Short story from Bill Tope

A Bright, Shiny New Love

Elaine was Tim’s new girlfriend, unofficially, but one would never know it, from the remote way in which they interacted. At first just best buds, they had taken to hanging out together after school, with no romantic overtures. Elaine, however, a new student this year, was determined to correct that trajectory. She began by telling all her friends that the two of them were an item, and that she “had dibs” on Tim. Tim, however, apparently hadn’t gotten the memo, and remained strangely unaffected. The only time he would even touch the girl was when he tickled her. Elaine was perplexed; at sixteen — the same age as Tim — she had had boyfriends before, and none of them behaved as Tim did. He’d never even tried to kiss her! Was there something wrong with her? she wondered. She lifted her arm and sniffed. She was a few pounds overweight, but others told her she was cute, and she’d never had any difficulties before. Could the problem, then, be with him? She wondered: had he ever actually kissed a girl before? Elaine had dated guys at her old high school, in Reller, before her family moved to this school district, earlier this year. She was used to dealing with a faster crowd, but she really liked this guy. She blew out a breath and shook her head in perplexity. She knew that there were boys who’d never kissed a girl before. That was the case with every boy, she rationalized, until they just did it. She would have to teach him to kiss, she decided with a sigh. But, it could be fun.

. . . . .

That evening Elaine and Tim went to see a movie and Elaine placed her arm over Tim’s on the armrest, tried to snuggle a little. Their flesh was hot where they touched

“Oh, sorry,” spluttered Tim, moving his arm. Elaine rolled her eyes.

After the movie, they drifted to Tim’s car. Elaine stood against the driver’s side door and waited. She had a purpose in mind. 

“I’d better get you home,” said Tim, trying to reach around the girl. She didn’t move, but eased in close to him and tilted back her pretty head, mouth slightly open. She waited exoectantly. What did this boy need, a road map?

“Why does she keep getting so close?” wondered Tim, still without a clue. In the back of his mind was the notion that she wanted to be kissed, but the idea terrified him. The only females he’d ever kissed were family members and that hadn’t been any fun. But he was interested in making out with Elaine; he just didn’t know how to go about it. Confronted again by the persistent Elaine’s proximity, Tim did what he usually did to relieve the sexual tension: he tickled her. Squealing, she moved aside, but as he unlocked the door, she moved in quickly, wrapped her hands around his neck and planted a kiss on his lips. He seemed shocked, but almost immediately began kissing her back. He was a fast learner, thought Elaine with satisfaction. That was easy, Tim told himself excitedly. These Reller girls, he thought giddily, are hot!

It was a similar experience, weeks later, the first time they had sex. Closeted in Tim’s car, they necked and Tim rapidly circled the bases, but his car was just too darn small to allow love-making. And agan, he was steeped in ignorance; what if he did the wrong thing? By this time, she had trained him in practical use of the tongue. He took to it like a natural. This project was progressing well, thought Elaine. Soon, all Tim wanted to do was make out, and his appetites, like Elaine’s, were proceeding apace. They were groping one another with increasingly sensitive, probing fingers. If only they could glean some privacy.

Once again, it was she who had to act. After considerable frustration and scheming, Elaine enlisted the aid of her older sister, Marsha, who agreed to allow the pair the use of her bedroom in the apartment she shared with two other girls.

“I’ve got a surprise,” Elaine told Tim temptingly one night.

“Another one?” he blurted. Things were progressing so fast that his mind was awhirl. What next, did she want to drop some acid? he wondered bleakly.

“I found us a place,” she said cryptically.

“You mean….” Then he stopped. 

“Marsha’s place,” she elaborated. “She and her roommates will be out of the apartment for two hours, on Saturday afternoon.” 

Tim only stared at her. 

Again, Elaine rolled her eyes. “Don’t you wanna get laid?” she asked bluntly.

The light of anticipation glittered in Tim’s eyes.

Saturday afternoon found the erstwhile lovers sitting on Marsha’s twin bed in the bedroom of her apartment. A new artist, Elton John, was playing on the radio. Elaine smiled seductively, but Tim just sat there like a sack of flour. She leaned in and kissed him passionately. Tim’s pulse and breathing accelerated at once.

“Let’s get undressed,” suggested Elaine in a sultry voice.

Mutely, they began disrobing. Elaine wondered furtively if the diet she’d labored under had borne any fruit. She fretted self-consciously. Tim, on the other hand, unaccountably, worried that he wouldn’t get an erection. Which, naturally, he did.

“Um,” purred Elaine, looking asppreciatively at Tim’s naked physique. Noting her comment, he swaggered a bit.

Finally, they collapsed into one another’s arms on the bed. Tim felt like he had a raging fever.

“Come here, baby,” coaxed Elaine, drawing Tim atop her. Moving as if in a dream, Tim slipped inside his lover and came immediately.

“Oops, sorry, Elaine,” he muttered contritely.

“That’s okay,” murmured Elaine lovingly. “We’ve got lots of time.” And they did.

. . . . .

Dinner at Elaine’s house came about as a matter of course; her parents wanted to check out the young scamp that their perfect daughter was spending so much time with.  They had met him, but only briefly, a couple of times when Tim picked her up for a date. The teens had been seeing each other for almost four weeks and their relationship, they thought, had already covered a lot of ground. It had been just three weeks since they first kissed, one week since they’d had sex. Tim sometimes felt like he was just along for the ride. Elaine was talking about buying a lid of pot.

Tim met the father. “When Elaine told me that you never let her pay for anything on your dates,” said the older man, “my opinion of you increased by fifty percent.” Tim smiled happily. “Then again,” continued her father philosophically, “what’s one half of nothing?” He chuckled evilly. Tim’s face fell.

Elaine had two sisters still living at home, both pretty, like her. Tim was fascinated by Sue, just fourteen, but scantily clad in panties and halter top. If his own sister dressed that way, even at home, his parents would clobber her, he thought. Blonde Lois was just a year younger than Elaine, and very sexy indeed. Dinner was a nightmare: Mrs. Foster served everything that Tim hated, but he managed to stuff some of it down his throat, somehow. Interestingly, the family drank wine with their dinner, and that included the children, all underaged. Tim dutifully sipped a glass of red, instantly felt his face balloon with heat. This was his first experience with wine. But, it would not be his last, he decided hedonistically.

“Here, have another glass of wine, Tim,” offered Mona, Elaine’s heavy-set mother, again and again. Tim frowned at her thoughtfully. He wondered if this woman epitomized his girlfriend in thirty years. He shrugged the thought away, drank more wine. George Foster — Elaine’s father — alone didn’t drink wine; he imbibed beer — can aftere can after can of lager.

After the first three glasses of wine, Tim’s appetite began to pick up and he even found himself selecting a second helping of the loathsome butternut squash which had nearly caused him to vomit earlier. Finally, the interminable meal was over and Tim, with six glasses of wine under his belt, fretted that he wasn’t fit to drive. He hiccupped.

“You’ve had a touch too much to drink,” tittered Mona in a drunken voice. “You can stay over; I’ll call your mom, okay, dear?”

Tim nodded. He was having trouble seeing.

A bed was made up for the visitor on the sofa in the living room. Tim collapsed onto the blankets and was almost instantly asleep. According to the clock on the mantle, it was three a.m. when Tim was awakened by a wet feeling on his face. Shaking his head, he withdrew an inch.

“Wha…” he said.

There ensued a high-pitched giggling. Tim opened his eyes and observed several murky shapes drifting through the shadows and doing unspeakable things to his privates. Tim swiftly reached down and removed a small feminine hand, with long, tapered fingers, from his crotch.

“What’re you doing?” he asked in alarm.

“Don’t you have a clue?” asked fourteen-year-old Sue, now completely naked. She giggled again. Another female form — Lois this time — was crawling under the sheets with him.

“What the hell!” declared a familiar but angry voice. Elaine shooed the other girls away, and none-too-gently. “Skanks!” she hissed venomously. The two girls scurried back to their rooms, more laughter trailing in their wake. Tim sat there, stricken, in shock.

“Poor baby,” cooed Elaine, embracing her boyfriend in a much-needed hug, and copping a cheap feel at the same time.

. . . . .

As the school year progressed, Tim and Elaines relationship blossomed; she began murmuring matter-of-factly about marriage. 

Yikes! thought Tim. But, the more he thought about, the better it sounded. He was always more comfortable with the familiar. Besides, his famly just loved Elaine — as did Tim. And he enjoyed having a girlfriend, and being a part of something. But, one day, as Tim waited in his car for Elaine after class, she stood him up. He began to have conniptions. She’d never done this before, and his imagination ran wild; what tragedy might have befallen his one true love? Padding steathily back through the school corridors in search of his girlfriend, Tim abruptly stopped and slunk back around behind the corner. It was Elaine, and she was talking to the school lothario, a jock, the one all the girls called “Mandingo.” They seemed very chummy, Tim thought with annoyance. The girls all talked about Mandingo as a hulking, seething sexual animal. Everyone wanted him, he’d heard. Did Elaine?” he wondered. Mandingo would know how to kiss a girl, he’d know how to get what he wanted. Tim’s cheeks burned, and he hurried back to his car and drove away. For the first time, he began to have doubts about Elaine and the future of their relationship. Tim had talked to a boy who knew the Foster family from when the kids attended their old school, and he’d said that all the Foster girls were “progressive.” Tim had passed this off as envy, but now he reconsidered. His experience at dinner — and afterward — certainly stood out in his mind. Tim filed this all away in the back of his mind.

In trig class the next day, Debbie Hinson, who was easily the homeliest girl in the junior class, had the temerity to ask Tim to the prom. She even offered to pay for his tux and buy the tickets for the after-prom. She seemed rather  desperate, thought Tim. He turned her down as gently as possible, but he couldn’t help but smirk a little, a fact not lost on Debbie. What a preposterous girl, he thought.

What’s the matter with Tim? wondered Elaine at about this same time. He seems so distracted, so uptight. Maybe, she thought, he was checking out other girls. He was an attractive boy; other girls would want to date him, kiss him, use him up. That’s just the way people were, she told herself. He’d really shaped up under her tutelage but, she thought jealously, here he was, running out on her. He’d probably break up with her on the eve of the prom and disappoint her, humiliate her; what a rotten shit he was. Elaine had had unfortunate experiences before with boys. She would forestall the embarrassment of a break up, by breaking up with him first. That would show him he couldn’t screw with her. And after all she’d done for him!

Tim and Elaine sat in his car at the drive-in movie on Saturday night, unaware that this would be their final date. They were both brooding. “I want to talk to you, Tim,” she began during the ad for the concession stand.

“Shoot,” he said, nibbling on a hot pickle-on-a-stick. He had ultimately convinced himself that his doubts about his girlfriend were all unfounded, mere products of his own imagination. So what if they hadn’t made love in nearly a month? Things would take care of themselves.

“I think we should see other people,” she said tentatively.
“Other people?” he repeated. “You mean, date other people, kiss other people, make love with other people?” he asked, eyes wide.

“I’m only thinking of you,” she went on disingenously. “You’ve never dated other girls, kissed them, made love to them. What if there’s someone out there who is your soul mate?”

“But, you’re my soul mate, Elaine,” he answered. “I love you,” he declared. “Don’t you love me anymore?” he asked in a plaintive voice. For a moment, Elaine almost lost her resolve, but then she regrouped.

“I like you, Tim — a lot,” she said, confirming his worst fears. “Let’s stay friends, alright? Maybe we’ll get back together later, after we’ve had other experiences, you know? I mean, we’re only sixteen, and there’s a whole big world out there…” Tim knew this was the death knell. For the past school year, it had always been “I love you,” and not once “I like you.” Suddenly he felt cold. Then he grew enraged and hurt.

“I loved you,” he told her, “but you are a total bitch.” She erupted with a torrent of protests, but Tim tuned her out, tossed his uneaten pickle-on-a- stick out his window, and set the speaker back in its perch. Starting the car, he pulled slowly through the lot and exited the fenced-in theater property. When he pulled into Elaine’s driveway, neither of them said a word. The sound of her door opening seemed preternaturally loud, and she slammed it loudly and then walked swiftly across her lawn and let herself into the house. At the tender age of sixteen, Tim had suffered his first abandonment, his first real humiliation, his first broken heart. 

Elaine attended the prom with Mandingo, the final insult. They were, Tim learned, voted “Most Attractive Couple.” Tim conjured in his brain the things that the other boy would be doing to Tim’s girl after the prom. His cheeks burned. As for Tim, he found that all presentable girls had by this time been spoken for and he had no date for the prom. Then he remembered. Approaching Debbie Hinson, he asked her if her offer was still open. And he would rent his own tux, he added magnanimously, trying to sweeten the deal. Debbie curled the lip on her homely face and told him to make love to himself. And, skipping the prom and staying home alone that night, he eventually did just that.

Poetry from Travis Park


Hotel Ice Machine

The hallway

goes quiet

between

the sound

of falling ice.

Library Return Slot

Books disappear

through a metal mouth

without saying

whether

they were loved.

Parking Garage

Every floor

looks enough

like the last

to make me wonder

if the car

is moving

or I am.

Waiting

The microwave

counts down

more slowly

than the clock

on the wall.

Lost and Found

A single glove,

reading glasses,

one house key.

The beginning

of three different stories.

Travis Park is a poet from Indiana whose work has appeared or is forthcoming in Modern Haiku, Presence, Ribbons, Wales Haiku Journal, Leaf Journal, Haikuniverse, and elsewhere.

Poetry from Dr. Jernail S. Anand

APPARITIONS 

 Jernail S. Anand 

Man’s limitations are his 

Greatest strength 

And they make our lives 

Beautiful and worthy 

Knowing more than we should 

And doing more than humanly possible 

Is entering the weird zone

Of the supernatural 

AI which enhances our powers 

And disregards all controls 

Is a dangerous equipment 

For mankind 

I don’t want to know more than 

Is needed 

Nor hear more than I should, 

I love my limits 

I don’t want to leave 

The human realms and enter 

The super powered zones

Of Artificial Wisdom

Outgrowing out selves 

Is acquiring demonic powers 

Can we drop our humanity

And become apparitions?

Poetry from Thi Lan Anh Tran and Musharraf Hussain

Bamboo Flower

Thi Lan Anh Tran (Aschaffenburg, Germany)

& Musharraf Hussain (Assam, India)

Through winds of life where tempests stray,

A steadfast soul still finds its way.

It stands unmoved through storm and pain,

And rises stronger yet again.

It bows to neither fate nor fear,

Though hardship carves its presence here.

Each stone, each thorn upon the ground,

Becomes the strength it turns around.

In silence deep, it learns to grow,

Where only trials dare to go.

No wealth of ease, no borrowed light,

Yet still it burns with spirit bright.

It walks through dust, through night, through flame,

Yet never bends to shame or blame.

A heart that holds both steel and grace,

Time cannot weaken, not erase.

Though life may shake its weary frame,

It keeps its truth, it guards its name.

And from its roots, so firm, so true,

A stronger future breaks anew.

No fear of loss, no pride of height,

It stands through darkness into light.

And even when the storms remain,

It turns their fury into gain.

So lives the man of iron will,

Who walks through fire, standing still.

Unbroken, pure, and steadfast whole—

The blooming flower of the soul.

*****

HOA TRE

Tác giả: Thi Lan Anh Tran (Aschaffenburg, Germany)

& Musharraf Hussain (Assam, India)

Giữa đời gió bụi ngược xuôi,

Một thân đứng thẳng giữa trời chông gai.

Không cong trước những đắng cay,

Càng va sỏi đá càng dày ý tâm.

Lặng thầm giữ một chữ “ngầm”,

Mà trong im lặng hóa tầm vóc cao.

Ngực ôm bao trận phong đào,

Tay không buông giữa lao xao cuộc đời.

Đói nghèo chẳng gãy nụ cười,

Chỉ càng tôi luyện nên người sắt son.

Bước qua dâu bể mỏi mòn,

Vẫn đem chân thật giữ tròn nghĩa nhân.

Dẫu cho số phận xoay vần,

Lòng như ngọn lửa muôn lần chẳng phai.

Một đời chẳng ngại chông gai,

Đứng lên từ chính những ngày bão giông.

Dr. Jernail S. Anand in conversation with Dr. Annie John

POETRY IS AN ARGUMENT WITH THE SELF AND DISCOURSE WITH THE DIVINE – 

DR JERNAIL S. ANAND IN CONVERSATION WITH DR. ANNIE JOHN 



[Prof. Dr. Annie John, Head, Dept. of English, A. R. Burla  Mahavidyalaya, Solapur, serves as Chairperson, Board of Studies and Member of Academic Council.  A prolific writer, editor, and reviewer, she has authored 46 books, 60 research papers, 27 chapters, 40 articles on morals and ethics, guided 9 Ph.D scholars, and contributes as resource person at conferences.]

1. When and how did you first discover your passion for writing?

I was studying in B.A.  when I came across a friend who had published a book of Hindi short stories. That was the stimulus for me to move ahead in the direction of writing. However, I was very young, in 9th standard, when I started writing in my mother tongue Punjabi. I wrote a short novelette  about our migration from the village to the industrial city of Ludhiana. In our school times, in 9th and 10th standard, two teachers would inspire us to read Russian and Punjabi novelists, which propelled me towards writing. Lala Hardyal’s Hints for Self culture gave me the necessary impetus for loving English writing. 

2. How does your personal and cultural background align with your writings?

I believe that all art is autobiographical. Objectivity has its limits. The personality of a poet or an artist makes interventions in his artistic pursuits. The text that a poet creates comes from several sources, and the most momentary of all is the personal circumstances which govern his mindset. Once this moment passes, he will create a different type of text, words will be different, arrangement will be different, and may be, the entire idea of writing may change, and it is also possible, he may decide not to write at all. This is how bio text works. The personal and the cultural lie embedded at the foundation of every writing, and they colour the thought process of the writer. The suffering that I have seen in my life has always coloured my world view, and I come from a humble background, I possess a particular world view about the subaltern sections of society. All the empathy that you can see saturating my works is the result of my personal and cultural bearing, a period of struggle and evolution. 

3.  What inspires you to write and how do you balance imagination with reality?

Writing is second nature to me. Most of the thoughts come to me while I am on a walk. As soon as I enter the fields, and get close to the grooves of trees, thoughts which have poetic potential strike my mind. So, it it is natural settings, birds, vegetation, the sky, animals – all these have the potential to set the poetic bells ringing.  Thoughts actually come with a certain continuity. Sometimes it is not easy to connect back to that series of thoughts. So, I always make a small note of key words, from which I could rebuilt the poetic spectrum which made me think of a particular idea. As I get home, and when I get time, I write poetry directly on the mobile.  Reality and imagination coalesce in a poetic text. Reality is the pitch and imagination is the flight.  Everybody comes across ordinary events, but the poet has to impart these events a sense of urgency, some element of rhetoric, so that they become special, and for this, he needs imagination. Imagination is the mint where the words are sculpted. 

4.  How do you blend excellence and understanding in your writings?

Things come naturally and effortlessly when we are clear in our head about our priorities, which also gives us a sense of the fields forbidden to saunter in.  Understanding is the base, the foundation, on which excellence can be built.  Excellence is the pursuit of the finest in a particular field, and for achieving this state, it is essential that we understand what we are after. It also includes our understanding of our limitations and strengths, and what we should aspire for.  What is best for us, perhaps it is too tall an order to know. But, it is a fact that we do not get beyond our capabilities. Excellence also embraces the idea of hard work and pursuit of a particular ambition. People who are habitual of hard work, excellence is a natural corollary of their actions. Understanding, as I said earlier, is the foundation and for this to be strong, we need proper education and training of our faculties. 

5.  What type of sensibility is required for excellence in poetry?

You are talking of a poetic sensibility. It is a unique endowment  which cannot be acquired in training saloons. It is inborn. Poets are divinely endowed with a sensitive mind, which can discover the inevitable in every event, and perceive the invisible presence of a divine hand behind whatever happens. The highest poetry has been written by poets who were blessed by the Muse.  Writing poetry for the sake of poeticising is also an art, in which we can compete with others for positions in contests, but for excellence in creativity, we need a sensibility rooted in a divine vision, of the oneness of creation, and man’s divinity. I find the poetry of sages and saints like Guru Nanak Dev from Punjab is the highest form of poetry. Nobody can excel Kabir and Rumi. 

6. What goes into making a literary work truly excellent and immortal?

It is the subject matter of a work of literature which lends it immortality and it is its treatment and presentation, which make it excellent.  Great literature deals with questions of existence, philosophy and spirituality. Excellence relates to the formal aspect of the writing. The treatment, the selection of language, the clarity of thought, and how the poet finally delivers his message, all these aspects add to the excellence of a work of art.   Immortality simply means transcendence in matters of time and space. Art that deals with eternal values, finally transcends time.  A work whom generations after generations find conversing with them, stands the test of time, and in such a work, the loftiness of thought is combined with its formal finesse in delivering a message of ultimate significance.

7.  Has writing ever changed your own perspective on life?

Civilization is a ceaseless progression from past into the future. So are our lives. Whatever we face, and how we negotiate it, leaves its impact on our life and thinking. I feel as times have changed, and I have assimilated more and more of life and literature, I perceive a definite change in my perceptions. My thoughts on nature can be cited as an example. Previously, I thought that nature is secondary to mankind, and less intelligent too. But over the time, my perception has changed. Now, I believe that nature is the first empire of Godly creation, which possesses the highest  level of intelligence. Human intelligence, in my opinon,  is acquired intelligence, we can call it AI.  To every new born child, God gives a natural intelligence. Nature also has this original intelligence. It is also called INNOCENCE. Innocence should not be confused with ignorance. Nature is not ignorant. They know their job better than men can perform. That is why there is comparative peace in the world of nature, whereas there is absolute chaos in the world of men, where we depend on artificial intelligence, which I dare described as ‘Artificial Wisdom’. These ideas have been dealt with in my epic ‘Revelations’, which was released recently. 

8.  How do you know when a piece of writing is complete?

It is not possible to say that a piece of writing is complete. We leave it half way. In India, when a man dies, it is said, “poora ho gaya’ which means, his journey has been completed. In the same way, a writing can be called complete, it seems impossible, because, just as a man continues to live even beyond his years through his sons and daughters, an author bears poetry which keeps evolving in time. So, the idea of a writing being complete is illusionary. An artist when he gives finishing touches to a work of art, is never sure of its completion. It is only his feeling that it is completed. Personally, I always feel there is so much to say on any topic on which I write poetry or prose. But it has to be rounded off with a temporary sense of conclusion. 

9.  Many people opine that there is magic missing in contemporary poetry. How do you react to this?

I find there is a lot of democratization of the poetic sensibility. It is not confined to literature benches only. People are writing poetry, getting it published, and books after books are being released by different poetry portals. You find so many competitions, so many awards.  These days, senior scholars are holding workshops also to teach how to write poetry.  In this connection, I feel that any person can write an article, or even a story, or a novel, because after all these genres are dependent on the thought stream of writers, in which mind plays a great role. But, these criteria do not apply to poetry. Poetry cannot be taught. It is a natural endowment and poets are inborn. They have a special sensibility and a keen view with which they look at life, and this keen vision is coupled with the power of versification, which again is innate. If the poetry comes from these natural sources, it carries a certain loftiness, and what you call ‘magic’. If it is forced, it is just  versified prose which lacks poetic magic. 

10.  What tempts you to keep the pen rolling?

Poetic sensibility means a poet’s power to discern poetic moments in ordinary life. These moments cast a pull on our imagination, and then, while walking, I make a halt, take out my mobile phone, go to notes, and write down a word or two, so as to remind me of the entire spectrum of thought, when I start writing a bit later, when I feel comfortable.  For me, it is the wish to share my experience with the cosmic audience, what I have felt about certain things, and whether I like them, or how I want them to be. Poetry is an argument with the self and the cosmic forces as well. It is a private conversation, which we make public so that it remains as a living document of the discourse with the divine. 

11.  How has modern technology changed writing and reading habits?

Modern technology has opened great vistas of knowledge which has been documented for future generations. Things are available at the click of a button.  Scholars are simply required to sift the information and select from the information available in abundance.  All this seems to be a rosy picture. It should have made more time available to the youngsters. But, no. Their reading habits have undergone a marked change. The question is why people develop reading habits? In the past, people had vacant time, and they wanted novels and short stories etc. for the sake of entertainment. Now, the youngsters are left with no time at all. Moreover, whatever entertainment they need is coming from the films and videos streamed nonstop of the OTT platforms. You tube is a great source of entertainment. So, should our youngsters go to books? Instruction, which came from books, is no longer required because the kids grow mature quite faster, and overtake the wisdom of their parents. In a way, reading has become out of place. That is why, libraries are becoming cold stores of knowledge, which have no takers. AI has further brought people to the brink of thinking that book reading is a wastage of time. Make reels and make money from you tube and google. I don’t think any serious book readers are left in our vicinity, except those who rush to books written in lighter vein, comics, or books which tell ten ways to make money, and these days books about astrology are becoming acraze with young ones. Interest in books dealing with serious literature are accessed by students only if these books are prescribed in their course of study. 

12.  Looking back is there anything you would like to change in your literary journey?

We cannot go back, nor can we edit what has taken place in the past. Moreover, I am a strong believer that we are performing to the best of our abilities, yet, there are forces which don’t allow us to do things neither better nor worse. I have a positive faith in invisible forces. I have always looked forward, and did whatever I thought better in those circumstances. Some decisions were rash also. But, we cannot go back, nor edit what we have done. So, I think it is better to focus on the future.

13.  How would you like to be remembered as a writer?

Here lies the man who was his own worst critic because he was his own greatest lover. 

14.  What advice would you give young aspiring writers?

If  you look at my life, I have always believed in hard work, and a passionate engagement with my ambition. I never deviated from my mission to be a Lecturer in English, and then, to be an author.  What makes you better is the struggle that we have to face while wading through life. In this struggle, we should not play smart for the sake of success. It is better to remain rooted, and have faith in the power of our faith.  One should aspire for the impossible and work for its achievement, there is nothing wrong in it, but, while working for our own wellbeing and uplift, we must not bring any harm to anyone else, may be from our family, or society, or the larger cosmic society. In other words, our actions should be in harmony with the cosmic forces.  By way of advice to upcoming generations of poets and writers, I would like to say: try to be original and creative, and don’t keep looking towards the past. Future has a different composition, and it requires an innovative treatment. Evolution is the law of nature. Spiritually and philosophically, we need to grow and confront the emerging realities, so that our writing reflects contemporary conflicts and possible resolutions. 


Dr. Jernail S. Anand, with 200 books to his credit [20 epics] is a Chandigarh-based  polymath, and a vital architect of the 21st century ethical literature whose seminal work ‘Lustus: The Prince of Darkness’ challenges the moral complacency of our era.  Founding President of the International Academy of Ethics, and Laureate of Charter of Morava [Serbia], Seneca [Italy], Franz Kafka [Germany, Ukraine, Czech Rep] and Maxim Gorky [Russia],  his name is inscribed on the Poets’ Rock in Serbia. He is an Honorary Member of the Serbian Writers Association, Belgrade. Anand has built a poetics that unites ethics, Vedic spirituality, social critique, and the philosophy of meaning. Anand presents an articulated perspective on poetry as an instrument of planetary consciousness. A moral philosopher, professor, and international speaker, Anand has devoted much of his research to the ethical dimension of language, to the responsibility of the individual within a globalised society, and to the relationship between matter, consciousness, and transcendence. Email: anandjs55@yahoo.com.

Bibliography:

https://sites.google.com/view/bibliography-dr-jernal-singh/home

https://share.google/QtiWrcFr7Sca7v0qC

Poetry from Eva Petropoulou Lianou

Love,

First you need to understand the energy of giving without waiting for the rewards 

Love,

Second you need to accept yourself and try every day become a better person 

Love 

We are here to be loved and love unconditionally 

Love is a free energy who is coming from inside your inner soul

Your body once feel loved is an very high level where it feels like it is flying 

This is the absolute connection with the divine 

We are close to God once we’ve stopped to overthink and trust completely the Divine word

Love 

I am the Alpha and the Omega says to us 

As we are connected with the Divine 

Love can only be multiplied 

So do not afraid to give love away 

Because God will always give you light and love through your heart 

Love yourself 

Try to achieve your dreams 

Be with people who love and support you 

EVA Petropoulou Lianou 🇬🇷

Essay from Timothee Bordenave

The Fruits Forest concept

Hello, my name is Timothee Bordenave, from France. I wanted to share an idea with you that is inspired from my life experience as a tree sower and can be called the Fruits Forest.

If you very simply collect the seeds from the fruits that you eat, then time after time you can sow these seeds. The best moment in the year to sow a seed would be generally the same as when you have just eaten the fruit from which it was taken off, because of natural cycles. But, I have tested this, many other moments in the year from late winter to early fall, can be appropriate too, as long as the weather conditions and the soil where to sow are good.

You would, very likely, by coming back to the place where a seed was sown, find a young plant of a tree at birth, a few months later. You would likewise, a few years afterwards, find very often a tree in itself, bearing fruits after merely only a year or two…

Then, if you realize this action often enough, several fruit trees, many fruit trees eventually, would be born and would bear good fruits, as in the orchard gardens this is what was always done, initially. And if you reproduce your sowing on a large enough scale, then not long after your beginning, an orchard that would be about the size of a small wood, or even of a small forest, can be implanted into your land – and this for an undefined, but likely to be very long time for the future.

The same proceeding can be undertaken as starting in a wood or a forest at first, where if you take advantage of the original disposition and distribution of the existing trees, you will be able to sow fruit seeds and also if you know how to do so to graft on fruit-bearing branches, locally at first and after a time, with a patient and constant work, on a very large forest surface, easily.

This principle can be applied to any lands were the soils would be good and clean enough, I presume. I presume also this applies to any type or species of fruit trees. Then, it can be done at any level of implementation : from one tree in your backyard to a forest of fruits…

When I was young, I was very impressed by a story from a French writer, M. Jean Giono, entitled : The man who planted trees. Where is described the life of a postman who declined despairing about his region being arid and a close-desert, and who then planted oak trees he had collected seeds of at first, to thereafter gradually be giving birth to an oak forest covering acres, and acres, and acres, of the hills around his village.

Believe me : inspired by this narration, I then tried with my humble own manner to do the same. And even if I did not maybe yet achieve the quest for planting a whole fruit forest… Well, I can say I have been at the origin of thousands of trees bearing fruits, and I notably planted a few big orchards already, along with many seeds that I sew in the wild, of which I saw many trees growing, which I could eat the fruits of.

I chose from the beginning to sow seeds of fruits, because I foresee here a great utility, both for the food they bring obviously to my fellow humans, second for the food they bring to various animal species, facilitating their ability to live near and to enhance the « biodiversity », and improve the ecological system or environment in these areas concerned by a new food supply from the fruits of these trees.

Now, would we hopefully one day, realize a whole fruits forest in France, for example, where a majority of our vast wooden lands would host a lot of fruit trees, we would then be close to our old, European medieval idea of a Forest of Abundance, which was closely related to our ancestors’ views of an Earthly Paradise!

Call me a dreamer if you wish to, still, this idea starts with the simple, calm and peasant work of anyone who would like to take a seedling of a fruit, and sow it in the good soil, in Nature, to enjoy it being grown soon after in a tree, where fruits can be picked off… Indefinitely, in time, afterwards!

Born in 1984 in Paris, France, Timothee Bordenave is a French author of fiction and essays, and a poet. He has published many books, about 25 to date, and his literary works have been translated in large parts to about 20 languages… He is also a visual artist, whose photographs and paintings have been shown in France and in various international locations. He used to work directing libraries in Paris, and nowadays he is a full time creative.