” epic.

In this case, the dictionaries are matched with pairs whose meanings match each other, just as shown above. It helps to know how well the students have mastered the vocabulary. 

Vocabularies found in textbooks can be found in “I’m confused?” we can present it to students as an exercise. In this case, it is necessary to use the paronym of the dictionaries.

For example: 1. Ziyoda looked at them thoughtfully. ❌ It should have been lying here, not lying down. ✅

 2. The girls looked at them with a smile, looking at them in simple, cute dresses. ✅

3. In dealing with the people, it is necessary to rely not on the sword, but on the power of justice, to save the people from oppression. (Oybek. “Navoi”) ❌ The word justice should have been used here.

4. When brother Hasan gives the money, he will weigh it and make a will. (Hamza).

5. They say that even if you rub your feet, fine silk will not turn gray. (A. Mukhtar) ✅

Students should find the correct words and write them down as shown above. This method helps to memorize paronyms well, to quickly distinguish them from the meaning of the sentence. 

We can use the “Small comment” method to explain the names of the linguistics department in the mother tongue classes. 

For example: Orthography – correct writing rules are studied.

Graphics – ………………………………………… ………………………………………… ..

Phonetics – ………………………………………… ………………………………………… ..

Lexicology – ………………………………………… …………………………………………

Etymology – ………………………………………… ……………………………………….

Morphology – ………………………………………… ……………………………………….

Phraseology – ………………………………………… …………………………………………

If we give the students the names of the sections to memorize in a dictionary style, it will be easier for them to remember them, and when commenting, they will give a short and concise, and most importantly, correct comment. This will help to strengthen students’ knowledge of linguistics and increase their scientific knowledge.

In conclusion, it can be said that in previous textbooks, vocabulary was given relatively little and it was not given importance. Currently, special dictionaries of classical works have been compiled. Dictionaries have an incomparable place in human life and language development. Today, it is difficult to fully understand any information or several meanings of information without dictionaries. Every dictionary is more than just a reference. They are the immortal heritage of the national language. As the lexicographer A. Ray said: “modern civilization is the civilization of the dictionary.” Indeed, in today’s advanced age, dictionaries have a high position in every field.

References:

1. Under the editorship of Abduvahob Madvaliyev. Spelling dictionary of the Uzbek language. Volume II. – T.: “National Encyclopedia of Uzbekistan”. State Scientific Publishing House. 2020, page 512.

2. Berdiyeva Barno. Types of dictionaries and their role in human life. Interdisciplinary Conference of Young Scholars in Social Sciences. Hosted from USA, 26th -28th February. Pages 84-87.

3. Mengliyev B. Khudoyberdiyeva M. “Learning dictionary of Uzbek language phrases”, 2007-2009.

4. Nargiza Erkaboyeva. A collection of lectures on the Uzbek language. – T.: “Yosh Kuch”, 2019, pp. 20-21.

5. Z. I. Mirzayeva, K. Q. Jalilov. Literature [Text]: textbook for 10th grade. – Tashkent: Republican Education Center, 2022. – 312 p.

6. www.openconference

7. www.ziyouz.com

Poetry from Lilian Dipasupil Kunimasa

Light skinned Filipina woman with reddish hair, a green and yellow necklace, and a floral pink and yellow and green blouse.
Lilian Dipasupil Kunimasa
Lost Eagle

An eagle wants to soar the sky
Yet overwhelmed by the vastness high
Desire to be out of cage so free
Need to be warm and safe in a nest be
An eagle warmed by the golden sun
Yet rash and burns never been fun
Cravings for the sweetness of nectar
Detest the addiction with no holds bar
An eagle flying for desired goal
Yet struggle with currents running afoul
Fight routes twisting gone hayway
Lost in heaven's blind maze way
An eagle no different from the eaglet
An egg lain for business not nature set
Searching beyond reason's mystery
Yet know its wings has no sanctuary
An eagle forever wishing the sky
Yet caged in anchored from flying high
Desire surging wanting to be free
Quite contrarily needing the security in a nest be


End of the Line

In every journey comes the silent cold goal
In every race comes the finishing line
Faced all waves and tides with stronger soul
No regrets, no anger, nothing to whine
With every success and failure, did my best
Cry not, mourn not, it is time for spirit to rest
A warrior is never gone, guide for left behind 
Treasure memories, heart's legacy will find
More pain for loved ones; wish to comfort 
But, heaven's boat awaits for me at the port
Mix not your tears with the lonely rain
Let not our time together be for vain
Farewell, Fare Well
Life has drained my well
Church tolled the big bell
Bidding me the last farewell


Lilian Dipasupil Kunimasa was born January 14, 1965, in Manila Philippines. She has worked as a retired Language Instructor, interpreter, caregiver, secretary, product promotion employee, and private therapeutic masseur. Her works have been published as poems and short story anthologies in several language translations for e-magazines, monthly magazines, and books; poems for cause anthologies in a Zimbabwean newspaper; a feature article in a Philippine newspaper; and had her works posted on different poetry web and blog sites. She has been writing poems since childhood but started on Facebook only in 2014. For her, Poetry is life and life is poetry.

Lilian Kunimasa considers herself a student/teacher with the duty to learn, inspire, guide, and motivate others to contribute to changing what is seen as normal into a better world than when she steps into it. She has always considered life as an endless journey, searching for new goals, and challenges and how she can in small ways make a difference in every path she takes. She sees humanity as one family where each one must support the other and considers poets as a voice for Truth in pursuit of Equality and proper Stewardship of nature despite the hindrances of distorted information and traditions.

Essay from Ibrohimova Durdonaxon

Teen Central Asian girl with a black and white headdress, brown eyes, and a white collared shirt with buttons and beads.

Key Aspects of Children’s Education: A Brief Overview

Children’s education is essential for personal development and societal progress. This article highlights the most important aspects of children’s education, including early childhood development, the role of play, parental involvement, social and emotional learning, inclusive education, and technology integration.

1. Early Childhood Development 
Early childhood is crucial for cognitive, social, and emotional growth. High-quality early education programs promote language, problem-solving, and creative skills while also fostering emotional and social development. These programs provide a strong foundation for lifelong learning and academic success.

2. The Role of Play in Learning
Play is vital for children’s cognitive, social, and emotional development. It helps children explore, solve problems, and develop social skills. Different types of play, such as imaginative, structured, and physical play, contribute to creativity, strategic thinking, and physical health. Incorporating play into education enhances engagement and holistic growth.

3. Parental Involvement
Active parental involvement is linked to better academic performance, higher self-esteem, and improved behavior in children. Effective involvement includes supporting learning goals, fostering a love for reading, and establishing strong partnerships with educators. Quality of involvement is more impactful than quantity.

4. Social and Emotional Learning (SEL) 
SEL focuses on developing skills like empathy, self-awareness, and emotional regulation. Integrating SEL into the curriculum promotes better academic outcomes, reduces bullying, and builds resilience. It equips children with essential life skills to manage emotions and relationships.

5. Inclusive and Equitable Education
Inclusive education ensures that all children, regardless of background or ability, have equal opportunities to learn. It involves adapting teaching methods and providing support to meet diverse needs. Equitable education addresses disparities related to socioeconomic status, race, and other factors, creating a fair and supportive learning environment.

6. Technology Integration
Technology enhances learning by offering interactive and personalized content. Effective use of digital tools can foster creativity and collaboration but must be thoughtfully integrated to support traditional learning methods and ensure equitable access for all students.

Conclusion  
Focusing on these key aspects helps create an educational environment that nurtures each child’s potential, preparing them for a successful and fulfilling life.

Ibrohimova Durdonaxon was born on April 6, 2005. She studies at Kokand State Pedagogical Institute and lives in the Pandigon neighborhood of Quva District, Fergana Region.

Poetry from Dildora Toshtemirova

Autumn

It’s autumn again,

The leaves have fallen.

It’s good that you remembered

I remembered those days.

I was happy,

In those past days.

We used to walk together

On rainy roads.

We dreamed together

But when it’s a dream.

I endured like the wind,

I’m sorry you left.

Every time it rains,

I walk by myself.

Goodbye dreams

I will stay like a cloud.

Toshtemirova Dildora Hakim qizi was born on October 9, 2008 in Khatirchi District, Navoi Region. I am 16 years old now.

Due to my interests and constant support from my parents, today I am a member of All India Council for Technical Skill Development. I won the “Volunteer of the Year” 2022, “Star of the Year” nominations from the school. In addition, Dildora’s creative works have been published in international magazines, and her articles and poems have been indexed in Google.