Prose from David Sapp

Holy Grail

Each afternoon, between Gomer Pyle and Big Ten Theater, the pantry door opened to a small altar and a humble gray amphora, the cookie jar Grail of my Oreo eucharist. My arm disappeared into the dark, wide mouth womb eagerly to the elbow. My small fingers fished for six. There was a compulsive comfort in the number, and with blackened teeth I’d sit before the TV transfixed in ritual, gulping a glass of Nestle’s Quick.

After Mom stopped cooking, cleaning and comforting, after Dad lost the house, the business and confidence, after thrown curses, clothes and coffee, a hysterectomy, psych wards, divorce, therapy and thirty years, my mother sent the forgotten vessel on some well-intentioned birthday errand. She’d glued the broken lid to contain the cargo of my childhood pain. For a while it was on exhibition, an empty antique sitting upon a shelf. I brushed my teeth obsessively after each occasional cookie.

Today I’ll reap and rejoice in a quiet little catharsis. With hammer and shovel, I break and bury the jar in my backyard. Today, I can see my wounds as a sliver slices a finger. What I once thought brought solace, now appears brittle and sharp. Blood fills my hand and drips wet, warm and sticky into the earth. This new grave is moist, fertile and sweet.

Saint Francis

I was canonized, or nearly so, in Ogunquit, Maine last summer on vacation. At dawn, along a granite edge, a collision of continent and ocean, gazing at the Atlantic’s implacable crush upon the shore, I sat in a deck chair cupping a croissant and five-dollar latte (no vow of poverty quite yet).

However presumptuous, a passing fantasy, I thought of myself as Saint Francis. Ridiculous. (On my pilgrimage, a tourist charter to Assisi, I only recall the charming Giotto frescos there; no birds congregated in the basilica; however, I wasn’t paying attention.)

I wasn’t blessed with a martyr’s beatific vision, no celestial seraphim. I was more attuned to inconsequential sparrows flitting about my feet in unassuming feathers, in browns, grays, the drab shades of friars’ habits. Unlike the brash gulls, sparrows, humble, timid and admittedly and prudently so, were terrified of the sea.

My Fioretti: I’d like to believe they gathered for my sermon, my wisdom, my eloquence. Surely, I would allay all fears; so, I mimicked their small chirps, but they cocked heads skeptically.

Graciously indifferent, they skittered, too busy with pecking and scratching, a miracle they listened at all.

Weapons

When Vietnam took all the boys and splayed them on the evening news, a boy, like most boys emulating most men, but especially in uniform, I was smitten with TV shows on World War Two, diluted versions without the gore, without the complications of falling red dominoes.

After failing at catch, Dad tried again in a trifecta to win my affection. Dad fashioned a wooden machine gun (my deadly 30 cal.) to mow down Nazis in Normandy. Keenly, I provided the “rat-a-tat-tat.” However, screams and morphine were not included.

Dad built a cannon from a board and a pipe, artillery on wheels pulled behind my tricycle, a barrage devasting for the Hun. However, my little howitzer was mothballed, rusting when I began riding a real bike. Undeterred, Dad bought more lumber.

Dad spent hours (I was not around) on the envy of all the other boys. An ace over France, I sat in the cockpit of my Spitfire shooting Messerschmitts from the sky. However, trouble was, it lacked altitude. I never left the driveway, never wore my parachute.

Dad was on yet another sales call and I was home alone when I took a hammer to my grounded fighter. After the crash, it never flew again.

Before I Die

An artillery shell stirs my flesh with mud and soldiers divide my limbs among dogs. Just before I die, I’ll taste the softness of my beloved’s lips and a ripe, sweet, summer peach, not bitter plastic tubes or pain-killing pills. I’ll listen to the house finch and the wren but not the television getting in a final commercial, nor one last bit of Mozart’s brilliance.

My body glides in perfect, choreographed grace over steering wheel, dash, through windshield glass, my blood painting car hood and pavement in sweeping, expressionistic gestures. Just before I die, I’ll gaze upon a pale blue sky filled with the warm light of morning. I’ll not look up to a clean, white ceiling and harsh fluorescents flickering; I’ll inhale the humid breath of Spring or the pungent decay of October; I’ll not smell disinfectant on cold stainless steel.

I’ve lost my speech; my right side hangs as limp as a nursing home prick, but I manage half a smile when I’m told my heart has worn too thin. Just before I die, I must hold something in my hands: my grandchild’s face or my son’s graying head; I’ll dance one last time upon the forest floor amidst Mayapples and sassafras; my feet will never reach the clean tile beneath an iron bed.

Essay from Asalbonu Otamurodova

Why Can’t We Say “No”?

Why is it so difficult for us to say “no”? It’s an interesting question. Throughout our lives, we often believe that we are living for ourselves, when in reality, we may be living under the expectations of others without even realizing it. Naturally, we all have our own needs and desires, but so do the people around us.

If we fail to set boundaries with others—if we cannot say “no”—we will continue to live under their demands. This is not just an unfortunate situation; it can be deeply harmful. Let me tell you this: learn to set boundaries with the people around you, even if they are very close to you. Until you define those boundaries, you will gradually become a prisoner of others’ expectations, because they will always continue to demand more.

Only when you stop living for others will you truly begin to live for yourself. I once read in a book: “If you consider burning in fire to be natural, you will turn into ashes and come to believe you deserve every suffering.”

Be courageous. At this point in your life, your primary responsibility is to be able to say “no,” not to wait passively like a sacrifice. Never forget this. Living under the pressure of others’ expectations will only harm you and slowly extinguish your self-confidence.

Poetry from Bhagirath Chowdhary

Global Spiritual Unity

Humanity must have one God

Or do without God

Many Gods divide humanity

Humanity must stop dividing divinity

The divisions of divinity

Ultimately divide human minds and hearts in reality 

Human hearts divided thus

Lead to divisions of one reality as such

Because of this divided reality

The human consciousness suffers duality

Divided human consciousness in reality

Condemns humanity to terrible suffering 

When one hand doesn’t know what other hand is doing

To divide God is the greatest human ignorance

Dividing God is indeed no work of any prophetic intelligence

Proposing and having divided divinity

Leads to the greatest planetary confusion

Divided God is truly a grand illusion (Maya)

In fact many divisions of one divinity

Caused a terrible fragmentation of one reality   

Aristotle talked about the holistic holon

Arthur Koestler talked about it in detail

Ghost in the Machine was soul’s hidden tale

David Bohm explained it by explicate and implicate order

Science and spirituality played with it at every corner

If we can’t recognize and realize this divine holon

Then humanity must leave the God alone

Humanity can’t reach ultimate truth without spiritual unity

Evolutionary wisdom shows the path to only one reality

Humanity must rediscover God

Through unity of spiritual diversity

All else shall lead to ignorant arrogance and vanity

God becoming many gods at the beginning of creation (एकोहम् बहुस्याम भवति।)

Needs to become One again at the apex of human evolution (बहुहम् एकोस्याम् भवति।)

But as great Aristotle said 

The whole is greater than the sum of its parts

Through global unity of all spiritual paths

Humanity shall enjoy a far greater spiritual whole

The sum of whose parts will be greater than the prevailing mole.

Poetry from Joseph Ogbonna

The Nightingale’s Song 

Perching on the dried out somewhat fragile branch,

I am attired in plain brown grandeur atop my rusty brown pants, veiling my pallid bottom.

In an accustomed migratory demeanor with the best decorum of an itinerant lover,

I render a tuneful, lyrical and sweet sounding ode, sung in mellifluous high and low pitches to nothing more than her utmost delight.

Innately endowed with the soprano, alto, tenor and bass choral tunes,

I whistle with trilling and gurgling notes.

Notes that romantically convey my nocturnal intents and proposals.

Mellifluent notes that take her even much deeper into an alluring estrous cycle.

Joseph C Ogbonna is a widely published poet. Some of his works have been published by Spillwords Press, Waxpoetry magazine, Written Tales magazine, North of Oxford, Doublespeak, Synchronized Chaos, PoetryXhunger, SoulfulValley, the International human rights arts movement, Empower Magazine, India, Poetrysoup and more than a dozen anthologies. He was a columnist for a magazine in India. He is also the winner of three poetry contests. 

His poems, ‘Napoleon to Josephine and Josephine to Napoleon,’ were both aired by the BBC Radio 3 to mark the bicentenary of the death of Napoleon Bonaparte. He lives in Enugu, Nigeria.

Synchronized Chaos’ First April Issue: Where Memory Meets Tomorrow

Image c/o Omar Sahel

First, a few announcements.
Sandra Tabac invites poetry and art submissions for an international Hands of Love anthology.

Also, The Arab Poets Forum has recently published the book “Alphabet of Pain… Letters Bleeding Meaning”, a remarkable poetic encyclopedia featuring 212 poets from around the world, presented in two volumes spanning 800 pages.

The cover artwork is created by Iraqi visual artist Nada Askar, and the cover design is by Lebanese artist Layla Beiz Al-Mashghariya. Several Synchronized Chaos contributors, including Taghrid Bou Merhi, Mirta Ramirez, Eva Petropoulou Lianou, Dildora Xojyozova, Binod Dawadi, and Kujtim R Hajdari, are published in this collection.

Now, for this month’s first issue, Where Memory Meets Tomorrow.

Image c/o Yana Ray

This issue is beautiful, rich, and international. There’s a strong throughline of memory, devotion, identity, and renewal running across continents and genres.

For this month’s first issue, we are proud to present a collection of voices that span styles and topics, each offering a meditation on what it means to live, remember, and hope.

Vo Thi Nhu Mai opens with a heartfelt tribute to her mother, honoring the quiet love and lifelong dedication of a teacher. From Uzbekistan, Orzigul Ibragimova calls her people forward with intelligence and determination, while Namozova Sarvinoz Erkin qizi explores the nation’s ongoing transformation toward an eco-friendly, energy-efficient future. Sevara Abduxalilova reflects on the legacy of Mirzo Ul’ugbek, the great Central Asian astronomer whose vision still resonates across time, as Botirova Gulsevar Muzaffar qizi honors political leader and poet Zahiriddin Muhammad Babur, known for promoting education and national development. Munisa Islomjonova celebrates her native Uzbekistan through verse.

Image c/o Linnaea Mallette

The power of words themselves comes into focus in Harinder Cheema’s celebration of poets as messengers of peace and inspiration, echoed by Soumen Roy’s prayer to poetry as a source of healing and transcendence. Jamoliddinova Dilnozaxon Mirhojiddinovna discusses how countries and social groups form communication and speech traditions. Olimova Shahina Botirjon qizi discusses strengths and weaknesses of different methods for teaching foreign languages. Hamdamova Sevara Saidmurodovna outlines modern philological theory about the power of language beyond literal meaning. Türkan Ergör sharpens her focus to highlight the pain of a world without trust and truth. Rev. Dr. Jitender Singh speaks to human unity across race, color, nationality, or creed. Manik Chakraborty and Mesfakus Salahin and Mahbub Alam each issue urgent calls for peace, reminding us of our shared humanity in a fractured world. Graciela Noemi Villaverde depicts the pain of words felt but never sent. Christina Margeti speaks to war and childhood, what humanity destroys and what we strive to protect. Faleeha Hassan reviews Saudi directors Meshal Al-Jaser and stars Adwaa Badr and Yazeed Al-Majioul’s film “Naga” (Purity) which, through the tragedy of a betrayed and rebellious young woman, shows the weight of a society imploding upon itself as it punishes the existence of femininity. Asadullo Habibullayev brings violence down to a smaller scale, reminding us that how we treat each other at the interpersonal level matters. At the same time, poet Nilavronill decries how poets have failed to stop the world’s violence with their words.

Themes of love and devotion weave throughout the issue. Sandro Piedracita reflects on the distinction between selfless love and possessiveness, while Eva Petropoulou Lianou honors the tender, enduring bond between mother and child. Nazokat Jumaniyozova offers a moving elegy for her grandfather, and Danijela Ćuk pays tribute to Eva Petropoulou’s tireless support of fellow writers. Saparboyeva Laylo Xajibay qizi relates a folktale-like story of grief, justice, fate and renewal. Joseph Ogbonna expresses his spiritual devotion in the Easter season and his thanks for Christ’s humble sacrifice. Maqsudova Anora Alisherovna’s poem urges heartfelt sincerity and reflection when people observe Ramadan. Sarvinoz Bakhtiyorova relates the tale of a now-adult son who sacrificed his own body for his mother. Jahongir Murodov expresses his tender care and respect for his mother. Xojamurodova Nigina urges sensitive souls to continue loving and not lose heart in a brutal world as Ms. Kim Sun Young shares how longing for a lost love is persistent, like a weed in her heart and Do’sanova Dilnoza Xolmurod qizi reflects on heartbreak and regret.

Other contributors turn toward time, myth, and the natural world. Ananya Guha evokes deep, mythic landscapes, while Sayani Mukherjee and Lan Xin draw on the imagery of spring—its motion, memory, and rebirth. Ankica Anchie Biskupović finds unity in flowing water, and Elaine Murray immerses herself in nature’s quiet revelations. Ms. Koo Myongsook reflects in stillness on a mountain as a metaphor for life. David Kokoette’s desert journey and Duane Vorhees’ meditation on absence and longing remind us of the inner landscapes we all traverse. Maja Milojkovic laments the steady decline of her powers due to old age. Aziza Jorayeva expresses heartbreak, loneliness, and grief. Dr. Prasanna Kumar Dalai speaks to autumn, night, longing, and confession. Siyoung Doung expresses the mystery of our existence and the beauty of finding small moments of beauty and meaning. Dr. Tomasz Laczek urges us to make the most of the lives we have and live for something that matters.

Image c/o George Hodan

This issue also engages with contemporary life and its tensions. Abdumaxamediva Gulchexra looks at the positive and negative effects of American cultural influence on traditional Uzbek culture. Patricia Doyne sharply critiques the current U.S. administration, while Bill Tope employs satire to confront its institutional excess and brutality. J.K. Durick reflects on individuals navigating vast, impersonal systems, even systems invented for fun, such as professional sports, engaged yet estranged. Peter Cherches plays the absurdist blues for us in his poem that’s equal parts exile ballad, street song, and darkly comic cabaret. Christopher Bernard kicks off the first installment of his children’s story Otherwise, with a mixture of philosophy, mystery, and middle-grade energy.

Science, education, and personal determination appear in compelling ways. Urokova Nargiza discusses ways to protect against new types of viruses. Jorakulova Gulshoda Uchqun qizi examines disease detection through the lens of blood cell analysis, while Abduhalilova Sevdora Xayrulla qizi advocates for reconnecting physical education with nature. Nabiyeva Xilolaxon Axrorjon qizi discusses how to make fuel composition less toxic and more environmentally sustainable. Choriyeva Oynur analyzes the role of music in helping students concentrate and learn. Anarboeva Madina Ulmas qizi highlights her accomplishments in the Uzbek national sport of kurash. Laylo Yo’lbarsova highlights the role of personality in determining suitability for different careers. Priyanka Neogi asserts her self-determination, strength, self-respect, and independence. Maxsudbekova Farogat Izzatbek qizi valorizes self-assurance, personal dignity, and individuality. Toshmamatov Javohir tells a story of perseverance through the journey of a computer science student, Jumayev Akmal G’ulom o’g’li discusses ways to get young people more involved in shaping the future of Uzbekistan and to help them take their place in the workplace, and Gulhayo Abduqahhorova considers the choices that shape life after college.

Artistic memory and cultural reflection round out the issue. Mark Young presents his signature altered geographies, while Brian Michael Barbeito revisits the world of hockey through personal recollection. Mykyta Ryzhykh captures the intensity of first awakenings—moments that divide life into before and after. Jacques Fleury offers a haunting vision of beauty, resilience, and power embodied in a goddess who still fades from view while he can only watch. Ms. Im Sol Nae looks at death not merely as an ending, but as a transformation, a communal aesthetic experience.

Image c/o Dany Jack Mercier

Finally, editor Cristina Deptula contributes a review of No One Dreams in Color by John Biscello, a work that meditates on consciousness, grief, the creative process, and the fragile boundary between reality and imagination.

Together, these works form a tapestry of voices, which are urgent, reflective, and deeply human. They remind us that across distance and difference, we are united by our search for meaning, our capacity for love, and our enduring hope for renewal.


Poetry from Soumen Roy

O Poetry 

*********

O Poetry, hold me in your arms this moment, 

Quench my soul with eternal peace,

There where silence sang the song of bliss, 

Over the turmoil and suppressed agony,

 There, where you wore the stole of Buddha, 

And the butterflies flutter in glee, 

My newly awakened eyes blossomed with the beauty of spring,

once again 

Let it sing the song of eternity.

Poetry from Ananya Guha

Strange Signs

Walking on these roads

the stones look weather beaten

ruins of ancient civilisation

the monoliths stagger as if 

carrying a burden of centuries

All the time the hills watch 

roaming movements of a world

where the plot thickens 

The hills, the trees and rivers

meditate on a stark world 

where at night the bird prays

and a whole century opens

into abyss of ages, the whistling wind

makes a foray into houses and nests

Man and animal are at peace 

Only the hills brood over strange

signs.