The Family: Dementia Review
A Valencian Family Drama that Defies Storytelling in Color
It was a pleasure during the 38th edition of Cairo International Film Festival to get a chance to sit down with Valencian director Giovanna Ribes to talk about her film The Family: Dementia. This powerful drama paints the deterioration of a man’s memory and behavior against the backdrop of familial tension. One of the greater aspects of the film is how Ribes allowed her male characters to show vulnerability as opposed to their female counterparts, who have more composed actions. Three generations of men come to interact in a well-planned narrative with a scratchy, rough style influenced by neo-realism that contains artistic, magical realist interjections.
The grandfather Roger –played brilliantly by Pep Cortés- suffers from dementia. He ages amongst family members who struggle to accept him as he is while his memory slips away. The most sympathetic –and adorably clueless- is the grandson Roger and he is the only one who succeeds in taking the old man for who he is. Ribes takes us into the heart of a real family. Her narrative is inspired by reality. To her, art has no impact if it is not personal. Ribes’ drive to become a director didn’t turn out to be as easy as I thought. In my eyes, it would be really easy for her to become an artist. Her sensitivity shone through her clever eyes and her compassionate gestures. Through her words, the process was gradual:
“I belonged to a family of circus performers and bullfighters. They were artists in that sense. Growing up, I was tired of the discussions and the arguments which their lifestyle generated. I just wanted to be normal.”








