Short story from Bill Tope

Heresy

It was a meeting of the executive board of the church elders and, having conducted all the business at hand, the remaining five men sat around winding down, talking about their wives, their children and grandchildren. Adam, a widower who had never had children, felt a little left out. Mark looked his way and asked, “Adam, what’s new in your life?” Adam felt the others staring at him.

Finally, he replied, “I have a friend in New York, Annie, whom I met through a writers’ circle. I’ve known her for almost a year, and we’ve become pretty close.”

“A long-distance romance, ‘eh?” asked Quinn, with a little wink.

Adam flushed. “No. Not a romance. It’s not like that. We’re both writers and…”

“Is she,” asked John primly, “of our faith?”

“No. Annie is Jewish. Reform.”

This information seemed to fall like a leaden shroud over the group and, taking up the gavel which served as a token of his authority, John smacked it down smartly and the group dispersed.

That evening, Adam reread Annie’s latest email a third time. The woman has a definite way with words, he thought. Always concerned with him and asking after his health. He always tried to reciprocate. The land line jangled, almost preternaturally loud, and Adam jumped. He snatched up the receiver, thinking it was perhaps Annie. All he got was dead air.

After church that Sunday, Adam was confronted in the cloakroom by Laurel, a 60ish widow who’d made no secret that she rather fancied him.

“I understand that congratulations are in order,” she remarked without preamble.

“I beg your pardon?” asked Adam.

“I learned from Joyce”–John’s wife–“that you have a girlfriend in New York,” she said. “What’s her name…Annette?”

“Annie,” he corrected her at once. “And she’s not my girlfriend. We’re just friends. Another writer,” he explained.

“Oh yes,” said Laurel dryly, “your writing. Have you ever earned any money at your…hobby.”

Adam uttered a sigh. “No. Not so far.”

“Well, if you ask me, anything that takes up that much of your day, and you don’t get a paycheck, is a waste of time and effort.”

“You raise a legitimate point, Laurel,” said Adam. She looked at him. “The point being that I never asked you.”

“Humph!” she snapped, and turned on her heel and stalked off.

A day later, standing by his mailbox, Adam added the final flourishes to a playful cartoon he’d sketched in the card he was sending to his friend in New York. The snail mail they exchanged was but another expression of the mutual affection they felt for the other. Adam felt very lucky to have found someone with whom he could be fully honest. He added a complimentary remark about Annie’s latest poem, which she’d given him a peek at prior to submitting it to a journal. It felt good to be trusted, thought Adam.

The following Wednesday, after their business meeting, John gave Adam, who at 80 had stopped driving, a ride home. On the ride, John turned to Adam and said, “I’m not certain you’re exercising good judgement lately, Adam.”

Here it comes, thought Adam. Laurel was John’s sister-in-law, and fallout from their minor dust up was almost inevitable. “Go ahead,” invited Adam. “Say it.”

“Alright, I will,” said John, pulling into Adam’s drive. “You hurt Laurel, Adam. You know she has always had her eye on you ever since Merci died. Joyce and I felt it would be good for you two to come together, be a couple, and worship God and do good works together. Laurel is an attractive woman, Adam.”

“You don’t need to sell me on Laurel, John,” replied Adam. “She is a pretty woman and a good servant of God and will make some man a fine mate. But, not me.” There, he’d said it. Now for the blowback.

“So you have your eye on this New Yorker. May I ask how old she is?” John inquired nosily.

Adam took a deep breath and released it. “She’s 50,” he said.

“Well,” said John stiffly. “Laurel is nearly 70, so I suppose she can’t compete with your little tootsie.” Adam rolled his eyes a little.

“Annie is not in competition with Laurel,” said Adam. “Annie lives 2,400 miles away. She doesn’t even drive; she has narcolepsy,” Adam found himself confiding. “And I don’t drive anymore. So, our getting together, which neither of us has ever even talked about, is problematic. May I confide in you, John?” asked Adam.

John nodded curtly.

“I don’t even want a girlfriend, a lover, a wife. When Merci died three years ago, I was devastated. So much so, that I swore I would never get so attached to another human being. It simply hurt too much.”

“Adam,” said John. “You lost your wife, But, life doesn’t have to stop.”

“And it hasn’t. I began to write after Merci died. I found it cathartic at first, and then I found I had a knack for it. I enjoy it. Annie enjoys it as well, and that was the basis for our friendship at first.”

“And now?” asked John.

“I love Annie, John. I’m not in love with her; I mean I don’t want to live with her or marry her or make love to her. But, I do love her. And I’m not giving her up. She is good-hearted, sharp as a tack and really seems to get me. The church is not always there for me. People have lives, I understand, and I hold it against nobody. But, there it is. Annie and I are there for the other. I consider her my best friend.”

“And is that how this woman feels, too?” asked John next.

“We have discussed our relationship and she knows what I want and I understand her expectations as well. She loves me, too, John.”

“But, a 30-year age difference,” said the other man, knifing his hand through the air. “What can you two possibly have in common? And what’s the next step?”

“We have our writing in common: a love for language and creativity and sharing. She is an amazing woman. And the next step? Does there really have to be one? As I wanted to explain to Laurel, not every endeavor has to result in a paycheck in order to be measured a success; by the same token, not every relationship has to wind up between the sheets to be judged worthwhile.” Adam judged by John’s expression that he’d gone too far. “Have a good evening, John,” Adam said, opening the car door.

“One more thing,” said John coldly. Adam paused. “You were voted out of your eldership by the elder committee.” When Adam said nothing, John went on, “as an elder you have a responsibility to be a guiding spirit for the church, and to show by example what it means to be with Christ. Your eldership was at issue even before, due to your age. But now, Adam, I’m afraid your poor judgement has earned you this rebuke. I’m sorry,” he said insincerely.

The following Sunday, John, Adam’s regular ride to the service, did not show up, so Adam stayed at home. The same thing happened the next week, and so Adam put the whole affair out of his mind. And there it stayed until the ensuing winter, when two members of the senior outreach program showed up at Adam’s doorstep, collecting a love offering for Christmas gifts for the needy. Adam allowed them into his home.

“We’ve missed you at the services, Adam,” said a tall, rail-thin male with a high-pitched voice.

Adam struggled, but could not recall his name. “Really?” he asked.

“Yes indeed,” said a middleaged, medium-sized woman with brown hair. “We were startled when you resigned your eldership, but I guess everyone wants to finally retire.” She giggled nervously. “We weren’t sure you were at home,” she went on. “Your car wasn’t in your driveway.”

“I no longer drive,” he admitted.

“Oh!” she said. “Would you like to be placed on the list to get a ride to church?”

“Well,” he said, “John Badman was giving me a ride, at one time.”

“Oh!” she said again. “You didn’t know. John was in a driving accident and broke his pelvis. He hasn’t driven in months. So that’s why you haven’t been to church?”

“What about Joyce?” asked Adam, remembering that John’s wife didn’t drive either.

“I  think she catches a ride with her sister. Do you know Laurel? Maybe she could drop by to pick you up. You just live a mile or so from them.”

“How long will John be laid up?” asked Adam, suddenly concerned for his old friend. Perhaps there had been no great conspiracy after all.

“It’s difficult to say, Adam,” replied the man, whose name Adam could yet not recall. “He’s in a nursing home for the foreseeable future. He’ll have to learn to walk again. Man’s 75 years old, you know.”

After Adam gave them a generous donation to the Christmas toy fund, he thought about returning to church. He’d felt rather lost without his faith. Although he had not forfeited his personal relationship with God, not attending church had left a hole.

That evening, Adam received a lengthy email from Annie, the first contact she’d initiated in nearly a week. Normally, they communicated by phone or email almost daily, but he’d been forced to write or call her, and had detected a vague, unsettling distance in her most recent communications. As he sat near the PC to read her email, he told himself he would call her again and ask her, straight out, what the problem was. He printed out her email so he could sit back in his recliner and enjoy himself. Settling in, he read:

Dear Adam,

I hope this evening finds you well. As for me, there have been some rather drastic changes, with respect to my situation and my future.

I’d like to preface my remarks by telling you that over the past 15 months I have relished our deepening friendship. I feel a closeness to you that I’ve not felt since I lost Bruce nearly two years ago. It was your comments on my published work which prompted me to reengage with writing. It also showed that perhaps there was a new tomorrow, with new interests and new people.

You were very patient with my awkwardness at first and I want to tell you what that meant to me, to my recovery and my reemergence into the world. Adam, you are my dearest friend. I love you as a very close friend, as we discussed.

That being said, we come to the reason for this email. Adam, I am getting married. Brian works in the same office I do and I’ve known him for almost ten years. We were always friendly, but never close. Not like you and me. A year ago, he was divorced and our mutual attraction and curiosity for one another just blossomed. What I’m trying to say, Adam, is that I’m in love with Brian. And he loves me back.

This does not affect the way I feel about you. I will always love you with all my heart. I would love to continue our relationship, our phone calls and emails, the silly cards in the mail. However, Brian can be a little possessive, a little jealous. He’s unwilling to share. Also, there’s the matter of our respective faiths. Like me, Brian is Jewish. That’s why I’m writing, to tell you that there can be no more contact between us. I wish you all the best and maybe you’ll find someone some day too.  Please don’t write or phone me, or I’ll be forced to use my spam filter or change my telephone number. All the best. And happy writing.

Annie.

Adam sat in the back of the church that Sunday, paging idly through the hymnal. He didn’t join his voice with the others. In the week since Annie said goodbye, he’d thought of little else than his erstwhile best friend. After the service, Laurel and Joyce came up to Adam and asked if he was ready to leave.

“I’m ready when you are, ladies,” he said with a gentle smile.

In the car, Laurel looked back over her shoulder at Adam, seated in the rear. “Are you still in touch with your New York friend, Adam?” There was no apparent rancor on her part. She had obviously moved on.

Adam shook his head. “No,” he said. “Not for some little time.” Before Laurel could pose the inevitable question, Adam stemmed the tide by telling them that, “Annie died some months ago, Laurel. Covid,” he explained.

“Adam, I’m so sorry,” said Laurel, whose sentiments were echoed by her sister. “I wish we’d known; we would’ve been there for you.”

“Well, you had a lot on your plates, what with John and all,” said Adam magnanimously. He saw Laurel smile smugly.

“God moves in mysterious ways. She was Jewish, yes?” she asked, staring at Adam in the rearview mirror. He nodded. “That’s too bad,” she said, before turning back to the road.

Poetry from R.K. Singh

HERITAGE

Rechristened streets or cities

with Hindu names make no history

nor erase the Muslim past

they assault country’s culture:

diversity of lived glory

politics of pain, joy and care

liberatory future

in hate game add to frozen hearts

no discourse would ever heal:

memories may fade but won’t die

like I die every day, yet live

2

OLD FILES

I burn my years and erase

memories that couldn’t be stacked

against the wall of a broken home

I’m too old to hold out long

the fall is certain

and the burden too much

I can’t be a hostage to the past

nobody would buy

the smoke is momentary

and the heat hurts more

let me live life through my self

doing nothing, thinking nothing

just sitting silently and watching

time takes care of the rest and life too

3

FIVE MICROPOEMS

i.

 I knock at your body’s door

 or peep into the room 

through the little crack 

for a bit of love 

squeezing my rise above 

the cynosure and reduce 

to a drop at the labial path

ii.

vagina museum:

painted femininity

jelly fish rising from deep

no good luck, gropers asked

not to touch the cleavage

iii.

icy water

stabs my body in dark:

Mahakumbh

I hold on to the rope

my soul trapped in me

iv.

teary eyes

with sparks and lightning

dried vision

caged existence

seek deliverance

muttering old prayers

v.

I grow wings to become a bird

on bed rising to dream in a room

that couldn’t be church to breed hope:

end up a small hope in grave

no sun reaches to raise me again

Ram Krishna Singh, also known as R.K.Singh, has published poems, articles and book reviews in various magazines and journals over the years and taught English for Science and Technology, Indian Writing in English, and Criticism at IIT-ISM, Dhanbad for nearly four decades. His published poetry collections include Against the Waves: Selected Poems (2021), 白濁:

SILENCE: A WHITE DISTRUST (English/Japanese, 2022), Poems and Micropoems (2023), and Knocking Vistas And Other Poems (2024). More at https://pennyspoetry.fandom.com/wiki/R.K._Singh                                 

Poetry from Inayatullah

Older South Asian man with thinning hair and a blue shirt in front of trees and water.

Soul Awakening

A vivid light splits through darkness, depth and despair

Opening my heart to new beginning, diving deep inside to go aware

Nothing, and no one can block your way in finding the truth

Get comfortable with yourself, leave the messy things, be in sooth

Somewhere beyond the deep horizons, is a place you belong

Where an orchestra plays your favorite sweet melancholic song

Save from vultures that feasted on my loving and peaceful heart

The hungry predators preyed upon to tear me apart

Rising from the past failures winning the battle of ebbs

Still finding courage, gaining strength to stand upon my legs

The scars will heal, and you will feel lighter and better

You will change and blossom,  to get more positive and wiser

Love is not the only endeavor to hang  and hold on forever

Open your soul to new awakening, feel the nature’s hidden treasure

Essence of Peace

The world is going through unprecedented chaos

Wars, hatred, confusion is  looming widely across

Death and destruction is bringing enormous loss

Conflicts are raging high, the affected people are living in pathos

Love and hate are closely related with one another

It is only in the human nature  to feel certain cloud cover

Hating someone leaves scars that are too ugly to ponder

Avoid toxic people, fear the path of darkness, feel better

Elegance  is when the inside is as beautiful as your face

The further you drift from hate, the more beauty you embrace

Forgive your enemies, let your anger pass and tenderness surface

It is only the light that can drive out darkness and bring grace

Good things are hard to achieve,  and bad things trouble free to grab

It is very difficult to save a fellow human,  but easy to stab

Freedom  from prejudice,  discrimination, snobbishness is better to nab

The worst sin towards humanity is violence, that needs a dab

The Night of Solitude

The night is murky and lonely, lights have gone out

After showing their beautiful effects, stars enshroud

The moon has hidden her face behind the clouds

Stormy winds have silenced their sounds

Colour of spring is fading away in oblivion

Stop a while, the atmosphere is full of passion

Sing a song for me, full of joy and exhilaration

The confusion buried in my heart has no easy solution

When there is resolve, why to stay untraced?

How many dreams from the beginning, I have braced

Alas!  When my eyes opened, dreams have fled.

Leaving me to lament, the mind body and heart to bled

It is not so easy to suppress the bounties of emotions

Wounds may be healed but scars can’t be cured by lotions

One can forget the pain by pretending to be fine

But it returns when the loneliness and solitude combine

Inayatullah is a well-known poet, essayist, and academic from India. He is a regular contributor to renowned international poetry groups and journals. His weekly posts “Sunday Slice,”  has a wide readership and has earned him recognition  in scholarly forums for providing value based education to the student community. His poetry covers a variety of themes and has earned him many accolades.






Linda S. Gunther reviews Kristina McMorris’ Sold on a Monday

Cover for Kristina McMorris' Sold on a Monday. Little boy in a brown buttoned coat sits down with his head in his lap next to a brown suitcase in a green grassy field on a partly cloudy day with some blue sky.

The frenzied whirl of the newsroom is the centerpiece for SOLD ON A MONDAY, an historical fiction novel to be easily savored and digested within a couple of days. You won’t be able to put this one down.

Cigar smoke, paper airplanes flying, loud chatter, phones ringing, reporters scurrying about spilling coffee, crumpled paper being tossed in rubbish bins, and rushed stand-up meetings happening in small spaces. All of this activity and the flurry of competition between reporters hungry for the next story are well portrayed by author Kristina McMorris.

The ability to create a definitive mood from chapter 1’s opening paragraph through to the last page of this book, is a stunning feat. As McMorris masterfully paints this literary masterpiece, she blends together an array of colors and textures, using tiny vivid details and subtle emotional nuance, all of which make this story sing.

As we travel through the chapters, the two lead characters, Ellis Reed and Lily Palmer, gradually reveal their human flaws. Yet, each possess a heart of gold.

The trigger to this compelling tale takes place when Ellis makes a snap decision under pressure at the very start of the book. As an aspiring junior news reporter seeking his first sizzling headline, he hopes to capture the hearts and minds of readers, as well as reel in attention from his newspaper chief.

The setting for the story is the East Coast, including the farmlands of Pennsylvania, the city of Pittsburgh, and the heart of New York City. The year is 1931, in the midst of the Great Depression and prohibition. Ellis has staged a photograph to ‘cover his ass’ with his tough demanding boss. The photo is a fake, set up to look like something real but that factually, ‘is not.’ The photograph and its evocative heart-tugging caption become ultra-popular with the masses, and Ellis’ career is launched into the big-time news world.

Ellis achieves his dream but the featured photograph and caption also serve to set off a ‘domino effect’ with grave repercussions; all caused by his unethical ‘spur of the moment’ decision. The result is a family torn apart, with two children placed in great danger, leaving Ellis emotionally broken because of the heavy guilt he carries. His dilemma is an ethical one, faced with how to ‘right a wrong’ that’s remained secret for months.

When Lily, also an aspiring reporter with a hidden past, enters the picture, readers will delight in the twists and turns that follow, and how their paths will intertwine.

This novel will undoubtedly have readers on the edge of their seats. There’s action, family tension, unrequited love, passion, and characters who must deal with challenging societal pressures, including ‘seedy’ crime bosses out to eliminate anyone that gets in their way.

But the real impact of this read for me personally was the tug on my emotions which caused me to think about at least one snap decision I made in my life that, unfortunately, set a fireball rolling downhill; and my world, as I knew it, tilted.

Everyone reading this work likely has at least one on-the-spot decision that they deeply regret. And that is why the lead characters in this novel are compelling and relatable.

SOLD ON A MONDAY, by Kristina McMorris, is one helluva read! I highly recommend picking this one up.

Poetry from David Sapp

Lazy Cat

Lazy cat, you’re napping

In the sun again as if its June,

But in the center of the road,

Playfully flopped over the yellow line.

I can tell you’re a nice cat, black,

White paws and throat, pink nose.

I’m sure you rub legs, curl on laps,

Beg for a string, a fish, a saucer of cream.

You belong to the old woman in this house

Or the little girl in that house.

At first, I pass by: “That’s too bad.”

A neighbor’s car swerves;

A truck straddles your repose.

I pick you up and you’re not

Stiff yet. Blood on my gloves,

I set you on the curb, hoping

Loved ones will discover you,

Knowing someone will grieve

And surely give you a proper

Burial in their backyard.

The Granary

The granary stood

Leaning unassuming apart

From the barn and dairy

Painted the same red

As the machinery shed

Now fading more

Wood than pigment

Each a singular

Pungent redolence

Hay milk grease

The granary aroma

Was autumn and burlap

Plowing planting

Worry fruition

In its polished ribs

Boards slippery with chaff

The way the wheat

Sifted sliding over

Your palms was soothing

Familiar and primordial

An instinctual assurance

Synchronized Chaos’ Mid-May Issue: Staying Human

John P. Portelli's book cover of Unsilenced: Poems for Palestine. Book title is in red, black, and green with a white and black headscarf on top.

This anthology contains work from Synchronized Chaos’ contributor Graciela Noemi Villaverde and may be ordered here.

Curated by John P. Portelli, Unsilenced: Poems for Palestine brings together poets from Palestine, the diaspora, and globally—including renowned names like Fady Joudah, Leila Marshy and Marwan Makhoul alongside some 50 international poets.

This collection is not just a book—it’s a fundraiser. 100% of proceeds will go to support Gaza, providing support and solidarity.

Now for this issue! Staying Human.

Solitary figure with skinny legs and a backpack navigates an empty room towards a beam of light. Black and white image aerial view.
Image c/o Bob Price

Haroon Rachid contemplates his country’s potential turn towards war, vowing to hold onto his humanity through culture, thought, and study. Bahora Bakhtiyorova reminds us of the impending challenge and risk of climate change. Ahmed Miqdad despairs of life in war-torn Gaza as Maria Miraglia mourns and rages about the loss of children. Mykyta Ryzhykh speaks to the trauma of surviving wartime as a civilian as well as the grief of romantic rejection and heartbreak. Mesfakus Salahin portrays a person who has lost his humanity and become like an automaton in the face of trauma. Elisa Mascia speaks to the challenges of holding onto truth and authenticity in a harsh world.

Eva Petropoulou Lianou, in a piece translated into Albanian by Eli Llajo, shares a sensitive soul’s reflection on living in a harsh world. Brooks Lindberg addresses the limitations of being in space and time with a human body. David Sapp speaks in his poetry to some of the ever-present anguish of being human: mortality and grief, anxiety and trauma, as Steven Bruce poetically expresses lonesomeness and acknowledges the inevitability of death. J.J. Campbell vents about a variety of physical, emotional, and relational pain and loneliness as Liliana Mirta Ramirez writes evocatively of an impending storm.

Soumen Roy explores both the expansive sense of feeling at one with the universe and joining in its creative energy and the despair and emptiness we feel at other times. In a similar vein, Lidia Chiarelli speaks both to the fanciful whimsy of dreams coming to life and the urgency of preserving our environment before it becomes a wasteland. Mahbub Alam also references tragedy and restoration in the human and natural world as Lilian Dipasupil Kunimasa speaks to the joy of unity among people of different backgrounds and the futility of revenge.

We find solace in a variety of places.

Dr. Jernail S. Anand illuminates the healing and restorative power of poetry as Sayani Mukherjee takes joy in verse as a bee does landing on a juicy and fragrant flower. Elisa Mascia celebrates a fresh flowering of creativity.

Hawk flies overhead a field with a wooden fence, grass, and barren trees and a farmhouse in the distance. Sky is blue with scattered high clouds.
Image c/o Brian Barbeito

Brian Barbeito speculates on the beauty and mystery of wild nature as Stephen Jarrell Williams describes how intertwined even modern people are with the lives of natural creatures. Isabel Gomez de Diego photographs food and blossoms, sensual joys of life. Rizal Tanjung reviews Anna Keiko’s delicate poetry about everyday experiences and thoughts. Christina Chin and Uchechukwu Onyedikam celebrate the mystery and beauty of everyday life in their joint tan-renga poems. Qurbonboyeva Dilafruz Sherimmatovna and Andaqulova Mohinur Juraqulovna share recipes and serving suggestions and a history of the Central Asian dried dairy food qurut. Kylian Cubilla Gomez’ photographs celebrate children’s colorful toys and adult knickknacks.

Murrodullayeva Makharram offers her rapturous joy at a dream visit to Mecca and the Kaaba. Maria Miraglia’s poetry explores religious doubt and the staying power of cultural belief. Izmigul Nizomova’s short story illustrates how spiritual faith can help people process intense feelings of romantic passion or grief, as Maja Milojkovic speaks to her belief in an ever-present God.

Nilufar Tokhtaboyeva’s rhyming poem mirrors the energy of the sea. Dimitris Fileles also looks to the ocean, for peace and comfort.

Balachandran Nair comically mocks artists and writers whose ego isolate them from family and community. In contrast, poet Eva Lianou Petropoulou Lianou reflects on fellow poet Vo Thi Nhu Mai’s warmth and kindness as much as her craft.

Dr. Ahmad Al-Qaisi takes pleasure in the simple joy of coffee with a friend as Kareem Abdullah crafts tender love poetry and Christopher Bernard’s poetic speaker vows to love their honest-to-a-fault friend even if love is complete foolishness. Shoxista Haydarova pays tribute to her loyal and caring father, as Manik Chakraborty reflects on the nurture of his mother. Murodullayev Umidjon speculates on the nature of friendship. Umarova Nazokat celebrates a mother’s tender love as Nurullayeva Ra’no highlights mothers’ care, devotion, and concern for their children and Dr. Jernail Anand reflects on the vital role of mothering. Maftuna Rustamova reminds us to honor and respect our parents because of the love and care they have shown us, as Graciela Noemi Villaverde describes the unique personalities of each of her beloved grandsons. Chimezie Ihekuna turns to the loyalty of family as a balm for human vulnerability as Priyanka Neogi speaks to the love and responsibilities of marriage.

Bouquet of flowers with pink roses, blue and purple flowers
Image c/o Isabel Gomez de Diego

Duane Vorhees’ poetry explores physical and romantic intimacy while digging deep into the self. Michael Todd Steffen presents a memorial tribute that’s a character sketch of a strong and driven person with plenty of personal agency, for good or ill.

Taylor Dibbert asserts his newfound self-love after years of experience. Babajonova Charos draws inspiration from Pablo Coelho’s characters’ journeys to self-actualization and intimacy in The Alchemist. Alan Catlin crafts a literary and personal narrative through a list of memories.

Self-respect can encompass more than merely the self, and many writers take pride in their cultures. Marjona Mardonova reflects on the strength and dignity of Uzbek women and girls as several elementary school students in China contribute poetic thoughts on their hometowns, nature, heritage, and inspiration. Rizal Tanjung translates into Indonesian an essay by Konstantin Fahs on how ancient myths still speak to Greece’s contemporary struggles and questions of identity, highlighting the universal nature of these questions.

Z.I. Mahmud explores themes of racism, misogyny, and Black women’s reasserted dignity and healing in Alice Walker’s The Color Purple. Daniel De Culla presents a tale of vigilante justice served at an aquarium.

Woven doll figure on top of a globe, resting on the North Pole. Globe is on a desk with other writing and art implements.
Image c/o Kylian Cubilla Gomez

Bruce Roberts recollects the decorum and honor he saw in the days of American president Abraham Lincoln and laments how far the United States has fallen since then.

Uzbek writer Azizbek Shaymurzayev celebrates and honors the soldiers and leaders who founded Uzbekistan. Dilbek Ergashev offers up a poetic tribute to Uzbek writer Muhammad Yusuf, who captured the nation’s heritage and met an untimely death. Shamsiya Khudoynazarova Turumovna finds elegance in a portrait of a woman reading.

Yet, Yusuf certainly passed along the baton in the relay race of Central Asian literary and academic thought. Farangiz Xurramova outlines grammatical differences between Uzbek and French. Yunusova Khodisa contributes many scholarly essays in the humanities, including one on the form and structure of words, another on play as a technique for teaching foreign languages to young children, a piece on the need for clarity in a language teacher’s speech, another on methods of translation and strategies for developing competence in the discipline, and finally, an article on ways to teach different types of communication activities in a foreign language.

Moving to other fields of inquiry, Azganush Abdulmajalova’s poetry finds wonder in invention, physics, and mechanics. Shermatova Hilola Mirzayevna and Tolqinboyeva Odinaxon outline possibilities of modern information technology. Aytuvova Khurshida’s essay outlines modernizing reforms in education, particularly the use of technology. Muminova Farida highlights the importance of teaching primary school students critical thinking skills.

Fanciful statue of Edgar Allan Poe, billowing coat in the wind, walking with a strong stride, scary raven opening his briefcase. He's on a modern city scape, walking on brick with trees and a stoplight behind him and hair blowing in the wind. Copper is green with age.
Image c/o Jacques Fleury

Dr. Perwaiz Sharharyar, in poetry translated by Maria Miraglia, highlights the world-expanding power of travel. Vo Thi Nhu Mai’s gentle poetry celebrates animals, the world’s children, and the vibrant multicultural city of Perth.

Latofat Amirova craves a life of rebellion, curiosity, and adventure while Jacques Fleury probes the uncanny dark motifs of Edgar Allan Poe’s creative genius.

In a similar spirit of artistic exploration, Texas Fontanella contributes some exploratory beats and guitar chords. Vernon Frazer’s new book Nemo Under the League, reviewed by Cristina Deptula, splashes together text, line, and image. Terry Trowbridge grows a fanciful poem about a potato facing surveillance and arrest as Zeboxon Akmalova’s poem reflects the experience of overhearing fragments of conversation as J.K. Durick explores our reactions to words, sounds, and numbers in daily life. Mark Young’s “geographies” explore fanciful locations as works of art.

Finally, Bill Tope’s short story satirizes the world of small magazine publishing and reminds us all not to take rejections too seriously. Humor can prove one of the small, and larger, ways we hold onto our humanity as we navigate this world.

Short story from Murodullayeva Makharram

Young Uzbek woman in a pink headscarf standing under a cherry tree with pink blossoms on a sunny day.

A DREAM COME TRUE

On a winter’s day, Mubina gazed out the window, lost in thought. She dreamt beautiful dreams, pondering how to achieve her aspirations. A sudden creak broke her reverie. The door opened, and her mother entered. Her mother switched off the lights, preparing for rest, and settled into bed. In the darkness, Mubina still tried to visualize the Kaaba.

It was the night between Thursday and Friday. Listlessly, she went to her place, picked up a picture of the Kaaba, and wept as she gazed at it. She yearned with all her heart to visit Allah’s house on Earth. Careful not to let her mother hear her sobs, Mubina wiped away her tears and quietly slipped into bed, closing her eyes. Sleep evaded her at first. After a while, her eyelids began to droop.

Suddenly, a light fell upon Mubina’s face. She opened her eyes to find herself in a vast expanse. The surroundings were breathtakingly beautiful. The natural phenomena were captivating. Mubina’s wonder grew, for on one side, a radiant light dazzled the eye, while on the other, rain gently fell. Curious to know where she was, she noticed something in the distance.

Mubina slowly walked towards the object visible amidst the dark clouds. As she looked, she could hardly believe her eyes. There, before her, stood the Kaaba. The immense, jet-black Kaaba, adorned with gold embroidery, was the object of her deepest desires. She circumambulated the Kaaba, and as she prayed, she suddenly awoke.

She found herself in her own bed, in her own home. Mubina realized she had been dreaming. Overcome with joy, she wept. Even in a dream, her cherished wish had come true.

Rounded building full of windows, Uzbek high school.

Murodullayeva Makharram Rustam qizi was born on March 31,2003, in the Narpay district of the Samarkand region.