Short story from Doug Hawley and Bill Tope

Originally published in the Gorko Gazette.

Le Penseur

Stan sat before the old television set, unmoving. He was just dimly aware that his torso and limbs were arranged in the same posture as Rodin’s “The Thinker,” only in flesh tones instead of the bronze of the sculpture. While Le Penseur had for more than a century captivated observers with its monumental reflection of profound introspection, Stan knew only that he was stoned on peach-flavored vodka and ersatz Nyquil. Like the statue, Stan was totally nude.

It had been a long night. Leaving his sleeping wife alone in the middle of the night to grab a beer and catch some professional wrestling on the tube, he had gotten wildly drunk and stayed that way into the morning. He worked hard as a bricklayer and only cut loose one night a week. He didn’t frequent the bars anymore, and usually held himself together enough to accompany Bree to church on Sunday morning.

He gazed bleakly at the TV, saw on the fuzzy screen only the pointless Sunday morning discussion programs. Stan moved his right elbow from his left knee and bent to retrieve his flask of generic vodka. He then snatched from the TV table the large, trapezoid-shaped bottle of generic cold meds. Decanting the green, gloppy liquid into a small plastic cup, he tossed it back like a shot of tequila. Next he unscrewed the vodka and took a bracing hit. The hair on his arms stood on end.

“I’m ready,” he said aloud, “for a Sunday without football.”

Keys rattled in the locket and through the front door walked Bree. She dropped her purse and a grocery bag on the parson’s table beside the entrance. She stared at her husband and offered up, “Shit-faced again, lover?”

“Is that what you learned at Sunday school today?” asked Stan, promptly falling off the sofa and bonking his head on the edge of the TV. 

As he lay there, dazed, Bree sashayed through the living room, took up a vase, removed the fresh-cut flowers and poured the water on her husband’s head. Stan sprang to life at once.

Stan shook himself like a dog. “What’s for lunch?” he slurred.

“Hash.  Don’t get up; I’ll serve you where you are.”

“Thanks, ‘hon.”

Bree brings him something ugly in a bowl.”

“Hey Bree, that’s the dog’s food dish.”

“Of course it is, I gave you dog food.”

“Bree, I can only take so much. You know I can leave you at any time.”

“Promises, promises. The checkout guy at the grocery lets me know, every time I shop, that he’s available. Good hair, nice teeth and a body that looks like a Greek statue. You really want to make threats?”

“You think you are so hot! Want to know what the secretaries for the union say about me?”

“Sure, I could use a good laugh.”

“They say I have great penmanship.”

They blink at the other for a moment, and then Bree hides her mouth with her hand and starts to giggle. Stan joins her. Soon they are laughing uproariously.

“Hey Bree, help your drunk old man up so we can watch something on TV.”

“OK, but after that I’ve got to put away groceries.”

Later they leave the TV on but ignore it while making out like a couple of teenagers. The ice cream melts in the bag on the table.

Poetry from Adalat Gafarov Izzet oglu

THE WORLD DOES NOT AGE

The world gets younger, the world does not age,

The sky that makes the world old does not rise,

Which person does not draw strength from God?

I am focused on your gaze.

What a good world you have created, God,

What a good, good thing you have created, God!

What a good world you have introduced to me, God,

I am drawn to your gaze.

You have a pure gaze in our mysterious world,

You have many unknown patterns,

You have a shower of light that will wash the world,

I am drawn to your gaze.

Life ends, the world does not grow old,

Not every person rises in your presence,

Does Justice not gain strength from this servant?

I am drawn to your gaze.

Poetry from Mesfakus Salahin

South Asian man with reading glasses and red shoulder length hair. He's got a red collared shirt on.
Mesfakus Salahin

‎The Silence of Multiplicity

‎Mesfakus Salahin, Bangladesh

‎I stay up all night

‎I tie my mind’s  horse

‎In an invisible thread

‎The horse flies away into solitude

‎The thread is weak

‎The earthly mind

‎Floating in the mysterious water

‎The self is always deceived

‎in the midst of the trance

‎The new-fashioned arrogance plays

‎Written in the dew of a leaf of grass

‎Returning again and again

‎The horse blows away the dust

‎Leaving everything behind, its own circle

‎In the circle of greed, in the crowd;

‎In the story of life, in the prose of wealth;

‎Only searching for oneself in the depths

‎In the deluge that pierces the veil of night

‎The intention of touching a straight line

‎Wakes up in the estuary

‎I cut the blood line

‎I cut the dark mountain and catch the guest

‎The sky descends with the color of the sky

‎The guest is lost in the unknown

‎All darkness becomes light through discussion

‎The soul enters the grave of the night and moves

‎The night does not remain in the grave

‎The greedy hand does not remain

‎Day does not remain

‎Whatever is colorful becomes bare

‎There remain deeds and lamentations

‎The dead river of boundless time have crossed

‎In the living grave, night remains, the illusion of night;

‎The shadow of day on the back of day

‎The multiplicity of self

‎The silence of multiplicity

Essay from Ibroximova Hayitxon Mirzoxidjon qizi

MANAGING INDIVIDUAL STUDY PLANS THROUGH AI

Ibroximova Hayitxon Mirzoxidjon qizi

Andijan State Technical Institute

Faculty of Information Security and Computer Technologies

2nd-year student, Information Systems and Technologies

Email: ibroximovahayitxon@gmail.com

Abstract

This article describes the mechanism for creating flexible study plans for students by processing academic data in the 1C:Enterprise system using artificial intelligence. The study analyzes an innovative approach to predicting student potential using neural networks and automatically optimizing the educational trajectory. This method contributes to the digital transformation of educational management.

Keywords: 1C: Enterprise platform, artificial intelligence, individual learning trajectory, personalized learning, data analytics, neural networks, digital education management.

Introduction

Today, the digitalization of higher education is not just about converting statistical data into electronic form, but about transitioning to a completely new model of managing education quality. As the global trend toward personalized education continues to grow, creating individual learning trajectories that match students’ performance levels and interests has become a pressing issue.In higher education institutions of Uzbekistan, the 1C:Enterprise platform is widely used to manage academic processes. Over the years, this system has accumulated a large database (Big Data) of students’ grades, attendance, and subjects. However, current 1C configurations are mainly limited to data collection and archiving functions. Standard curricula are the same for all students and do not take into account each student’s individual cognitive abilities and learning pace.At this point, the need arises to integrate artificial intelligence (AI) algorithms with the 1C system.

AI technologies, especially machine learning models, make it possible to analyze historical data in the 1C database and identify students’ strengths and weaknesses. For example, based on previous semester results, the system can provide “smart” recommendations on which subjects a student should study more deeply or which elective courses to choose.Such an approach not only personalizes the educational process but also helps university management predict student performance in advance and reduce academic underperformance.

Methodology (Methods)

During the research, an intellectual model for managing individual study plans was developed, and the following scientific and technical methods were applied:Data collection and analysis:A dataset of students’ academic activities was created. Input data included students’ academic portfolios. The following parameters were extracted from the SQL database:Static data: entrance scores, chosen specialization

Dynamic data: current grades, midterm results, LMS activity logs

Using Python’s Pandas library, missing values were filled and the data was normalized within the range [0,1].

Application of AI algorithms:Several machine learning models were used:

Clustering (K-means): Students were grouped based on knowledge level and cognitive abilities

Regression analysis: A Linear Regression model was built to predict final exam scores

Prediction: Subjects where students struggle were identified, and additional classes were automatically added

System integration and visualization:AI modules were integrated into platforms like 1C:Enterprise. Visual graphs and charts were created using Matplotlib to track student progress.

Experimental design:Two groups were formed:Experimental group – studied using AI-based individual plansControl group – studied using traditional methods

Results were compared to evaluate effectiveness.

Results

The experiment was conducted during the first semester of the 2025–2026 academic year with 200 students:

Experimental group: 100 students (AI-based system)

Control group: 100 students (traditional system)

Key findings:

Average score:

Experimental group: 84.5

Control group: 71.2→ 18.7% improvement

Low-performing students (<60):Control: 15%AI group: 3%

Prediction model accuracy (R²): 0.892

Early prediction accuracy: 91% (by week 4)

AI automatically added 12 extra hours of training, improving weak results in 85% of cases.

Clustering results:25% – high-performing analytical learners55% – average learners20% – visually-oriented learners

Motivation in the third group increased by 32%.

Administrative efficiency:Time to create plans reduced from 45–50 minutes to 35–45 seconds

Errors reduced by 98%

Documents generated automatically in PDF

Survey results:88% of students satisfied with recommendations92% of teachers saved time and focused more on creative work

Discussion

The results show that AI-based management of individual study plans is not just a technical tool but a strategic mechanism for transforming education quality.Adaptive learning: Improved performance by 18.7%

Predictive analytics: Enabled early interventionIntegration effect: 

Combined power of Python and 1C improved efficiency

Visualization: Increased student motivation and self-monitoring

Limitations:Data quality issues (GIGO principle)

Need for Explainable AI

AI should support, not replace teachers

Future recommendations: NLP for evaluating written work

Sentiment analysis for student well-being

Mobile applications for real-time updates

Conclusion

This study shows that the era of treating all students equally in education is over. Artificial Intelligence is not just a trend but a powerful tool that improves student performance and reduces teachers’ workload.

Main conclusions:

Student performance increased by 18–20%Early prediction of failures (90% accuracy)Bureaucracy reduced by 80%Strong collaboration between humans and technologyIn conclusion, managing individual study plans through AI is the foundation of future education. Its wide implementation can significantly improve the quality of training modern, competitive specialists.

Synchronized Chaos’ First April Issue: Where Memory Meets Tomorrow

Image c/o Omar Sahel

First, a few announcements.
Sandra Tabac invites poetry and art submissions for an international Hands of Love anthology.

Also, The Arab Poets Forum has recently published the book “Alphabet of Pain… Letters Bleeding Meaning”, a remarkable poetic encyclopedia featuring 212 poets from around the world, presented in two volumes spanning 800 pages.

The cover artwork is created by Iraqi visual artist Nada Askar, and the cover design is by Lebanese artist Layla Beiz Al-Mashghariya. Several Synchronized Chaos contributors, including Taghrid Bou Merhi, Mirta Ramirez, Eva Petropoulou Lianou, Dildora Xojyozova, Binod Dawadi, and Kujtim R Hajdari, are published in this collection.

Now, for this month’s first issue, Where Memory Meets Tomorrow.

Image c/o Yana Ray

This issue is beautiful, rich, and international. There’s a strong throughline of memory, devotion, identity, and renewal running across continents and genres.

For this month’s first issue, we are proud to present a collection of voices that span styles and topics, each offering a meditation on what it means to live, remember, and hope.

Vo Thi Nhu Mai opens with a heartfelt tribute to her mother, honoring the quiet love and lifelong dedication of a teacher. From Uzbekistan, Orzigul Ibragimova calls her people forward with intelligence and determination, while Namozova Sarvinoz Erkin qizi explores the nation’s ongoing transformation toward an eco-friendly, energy-efficient future. Sevara Abduxalilova reflects on the legacy of Mirzo Ul’ugbek, the great Central Asian astronomer whose vision still resonates across time, as Botirova Gulsevar Muzaffar qizi honors political leader and poet Zahiriddin Muhammad Babur, known for promoting education and national development. Munisa Islomjonova celebrates her native Uzbekistan through verse.

Image c/o Linnaea Mallette

The power of words themselves comes into focus in Harinder Cheema’s celebration of poets as messengers of peace and inspiration, echoed by Soumen Roy’s prayer to poetry as a source of healing and transcendence. Jamoliddinova Dilnozaxon Mirhojiddinovna discusses how countries and social groups form communication and speech traditions. Olimova Shahina Botirjon qizi discusses strengths and weaknesses of different methods for teaching foreign languages. Hamdamova Sevara Saidmurodovna outlines modern philological theory about the power of language beyond literal meaning. Türkan Ergör sharpens her focus to highlight the pain of a world without trust and truth. Rev. Dr. Jitender Singh speaks to human unity across race, color, nationality, or creed. Manik Chakraborty and Mesfakus Salahin and Mahbub Alam each issue urgent calls for peace, reminding us of our shared humanity in a fractured world. Graciela Noemi Villaverde depicts the pain of words felt but never sent. Christina Margeti speaks to war and childhood, what humanity destroys and what we strive to protect. Faleeha Hassan reviews Saudi directors Meshal Al-Jaser and stars Adwaa Badr and Yazeed Al-Majioul’s film “Naga” (Purity) which, through the tragedy of a betrayed and rebellious young woman, shows the weight of a society imploding upon itself as it punishes the existence of femininity. Asadullo Habibullayev brings violence down to a smaller scale, reminding us that how we treat each other at the interpersonal level matters. At the same time, poet Nilavronill decries how poets have failed to stop the world’s violence with their words.

Themes of love and devotion weave throughout the issue. Sandro Piedracita reflects on the distinction between selfless love and possessiveness, while Eva Petropoulou Lianou honors the tender, enduring bond between mother and child. Nazokat Jumaniyozova offers a moving elegy for her grandfather, and Danijela Ćuk pays tribute to Eva Petropoulou’s tireless support of fellow writers. Saparboyeva Laylo Xajibay qizi relates a folktale-like story of grief, justice, fate and renewal. Joseph Ogbonna expresses his spiritual devotion in the Easter season and his thanks for Christ’s humble sacrifice. Maqsudova Anora Alisherovna’s poem urges heartfelt sincerity and reflection when people observe Ramadan. Sarvinoz Bakhtiyorova relates the tale of a now-adult son who sacrificed his own body for his mother. Jahongir Murodov expresses his tender care and respect for his mother. Xojamurodova Nigina urges sensitive souls to continue loving and not lose heart in a brutal world as Ms. Kim Sun Young shares how longing for a lost love is persistent, like a weed in her heart and Do’sanova Dilnoza Xolmurod qizi reflects on heartbreak and regret.

Other contributors turn toward time, myth, and the natural world. Ananya Guha evokes deep, mythic landscapes, while Sayani Mukherjee and Lan Xin draw on the imagery of spring—its motion, memory, and rebirth. Ankica Anchie Biskupović finds unity in flowing water, and Elaine Murray immerses herself in nature’s quiet revelations. Ms. Koo Myongsook reflects in stillness on a mountain as a metaphor for life. David Kokoette’s desert journey and Duane Vorhees’ meditation on absence and longing remind us of the inner landscapes we all traverse. Maja Milojkovic laments the steady decline of her powers due to old age. Aziza Jorayeva expresses heartbreak, loneliness, and grief. Dr. Prasanna Kumar Dalai speaks to autumn, night, longing, and confession. Siyoung Doung expresses the mystery of our existence and the beauty of finding small moments of beauty and meaning. Dr. Tomasz Laczek urges us to make the most of the lives we have and live for something that matters.

Image c/o George Hodan

This issue also engages with contemporary life and its tensions. Abdumaxamediva Gulchexra looks at the positive and negative effects of American cultural influence on traditional Uzbek culture. Patricia Doyne sharply critiques the current U.S. administration, while Bill Tope employs satire to confront its institutional excess and brutality. J.K. Durick reflects on individuals navigating vast, impersonal systems, even systems invented for fun, such as professional sports, engaged yet estranged. Peter Cherches plays the absurdist blues for us in his poem that’s equal parts exile ballad, street song, and darkly comic cabaret. Christopher Bernard kicks off the first installment of his children’s story Otherwise, with a mixture of philosophy, mystery, and middle-grade energy.

Science, education, and personal determination appear in compelling ways. Urokova Nargiza discusses ways to protect against new types of viruses. Jorakulova Gulshoda Uchqun qizi examines disease detection through the lens of blood cell analysis, while Abduhalilova Sevdora Xayrulla qizi advocates for reconnecting physical education with nature. Nabiyeva Xilolaxon Axrorjon qizi discusses how to make fuel composition less toxic and more environmentally sustainable. Choriyeva Oynur analyzes the role of music in helping students concentrate and learn. Anarboeva Madina Ulmas qizi highlights her accomplishments in the Uzbek national sport of kurash. Laylo Yo’lbarsova highlights the role of personality in determining suitability for different careers. Priyanka Neogi asserts her self-determination, strength, self-respect, and independence. Maxsudbekova Farogat Izzatbek qizi valorizes self-assurance, personal dignity, and individuality. Toshmamatov Javohir tells a story of perseverance through the journey of a computer science student, Jumayev Akmal G’ulom o’g’li discusses ways to get young people more involved in shaping the future of Uzbekistan and to help them take their place in the workplace, and Gulhayo Abduqahhorova considers the choices that shape life after college.

Artistic memory and cultural reflection round out the issue. Mark Young presents his signature altered geographies, while Brian Michael Barbeito revisits the world of hockey through personal recollection. Mykyta Ryzhykh captures the intensity of first awakenings—moments that divide life into before and after. Jacques Fleury offers a haunting vision of beauty, resilience, and power embodied in a goddess who still fades from view while he can only watch. Ms. Im Sol Nae looks at death not merely as an ending, but as a transformation, a communal aesthetic experience.

Image c/o Dany Jack Mercier

Finally, editor Cristina Deptula contributes a review of No One Dreams in Color by John Biscello, a work that meditates on consciousness, grief, the creative process, and the fragile boundary between reality and imagination.

Together, these works form a tapestry of voices, which are urgent, reflective, and deeply human. They remind us that across distance and difference, we are united by our search for meaning, our capacity for love, and our enduring hope for renewal.


Prose from Brian Michael Barbeito

The Hockey Pins

The first memory was of a Toronto Maple Leafs hockey pin, blue and white, just the outline of the leaf if I remember correctly. And there was another one, circular with a blue background and a white leaf, again, if I recall correctly. This was all practically another lifetime ago, the late 1970’s and early to maybe middle 1980’s. I liked those pins, and some had a safety pin type apparatus at the back while others had a straight metal part that one put a clip or metal end on. 

A few times my cousin and I walked to one of the convenience stores and bought a pin or two. I can see in the mind’s eye the other NHL teams, smart and well-made pins, twenty-one teams then. I recall The Philadelphia Flyers one, The Washington Capitals, those two especially for some reason. And there was another All Stars one, maybe designating the NHL all-star game held once a year, I think. 

Later, having achieved the highest level for my age group, Major, also called AAA, the teams I played for, Mississauga Blackhawks, Wexford Raiders, and Toronto Red Wings, went on numerous tournaments. Sometimes the organizations gave each player a bunch of pins to trade with the other teams. I’d end up with many pins from all over. I put them on cloth, a few cloths in fact, for safe keeping. These cloths with all kinds of hockey pins I had for a long time but have misplaced them. Sadly, I don’t know where they went. 

The hockey pins represented sport and skill, of the heroes and greats, and later of my teams and travel and experience on the ice against all these teams. That was one level but there was a more simple and yet magical level also and it was the colour and style, the metallic feel and weight of the pin. They could go on jackets or sometimes trucker hats. I can’t remember what exactly made me remember the pins, but something somehow did. Maybe a dream. Maybe something in real life. Maybe some angel of sport or pin or an angel of time itself…

Poetry from Danijela Ćuk

For Dear Eva Lianou Petropoulou

Dear Eva is a woman, a queen so rare,

the one who makes this world more rich and fair,

poetry is her everlasting flame,

and in her work, there is no end to claim.

She lifts up poets from all lands afar,

their verses shining bright like every star,

she knows no bounds, no borders to her art,

for love’s sweet fragrance flows from all her heart.

For poetry she lives, all souls unite,

her deeds reflect her spirit pure and bright,

for Eva is a woman strong and wise,

who conquers worlds through verses that arise.

She shares her peace across the world so wide,

through poets’ hearts where gentle dreams abide,

and so I thank her deeply, from my soul,

for through her, my own verses reach their goal.

Warm greetings now from Croatia I send,

with humble lines to you, both muse and friend,

may we remain, as we have been till now,

united by her poetic love somehow.