Essay from Abu Rayhan Beruni

The Interconnection of Family and Society in Uzbekistan

Abu Rayhan Beruni

Urgench State University Faculty of Socio-Economic Sciences

Field of Study: Jurisprudence

Abstract: This article analyzes the essence of the close interconnection between family and society in Uzbekistan, as well as its social, spiritual, and legal foundations. The family is the fundamental unit of society and a sacred institution. The Constitution of the Republic of Uzbekistan emphasizes that the family is under state protection. The stability of society, the upbringing of a morally mature generation, and the preservation of national values are directly linked to the strength of the family institution.

Conclusion: The role of the family in society is invaluable. Strong, harmonious, and value-based families ensure social stability and sustainable development.

Poetry from Alan Catlin

Bakeame: Rain in the sunshine

after the downpour

white blossoms

falling from damaged

tree limbs

softer than a dream

lover’s skin

…………………………………………………….

Fuchikunun: Rain that comes inside

A glimpse

of nothingness:

an empty

mirror reflects

interior rain

…………………………………………………..

Mifu San-U: Merciless rain and wind

Like Sinead

singing in the rain

the voice of

an angel

besieged by

demons

Pipipiri: A little light rain

Light Spring

rain:

recalling all

those who

passed before

us

………………………………………………………………

Wakabu Ame: Rain falling on new leaves

Early morning

Spring rain

on new leaves:

a festival of

white

………………………………………………………………….

Oniwaaarai: Rain after a religious festival

After the outdoor

wedding

rain consecrates

the union

Deiu: Rain mixed with ashes

So much

black rain

                                           !

How many

people have

died

      ?

………………………………………………………………….

Zanteki: Remaining raindrops after rain

Lingering drop

on bare

new budding

branch

about to

fall

………………………………………………….

After the funeral

incessant

rain on a tin

roof

Poetry from Nasser Alshaikh Ahmed-Arabia

Middle aged light skinned Arab man in a red and white checkered headdress and white shirt and reading glasses.

The Secret of Absence

A Midnight That Startles In Your Absence

Crucified on the Pole of Incense and Legends of the East

There is a narrative standing by, eager for your arrival, but darkness quiets the bells of patience. It is sinful when evening falls, the sunset disappears, and a dream remains leaning on the window, mournful, yearning for the allurement of Jasmine

That is desiring thirst, written by the skill of the angels on the patch of light and turns it into a bow to hunt the flocks of coveting. Pain throws me balcony breathes closeness and imaginations.


Nostalgia exists in the instant of a hug Since our last rendezvous, your presence continues to captivate me. Since we last spoke…. you’ve never stopped asking the violets about the enticement of the shirt and the secret of the absence.


Silent Reverie

To embrace my dream in solitude, to rise by oneself to wander solo, no red rose can guarantee hope. I gaze into the mirror, feeling tired My evening holds a buried sorrow, My aspiration is a piece of poetry, My life appears like a faded outfit, set down at the portal of a blind oracle.

No voice to diminish my loneliness, no poem to rise
from silence, no rendezvous to stir a wandering thought. While the bonds on your words create a cage, love constitutes a sin, And the letter rests on silent pages… Dismissed, as was my dream.


NASSER ALSHAIKH AHMED is a SAUDI ARABIAN bilingual poet and prose writer. He writes poetry and short stories in Arabic and English. He went to school at Sonoma State University in California, USA. Although his field of study is far from literature, his soul is immersed in poetry and writing.


He is a member of:
1-All Poetry.com
2-Soul Asylum Poetry Radio. New York-USA


Poetry Anthologies
1- Voracious Polyglots-USA
2- The Quilled ink SOUTH AFRICA
3- Wheel song Poetry- UK
Online Magazines
1-Polis Magazino- Greece
2-ILA Magazine- USA
3- Grupo de trabajo de escritores ARGENTINA
3- www.youtube.com/c/Uddan Television


He has translated the works of several American, Japanese, and Australian poets from English to Arabic and published his translation in local journals. He has published a poetry book in Arabic ( العرافةara’fa) in 2013 by (Arabian house for science).


He has published an English poetry book (Whispered Vows) August 2023 by (WORLDWIDE PUBLISHER, JEANNETTE TIBURCIO MARQUEZ). He has published an English poetry book as a co-author with an American poetess (KRISTY RAINES FROM CALIFORNIA, USA) on 28th September 2025.
He has won the second prize in the Zheng Nian Cup China Literally Award! 2023. He was awarded on 14-10-2023 by the L.A. Seneca International Academic Literary Award from the Italian Academy of Philosophical Arts and Sciences, Bari, Italy.
Participated in the International Children’s Literature Forum in Dhaka, Bangladesh in December 2023,
Participated in Oman’s International Cultural Festival, April 2024
Participated in the Indian International Literary Meeting Forum in November 2024 in Kolkata West.

Essay from Nilufar Mo’ydinova

Young Central Asian girl in a jean jacket, light colored blouse, and jeans and white tennis shoes. She's holding a black purse and has long dark hair. She's in front of an entrance to a stone building with trees in a courtyard.

METAPHYSICS AND PHILOSOPHICAL IDEAS IN FAUST

ANNOTATION

This article provides a systematic analysis of the metaphysical and philosophical ideas present in Johann Wolfgang von Goethe’s tragedy Faust. Within the philosophical layer of the work, the human quest for boundless knowledge, the dialectical relationship between spirit and matter, the metaphysical nature of good and evil, and the issues of fate and free will are extensively explored. The study reveals the connection between the metaphysical views in the play and the traditions of German Classicism and Enlightenment philosophy. Furthermore, the dialogues between God, Mephistopheles, and Faust elucidate cosmic harmony, the dual nature of humanity, and the concept of spiritual development. The article also uncovers the philosophical roots of Goethe’s principle of “creation through negation,” providing a theoretical basis for modern interpretations of the work.

KEYWORDS

Goethe, Faust, metaphysics, philosophy, free will, fate, good and evil, dialectics, spirit and matter, Romanticism, Classicism.

INTRODUCTION

Johann Wolfgang von Goethe’s Faust is not only one of the greatest masterpieces of German literature but also one of the most significant metaphysical sources in the history of European intellectual thought. The play addresses fundamental philosophical problems such as the limits of human knowledge, spiritual development, free will, destiny, and the nature of good and evil. Goethe worked on this tragedy for nearly 60 years, from his youth until the end of his life, embedding within it the scientific-philosophical ideas of his era, the spirit of Enlightenment, Romantic thought, and Classical aesthetics.

The profound philosophical content of Faust reveals that the work consists of several layers. On one hand, it is the story of an individual’s search, inner contradictions, and intellectual dissatisfaction. On the other, it is a poetic interpretation of cosmic order, divine principles, and the essence of creation. For this reason, the tragedy serves as an essential source for scholarly research in philosophical literature, psychology, theology, ontology, and ethics.

This article examines the metaphysical problems in Faust from three essential perspectives:

The human quest for knowledge and its metaphysical limits

The dialectics of good and evil and their ontological foundations

The issues of fate, free will, and cosmic order

MAIN PART

1. The Human Quest for Knowledge and Its Metaphysical Limits

Goethe’s Faust revisits the ancient philosophical idea widely spread in European culture — the human quest for infinite knowledge. Faust embodies the archetype of the classical “seeker of wisdom.” Although he has studied nearly all conventional fields — medicine, philosophy, law, theology, and even astronomy — he still does not feel truly fulfilled. This existential void drives him toward metaphysical pursuits.

Faust’s dissatisfaction with knowledge is not accidental. During Goethe’s era, the rapid progress of science did not necessarily satisfy humanity’s spiritual needs. Enlightenment rationalism elevated reason as the sole path to divine truth, yet many existential questions remained unanswered. Goethe artistically portrays this tension, demonstrating the limits of scientific inquiry.

In his early monologues, Faust appears as a man intellectually saturated but yearning for deeper meaning. His reflections — “What use is all the knowledge I have gained? I still do not know the essential secrets of existence!” — express one of the central questions of classical metaphysics: What is the essence of being?

For Goethe, the pursuit of knowledge is not merely scientific activity but a fundamental characteristic of human nature. Faust’s longing arises from the dialectical relationship between the human inner world and external reality. Metaphysics emerges precisely at this boundary: when a person seeks to understand not only the material world but also the hidden system of existence. Knowledge alone is insufficient; Faust desires to understand “the innermost essence of reality.” Thus begins his journey toward the infinite.

Faust’s pact with the devil symbolizes this metaphysical pursuit. Although it is often interpreted as a moral downfall, it actually reflects the dramatic philosophical tension born from the thirst for ultimate truth. The pact represents Faust’s radical step in his quest for meaning beyond scientific knowledge — through emotions, human experiences, power, mystical energies, and spiritual transformations.

Faust’s desire for knowledge is based on perpetual movement. He never stops; each new search demonstrates the creative power of the human mind. Goethe argues that although humans may never reach perfection, striving toward it is the driving force of human progress. Therefore, “active striving” becomes one of the central principles of Goethe’s metaphysics.

Faust’s journey reveals several paradoxes: the more he seeks truth, the more distant it becomes; the more he learns, the more he realizes his own limitations. This echoes the Romantic concept of the “paradox of infinity” — the human spirit is vast, yet impossible to fully express.

Thus, Faust’s tragedy lies not in his failures but in his endless striving.

In the end, the work raises one profound metaphysical question:

“To what extent can a human being truly understand themselves?”

Goethe offers no definitive answer, for metaphysics naturally resists final conclusions. Yet the play suggests that the pursuit itself is the highest expression of humanity.

2. The Metaphysical Nature of Good and Evil: The Phenomenon of Mephistopheles

One of the most significant philosophical symbols in Faust is Mephistopheles. He is not merely a devil but an ontological category — the “principle of negation” (das verneinende Prinzip). This concept is far more complex than the traditional dualism of good and evil.

Classical theology views evil as a destructive, absolute force. Goethe rejects this notion. For him, evil is a necessary element of creation. Mephistopheles’ famous line — “I am the spirit that negates… I strive for evil, yet unknowingly create good” — captures this idea.

Mephistopheles does not destroy good; he tests and therefore strengthens it. This aligns with dialectical philosophy: contradictions propel development. Good cannot exist without evil, because evil reveals its true value.

Mephistopheles embodies:

1. The principle of critical reason

He mocks, doubts, exaggerates — similar to Voltaire’s satire or Socratic questioning. His criticism does not destroy the world but forces consciousness to rise above itself.

2. A cosmic balancing force

In the “Prologue in Heaven,” God affirms Mephistopheles’ role in the divine order. This is a radical metaphysical claim: evil has a place within the divine plan.

3. The shadow of the human psyche

Mephistopheles personifies Faust’s own doubts, fears, and suppressed desires — resembling the Jungian “shadow archetype.”

Mephistopheles never fully triumphs. He strives for destruction, but the essence of existence is creation and growth. Evil is limited by the cosmic supremacy of good. This optimistic interpretation forms the backbone of Goethe’s metaphysics.

3. Fate, Free Will, and Cosmic Order

Among the metaphysical themes in Faust, fate and free will hold special significance. The play begins with the “Prologue in Heaven,” where God allows Mephistopheles to test Faust, yet expresses complete confidence in Faust’s eventual salvation.

Here Goethe presents a central idea of German Classicism: the universe is directed toward a positive purpose.

Faust is free, but responsible for his decisions. His involvement in Gretchen’s tragedy, his indulgence in worldly pleasures, and his moral failures all stem from his choices. Yet these experiences foster his spiritual growth.

In Faust, fate is not predestination but a realm of possibilities shaped by human desire and action. Goethe emphasizes: even Faust’s gravest mistakes do not doom him because he never stops striving. Hence the metaphysical conclusion:

“Only those who strive shall be saved.”

Movement is the highest principle of Goethean metaphysics.

Evil also plays a role in the cosmic order. Mephistopheles is not an enemy of creation but a force ensuring balance. All contradictions in the cosmos aim toward harmony.

Thus, Faust’s mistakes guide him to a higher spiritual state — a deeply optimistic metaphysical vision.

CONCLUSION

Goethe’s Faust is a literary phenomenon that embodies centuries of European intellectual and aesthetic development. At its core lie the human striving for infinity, the metaphysical foundations of existence, and the process of spiritual maturation. The tragedy is therefore not only a masterpiece of German literature but also a universal philosophical text.

The analysis shows that Goethe reinterprets the key categories of classical metaphysics — good and evil, spirit and matter, freedom and fate, knowledge and infinity, divine order and cosmic harmony. Faust’s unending search arises from humanity’s creative nature. His goal is to understand the world, to know himself, and to pursue the infinite. Thus, Faust becomes a metaphysical archetype — the artistic-symbolic image of the seeking mind.

Mephistopheles reveals the dialectical tensions within this search. He represents not absolute evil but the force of negation — the principle that questions, challenges, and ultimately strengthens creation. Thus, good and evil in Faust appear not as rigid opposites but as dynamic elements that drive human development.

Free will is central to the tragedy. Faust consciously makes his choices and bears their consequences. These choices illustrate that human freedom is inseparable from moral responsibility. Fate, therefore, is not fixed but shaped through creativity, striving, and spiritual growth.

The “Prologue in Heaven” expands the work to a cosmic scale, presenting the universe as a harmonious system guided by spiritual evolution. Faust’s salvation, despite his errors, reflects Goethe’s optimism about human nature. Humanity’s true worth lies in its striving, its ever-evolving consciousness, and its pursuit of the good.

In Faust, the dialectic of spirit and matter also plays a crucial role. Faust’s worldly desires clash with his higher aspirations, revealing the ontological tension inherent to human existence. Goethe shows that spiritual ascent is possible only when these opposing forces find harmony.

In conclusion, the metaphysical layers of Faust explore humanity’s place in existence, the limits of knowledge, creative thinking, moral responsibility, and divine order. The play portrays humans not as passive beings but as creators capable of understanding, shaping, and transcending their lives. Goethe celebrates humanity’s spiritual ascent and eternal striving toward the infinite — the perpetual mission of humankind.

USED LITERATURE

Goethe, J. W. von. Faust I & II. Translated by Walter Kaufmann, Anchor Books, 1961.

Boyle, Nicholas. Goethe: The Poet and the Age. Oxford University Press, 1991.

Atkins, Stuart. Goethe’s Faust: A Literary Analysis. Harvard University Press, 1958.

Gray, Ronald. Goethe the Alchemist: A Study of Alchemical Symbolism in Goethe’s Literary and Scientific Works. Cambridge University Press, 1952.

Safranski, Rüdiger. Goethe: Life as a Work of Art. Liveright Publishing, 2017.

Kittler, Friedrich. Discourse Networks 1800/1900. Stanford University Press, 1990.

Pinkard, Terry. German Philosophy 1760–1860: The Legacy of Idealism. Cambridge University Press, 2002.

Beiser, Frederick. The Romantic Imperative: The Concept of Early German Romanticism. Harvard University Press, 2003.

Hegel, G. W. F. Phenomenology of Spirit. Oxford University Press, 1977.

Magee, Glenn. Hegel and the Hermetic Tradition. Cornell University Press, 2001.

Nilufar Mo‘ydinova was born in Qo‘shtepa district, Fergana region, Republic of Uzbekistan. She is a graduate of the Uzbekistan State University of World Languages. She works as a manager at the “Fair Print” printing service. Her articles have been published in Bekajon, Kenya Times, The Diaspora Times Global, and Synchaos. She is a member of the International Writers’ Association of Argentina (Grupo de Trabajo de Escritores Internacionales – Argentina), a holder of international certificates, a Global Ambassador for Peace, and a participant in international anthologies and conferences. She is also a recipient of the “Ambassador of Friendship” honorary badge.

Essay from Ahmedova Dilorom Mahmudovna

Graphic illustrating the methods of medical science for treating various cancers caused by the human papillomavirus.

Cervical Cancer in Adolescent Girls (HPV — Human Papillomavirus)

Cervical cancer is one of the most serious and widespread oncological diseases affecting women worldwide. The primary cause of this disease is the human papillomavirus (HPV), a common virus that is mainly transmitted through sexual contact. While most HPV infections resolve spontaneously, certain high-risk types of the virus can cause abnormal changes in cervical cells, which may eventually develop into cancer if left untreated.

In adolescent girls, HPV infection is often asymptomatic, making early detection difficult. Due to the immaturity of the immune system and lack of awareness, the virus may persist in the body for a long period. Factors such as early initiation of sexual activity, multiple sexual partners, weakened immunity, and insufficient access to preventive healthcare increase the risk of cervical cancer development.

Effective prevention strategies play a crucial role in reducing the incidence of cervical cancer. Vaccination against HPV at an early age is considered the most reliable method of prevention. In addition, promoting a healthy lifestyle, providing sexual health education, and encouraging regular gynecological examinations are essential measures for early diagnosis. Timely detection of precancerous changes significantly improves treatment outcomes and reduces mortality rates.

Ahmedova Dilorom Mahmudovna is a leading lecturer in Pediatrics at the Abu Ali ibn Sina Public Health Technical School in Yangiyer.

Essay from Nasulloyeva Feruzabonu

Young Central Asian woman with brown eyes, long dark hair in a ponytail, small earrings, and a black and white patterned sweater.

Nasulloyeva Feruzabonu 

Bukhara State Pedagogical institute 

Faculty of Foreign language and Literature 

Science and Innovation: The Impact on Education and Society

Annotation

This paper explores how science and innovation have transformed education and society in the modern world. It discusses the role of technology in enhancing learning, improving access to information, and shaping global communication. The study also highlights how scientific progress influences social development, human values, and the economy. The article concludes that science and innovation not only drive technological advancement but also play a key role in building knowledge-based societies and promoting sustainable growth.

Keywords: science, innovation, education, technology, society, progress, sustainability

Introduction

Science and innovation have always been the foundation of human progress. From the invention of the wheel to the creation of artificial intelligence, every great leap in human history has been fueled by curiosity, creativity, and the desire to solve problems. In the 21st century, the relationship between science and education has become more intertwined than ever before. The modern education system depends on scientific discoveries and technological innovations to prepare students for a fast-changing world. This paper discusses the influence of science and innovation on education and society, focusing on how they shape the way people learn, communicate, and live.

Science and the Transformation of Education

Science has revolutionized the way education is delivered, experienced, and understood. Modern teaching methods are no longer limited to classrooms or textbooks. Instead, they are supported by digital technologies, interactive learning platforms, and online resources that make education more flexible and accessible. For instance, online education tools such as Coursera, Khan Academy, and Google Classroom have made it possible for students to learn from anywhere in the world. Scientific research in psychology and pedagogy has also improved our understanding of how people learn, leading to more effective teaching methods that support critical thinking, creativity, and collaboration.

Another major impact of science on education is the development of STEM (Science, Technology, Engineering, and Mathematics) programs. These disciplines encourage students to apply scientific thinking to real-world problems, promoting innovation and problem-solving skills. In many countries, governments and institutions now emphasize STEM education as a foundation for future economic growth and technological leadership. Science also encourages evidence-based learning, where students are trained to question, experiment, and draw conclusions from data rather than rely on assumptions.

Innovation and Educational Technology

Innovation is the practical expression of scientific discovery. In education, innovation has led to the creation of digital tools that make learning more engaging and efficient. Artificial intelligence (AI), virtual reality (VR), and machine learning are now being integrated into classrooms to personalize education and support students with different learning styles. For example, AI-powered systems can analyze a student’s performance and adapt lessons to match their pace and abilities. Similarly, virtual reality allows students to explore complex scientific concepts or historical events through immersive simulations, making abstract knowledge tangible and exciting.

The COVID-19 pandemic further demonstrated the power of innovation in education. When schools closed, digital platforms became the primary medium of learning. Although this transition was challenging, it also showed how resilient and adaptable the education system can be when supported by technology. In the long term, these innovations will continue to shape hybrid learning models that combine traditional teaching with online flexibility, ensuring that education remains accessible in any situation.

Science, Innovation, and Society

Science and innovation do not only transform education—they reshape society as a whole. Scientific progress has improved healthcare, transportation, communication, and quality of life. Today’s society is driven by knowledge and information, and innovation serves as its main engine. The internet, smartphones, and renewable energy technologies have changed the way people work, interact, and think. As a result, societies have become more interconnected and globally aware.

However, scientific and technological progress also brings ethical and social challenges. Issues such as data privacy, automation, and environmental degradation have raised new questions about how innovation should be used responsibly. Education plays a key role in addressing these challenges by teaching people to think critically about the social impact of technology and to use science ethically. A well-educated society is better prepared to balance progress with morality, ensuring that innovation serves humanity rather than harms it.

The Role of Science and Innovation in Economic Development

Education, science, and innovation are the cornerstones of economic growth. Countries that invest in scientific research and technology tend to have stronger economies and higher living standards. For example, nations such as Japan, South Korea, and Germany have built their success on innovation-driven education systems. By supporting research institutions and encouraging creativity, they have turned knowledge into practical solutions and global competitiveness. In developing countries, promoting innovation in education can help reduce inequality and open new opportunities for youth.

Scientific innovation also creates new industries and jobs. Fields such as biotechnology, renewable energy, and information technology are expanding rapidly, demanding a workforce that is educated, adaptable, and innovative. Therefore, investing in science-based education is not only about knowledge—it is about securing a sustainable economic future.

The Social and Cultural Influence of Scientific Innovation

Beyond economics, science and innovation shape human values and social behavior. The spread of information through digital media has created a global culture of learning and collaboration. People from different backgrounds can now share knowledge instantly, promoting cultural exchange and mutual understanding. At the same time, this digital era has introduced challenges such as misinformation and overreliance on technology. To overcome these, education must focus on developing digital literacy and ethical awareness.

Innovation also supports social inclusion. Assistive technologies help people with disabilities access education and participate fully in society. Scientific innovations in medicine and engineering improve quality of life and extend human potential. Thus, the social impact of science and innovation goes far beyond laboratories—it reaches every aspect of human existence.

Conclusion

In conclusion, science and innovation have become inseparable elements of education and society. They drive progress, expand knowledge, and connect people across the globe. While they offer tremendous benefits, they also require responsibility, ethical awareness, and continued investment in education. The future depends on how wisely humanity uses science and innovation—not only to advance technology but also to promote equality, sustainability, and human well-being. Education is the key to ensuring that innovation serves society positively, guiding the next generation of thinkers, inventors, and leaders toward a brighter, more intelligent world.

References

UNESCO (2023). Science, Technology and Innovation in Education. Paris: UNESCO Publishing.

OECD (2022). The Future of Education and Skills 2030. Organisation for Economic Co-operation and Development.

World Bank (2021). Innovation and Economic Development: The Role of Education. Washington, DC: World Bank Group.

Schwab, K. (2017). The Fourth Industrial Revolution. New York: Crown Business.

National Science Foundation (2020). Science and Engineering Indicators. Washington, DC: NSF.

Poetry from Nicholas Gunther

Peace

I step in a field full of little lives

Grassy stains on my fingers, green and oily

There is blood is on my hands but I can only see peace.

SNAP

I stop and sit in the green

I want the blood off my hands.

I want it off I want to cut it off

What would happen if you did,

If you cut them off?

What kind of person would you be?

If you cut your fingers off, the blood drains from the wound, 

down your hand, dripping to the ground

Are you still there? 

Are you still you?

Iron,

That’s what it would smell like,

The blood

Are those fingers you? 

Have you lost a part of who you are?

Have those fingers lost their humanity because they lost you?

If you cut off your hand; leave it with your fingers, 

the blood draining from your arm, falling on your severed hand, dripping to the ground,

Are you still there?

Are you still you?

Fire,

A burning sensation crawling down the limbs, That’s what it feels like?

That metallic liquid.

If you cut off your arm; leave it with its fallen parts, 

the blood draining down your body, through the arm, past the hand, dripping to the ground

Is the arm still you? 

Is the flesh still yours?

Rivers,

The blood carves rivulets of red down the arm,

That burning metallic liquid

How many of the parts have to be there for you to be you?

Is it your whole body,

Just your head?

If you cut off your head and it falls to the floor,

The blood draining down from your neck, down your chest and past your legs,

Is the head you?

Is the body you?

If you get spread so far that you are atoms, spread across lightyears.

Each atom helping form a blanket of particles covering parsecs

Are each of those atoms you?

Have you been spread too thin?

If you get squished back together, 

Your atoms re-congealing into a person again,

Is that person you? 

Are those atoms no longer yours?

If you die; let your body rot away to bones,

Your flesh becoming one with the earth, unable to bleed any longer

Are the bones still you? 

Or did “you” leave with your flesh?

Are you your parts?

Are you all of you?

Are you just a concept, just the sum of your thoughts and emotions? 

Is pain an ugly thing?

Is pain wrong?

Is pain bad?

I lie in a luscious field full of lives.

Each life cultivated through pain,

And it’s beautiful.