Palabra seeks all types of writing from Chicanos and Latinos

CALL FOR SUBMISSIONS

PALABRA: A Magazine of Chicano & Latino Literary Art

invites Chicano & Latino writers to submit short stories, flash fiction, poetry, standalone novel excerpts and short plays that explore new avenues of Chicano & Latino writing. Innovative/cross- genre/hybrid work is welcome. Especially interested in work that is fresh and takes literary risks.

Fiction and novel excerpts to 4000 words, flash fiction 3 maximum of up to 750 words each, poems 5 maximum of any length and style, plays to 15 pp. Work can be in English, Spanish, Spanglish or any combination thereof. Simultaneous submissions are okay. Include brief bio in cover letter. There is some pay.

Submissions are accepted from September 1 through May 31. Work received after May 31 will be held over for the next reading period.

Detailed guidelines and information available on the website: www.palabralitmag. com
Queries: info(at)palabralitmag.com.

Submit via USPS only to: PALABRA, P.O. Box 86146, Los Angeles, CA 90086-0146. Include SASE. Manuscripts will not be returned.

Poetry submissions sought from Nebraskan women (born there, or current/previous residents)

The Backwaters Press is now accepting submissions for The Untidy Season: An Anthology of Nebraska Women Poets through December 31st of 2010, for expected publication in Spring of 2012. Contributors must be Nebraskan women, which includes all women born or currently residing in Nebraska. Poets who have previously lived in Nebraska for a period of not less than 10 years, will also be considered. We ask that all submissions include a brief statement describing the author’s connection to the state of Nebraska. Poetry submissions need not specifically address Nebraska issues or geography, though both are certainly welcome.
The Backwaters Press, an independent, non-profit press based in Nebraska, has published numerous award-winning titles, including the anthology Times of Sorrow, Times of Grace (2003), which received two Nebraska book awards, and Nebraska Presence: An Anthology of Poetry, which won a Nebraska Book Award for a poetry anthology. Several poets published by the press have had poems from their books read by Garrison Keillor on The Writer’s Almanac.
Please send 3-5 previously unpublished poems (10 pages maximum) to <theuntidyseason( at)yahoo. com> (replace (at) with @). Include a cover letter with a brief bio and statement describing your connection to Nebraska. Simultaneous submissions are acceptable, but please notify us immediately if your work is accepted elsewhere. Poems should be submitted both as an attachment (rtf, doc, or docx) and pasted in the body of the e-mail.
Electronic submissions are strongly preferred, however, postal mail submissions may be sent to: P.O. Box 8067, Omaha, NE 68108. Please list the name and address of contributors on each page of postal mail submissions, and include a self-addressed, stamped envelope for return of your poems and for correspondence. Please include your e-mail address with your postal mail submission. If you send your poems by US Mail, please do not use any services that require a signature, such as delivery confirmation, express mail, etc.
Response time is approximately 4 months.
Poets whose work is published in the collection will receive a contributor’ s copy.

Survivor Chronicles webzine seeks art and writing related to personal experiences of trauma survival

 

Survivor Chronicles is a small independent publication, geared towards documenting trauma survival stories. The focus is on literature and art that has been part of the process of trauma survival. It seeks to celebrate the quintessential strength of the human soul.

We want to publish our first issue by the end of May, and are open for submissions.

We are very interested in poetry and artwork, but will also publish
short fiction, non fiction and photography when we really like it (and
have submissions!).

What we are interested in: gritty, bold stuff that tells a moment in
your story — it may be of great pain or great hope, great helplessness
or great strength, but it’s an important part of the process of your
trauma, and of your survival of it.

We prefer shorter pieces to longer ones, owing to the attention span
of the average internet reader.

In the body of an email, paste 1-5 poems, or short fiction/non fiction
within 1500 words.

Artists and photographers can send 1-5 pieces for consideration; email
as separate attachments.

In the subject line of your email, write your Name, Type of
Submission, Submission and send it to <thesurvivorchronicles(at)gmail.com> (replace (at) with @)

If it is important for you to remain anonymous, please feel free to
use a pseudonym. Otherwise, please send a short bio.

__._,_.___

Calls for writing on the African Diaspora

Calls For Poems, Short Fiction
Obsidian: Literature in the African Diaspora is currently seeking contributions for two soon-to-be published special issues on Pearl Cleage and James Baldwin, respectively.

Obsidian supports the work of writers composing the stories and poems of the African Diaspora. As the journal has evolved, it has also been committed to publishing excellent scholarly articles. At this juncture the journal seeks notable and provocative poems and short fiction to be published alongside scholarly articles selected for issues dedicated to the work of Pearl Cleage and James Baldwin.

As writers working in several genres, Cleage and Baldwin have made significant contributions to the interrogation of the politics of gender, race and her/history in American and African American culture. Obsidian invites previously unpublished creative writing engaging any aspects of the oeuvre of Cleage and Baldwin.

We are open to creative writing that engages any aspect of Cleage’s, and Baldwin’s respective oeuvre and are particularly interested in:
– Free womanhood, feminism and womanism
– Poetic style and/or voice
– Racial identities and subjectivities and desire
– Gendering race and racing gender
– Racial consciousness and democracy
– Exile and Diaspora subjectivity
Intertextuality
– Queer subjectivities and threshold identities
– Use of African Diaspora spirituality
– The politics of love and identity
– Violence and the black literary imagination
– The import of place, especially of urban spaces
– Absented whiteness
– Visions of black masculinity
– The poetics of witness and utterance
– Translation and border crossing

Deadline for receipt of submissions is Monday, May 10, 2010.

Guidelines (2010 special issues)
Obsidian: Literature in the African Diaspora, a non-profit organization hosted by North Carolina State University, is a semi-annual journal. We publish contemporary poetry, fiction, drama, and non-fiction prose from within, about, and contextualizing the African Diaspora.
Guidelines

All manuscripts that are submitted via mail must contain a self-addressed stamped envelope
Writers should include cover sheets bearing the author’s name, contact information, and the contents of the submission. All decisions of the editorial staff are final.
We do not accept simultaneous submissions or previously published works. Copyright reverts to authors upon publication.
Submissions for Cleage and Baldwin special issues will be processed within the month of May 2010. Responses can be expected shortly thereafter.
Each contributor will receive two complimentary copies of the journal. We deeply appreciate writers who subscribe to the journal as well as submit their work for publication.

Poetry: Poetry should be single-spaced. Poetry submissions should contain no more than 5 poems and not exceed 8 pages in the length.
Fiction: Submissions should be double-spaced and no longer than 20 pages in length.

Please send your work to the following address:
Obsidian: Literature in the African Diaspora
North Carolina State University
Department
of English, Box 8105
Raleigh, NC 27695-8105
or by e-mail: <obsidian(at) gw.ncsu.edu> (replace (at) with @) (in Microsoft Word (.doc) or RTF format)
Neither the editors nor the staff assumes responsibility for loss or damage of submissions.

Haitian writing anthology now open to all writers of any descent

Now extending an invitation to ALL writers
The Haiti I Knew, The Haiti I know, The Haiti I want to Know
Edited by Women Writers of Haitian Descent, Inc.
To be published in the United States through an independent press in English, French and Creole.
Distribution: International.

Deadline: June 30, 2010
All submissions should be sent via email to <jessfievre( at)gmail. com>
(replace (at) with @) with “ANTHOLOGY” written in the subject line.

In light of the recent earthquake in Haiti and the overwhelming support from the world community that followed the tragedy, the editors @ Women Writers of Haitian Descent, Inc. have decided to extend an invitation to ALL writers. While the anthology, The Haiti I Knew, The Haiti I know, The Haiti I want to Know, still seeks to strengthen the voice of Haitian women in the world of literature, we will feature a “Guest Writers” section.

We will take an interest in creative work about Haiti.

See our submission guidelines at www.wwohd.org

Two Synchronized Chaos-worthy international literary and writing collaborations

Everyone – I know people are struggling everywhere due to the economy, but if you have a small amount of cash to donate towards worthy causes which support the mission and goals of Synchronized Chaos Magazine, please consider the Valentino Achak Deng foundation, born of a literary collaboration among United States author Dave Eggers and talented Sudanese storyteller and activist Valentino Achak Deng. A few years ago, the pair co-wrote What is the What, a novel loosely inspired by Deng’s early life in Sudan, his surviving the region’s civil war, eventually moving to the United States as a refugee, and then returning to the region to help build a school to educate and empower survivors.

The school’s in its second academic year, and provides a science laboratory, literacy training, safe, clean dormitories for all students, including women and girls, who may be orphaned or homeless due to the civil war. Construction’s begun this year on a new women’s dorm which will fit another 100 students – who are encouraged to attend as much as possible even if they are married with young children (people in rural Sudan can get married in their early teens and become parents with only elementary school educations.)

There’s a moving essay about the collaboration between Deng and Eggers on the novel…what struck me the most was first of all, how open Eggers was to actually listening to Deng and telling the story his partner wanted to share. Deng critiques the imperfections within both Sudanese and American societies, and relates his struggles as an immigrant in a vastly different culture in an age where Westerners are suspicious of outsiders and where employment opportunities are limited and often dependent on one’s pre-existing professional network. And Eggers invested several years in the project, and was willing to go in new directions as befit the unfolding story.

Also, how the school project brings tangible results when there are so many news stories about Darfur, Sudan, civil war, international awareness and pressure, etc which provide many depressing statistics but little information on how to actually solve the problems. Here’s someone from the region who knows what’s going on and is actually practically helping the Sudanese in a long-term, sustainable way.

Here’s the school project’s main website: http://valentinoachakdeng.org/ and the link to Dave Eggers’ story about the authors’ collaboration: http://valentinoachakdeng.org/essay.php

This type of international, mutual mentorship and collaboration, and the long-term promotion of education and literacy, goes right along with what Synchronized Chaos Magazine seeks to promote through providing a forum to curate and discuss ideas and works of art of all types.

Also, along the same lines in Uganda, also wracked by another nasty civil war over economic resources, an international team of Ugandans, Canadians, and people from everywhere else are working together to build a youth center, with space for art, drama, writing, fun, and education. Teens in the area say they have nowhere to go while waiting for businesses to reopen and hire them, and for schools and farms to get started again once the region becomes more stable.

The Paramount Chief of the Ugandan Acholi Tribe donated land for the youth center and people are raising funds to get it off the ground. More information on the project, and links to donate, here: http://www.guluwalk.com/build/

We’d rather see you make donations to either of these groups than to Synchronized Chaos Magazine itself, although if anyone has an extra Amazon.com gift certificate they aren’t using, we’d be glad to purchase some books on the craft of writing or on marketing and send them out to our low-income contributors who couldn’t otherwise invest in their craft.

Cooper Dillon literary press seeks poetry manuscripts

http://www.cooperdi llon.com/ submissions. html
http://cooperdillon .submishmash. com/submit

Submission Guidelines

The reading period is now open.
Between April and August, we welcome submission of chapbook and full-length poetry manuscripts:
As a new independent literary press devoted exclusively to poetry we’re excited to consider all types of poems. Cooper Dilon Books intends to select two full-length manuscripts and two chapbooks per year. Please adhere to the following guidelines:

Be sure your name and contact information is on the cover page of the document.
Submissions are taken via our online submission system, Submishmash, saving paper, ink, postage, etc. PDF or Word files are perferred. If you’re sending the work to other places for consideration, and it’s taken, you can withdraw it through the system–and please do that quickly.
Please have any cover letter or bio associated with the submission in the space provided.
All manuscripts should have a table of contents, page numbers, and acknowledgments.
There is a $10 or buy-a-book reading fee. Please order a book from the store, or click on the button below to pay a reading fee.* After you’ve done one of those things, please include the order number with your cover letter/bio in the online submission system.

To order a book, visit the Cooper Dillon Bookstore.
To pay a reading fee, click here:
Click here to submit to Cooper Dillon Books through Submishmash.
Any questions about the reading period or submission process can be emailed to us at
<submit(at)cooperdi llon.com> (replace (at) with @).
*At least $1 of every reading fee will be donated to a local charity in San Diego.
All manuscripts will be considered carefully and replied to in a reasonable amount of time. If it’s been more than two months, feel free to send an email. Please note that we are only interested in manuscripts of poetry. Manuscripts of fiction, nonfiction, essay, biography, etc. will not be replied to.

Visual Art Submission Guidelines
We believe in the poetry we present, and feel the art associated with our books should reflect the same quality and intention. If you are a visual artist (traditional or photographer – no digital paintings or collage, please) and would like to have your work considered by Cooper Dillon for use in the cover art of a future publication, please put a letter of introduction into the body of an email, as well as a link to where we can view your work. In the subject line of the email, please format like so: “[medium] by [your name].” Please take the time to familiarize yourself with our press and our books before doing so.
Send these emails to <ArtDirector( at)cooperdillion .com> (replace (at) with @).