Poetry from J.J. Campbell

just the right amount of alcohol

sometimes when i
have had just the
right amount of
alcohol

i can picture myself
on my grandmother’s
bathroom floor

my cousin putting
her nipple in my
mouth and telling
me to suck on it

fast forward a quarter
century plus a few
years and there’s a
knock on the door

there’s the same
cousin with two
magazines sent to
the wrong house

the same smile that
makes my skin crawl

as i lock the door back

i realize i was never
meant to be anything
more than a broken
soul

i trusted that the years
would change all this

time is the knife firmly
planted in my back

one of these days i’ll
stop enjoying the pain

cremated and flushed

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Poetry from Vijay Nair

Whore Poets

 

Poets we had against war

Poised in voice a roared lion

Polecats they fumigated rulers

Poker- faced all in funeral parlour

Poets that genre left a vacuum

Whore poets a new genre,

her Vagina a maze into womb

in Rotten eggs of her publisher

His heavy stroke vying into

Her soft surface of vulva

Fame of odium wafting

the Heavy unpleasant odour

An emetic; a cause of vomiting

From printer her copies

all Waffles her vacuous !!!!

 

©-Vijay P Nair -2017

Short story by Sheryl Bize-Boutte

MADELINE AND ME

“Stop it! Stop it!” Madeline screamed as the kids on the Whittier Elementary school playground hurled whatever they could find on the ground at her.  Sticks, rocks, dirt, even discarded remnants of lunches were launched toward Madeline as the evil chorus shouted, “Fat Mad!’ Mad, Fat!”  “Mad” was short for Madeline and “fat “was because, well, she was bigger than the rest of us and those kids were mean.

Madeline ducked and dodged as best she could, screaming all the while. “My hair is clean!” she cried, as she covered her head with her hands in an attempt to protect her gleaming blond hair from the onslaught of garbage landing on her from head to shoes. That blond hair of hers was her crowning glory. For her, it neutralized her large body type and gave her a modicum of self-esteem.  And for Madeline, the big white girl, and me, the skinny high yellow bookworm, self-esteem was often hard to find.

Madeline was not just a white girl standing in the middle of the 1960’s white flight, she was the only white girl left at my school.  All of the other white kids and their families who were in the neighborhood when my family and I arrived in 1960 had moved away. On the schoolyard, as in the world, we had become acutely aware of our differences, and the torture that could sometimes result. We had also arrived at an age where how we chose to handle differences would be revealed. As fifth graders we did not process much beyond influences from parents, teachers, friends and television. When those influences combined with where we were at the time, we often just fell into the actions that made us fit in with the others.  It felt so good to fit in and so lonely to be an outlier, we were all vulnerable to meanness at one point or another. And those of us who were different, in varying ways, tended to cling to each other, just to get through the times we were forced to leave our sometimes viewed as odd comfort zones and step foot on the scary asphalt yard with the others.

United in the third grade by our differences to the accepted norms, Madeline and I were solid best friends. We were the only friends we had, and on that day, on that schoolyard, it was my duty to come to her defense. Even though I was thinking this, I still waited a tick for the adult yard monitors to intervene, but when I looked over at them, they were pointing and laughing at the attack along with the others. As I scanned the crowd it became clear that the adults who were supposed to protect us were having a good time watching Madeline’s anguish. As more joined the sideshow, those who had already used their physical weapons, added their voices to the verbal insults, while others began to gather just to join in the “fun.” After all, nothing bad could be happening since the adults were participating.  No nothing bad.  Just the torturing of Madeline.

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Travelogues from Sanjay Bheenuck

My host slammed his bottle of Guinness export down on the table. Its viscous body swayed. He took a long drag from a cigarette and directed the exhale at a ceiling fan. The opium damaged Indian tapped his fingers on the table thinking. His eyes shot upward, observing the smoke being churned by the fan. I looked at him as if expecting a response, but he continued to gaze at the fan and none came.  I peered through the thin layer of smoke and made my move on the chessboard in front of me. A broad yet friendly looking American took in my move, resting his hands on the table to consider its consequences. Our host spoke.

‘I can’t get weed, but maybe Opium?’ I shook my head. The American made his move on the chessboard. I considered my options. The host responded to a hum on his phone, then a buzz from the front door. The door creaked and opened, a broad, tattooed, Chinese man entered the room, and casually began counting out large wads of money on the table I was seated at. He discussed recovering gambling winnings in English to our Indian host, who then made a hand gesture, the two of them promptly switched to a quiet conversation in Chinese.

I got up, walked to the fridge, and took out a beer. I gestured to the American who nodded, I took out a second for him. I sat back down at the table and opened the two beers. I took a sip, the beer was cool and satisfying in the pulsing midday heat.

The daytime activity of Melaka could be heard washing in through the glassless windows. A complex mix of languages engaging in a variety of trade and business.  A cacophony of vehicles, new, old and very old, and of course the occasional tourist.

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Short story from Vandini Sharma

Him and Her

With the sunrise and call for azan each morning, Alia set out with her milk pail. She didn’t walk four miles to the shepherd anymore.

Nobody knew her secret.

Maybe Iqbal did. He squabbled that she didn’t do his Maths homework anymore.

She went townwards, where a crystal river threaded beside her path, down the darkened mountainside. Orbs of faint light would begin to tear patches and glow through the dark of her hometown’s heavens.

She came on his street.

A knock on her teacher’s shuttered door let her slip inside, and her pail was poured to brink with the milk can kept inside.

Thus, she was free of her whereabouts for another hour.

Then he smiled or made a pun, if she looked too frightened.

As Alia hurtled from home, each morning, she felt like her pulse was threatening to burst through her chest. Her relief thawed the icy fear, only once she was inside. Once Alia saw his good humoured face, she could do it. Breathe out the danger.

Nobody knew about the studying either.

The books.

In this valley, it wouldn’t be allowed.

There was an outhouse in his backyard. A closet sized room, that smelled of books. One kerosene lamp hung down a wire. He would reach into his closet, fingers grasping through the stacks of books, and pull out her copy.

 

There was a rug too.

A rectangular table with peeling paint and an underside with scrawled curse words and symbols, from the boys he taught in evening. But for Alia, it was the closet that held the magic.

You see, it made candied almonds and nuts appear, whenever she was particularly good.

So they’d sit down and begin. When the sums got too hard, the laughter and jokes at each other’s expense helped.

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Poetry from Mahbub

Mahbub, writer and English teacher in Bangladesh

Mahbub, writer and English teacher in Bangladesh

 

Our Present Children

 

Nowadays the parents of our children

Are very careful to their children

Involve the children always busy with study

The world is too much competitive

Parents want them to read till evening

When we, not very far away from this

Likely to play on the ground

Before sunrise they start for Kindergarten

When they should fly like birds on the floor garden

They need more education from very early of age

How it be possible hits always to the parents

At this what it happens

Children grow weak and not innovative brain

Parents are very careful to their children nowadays.

 

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Poetry from Allison Grayhurst

Ground Bird Flown
 
Layers of clear
rainbow shine guide
you through the pyramid portal into
open air revelation.
Joy on a stick, in your soft eyes,
closed in death, with permanent grace.
 
For all the gifts your gave,
daily miracles, flutterings,
vocalizations, accumulating in song.
For your fragile vessel, energy octave
higher than us wingless dwellers.
 
Your fearless power streaked
into the lining of your feathered coat,
patterned gold thick veins
washed in sparkling sand.
 
Beautiful Sage of the flowerbed gardens,
the blueberry, the hempseed swallow,
fearless messenger, angelic power
bound in a small body, you were 
loved completely for everything
that you were, gave,
held lifeforce for. You were
soft, demanding and rich
with good humour
 
stretching, expanding
higher, wider, wings aflare, lifting
in pure vibrant dance, puffed and proud,
your freedom actualized, raised
only inches off the ground.
 
 
The Closing
 
Part 1
 
Eight years ago 
it entered, building force
gradually, started
embryonic, developed
organs, blood vessels, a brain,
then talons like tentacles
gripped from the inside
strangling the light, passing
its poison into the bloodstream, feeding off
of adolescence fears and anxiety.
 
It started small, moments of rebellion,
grew irrational, unkind,
ended in violence – a smashed glass extending
its tear into every room, crevices, vents.
Sacred hope sacrificed to indulge
in dark extremes. Love denied, turned
on its side unable to struggle enough
to set itself upright.
Now it is here, overtaken,
apparent in heavy footsteps,
sleep deprived eyes, unshowered
hair, a room as breeding ground
for clutter and chaos.
 
I take you with two hands, grip your sloughing shoulders,
your tarry taste and destructive tongue.
I take out what has entered, send it back to the void
and that line of heritage it travelled upon.
 
I fill the empty pocket with light, first mending it with
the tender-thread of God and the sharp-point of truth.
I iron-gate the place where it left and pour a concrete wall.
 
I bless this house. I clear the corners, the ceiling, floorboards.
I call the Buddha that was born with you to reawaken,
for my army of angels to lift up their swords. We are
still here. We are love, and love
is the centre, the carriage and the tide,
never defeated, stronger than the frantic pulse,
stronger than the wielding axe and the ash of its remains,
stronger than this cursed person you wear and claim,
strongest now in this hopeless hardened place,
in this choice, beginning.
 
 
 
Part 2
 
Step, bless your
new shoes, step and
hold the sun on your tongue like a berry,
leaving an indelible juicy mark,
be guided by other people’s wisdom
as long as it doesn’t undermine your own
and watch yourself enter Eden-Earth in its many glorious
forms – dive into small mounds of sand, pieces of glass,
spiraling trees, trunks, bulging and retracting in individual rhythm,
a solid movement, stunning as music.
Take this choice from disaster,
offer it the path of the impossible, a pathway into
a miracle because God counts for everything,
counts on flat and hot surfaces,
counts on the deathbed and
in the red coat
beautiful gleam
 
 
 
Part 3
 
The way forward is
the way back, clearing
stumbling blocks that promise
to repeat ahead if not killed
at their source.
To hold the truth even if it tells you
that love is limited in people, certain people
who play both sides – one foot in the basin of heaven
and the other glorifying the haphazard world.
 
Even if it tells you you cannot save
or be saved by a half-hearted account of kindness,
tells you, it is nothing
to be bitter over, nothing personal and also
not yours to bear the repercussions,
tells you to continue all the way, hold firm
to the thin road and the willingness to lose everything –
home, sacred room, the safety of your own –
for the divine request to follow. Follow then
the tulips
still managing to bud in backyards untended,
follow then with God at the helm.
You are not abandoned, not like the tin-foil wrapper,
 
or the chewing gum chewed,
or worn-through undergarments. You are protected
and that protection is warm and powerful and golden
as an owl’s steady eyes. You are afraid I know.
The doors you used to knock on are
boarded up. Steel eyes lock on you, mock you in your anguish.
It feels ruthless, brutally barren,
feels that way only until you fully let go.
I let go. I drop my past, my precious cargo, drop you
and follow, hearing faint the voice that tells me –
The only thing I have to do to receive God’s love
is to believe in God’s love.
Allison Grayhurst picture 2017
Allison Grayhurst is a member of the League of Canadian Poets. Four times nominated for Sundress Publications “Best of the Net”, 2015/2017, she has over 1125 poems published in over 450 international journals. She has fifteen published books of poetry, six collections and nine chapbooks. She lives in Toronto with her family. She is a vegan. She also sculpts, working with clay; www.allisongrayhurst.com