Poetry from John Grochalski

marin says

 

marin says,

like what am i supposed to do?

like i’m just

supposed to take it

and they know that

i mean

i’m their waitress

 

marin says,

they knows this

but they still try to bait me

like they ask me

if i voted for trump

because i’m latina

one of them keeps asking me

what i think about his policies

 

what am i going to say?

 

like

i think trump is a sexist, racist ass

but i need your tip money

even though i know the whole group

gives rachel more money

when she waits on them

 

marin says,

the one in the make america great again hat

he’s always talking about

all the great things trump

has done already for america

like they say to me

even though i’m mexican

i was born here

so i should be cool with the government

kicking the illegals out

 

i’m not even mexican

i’ve never even been to mexico

 

marin says,

i want to like tell them all off

show them a map of south america or something

show them what chile looks like

but the little bit of money

that they do give me

i actually use

for like college

for like my rent

 

it’s just frustrating sometimes

 

marin says,

the job is all right otherwise

families with loud, messy kids tip well

you get college kids in

people my age

but they just sit around drinking coffee

and playing on their phones

sometimes they forget to leave anything

 

but i like them

better than the people who come in

on my morning shift

 

at least we don’t always have to talk politics

 

marin says

on the days those people don’t come in

it’s pretty okay working

at donnie’s

like i can almost forget that trump

is the president

or like my feet are sore

or that i’ll be smelling like bacon all afternoon

 

and how when the shift ends

i only have an hour to race over to manhattan

 

or i’ll be late

for my calculus class

or sometimes my biology 101

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Essay from Donal Mahoney

Strangers in Peoria

I met a proper woman in a proper pub on a Monday in Peoria. It was time for lunch, and we were sitting stool to stool over very large burgers at a long mahogany bar. It curved in and out as if wind-swept and featured high stools with padded seats and backrests, all in a rich faux maroon that complemented the authentic mahogany. The waiter had put us at the bar together, on the last two empty stools, thinking we had arrived there as a couple. Apologizing with his head bowed, he said no tables were available.

The place was awash in men who had obviously spent a lot of time in the sun. They were talking agri-business very loud. Plaid shirts and John Deere caps were everywhere. Apparently, the price of pork that day had hit new highs and that event seemed to delight the majority of diners. It was obvious these men knew their pork and probably their corn as well. The odd thing was, not one of them seemed to notice the lady sitting next to me. The price of pork notwithstanding, she deserved a second glance if not a whole lot more. She was certainly no farmer’s daughter. Probably never baked an apple pie.

It was easy to see why the waiter thought we were a couple. I was in a Brooks Brothers suit, button-down shirt and a serious rep tie, and the lady was attired in the feminine business equivalent, a conservative suit, albeit in tasteful lavender, and a string of pearls. An hour earlier, we had both landed in Peoria on different planes and found our separate ways to the same restaurant. I was taken by how much she looked like Jackie Kennedy after Dallas but without the pillbox hat.

Eventually she spoke. It turned out she was from New York and I was from Chicago and that we were in Peoria for final interviews for jobs we thought we’d get. But living in Peoria, we thought, might not be a fit. We didn’t doubt that Peoria was a nice city, a good place to raise a family even though neither of us was married. But we agreed that adjusting to Peoria might be difficult for urbanites like us, especially at the start, since we wouldn’t be taken with the price of pork, whether it went up or down.

The lady was a surgeon recruited by a hospital. It took a little prompting but finally she said: “I repair pelvic floors in women.”

>Not too worry, I thought. She is still a very nice looking woman.

She paused to see if I’d react to her announcement of her vocation and when I didn’t, she continued.

“If a bladder drops, or a rectum tumbles or if a womb is full of fibroids, I’m the surgeon that lady needs to see. These are ailments most men wouldn’t understand unless they’ve had a wife who’s had them.”

I told her I did not have a wife, nor any candidates lined up in Chicago waiting for my hand.

She took a dainty bite of her burger that was still too big, despite being cut in quarters. She sipped her Coke and then informed me, “When I get done, the lady’s free of all protrusions. She can urinate, defecate and have sex again, all without discomfort.”

I had met my share of women but I had never met a woman, drunk or sober, who had ever said anything as startling as that even when in the throes of breaking up. I had no idea what to say and so I sat and listened as she continued with my education.

“Actually, my patients have a choice,” she said. “They can let me do the surgery or they can buy a pessary, a device few women know anything about until I pull a sample from the cabinet and explain its ins and outs. The pessary makes surgery seem simple. All we have to do then is pick a day for me to tuck the lady’s organs back where they belong.”

I said a procedure like that sounded painful, even allowing for an anesthetic. It sounded much worse, I said, than a colonoscopy, a procedure I’d become acquainted with early in life due to family history.

She nodded slightly and continued, “Now, if the lady’s womb is full of fibroids, I’ll suggest we take the uterus out as well. I’ll tell her we’ll remove the crib and leave her playpen intact. Often that’s the best solution.”

She sipped her Coke again and said, “Somewhere in Peoria, as we speak, a bladder’s dropping, a rectum’s quivering and a fibroid’s growing. Believe me, if the salary is right, I’ll take this job because a fibroid in Peoria is no different than a fibroid in New York.”

Then she looked me in the eye and said, “Well, that’s my story. Now tell me, what do you do for a living?”

I finally had the floor and so I took a breath and said: “I repair sentences in documents written by intelligent people expert in arcane fields. Some of them can’t spell or punctuate. Or if they can, they dangle participles, split infinitives or run their sentences together like mountain rams in rutting season.”

I knew I could not trump her pessary, but I added, “I put muscle in their verbs, amputate their adjectives, assassinate their adverbs. I give my clients final copy they can claim is theirs. The reader never knows that a ferret like me has crept between their lines, nibbling at this and chomping on that.”

At the end, I added a remark I hoped might prompt a get-together later, perhaps for dinner and drinks, another chat, a little laughter, and who knows what else. If our spirits meshed, a coupling was something we could accomplish before we’d have to take different planes back home.

“I believe our professions are similar,” I told her, sipping the last of my Coke. “I too put things back where they belong and I cut away anything protruding.”

About an hour later, we had paid our tabs, said long good-byes, shaken hands with considerable warmth and headed off in different directions for our interviews.

By day’s end, we’d both be flying home to different cities. And although we’d still be strangers, we’d be strangers who had had an interesting conversation.

Not interesting enough, however, for either of us to ask the other for a name or number.

———————————————————
Donal Mahoney lives in St, Louis, Missouri. He has had work published in various publications in North America, Europe, Asia and Africa.

Synchronized Chaos March 2017: We’re Going on An Odyssey!

 

'Odysseus and the Sirens' by Waterhouse

‘Odysseus and the Sirens’ by Waterhouse, 1891

Welcome, readers, to Synchronized Chaos Magazine’s March issue. Bon voyage and grab your hats, this month we’re setting sail and heading off on a journey!

Two of our submissions mention Greek mythology and drama directly (Vijay Nair’s poetry, which celebrates the beauty of love through a comparison to the story of Leda the swan, and Christopher Bernard’s review of the performance of Antigona at San Francisco’s Z Space, retelling the classical tragedy through flamenco dance).

So, in the spirit of the Odyssey, we’re wandering through different ‘islands’ of themes and topics, keeping in mind our loyal and brave Penelopes and Telemachuses who are keeping the candles burning for us at home.

Some places we stop are quite enjoyable, and we can spend a good deal of time on these idylls, as Odysseus spends seven years under the spell of the nymph Calypso.

Carol Smallwood describes the renewal of the world that comes with the American Midwest in an excerpt from her novel In Hubble’s Shadow. 

Stella Pfahler contributes poetry of love and country roads, but a current of danger underlies her thoughtful and precise words. Her speaker envisions her travel companion paralyzed, rendered immortal and forever hers by a lightning strike.  Similarly, Calypso employed magic to trap Odysseus, keeping her lover at her side until he finally awakened and remembered his home and family. Sometimes a place can be wonderful, but not quite home.

Other idylls can simply be draining and unimaginative, such as Doug Hawley’s teaching position in the ironically named small town of Manhattan, Kansas.

Like the coral reef with the enticing Sirens, some places we visit sound lovely at first, but are nothing but dangerous temptations, destructive when fully considered.

J.D. DeHart offers us poetry of disillusionment, where people and situations, including his speakers themselves, aren’t all that he expected of them.

Tony Nightwalker LeTigre’s poetry warns against assuming that our societies have done enough to care for the poor just because we have created some organizations with noble mission statements. Also, he looks at, but ultimately rejects, the allure of a life spent in addiction, which would allow him to temporarily escape harsh realities but leave him less able to create change.

And J.J. Campbell’s pieces reflect loss and longing, disillusionment and rejection – normal feelings after an encounter crashing your flimsy boat against the rough rocks of the island of the Sirens.

Great dangers can threaten us, as the giant Cyclops menaced Odysseus and his men. But, as he did, we can sometimes escape through our cunning, resilience and wit.

In the review of the American Conservatory Theater’s production of Ursula Raini Sarma’s dramatic adaptation of Khaled Hosseini’s novel A Thousand Splendid Suns by yours truly, we see two women trapped in a violent, restrictive situation who ultimately overcome through courage, endurance and family love.

Returning poet Michael Robinson evokes the images of family and sensual love that allow him to navigate and survive youth under the constant threat of random, senseless violence.

Other times, the dangers prove too powerful for us, especially when they arise out of our own natures and our own pasts. Mike Zone’s short sci fi/fantasy/horror story Life-Hack presents a woman tracked down at long last and tormented by the son she abandoned. She likely wished she could have escaped to the Land of the Lotus-Eaters, where, like Odysseus’ crew, she could have lost her memory and identity.

Sometimes we encounter circumstances that change who we are, that cause us to reinterpret ourselves, as enchantress Circe changes Odysseus’ men into pigs.

Federico Wardal invents a character for the stage that allows him to express the nuances of his craft while playing classical and modern dramatic characters, as well as speak up for human rights through theater of his own making. Interestingly, he specifically credits the ancient Greeks with the majority of his inspiration and the basis for his style.

Joan Beebe reminds adults that we can still enjoy the breaks from reality and the world-expanding and enhancing effects of imagination.

Sometimes, we get in trouble because we are too bold and we overstep the bounds people have set to protect us. Wind god Aeolus tries to help Odysseus by capturing all the air currents that might set his ship off course into a bag, but when he is nearly home, the crew opens the bag in search of treasure, unleashing all the bad winds.

Dan Morey’s story illustrates the drama his elderly Mom creates in Rome when she attempts to evade the Swiss guards protecting the Vatican so she can make an unscheduled visit to a garden. However, he is more fortunate than Odysseus and, through humor and gentleness, he is able to defuse the situation.

Nancy Schluntz’ poetry conveys an environmental message in its talk of earthquakes and cataclysms, warning us to live sustainably within the natural world. As when Odysseus’ men disregard the admonitions of the sun god Helios and eat his cattle, incurring his wrath and their destruction, sometimes we should heed warnings.

Sometimes, we are blessed to find those who come to the aid of lost travelers. The Phaeacians finally help Odysseus find his way home, following the ancient code of hospitality.

Mahbub, a poet from Bangladesh, encourages compassion for the world’s Syrian refugees in a set of poetry that also celebrates faith, family, community and romantic love.

Donal Mahoney contributes an essay about his Irish parents, in time for St. Patrick’s Day. Ironically, he remembers that he himself is the child of illegal immigrants, headed to the USA for safety and better economic opportunities.

In Elizabeth Hughes’ monthly Book Periscope column, we follow the journey of Thomas Montasser’s protagonist, who finds a welcoming home in a small town bookstore in A Very Special Year. And the life story of Anlor Davin, who, as she relates in her memoir Being Seen, leaves her provincial French homeland and journeys across the US, finally finding home in Zen meditation and accepting her uniqueness. And, finally, we uncover the secrets hidden in a lovely beach resort in Mary Kay Andrews’ The Weekenders. 

Wishing you all safe travels, friendly winds and a gentle landing as you read. Enjoy!

 

 

 

 

Poetry from Michael Robinson

Star Night Star Bright

Shooting stars shooting past me;

Shooting guns shooting at me,

Shooting stars shooting past shooting guns.

A soul shooting past shooting stars.

There’s hope that I will survive the night.

 

Connections

Stay with me tonight until the sunrises, so I can forget the past, as the cold swear flows through my body. Hold me, but not too tight to suffocate me. I long for the nectar of your gentle warmth next to me. Watch for the demons that have chased me thought-out my life. Pray as I atone for my sins. Kiss me to awaken me to your love. The scent of rosemary on your body reminds of our connection. Your soul reaches for my essence and we both are connected.

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Fiction from Mike Zone

Life-Hack

By Mike Zone
Eileen obsessively eyed the diner’s entrance. When she couldn’t glue her eyes on the unmoving door, she kept an ear open for the “ding” of a bell and his soft melodious voice (which in reality was really quite squeaky) to signal either a fanciful reprieve or a return to purgatory.
Maybe their pending marriage could work. After a month, there might even be the chance for actual love to grow between them. Depending on the nature of it all that is, she even wondered if he was real and not a figment of desperate imagination or even a nightmare fever getting ready to claim her.
She was sick of her feet hurting, the touches of gray beginning to streak through her copper red hair, and the small belly starting to develop. When would her tits begin to sag? Would they be as bad as the bags underneath her eyes? The result from lack of sleep wrought from anxiety born of cut hours and declining tips.
Most of all though, she was sick of the smug looking old men at table nine, who grinned and nodded at each other; knowing they had, had her in her prime; she was young, desperate and in need of quick cash.

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Poetry from Joan Beebe

IMAGINATION
 
Playing a piano concerto at Carnegie Hall,
 
A baseball star and being voted into the Hall of Fame,
 
A famous writer with people clamoring for more of your books.
 
All of these things can take place in your imagination.
 
 You are able to fly away from reality and be in another world of your own.
 
Children seem to have that ability and they are happy in their make believe world.
 
Sometimes we need that time to dream and be in that happier place of renewal and joy.
 
That imaginary world is one we create ourselves because sometimes the stress of this world is too much and we long for peace and where we feel content and free. 
 
Our imaginary dreams can become a reality if we focus on the positive areas of our life and push the negatives aside.  We become and create that world of peace and joy within ourselves.