Cristina Deptula reviews Magdalena Garcia’s poetry collection ‘The Madness Inside My Head’

The Good, the Bad, and the Ugly: Magdalena Garcia’s The Madness Inside My Head

 Magdalena Garcia is complex. Her new collection The Madness Inside my Head celebrates romantic love and raw sensuality while confronting us with the domestic violence and cruelty she has endured. She’s got determination to live and to care for her children, whom she makes a definite priority and refers to as ‘kings and queens.’ For their sake, and her own, she speaks out about child abuse and intimate violence, about looking to men hoping for the care and love she never found from her father as a child.

As many people may ask, ‘why didn’t she just leave?’ she replies, tellingly, in a poem: ‘bad love was better than no love at all.’

She encourages and patiently waits for loved ones to get help with their substance abuse problems and criticizes the damage she sees drug and alcohol abuse doing to those around her. Yet she acknowledges that she herself has struggled with an addiction – sex. Perhaps this shared experience is a source of compassion for her, helps her to love those around her who are addicted while still hoping that they get the help they need to change their behaviors.  

Also, a poem in the ‘Bad’ section suggests that she herself has not always been entirely honest with everyone in her dating life, and she can now own up to that without hiding it. That is courage – that she’s no longer afraid, not of the brutal men who have hurt her, or of being alone, or even of owning up to her own past. She can now revel in beauty and strength, her own, and that of her mixed Puerto Rican-Black heritage.

The Madness Inside My Head is conversational, with punctuation and varying sentence lengths. Garcia’s writing expands to reveals the depth of her pain and solitude when she’s got nothing but uncomfortable time to think, and bursts forth in staccato exclamations to highlight the urgency of her survival instinct during immediate danger. At other times, particularly in the first section, her rich, flowing language revels in passion and pride. She now knows the difference between an abusive situation and a mutually consensual, caring relationship, and has the resources to be able to choose the latter with joy.

There’s a trajectory towards hope in Garcia’s story: she leaves, or throws out, the men who harm her, realizes ‘there’s therapy in her future’ and becomes okay with that, sets up a safe and caring home for herself and her children, and gets the medical help she needs to live a healthier life. Yet, not every poem reflects that movement towards hope. At times, several poems in a row convey nothing but fear, rage, and graphic images of violence. This is realistic in that there are moments in life when we feel hopeless, and Garcia lets us sit with that.

And, Garcia honors the struggle of her fellow domestic violence survivors by refusing to allow her story to seem a simple and straightforward path towards healing. It’s not always so easy to ‘just leave,’ and she isn’t putting out a step by step guide for everyone, because that doesn’t exist. The book isn’t organized as a chronological memoir, but rather in sections: the good, the bad, and the ugly.  So, rather than leaving on a note of definite, prescriptive, expected triumph, we see the hope at the beginning, which draws us into the story and makes the book more approachable. Then the book reveals the life Garcia has survived, making her joy and pride all the more compelling.

The collection ends, as indicated, with the ugliest, most brutal parts of her story, leaving readers uneasy in a way that echoes the lived experience of many survivors. Overcoming domestic violence isn’t always a linear journey, but can involve making many attempts to finally end a recurring cycle of mistreatment.

I recommend this collection for all adults, not just survivors of abuse, but those who wish to deepen their empathy for those who have survived challenges of all sorts. Magdalena Garcia has a rich, thoughtful, and strong voice and is capable of deft writing on a wide range of moods and themes, and I would love to see more from her.

The Madness Inside my Head can be ordered here. 

Poetry from Diarmuid o Maolalai

Primary colours.

 

the mountains

were blue all over

and the grass was green

and white clouds

cast without shadow;

this picture

so simple, like a child

with poster paint, and sometimes

there really

are no words for the countryside

beyond speaking slowly

in primary colours.

 

we sat together

on the sheet

wooden pine, unvarnished since winter

and staining

with sunlight,

drinking our coffee

and eating

oatmeal toast

and marmalade. looking down,

across the hill

which made a lawn

and on which the grass flowed

windblown,

like the surface

of a rolling sea. one car, a silver fin,

patrolled the roadline, gifting us

with easy demarcation;

 

a way to decide

the end of land

and the beginning

of landscape

you can’t touch.

Continue reading

Poetry from Bethany Pope

Passport

Some people never leave their own backyards,

not really, not in any way that matters.

Even if they get the visa, get on the plane,

they land in Nanchang airport with a year’s worth

of purified water and dehydrated

North American-style macaroni;

fifty aluminium packets of fake cheese.

This kind of person only sees the cracks

in the cement, only notices flaws,

blind to all but the myth of their own country —

a dream of some imagined, singular greatness.

I’d offer to take them out for breakfast

porridge: ground rice, spiced beef, tender slices

of peanut and garlic, served out of

a terracotta urn the height of a child,

but they’d never agree to it and I

lack the patience. Besides, they never last,

not for long, and I’m enjoying my time.

The Undiscovered Country

There’s an unbroken blue sky underneath

the weak-plated shell of my cranium.

Lying on my stomach, beneath that sky

(those skies)

hooking my fingers into the scree

of loose, golden sandstone at the edge of a cliff,

I can peer down into the rotting green breath of the earth

which seeps up from between the fat, dry lips of the crevice.

Tree-tips, curling, fern-like and ancient,

push themselves up from their secret, fertile roots

— just within brushing-reach of my fingers.

This forest has been growing in me for a very long time.

I cannot trace the trunks to the bottom of the loam.

There are animals, possibly monsters, moving,

down there in the dark.

Millions of them, swarming.

Occasionally, I’ll glimpse a flash of bright fur, or

the spark of a scale. I can hear them,

circling the branch-strained remnants of light,

calling,

calling to me,

‘Come home! Come home! Come home!’

and I grip the parched, craving lips of the earth,

until my nails tear and bleed,

clinging to this sunlit, imaginary safety,

to keep myself from jumping.

It gets harder, every day,

to resist.

Bethany W Pope has won many literary awards and published several novels and collections of poetry. Nicholas Lezard, writing for The Guardian, described Bethany’s latest book as ‘poetry as salvation’…..’This harrowing collection drawn from a youth spent in an orphanage delights in language as a place of private escape.’ She currently lives and works in China.

Poetry from Isaac Adjei Boateng

Ike Boat - Poetrician On The Mic

Ike Boat – Poetrician On The Mic

Stars In The SkySITS <— Title Of Poem (TOP)

It’s about nature’s beauty,

To spot how its twinkle.

It brings night time identity

Even when the old grow wrinkle.

Galaxy describe its multitude

This depicts the higher altitude

Stars in the sky.

 

It’s among the lights of creation,

As it’s competed with the moon and the sun

But, they’re different in terms of position

No matter the shot of the gun.

Truly, the appearance is at night

Which always remain bright

Stars in the sky.

 

It’s small and big in sizes,

With spectacular white radiation colour above

When stared there’s no wizzes

Sometimes, it expresses and depicts love.

Thus, when drawn to show

Like how the stream flow

Stars in the sky.

 

No Peace Everywhere <— Title Of Poem (TOP)

It a Biblical fact, nation will rise against nation

How true this is, due to rumours of wars

The cause of it commenced with demonstration

Individuals run but not too far.

Do you remember those you were?

No peace everywhere.

 

How about the stubborn child at home

Who disturbs the parent almost everyday

They wish after school, he doesn’t come

So as to have no words to say.

But, how can he stay there.

No peace everywhere.

 

The spectators at the stadium

How the level of fun turns to hooliganism

As if they’ve taken in spoilt colodium

Fighting each other like the inner organism.

Would you accept this here?

No peace everywhere.

 

The Sunset Drive <— Title Of Poem (TOP)

As I stand in front of the house

I spot the radiation of the sunset.

So I sit quietly and listen without the mouse

Because, they’re safe in the net

Imagine the moving cars on the road.

When they’re tune-in without the toad.

The Sunset Drive.

 

Guess what, it’ll be nice to get bigger headset

So as to jump and dance to the songs on-air.

But, sometime it’s also better to be on internet

That also makes good and fair

This program is also informative.

And it’s also interactive.

The Sunset Drive.

 

 

The above poem is specially dedicated to Sunny 88.7 FM program dubbed ‘Sunset Drive’. It’s often starts at 4:30 pm broadcast from Accra, Ghana. 

 

The Rain TimeTRT <— Title Of Poem (TOP)

Oh, mine! Oh, mine!

When the weather suddenly change.

It doesn’t matter whether one is at home

Nor the trend of its range

The rain time.

 

Oh, jeez! Oh, jeez!

Sometimes, the drizzle is like playing an instrument.

When one can hear it on the roofing sheet

It becomes intense moment by moment.

The rain time.

 

Oh, yes! Oh, yes!

Well, I can feel it when lying on the floor.

And the desire to sleep grips me

Even when there’s no open door.

The rain time.

 

The Natural Habitat <— Title Of Poem (TOP)

Imagine the fishes and frogs swimming together

Even in the midst of what seems impossible.

Nevertheless, they have course to cope with each other

In order to describe them as double.

The natural habitat.

 

Imagine the dogs and men living together

It paves the way to become more able.

Sometimes both can go farther

Good things come when one is so sensible.

The natural habitat.

 

Imagine the birds and the plane flying together

Each goes it ways to ease and ensure the possible.

The intervals make sure they don’t hit one another

Yet their sounds are very loveable.

The natural habitat.

 

 

The Cold ConditionTCC <— Title Of Poem (TOP)

Nature is often unpredictable.

So, it’s better to get ready.

Because, the weather is not stable.

Too much of its freeze can bring tragedy.

Man has no means to make option.

That’s why it’s good to pay attention.

The cold condition.

 

Some can describe its season.

Due to the alteration of the climate.

When passing wind and air chills, it’s the reason.

Even across the ocean, its affect the shipmate.

The newly born baby feels it shivers with emotion.

I guess, different races can’t embrace it sensation.

The cold condition.

 

Future of it seen remain uncomfortable.

          It’s determined by the concern forecasters.

Who have studied so they’re able.

Many of them are broadcasters

The certainty of it brings protection.

No matter the region of its concentration.

The cold condition.

 

 

The Thankful HeartTTH <— Title Of Poem (TOP)

That part of human,

Which is quite symbolic.

And performs diverse functions.

Be it inward or outward.

The thankful heart.

 

It’s associated with man,

So it eschews what is diabolic.

Yet likes to express appreciations.

Which helps to move forward.

The thankful heart.

 

How awesome to know even in Oman.

Where some describe certain things a parabolic.

Often in gratitude we say congratulations.

Thus, above all others stuffs afterward.

The thankful heart.

 

Poetic essay from Kahlil Crawford

REDD ARMOIRE

home – a desolate block – died inside of me at Newport Beach where I witnessed a miniature Versailles sidewalk surfing, and learned the fitness virtues of surfboards & yellowtail.

never mind the grungy beachside citizens wading along the oil-contaminated surf- “we’ve still got the best waves” – as evidenced by the splattering of surfer bars and nascent Brazilian cafes.

bikini-clad girls in flip-flops and trucker hats parade up and down PCH and Main sans aim – purpose nor destiny – a quick pedal home toward paternal security

the surf shops hide away long forgotten legends of the tide and sand lamenting an old glory that never was – only imagined.

see, the preservation of a local culture is drowned out not by waves and songs of the seagull, but by corporate cranes migrating North.

Oceanside, California

Poetry from Loretta Siegel

EASTER SUNDAY

Church bells chiming

People climbing cobblestones

Mothers talking

Fathers calling little ones

Hush of voices

Sound of footsteps

Sunrise services begin

Mist of morning veiling treetops

Pinecone fragrance in the air

Joyous voices soaring skyward

Echo back from Mt. Tam’s edges

Weary walkers trudging downward

Children chasing butterflies

Backward glances, wistful smiles

Happy Easter, Tamalpais