Post Accident

Bloodstained hair peels back

glass shards at this velocity.

Wind of a

stranger’s comic bubbles

float towards me

as the boxcar finally stops.

I am jet lagged, metal in my mouth,

vertigo knocks on

the noggin and

blue, purple, and pink bruises

make a home for themself

on my charred skin.

Glass paper cuts on hands

sting me as I’m trapped in.

I am still in awe of the number

of patrons that stopped in

for a well being check

as they tow the remnants

under the overpass

and fish me out of the

driver’s seat

as I bob up for air

again.

Audacious Winter

Winter has just come back

Knocks the doors again

The walls have fallen 

And the doors are opened

No doorsteps or locks

Just a piece of cloth

Covers my humanity.

You’re so audacious guest

Enters without permission

Violates all the rules

And even the soft young leaves 

Turned to be brown and old.

Your clouds took the light of the day

And added the grey view in the surrounding.

To exacerbate my sadness and depression

They also took the heat of the sun

To make my children burn from the coldness inside a helpless tent.

Your water ran like a huge snake 

Sneaking to our shaky tent 

submerged my blankets and covers my heels

Where humanity fell under my feet.

SEVEN-SPOTTED BEAUTY

My crazy heart fell in love with your beauty,
As if an artist had painted a carpet on your face,
God gave light and dawn to your eyes,
Whoever sees you will be sad in his heart,
Seven-spotted, oh beauty in front of me.
*
The red eyes never look at my eyes,
And my heart doesn’t listen to my words,
They won’t let me come to myself for a bit,
Whoever sees you will be sad in his heart,
Seven-spotted, oh beauty in front of me.
*
We parted, and I hit my knee,
Like a madman, I followed your footsteps,
You pulled me to your grace with your walk,
Whoever sees you will be sad in his heart,
Seven-spotted, oh beauty in front of me.
*
You are a lily in the bosom of the mountains,
With one glance you turn away from the straight path,
By saying no you dig my grave,
Whoever sees you will be saddened,
Seven-spotted, oh beautiful one before me.
*
God gave you a share of your beauty,
The sun rose and became a moon for our night,
Your gaze is like a flower,
Whoever sees you will be saddened,
Seven-spotted, oh beautiful one before me.
*
A painting was painted on your neck,
Izzetogh, don’t you join the dance,
I see the nations come to your wedding,
Whoever sees you will be saddened,
Seven-spotted, oh beautiful one before me.

ADALAT EROĞLU-Azerbaiján-Gafarov Adalat Izzet oglu (EROĞLU) was born on April 16, 1966 in the village of Hovuslu, Jabrayil region. He studied at the secondary school of his native village in 1973-83. On September 1, 1983, he entered the Technical Vocational School No. 44 of Sumgayit city and was called up for military service from Sumgayit city in 1984. After completing military service on May 10, 1986, he started working as a laborer at the Tresin Construction Department No. 1 in Sumgayit city.

In September 1992 he entered the 1st year of the Law Faculty of Baku State University named after M.A. Rasulzadeh and graduated from the same University in 1997. On September 02, 1994, he started working as a clerk in the Sumgayit City People’s Court. In 1998, he worked as a Court Session Secretary (Assistant Judge). On December 01, 2000, he was released from that position at his own request. From December 10, 2000 to November 14, 2007, he worked at the Independent Law Consultancy.

Since November 14, 2007, he is the Founder of the “IZZET” LLC Law Consultancy and Training Center. Since December 02, 2007, he has been working as the Director of “IZZET” LLC.

He is married and has three children. In 2014-2019-2025, he was registered as a Candidate for Deputy in the Municipal Elections of the Republic of Azerbaijan and in 2015-2020-2024, in the Milli Majlis Elections of the Republic of Azerbaijan.

He is the Laureate of the “Golden Pen” and “Great Leader” Media Awards. He has been awarded many Honorary Diplomas and Honorary Orders. He is a member of the Azerbaijan Writers’ Union (AYB) and the Azerbaijan Journalists’ Union (AJB).

He is a member of the Editorial Board of the “YURD” literary-artistic, scientific-journalistic Journal. He is the author of the poetry books “We have a wound called homeland inside us”, “The pain of the word homeland, “Turan whereabouts”, “We have a wound called homeland inside us” (reprint), “Awakening Spirits…”, “The word of justice is there”. He is the Project Manager and Developer of the Almanac Part I of “IN THE LIGHT OF JUSTICE”.

“My Homeland”, “The World is a False World”, “Towards the Top”, “The World of Lovers”, “Longing for Karabakh”, “May My Mother’s Name Live in the World”, “On the Paths of Life”, “The World Filled and Empty”, “Where is the Whereabouts of Zeal”, “Green Light”, “My Eyes Are on the Road, My Heart Is in the Sound”, “The Road to Victory”, “We Are Coming to Karabakh!!!”, “For Whom Is the World Left-880”, “My Beloved, Tell Your Dream to the Sea”, “The End of Longing”, “Life Calls Us”, “Let’s Go to Agdam”, “Sweat Flowers”, “The Word wreath”, “Lachin calls us”, “Mysterious World”, “Lonely Flower Quickly Fades”, “A Flower from Every Meadow”, “Where Does This World Go”, “The World of Dreams”, “Roads to the Summit”, “My Trace Remains in the Mountains”, “The Flower That Does Not Fade”, “My Mother and Father’s World” and others in the Poetry Anthology, in the “Dove Hands” Poetry Collection on the occasion of the 110th anniversary of our great poet M. Mushfig, in the “I WILL NOT HOLD THE WORLD” Part I and II on the occasion of the 650th anniversary of Imadeddin Nasimi, in the “Light of Justice”, “People on the Peak”, in the Almanacs, in the “Turkish World Poetry Selection 5-6” and in the “Poets Selection-12” Anthology in Sivas, “Mount Lelvar”, “Mount Shah”, “TURAN”, “Qarabagh is Azerbaijan!”, “Iron fist, Steel wrist”, “Greetings to the Turan people!”, “Victory”, “Khojaly is the greatest, bloodiest TRAGICITY of the 20th century”, “BLOODED JANUARY 20”, “Fountain of Inspiration”, “In the Light of Candle”, etc.

Dozens of his poems have been published in literary, artistic, scientific and journalistic journals.
Several of his poems and articles have been published in the literary-artistic, scientific-journalistic magazines “Yurd” and “Telli Sanem”, “Justice way”, “Faith in Tomorrow”, “Azerbaijan Youth”, “Kolkhozchu”, “Socialist Sumgayit”, “Justice way”, “Ideal Market”, “Gundem Xeber”, “Faith in Tomorrow”, “XXI ASR Fair Work, Right Word”, “365 Gün”, “Hekeri”, “ATA”tv, etc. newspapers.

On many internet portals; “Sabaha-inamla.az”, “Sumqayıtfakt.az”, “Qərib.az”, “Manevr.az” “Pressaz.az” “Xəbərləcom.az”, “Adalatyolu.az”, “Gundemxəber.az”, “Presspark.az”, “Vetenim-azerbaycandir.az”, “365 GÜN.INFO”, “kanal32.az”, djb.az (Dunya Journalists’ Union), “kapsamhaber.com“, “kiriminsesigazetesi.com“, “44gün.org“, “Ondertv.org”, “yenimedia.net” “vetensesi.az” and other news sites have published dozens of my poems and short articles.
He is a member of the creative team of parts I and III of the anthologies “Creative People and Intellectuals of the XX-XXI Century” and “Khan Chinar’s Births”.

Several of his poems have been translated into Russian, English, Spanish and Uzbek. His poems have been published in Turkey, Argentina, Tabriz, Germany, Russia and other countries.
Songs have been composed for several of his poems.
He regularly performs at many state events with his patriotic poems.

Winter

The cold days have arrived,

A sharp wind began to blow,

Whistling through the streets,

Bringing news that winter is here.

​In the winter season, from the sky,

The snow falls in swirling flakes.

That is why I love the winter

Very, very much.

​The earth puts on a white carpet,

The trees fall into a deep sleep.

It looks so beautiful and bright,

As if sprinkled with silver dust.

Yusufjonova O‘g‘ilxon

Adriano Aragozzini: The Most Extraordinary Artist Manager in the World

Rome. It’s the last day of 2025, and Adriano Aragozzini, the most extraordinary impresario in the world, has dedicated his latest book to me, a bestseller not only in Italy, entitled: “Tonight who sings is me “(Questa sera canto io), 462 pages that you devour in a few hours. 

Adriano has an irresistible personality, and his book reflects it, taking us on a journey around the world with Tina Turner, Domenico Modugno, Sammy Davis Jr., Patty Pravo, Ray Charles, Gino Paoli, Sarah Vaughan, Luigi Tenco, Gloria Gaynor, and the Sanremo Festival, which Aragozzini made popular worldwide. 

In this adventurous panorama, film stars such as Gina Lollobrigida and my mentor Federico Fellini and Andy Warhol, who competed with Fellini for my image, stand out. 

Aragozzini recounts with unusual sincerity the “splendors, miseries, passions, betrayals, secrets, and transgressions,” as written on the book cover, of celebrities who are part of the fabric of our history from the 1960s to today. 

An important chapter of the book tells of a truly unique experience, also because the protagonist of the episode, which spans years, is a singular character: the singer Patty Pravo, brilliant and iconic in all her manifestations and often in conflict with Aragozzini’s plans to increase her fame. 

Aragozzini introduces Patty Pravo to Federico Fellini, who offers her a role in his film “Casanova”: Casanova duels with a man, and with his sword, tearing his antagonist’s shirt. This action reveals a breast, the true sex of this person. 

At that time, in 1975, Fellini was the most famous and well paid director in the world, and Patty Pravo the most special and famous singer in Italy. 

A considerable chance for Patty Pravo to probably establish herself worldwide. 

Do you think the artist said “yes”? Of course you do! 

It was, instead, a firm “no” from Patty Pravo and a consequent disappointment for Aragozzini. 

The reasons? 

Patty Pravo has a rather masculine voice and an androgynous physique.  

Perhaps, then, Fellini’s idea didn’t seem very original to Patty Pravo.

Aragozzini introduced Patty Pravo to Andy Warhol, who didn’t offer the artist a role in his film, as Fellini had done, but instead proposed that the diva be the protagonist of his film. 

Do you think the artist said “yes”? Of course you think the diva said “yes” to Andy Warhol! 

Andy Warhol talked and talked, and Patty Pravo remained quite silent. 

Aragozzini was embarrassed. 

Then Warhol, rather annoyed, left Patty Pravo’s apartment in Rome , and after the legendary Warhol’s departure, she performed magical rituals to ward off Warhol’s energy, which she perceived as negative. 

Another great disappointment for Aragozzini, but one can’t judge: if you perceive negative vibrations from a person, it might not be a good idea to have a project in common with that person, since obstacles and conflicts could be anticipated. 

However, Aragozzini did help Patty Pravo sell millions of records and increased her fame, which is a priority for an impresario. 

And Aragozzini did this by launching songs that have made history and are themselves part of history and culture. 

Aragozzini, an impresario who was skilled at creating significant synergies between Italian and international music stars, who made the Sanremo Festival, the Italian song festival, known throughout the world, and who, if he likes an artist, launches them internationally.

There’s great news regarding Aragozzini: a few days ago, he added a new and unique award to the thousands he has already received: the “Courage for Freedom Award” for his tenacity and courage in promoting artists who symbolize freedom and supporting musical institutions to the entire world. 

The award is based on the principles of the hero of two worlds, Garibaldi, who fought for the freedom of many peoples and countries, including Italy and Rio Grande do Sul in Brazil. 

Garibaldi was a hero, also a writer and poet. 

The award originated in LA, during an exchange of ideas between me and the hero’s descendant, Francesco Garibaldi Hibbert and on that occasion, the multi-award-winning film “Anita” was also conceived, based on a sublime poem by Giuseppe Garibaldi about the premature death of his companion, the heroine Anita.

Francesco Garibaldi and Adriano Aragozzini, an honorary citizen of NYC thanks to me, have become great friends, and Aragozzini rightfully joins the award’s honorary committee, along with other distinguished recipients, including Michael Poryes, author of Hannah Montana, Moe Rock, founder of the Los Angeles Tribune, Elena Panarella, a renowned journalist for the widely read newspaper “Il Messaggero,” Ibrahim Shehata, president of the Egyptian “The Times International “ ,  Enrico Bernard, writer and screenwriter, and Victoria Wilder, daughter of the absolute Hollywood cinematic legend Billy Wilder, about whom I will share sensational news exclusively for Synchronized Chaos.

The cinematic version of the “Courage for Freedom Award,” is named “Courage for Freedom Film Award ” and was assigned to Angela Alioto for “Kamilah the Miracle Filly,” to Emily Letran and Jenny Thai for “Book of Death,” awarded by Pope Francis, Pope Leo XIV, and the Dalai Lama, and to “Chrysalis,” on the life of Daniel Winn, which we will see starting in April 2026, masterfully directed by Jordan Robert Schulz.

Freedom

A word 

Who has all the meaning of…

This is happiness 

This is harmony 

This is respect 

But what we do

Humans are killing humans 

Humans are manipulating humans

Freedom,

A game between two birds without wings

Freedom,

A hope inside two hungry stomachs …

Freedom,

Elefteria

A sun waiting to rise…..

In our days 

In our century 

We are in need of second educational system 

Re write new words 

Or learn the meaning of the old one 

EVA Petropoulou Lianou 

Honey, i shrunk the twist (doing in my phonk)

Noe, yre just somebody that i user friendly to blow up that matchbox 20 imagism. Tome d3af surrounds us. Tho we are a regular Phillip Arlington Heights; im a chosen One, three Poems up so put out our back drop PA system panting like dearth metal fans facebook Post and Orifice Boxes get gutter stamped in the Nash equilibrium bit. Straight outta Cummings. E, e ecstacy’s mumbles on the dance floor boas up, call it a Calling if you like that torch, she’s hotter, yeah, baby, she’s got it going off The Neaten track listing muddle malcontents class crown’s to follow three pieces of that hardcover sexual inter zoning law suites, 25 comments about obvious gold rush for a change of atmosphere fits in like an adhesion, you van ashbery me with it, myluh luh luh luh – globe theatre compartment, and rapper glove deported what i meant. That’s entertainment, or industry standards dripping, a huge wasteland back off, MONeY begs.I have a captive ordinance. Realise the hostages we ate; the world wide web in which I’m jowl crazy to Merc groovy: wanted tone deaf surrounds our sussurus sounds good in molly’s Bloomers bury publishing This IS polish, clubhouse music thanx tweezers b4 u tweedle Stanford in my lan o’, the – flee!!!! Dee. We are embark building, 22, catchy years ago during ©, we were psychotic symptoms shines through, hoot a lee, schooner or Leda, tmy manic structures strut of the woke general assembly line is yr place pointy tariffs war drab tab rabelaisean gutteral Solomon; no emancipation’s an island on the tip of the ice perks my whiskey croon, tool, surprisingly Heidi Klum for such force example, ur honour killing, i abject relations theory, ounce against the ROAD documents, jessie In a kinder surprisingly Broadway number of jams moving que los por dis easel shorts out phallocentric logics induction into the ooo portry Hillsong of fame game over: winter wS combing my hence night this smoothie on the trap house, um, im mix Blonde take careerists out the picturesque: the wealth of imaginations with fidelity only to the high, high road that we tremble, a high, high route that i crack Erica wide open. My machine gun kills fascists.. Night after night of these triffids, i could be one of yr kids. 

Flee Jazz 

Burn freestyling, is every where a luck thats could cull… massacres 

And I know you’re not bad,a boardroom risinga dragon trafficker

They do not exist 

whatever my hell has come gor Texas 

 ready made us notoriety, cattle sunked workers spamming it flarf

Eat from my colostomy Pin laugh  

Im sleeping when im able

Putting foot there on the tabloids 

Hierarchical anonymous Botched a riot canal Betty boop with baddy bloops

No bs, aye. Derriere Mondays boombap ruts we 

Don wannabe yr liver, we’re 

A deliquescent celluloid 

failing 

To connect 4 dots….

raekwon in the crash converters 

Without us

Brains brands

Sipping Junkie Workers 

Walls tightening, the resigned looking  

Overdriven glass windows shutter 

Stock island’s tomb magazine sticks and stones 

sticks,’s dead ears open up dr Cox 

Drop off the shadow steaks away into the karma b4

 The storm drain trooper role

Er merges dirty myer braggs billies on all fuzz

u best the drum, but justice 

Creaks online, marketing a

Trauma Queen 

Barney humble  

Why dont u come on overpaid Valerie 

Solaris? 

Het on, eh? Soul-less, ill jostle” and without saying good byte , get in

Accuracy 

Mass appeal, or oppressive material,?

That’s the soil test 

This is the car seat head rest.

Life in Misprint

Today tonite we heart
The while of social relations. It’s Time
Files itself away.
Breakers; theyre petty, money, too
Avant Garde, vacant? Fake rent
i pay as a myers worker – mic drop division
Moonshine as a diva of hyacinths
Illuminating Hunk Sour by Rob-it Lo-fi,w/ us typecast off from the cliffite face
Book: john wolffinden. Hooker, line and thinker. Bitch
Coin was invented for me perso-
Nally; im, like, a barf-tub, i always rude the best, but
yr tangs barbiturates, rocking considerates – fitzy collapsey, the ingrate gatsby. Fossil
Foolsly, amex predators, burying ground floor flat pack up grade the Refu
gee, u, late coupletism, don’t have to leave in sin, or st
All
sign waves hit
The sure
Dotted
“Line!”/ on / the same night, you
Smashed as his Oppo-tunity
Clash,, sharp the Engels brace
let / B predicate
Lake, unctuous lady
Of Veronica
Forest
Thompson: string theories off, poetic: art if ice.
Coveted in malt risky
Business,,6,7 history’sinr
Holden, mean
While, curls, klatch u in the White
Open, rhodes,!!!
The ghost between.

Thee, Svery Path

It hade nothing to do with me, but i couldnt helpp.wondering what it would be like[ly] I thought it must be the worst thing in the worl.

The first time i saw a cadaver i were carrying ]out] that cadaver dully along in the middle of the surrounding hullabaloo [a cab over date, a cat over there, yawning like an audience] I use [scribd] the liipsticks ]missing apodtrophs is rippling,,an (ah, come in)
[Friendstuff}
] (up, eye 2 stream of conscientiousness these annexed dreams delivered with anagogic awkwardness (key moshing ridge auctioned ([repetition]ooft) ghood sir) cut the plastic (cool) starfish [circu$] hortel [pillzon3™] rooms : [avoilable? Then, of course, ]: a round; the new york shky… bored as … yachts
, hell [fish] skiing j[Z]ealous fingers nasty good [position lief] mo[U]rnin her(0] fashion [failire fasvism) conscious (nest) breath [less] of flesh air [raids the house oft] Sin, that electricity [stint] leaves the musk of story boss with fake eyelashes and giddy jewellery.

I [flitted] fitted the lid on my typewriter and clipped [for it is a bullet or a vehicle; a ballet] it shut.

They imported blonde angles excited about his corn[y×π] eyes trying to vet good marks. Nothing looked terrific, smug, corseted. The night felt wise and cynical [my might is tampered by this cubicle], but my bones of intuition looked silver, floored me; whiskey.

Never managed to get anything. [Get anything] I know hem all. My dream tasted wonderful. He kept waiting for dt to stay something huuman.

The drinks arrived, just like jungle grass [jingling undergarments]>>. I drrragged his e inyes burst

[Tap] –

Out laughing; i wannnabr 2 [en]famous as heil’s bails. Squeeze dusk. What bleached dance thought of [god] anything? If there’s anything i look dow upon, its a, man [heresay it aint so so],

gL ass mouth snapping, begat to think at last

Taste made me feel […so] powerful and god like a high had. No

Body paid any notice [an y? not ice]. Perfect , , green bills

Wilted away the night

[Hills]

*

[Purt]Platters of starving New York. My eye, the richest, most expensive of them. [OW L] I never felt. I made a point of eating. Reduce, welcome the prettiest wheeze. This banquet is just small.
Uh
Mirror dizzy forkful to your mouth (eating pennies). One bowl was an empty chair. Do something inchoate with a certain arrogance. You are original, wit, a poet; horrible, lumpy, and immaculate [concept: ions, icons] pale[stoned], sensible like caviar, confident; Sunday. Woolworths. Beauty, i dont know, went to a special school. n
[Or something] Bizarre. I felt very low.

Morning couldn’t hide much longer [hours for less pay. (Day). ] i didnt. Mad was what i wanted to do. Hideous effort dragged me to class [analysis], [them] flatteRED.

I thought it was quite ingenious of me. Scared and depressed; intellectual maturity, rickety old, making blue flames and clouds of another voice [vice

It was a mosquito in the distance. I was writing, like, [the school of] resent me. I thin[Ned] Air.

Bzzz. Money trumpets lilac wise. ‘Dont let the wicked city get you.’ [wine] The thought hit with a hiss, in technicolour. A lot[tery] of very [read] trees rolling sway for miles and miles [Davis] in every [needs] directoon.

The shadow, puking the screen. ‘i feel hell.’

‘so do i; ill come back[stage???] with you.’

Excuse me excuse me excise me

The cab driver seemed to know what we were doing. I thought i would die, it was so far. The sickness glittering, it didnt seem to be summer anymore. I could feel my bones, the big white hotel.

The words bungled out thick as vomit. Cry the night. The ice went on. The door shut again. Love.

‘ll sleep now The tenderness of sand [thtough the hourglass] was empty. I had a vision. avocado pear after avocado pear…

off with ] The hole [inne] me Poison. Ha! Sue the pure ]st] Sick daisies – birthed ‘out laughing, have my soup if you want! [Every rosé has its storm.]
They put 12 in the trap by mistake. L and I stuffed down so many hotdogs while we were waiting for the reign to stop]

Receiving these emails[ i couldnt eat

‘’[now could eetswa”M]

Another outgoing

Mouth

“Full bring it in. Im star [f] in’!”

Vampyre Workdays

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listings trip

Texas Fontanella has published widely over the years in an array of internationally recognised journals, and has participated in art exhibitions in the past, from America to Argentina to Germany and France, and of course in their home city Sydney, a city they love. They are eager to find, and figure out funding for a new art exhibition, for they’ve material enough for several. Any leads on this avenue internationally would be greatly appreciated.